Editor’s Blog – Page 86

An Open Letter from Jeremy Lassen at Night Shade Books

Friday, April 5, 2013 John ONeill Comments 14 comments

There’s been a great deal of debate among authors and editors over this week’s announcement from Night Shade Books regarding a sale to avoid bankruptcy.

SFWA sent an advisory note to members, advising them that the settlement is “likely in the best interest” of writers. Respected authors such as Michael Stackpole strongly disagreed, pointing out that the contracts offered by Skyhorse/Start cut ebook royalties in half and demand audio and second serial rights — whether or not NSB originally purchased them.

It’s a painful situation for all involved. For readers anxious to see Night Shade’s future releases — including several volumes of popular ongoing series — this sale is the only way to avoid the rights to those titles ending up in bankruptcy court (where the majority may well simply die).

There’s no question that Night Shade made mistakes and burned a lot of bridges over the past few years, and that this latest unpleasantness has brought out more than a few writers with an axe to grind. As a publisher who ran a fantasy magazine as a labor of love for over a decade, until the mounting losses simply became too great to bear, I know well the kind of pain owners Jason Williams and Jeremy Lassen are experiencing now. Night Shade was one of the most dynamic and exciting publishers in the genre, willing to take extraordinary risks buying and promoting work from many new writers, and it’s undoubtedly painful to see so many of those writers apparently delighted to dance on their corpse.

Jeremy Lassen has written an open letter to his writers, and the industry at large, articulating just what’s at stake with this offer from Skyhorse and Start. The complete text of Jeremy’s letter follows.

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Dominate Your Desktop with an Eye of Sauron Lamp

Thursday, April 4, 2013 John ONeill Comments 3 comments

It’s not that I need a new desk lamp. It’s just that, when you discover that there exists a desk lamp crafted as a scale model of Sauron’s fortress at Barad-dûr, your life is not complete until you have one.

ThinkGeek is offering these beauties, designed by Richard Taylor as 21-inch replicas of the 9-foot tall model used to film The Lord of the Rings.

The lamps are sculpted from polystone and finished with a protective layer of polyurethane. They weigh 22 pounds and, yes, include a roving eye mounted at the top. They are priced at $299.99.

You can order yours from ThinkGeek today.

One final detail: note that these went on sale on April 1, and be sure to click on the “Buy Now” button to see actual availability.

Night Shade Attempts to Avoid Bankruptcy with a Sale to Skyhorse Publishing

Thursday, April 4, 2013 John ONeill Comments 16 comments

Word has begun to spread this morning that Night Shade Books is in negotiations with Skyhorse Publishing and Start Publishing in an attempt to avoid bankruptcy.

Night Shade has contacted authors to explain the situation, and excerpts from those letters have been posted online:

As you probably know, Night Shade Books has had a difficult time after the demise of Borders. We have reached a point where our current liabilities exceed our assets, and it is clear that, with our current contracts, sales, and financial position, we cannot continue to operate as an independent publisher. If we filed for Chapter 7 bankruptcy, or liquidation, the rights to your books could be entangled in the courts for years as could past or current unpaid royalties or advances. However, we have found an alternative, which will result in authors getting paid everything they are due as well as finding a future home for their books, subject to the terms and conditions stated in this letter.

The deal is not yet finalized and, in fact, hinges on how many authors approve changes to their existing contracts.

Some, including Jeff VanderMeer, have asked the publisher to revert rights back to authors prior to declaring bankruptcy. That’s not likely to be an option however, as its existing publishing contracts are Night Shade’s most valuable asset. As Harry Connolly points out on his blog, bankruptcy courts generally frown on publishers who do that, and such revisions are routinely overruled in court during bankruptcy proceedings.

The loss of Night Shade would be a real blow to the field. Known for taking risks on new writers, they’ve also published some of the most celebrated authors in the genre, including Paolo Bacigalupi, Iain M. Banks, Martha Wells, Manly Wade Wellman, Greg Egan, Glen Cook, Kage Baker, Jay Lake, Elizabeth Bear, Lucius Shepard, and many others. But there have been omnibus signs for the past several years, including a deep sale last April, authors leaving their stable, and others. Publishers Weekly has more detail on the potential sale here; io9‘s report is here.

The Top 50 Black Gate Blog Posts in February

Wednesday, April 3, 2013 John ONeill Comments 0 Comment

February is cold here in Chicago. Stay-at-home-or-you’ll-die cold. A good time to gather inside with friends and family, put hot cocoa on the stove, slip a movie in the Blu-ray player, and then forget all of that because there’s something fascinating on the Internet.

We had plenty of fascinating things to offer here at the Black Gate blog in February. Scott Taylor took at serious look at the downside of collecting in “The Weight of Print,” Matthew David Surridge examined Shirley Jackson’s The Haunting of Hill House, Mark Rigney revealed the surprising results of the John Piece Experiement as applied to fantasy, author Violette Malan explained How to Put the Sword in Sword & Sorcery, and Sarah Avery offered up another installment in her popular Teaching and Fantasy Literature series with “Weird Things My Students Have Been Told About Writers.”

And that’s only the Top Five. The complete list of the Top 50 posts in February follows. Enjoy — but not so much that you neglect your houseguests, please. Or let hot chocolate overboil on the stove.

Gardner Dozois on the 2013 Hugo Nominations

Wednesday, April 3, 2013 John ONeill Comments 4 comments

Gardner Dozois, editor of the upcoming The Year’s Best Science Fiction: Thirtieth Annual Collection (and about a billion other science fiction and fantasy anthologies), offered some astute and telling observations on the 2013 Hugo Awards nominations this week.

In case you haven’t noticed, I thought that I’d point out that this year’s Hugo Award ballot represents a historic shift in demographics. This has been coming on for a couple of years now, but this year a tipping point has been passed.

In the fiction categories, only Nancy Kress, Pat Cadigan, Kim Stanley Robinson, and Lois McMaster Bujold come from the literary generation that came to prominence in the ’80s. Everybody else is from a younger literary generation (which doesn’t always mean that they’re younger, although that’s usually the way to bet it; literary generations are different from actual generations). There’s only one story, Jay Lake’s, from a traditional genre market, Asimov’s, and only one story from a trade SF anthology, Cadigan’s. Only six out of the thirteen shorter works even come from PRINT publications, and four of those were novellas published in chapbook form by small presses; all the rest are from online publications. Only two of the five people nominated for Best Editor, Short Form, work at traditional print magazines; the rest edit online publications. ALL of the nominees for Best Semiprozine are online publications.

This is not going to change back. This is the way things will be from now on.

We discussed the complete Hugo ballot here on Monday.

Vintage Treasures: The Blind Spot, by Austin Hall and Homer Eon Flint

Tuesday, April 2, 2013 John ONeill Comments 2 comments

All right. Listen up, all you young fantasy punks. I know you’re out there, devouring contemporary fantasy by the truckload, while I’m trying to school you on the forgotten classics of the past. I know you’re not listening, because I rarely paid attention to the crotchety old-timers who tried to get me to read forgotten fantasy classics 30 years ago. I was too busy with Lord of Light, Bridge of Birds, Watership Down, and Swords Against Death.

Eventually, of course, I learned the error of my ways. I began to listen to my elders, and appreciate the glory of the pulp era of fantasy. I read the books they passed to me, and gradually became wiser, more worldly, healthier, and better looking, with fuller and more lustrous hair and better posture.

Mostly. I didn’t read, like, everything they foisted on me. Because Star Trek was on in the afternoon, and Dr. Who in the evenings (the Tom Baker episodes, naturally), and a lad needs some down time.

Now, these Vintage Treasures articles are my vehicle to pass along the accumulated knowledge and wisdom of a fabulously well-read generation (i.e. old people) to the eager and outstretched hands of the readers of tomorrow (you lot). That’s admittedly harder to do with the great classics of fantasy I haven’t read yet. Theoretically though, it might be possible to duck some of my personal responsibility by passing them along instead.

In short, skipping a generation and cutting out the middleman. Now pay attention, because this is where you come in.

I am tasking you with a sacred undertaking, upon which the very future of our beloved genre rests: to read, appreciate and evangelize the great works of 20th Century pulp fantasy. The ones I never got around to, anyway. So I can get back to that Season Two Star Trek DVD which arrived last week. Appreciate it.

Let’s start with The Blind Spot, by Austin Hall and Homer Eon Flint. What’s it about? I have no idea. If you were paying attention, you’d have clued in to that. But right there on the cover Ace Books calls it “The most famous fantastic novel of all time,” and the esteemed Forrest J. Ackerman shouts out the word “Fabulous!” That should be good enough for you.

The Blind Spot was published in 1921 as a serial in Argosy-All Story Weekly, and reprinted by Ace Books in 1964, with a doubtlessly fascinating and informative introduction by Ackerman that would have made writing this post a lot easier if I’d known about it 15 minutes ago. It is 318 pages in paperback for 50 cents. Finding a copy is left as an exercise to the reader (I got my copy on eBay for under a buck.) And get a move on, the cultural heritage of fantasy is at stake. But no pressure.

2013 Hugo Award Nominees Announced

Monday, April 1, 2013 John ONeill Comments 10 comments

The nominees for the 2013 Hugo Awards were announced this weekend. There’s a lot of great reading on this list and, if you’re like me, you’re still planning to get to most of it.

It’s not too late — and if you finish your reading before voting closes, you can help decide the winners. Voting is open to all attendees of LoneStarCon 3, the 2013 World Science Fiction Convention, and the winners will be announced at the convention on Sunday, September 1, 2013.

One odd thing about this year’s ballot? There are only three nominees for short story (usually there are five). The adminstrators state this is “due to a 5% requirement under Section 3.8.5 of the WSFS constitution.” No, I don’t know what that means either. I’m sure it will be much discussed, and somebody will explain it to me.

The nominees for the 2013 Hugo Awards are:

Best Novel

2312 by Kim Stanley Robinson (Orbit)
Blackout by Mira Grant (Orbit)
Captain Vorpatril’s Alliance by Lois McMaster Bujold (Baen)
Redshirts: A Novel with Three Codas by John Scalzi (Tor)
Throne of the Crescent Moon by Saladin Ahmed (DAW)

Best Novella

After the Fall, Before the Fall, During the Fall, by Nancy Kress (Tachyon Publications)
The Emperor’s Soul by Brandon Sanderson (Tachyon Publications)
On a Red Station, Drifting, by Aliette de Bodard (Immersion Press)
San Diego 2014: The Last Stand of the California Browncoats, by Mira Grant (Orbit)
“The Stars Do Not Lie,” by Jay Lake (Asimov’s SF, Oct-Nov 2012)

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The Top 12 Black Gate Fiction Posts in February

Sunday, March 31, 2013 John ONeill Comments 0 Comment

bones-of-the-old-ones Howard Andrew Jones held on to the top spot this month, with the excerpt from his second novel, The Bones of the Old Ones. Giving him a run for his money were new stories by C.S.E. Cooney, Vaughn Heppner, and Gregory Bierly, and a reprint from Joe Bonadonna.

If you haven’t sampled the adventure fantasy stories offered through our new Black Gate Online Fiction line, you’re missing out. Every week, we present an original short story or novella from the best writers in the industry, all completely free.

Here are the Top Twelve most read stories in February, for your enjoyment:

An excerpt from The Bones of the Old Ones, by Howard Andrew Jones
“Life on the Sun,” by C.S.E. Cooney
“The Pit Slave,” by Vaughn Heppner
“The Moonstones of Sor Lunarum,” by Joe Bonadonna
“A Princess of Jadh,” by Gregory Bierly
“The Find” by Mark Rigney
“The Whoremaster of Pald,” by Harry Connolly
“The Poison Well,” by Judith Berman
“The Gunnerman,” by Jason E. Thummel
“The Trade,” by Mark Rigney
“Godmother Lizard,” by C.S.E. Cooney
“The Terror in the Vale,” by E.E. Knight

The complete catalog of Black Gate Online Fiction, including stories by Aaron Bradford Starr, John R. Fultz, David C. Smith and Joe Bonadonna, Dave Gross, Harry Connolly, and others, is here. The most popular Black Gate fiction from January is here.

We’ve got plenty more fiction in the coming months, so stay tuned!

New Treasures: Gygax Magazine, Issue #1

Friday, March 29, 2013 John ONeill Comments 16 comments

I don’t think it’s an exaggeration to say that the hottest thing in role playing at the moment is the rise of OSR. The Old School Renaissance has captured the interest of thousands of players — many returning to gaming for the first time in decades — and fostered the birth of a fresh generation of dynamic new companies. We’ve featured some of the best products here on the BG blog, including Carcosa, Astonishing Swordsmen & Sorcerers of Hyperborea, Dungeon Crawl Classics, Labyrinth Lord, and even the first edition Premium AD&D reprints from WotC. But truthfully this is just a small sample, and more exciting products are arriving daily.

In fact, even though the number of OSR players is still fairly small, in a strange way that’s part of the appeal. The size of the market, and the out-sized level of excitement and productivity associated with it, reminds players of the early days of D&D in the mid-70s, when only a core group of gamers were tuned in to the new phenomenon that would soon sweep the country. That was a tremendously exciting and dynamic time, and in some ways it feels like it’s happening all over again.

One thing that’s been lacking from this generation’s gaming renaissance though is a clear center. Ask old-school gamers what the center of the genre used to be, and most will give you the same answer: Tim Kask’s The Dragon, the print magazine published by TSR (and later WotC and Paizo) from 1976 to 2007, and published online since 2007. Launched to help nurture the rapidly growing fandom around Dungeons & Dragons, Dragon gradually became the publication for role-players of all persuasions. The magazine embraced the entire genre, and accepted advertising from virtually everyone, publishing news, unbiased reviews, and articles of interest to everyone in the hobby. To read Dragon was to be informed of everything of real importance to the industry, especially in the early days.

Dragon was essential to the growth of adventure gaming. The creators driving the fledgling OSR industry have managed to capture the spirit of original D&D, and the excitement it spawned, surpassingly well, and that’s led many to wonder: would it be possible to re-create the magic of the early Dragon as well? As the folks behind Gygax magazine — including Ernie and Luke Gygax, and The Dragon‘s founding editor, Tim Kask — have proven with their first issue, it is possible. The similarities with its spiritual parent magazine don’t end with the familiar name of the publisher: TSR, Inc.

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Unearthed Adventures: Announcing the Winners of the Best One-Paragraph D&D Adventures

Sunday, March 24, 2013 John ONeill Comments 4 comments

Last month we announced a contest seeking the best one-paragraph descriptions of your favorite D&D characters.

Because we’re awesome (and because we’re tight with Wizards of the Coast, who are even more awesome), we secured a very special reward for four lucky winners: a copy of the brand new Unearthed Arcana 1st Edition Premium Reprint — which we first examined here. Those four names were drawn at random from the ten best entries, as selected by our judges.

Before we get to the winners, let’s enjoy some of the best entries. First up is Daniel J. Davis:

When I created my first character, a Minotaur warrior named Glokk Maghorn, I rolled an 18/00 for strength. I couldn’t have been happier. At the time, I was an almost perfect stereotype of the “typical” D&D player. I was smaller and weaker than most kids my age. I was uncoordinated, awkward, and bullied. But in the land of Krynn, I was going to be an 8-foot tall mercenary beast man with a battle-axe and a loose definition of “fair play.” I didn’t care one whit about my low charisma score. I spent most of my waking life trying to compromise and bargain with people big enough to wipe the floor with me. This was D&D, and I was going to bash some heads for a change. I retired him at 15th level, after his crowning moment of awesome: Failing a saving throw against a white dragon’s breath weapon, surviving with a single hit point, and finishing it off with a critical hit on my very next action.

Any story involving an 8-foot Minotaur whose name rhymes with Foghorn Leghorn is an instant classic in our book. Nice one, Daniel.

Next up is John Burt, who found a more noble motivation for his character: petty larceny.

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