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Month: April 2013

An Open Letter from Jeremy Lassen at Night Shade Books

An Open Letter from Jeremy Lassen at Night Shade Books

Jeremy LassenThere’s been a great deal of debate among authors and editors over this week’s announcement from Night Shade Books regarding a sale to avoid bankruptcy.

SFWA sent an advisory note to members, advising them that the settlement is “likely in the best interest” of writers. Respected authors such as Michael Stackpole strongly disagreed, pointing out that the contracts offered by Skyhorse/Start cut ebook royalties in half and demand audio and second serial rights — whether or not NSB originally purchased them.

It’s a painful situation for all involved. For readers anxious to see Night Shade’s future releases — including several volumes of popular ongoing series — this sale is the only way to avoid the rights to those titles ending up in bankruptcy court (where the majority may well simply die).

There’s no question that Night Shade made mistakes and burned a lot of bridges over the past few years, and that this latest unpleasantness has brought out more than a few writers with an axe to grind. As a publisher who ran a fantasy magazine as a labor of love for over a decade, until the mounting losses simply became too great to bear, I know well the kind of pain owners Jason Williams and Jeremy Lassen are experiencing now. Night Shade was one of the most dynamic and exciting publishers in the genre, willing to take extraordinary risks buying and promoting work from many new writers, and it’s undoubtedly painful to see so many of those writers apparently delighted to dance on their corpse.

Jeremy Lassen has written an open letter to his writers, and the industry at large, articulating just what’s at stake with this offer from Skyhorse and Start. The complete text of Jeremy’s letter follows.

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P.G. Sturges Delivers His Best Yet

P.G. Sturges Delivers His Best Yet

angelgatetribulationspbkAngel’s Gate is the third entry in P. G. Sturges’s award-winning Shortcut Man hardboiled mystery series. The book sat on my night stand untouched for a week or so as I couldn’t shake the suspicion that it would mark the descent into formula that befalls most series. It would still be amusing and Sturges’s prose would still be engaging, but it would be the inevitable come down after the joy and freshness of the first two titles.

Early on in the book, there is a sequence where Dick Henry, the Shortcut Man, is hired by a client to find her sister who came out to Hollywood seeking fame and fortune ten years before and has since fallen off the map. It’s a familiar scene that immediately recalls Raymond Chandler’s The Little Sister, likewise a hardboiled mystery about Hollywood scandal and hypocrisy. That book was Chandler’s fifth and, while still essential reading, it lacks the freshness and vitality of his early Philip Marlowe mysteries.

I was certain I would feel the same way about Angel’s Gate. Happily, I was dead wrong.

The premise this time revolves around a highly successful movie director who disfigures and tortures a starlet during a drug-fueled sex romp and the lengths his handlers are willing to go to protect the director’s reputation and prevent bad publicity coming down upon his current production. Complicating matters is the fact that the starlet is one of a stable of nearly thirty nubile women that the reclusive and highly idiosyncratic movie mogul Howard Hogue has selected as his personal concubines. Hogue doesn’t share his women. Hogue is also the director’s producer. Early on, Sturges establishes the madness of big studio Hollywood as a house of cards just waiting for the Shortcut Man to blow it down.

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Art of the Genre: The Joy and Pain of Kickstarter [and How Backed Projects Still Fail]

Art of the Genre: The Joy and Pain of Kickstarter [and How Backed Projects Still Fail]

The first Kickstarter success, and it was a true joy!
The first Kickstarter success, and it was a true joy!

In early November 2011, I attended World Fantasy Con in San Diego with John O’Neill and the Black Gate crew. It was a truly eye-opening experience for the ‘writer me’ as I’d attended many conventions in my day, but nothing that was so cloistered and dedicated specifically to the art of writing.

I well remember sitting in my room after the first day of listening to readings and thinking to myself, ‘Holy Crap, you absolutely C-A-N’-T do this!’ [Seriously, just listen to Claire Cooney recite any of her works from memory and tremble beneath the power of a truly gifted writer].

After I got home from the convention, I crawled into bed for three days and didn’t come out again because for the first time in my life I felt the power of ‘real’ writers and how far I had to go to reach the level of their talent.

When I finally emerged from my cocoon of despair, I clicked on Facebook and found a post from old time D&D artist Jeff Dee concerning something he called Kickstarter. It was a curious thing, this Kickstarter platform, and the more I researched it, the more I thought, ‘Huh, maybe I’m not Claire Cooney, but I bet I can get a book made anyway.’

At the same time, John O’Neill, our fearless leader at Black Gate, was thinking of creating his own line of novels from Black Gate under the power of the current business model he’d used to help found the magazine, namely his own pocket venture capital. I asked him to try Kickstarter and he declined, so I bet him, in no uncertain terms, that no matter what he managed to do with his book line at Black Gate, that using Kickstarter I would outsell him by a multiple of 10 and produce twice as many original books as he could.

Thus began 2012, something I like to call ‘The Year of Kickstarter’. Not only had I discovered this platform, now three years old in the marketplace and ready to tip the balance of acceptability, but so had EVERYONE else.

By February of 2012, Kickstarter money contribution records were falling almost weekly in every category imaginable, especially in computer games. Funding was surging to unforeseen levels with millions of dollars going to video games, art books, albums, miniatures, you name it.

I watched, I studied, and I saw the evolution taking place right before my eyes, but in so doing I also caught the wave and road with it on my new publishing company I’d affectionately named Art of the Genre after this blog. By February, I’d managed my first successful Kickstarter, The Cursed Legion novel, with former AD&D art legend Jeff Easley.

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Goth Chick News: Conjuring a Good Old-Fashioned Scare

Goth Chick News: Conjuring a Good Old-Fashioned Scare

image001Admittedly, I’m a complete sucker for ghost hunting shows.

Yes, they can be painfully cheesy; from Grant Wilson’s (Ghost Hunters – SciFi Channel) earnest takes to the camera while expounding on how blessed he is to be able to help tormented souls, to Zak Bagans’s (Ghost Adventures – Travel Channel) shameless dramatics, I love every one of them.

But here’s a question for those who’ve tuned in: did you ever wonder what would happen if just once something truly horrifying actually reached out and touched one of them?

It’s an amusing thought – there’s Zak asking the “ghost” if it would give a sign it can hear him and suddenly a full bodied apparition shows up, pokes him in the nose, and says, “Yeah, I’m standing right here you tool.”

And the next thing you know, Zak and the whole GA crew are “retired.”

Well apparently I’m not the only one who imagined something similar – only they’ve taken it several steps (miles?) further.

Director James Wan already has some pretty substantial horror “street-cred” as the mind behind Saw, Dead Silence and Insidious.  And as these films represent a more in-your-face kind of scare than generally appeals to me, I am really anticipating his latest outing.

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Dominate Your Desktop with an Eye of Sauron Lamp

Dominate Your Desktop with an Eye of Sauron Lamp

Eye of Sauron Desk LampIt’s not that I need a new desk lamp. It’s just that, when you discover that there exists a desk lamp crafted as a scale model of Sauron’s fortress at Barad-dûr, your life is not complete until you have one.

ThinkGeek is offering these beauties, designed by Richard Taylor as 21-inch replicas of the 9-foot tall model used to film The Lord of the Rings.

The lamps are sculpted from polystone and finished with a protective layer of polyurethane. They weigh 22 pounds and, yes, include a roving eye mounted at the top. They are priced at $299.99.

You can order yours from ThinkGeek today.

One final detail: note that these went on sale on April 1, and be sure to click on the “Buy Now” button to see actual availability.

Marie Corelli and the Quality of Badness

Marie Corelli and the Quality of Badness

Marie CorelliI don’t often write here about bad books. Partly that’s because I don’t usually care to give them publicity. Partly it’s because I don’t usually care to think further about an unrewarding reading experience. Mostly, though, it’s because to me a bad book is typically an uninteresting book. And what I really want to write about, when I write about a book, is what makes it interesting. Still, there are always exceptions. And of course it’s always worth challenging one’s ideas of what ‘bad’ means. So this time out I want to talk about some books by a writer who was, in her time, notorious for literary badness.

Marie Corelli, born in 1855 as Marie Mackay, published her first novel, A Romance of Two Worlds, in 1886. It launched her career as a best-selling and critically despised author. She went on to write two dozen novels, a number of short stories, and several volumes of nonfiction. Her popularity only began to dwindle at about the time of the First World War; she died in 1924. Reviewers had never warmed to her work, and her obituary in the London Times stated that “even the most lenient critic cannot regard Miss Corelli’s work as of much literary importance.” For several decades she fell into obscurity, but lately a new wave of critics and biographers have been taking another look at her accomplishments.

Certainly Corelli’s an interesting figure. A fair amount of her work has elements of fantasy or of what would come to be called science fiction. In her day, she outsold Doyle, Wells, and Kipling, and was loved by readers of all walks of life, up to and including Queen Victoria. She never married; she seems to have been born out of wedlock to a journalist and writer named Charles Mackay, and took the name ‘Corelli’ for herself as part of an early attempt to establish a career as a pianist. For 40 years she lived with another woman, Bertha Vyver. Different biographers draw different conclusions: here’s one article arguing they were lovers, here’s another stating they weren’t. Both pieces get at another subject of interest — Corelli’s influence on later writers. The latter article argues that Corelli’s 1887 novel Thelma, which I haven’t read, was a significant influence on Tolkien’s Gollum. The first argues that her 1889 Ardath was an influence on Dunsany.

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Night Shade Attempts to Avoid Bankruptcy with a Sale to Skyhorse Publishing

Night Shade Attempts to Avoid Bankruptcy with a Sale to Skyhorse Publishing

Night Shade BooksWord has begun to spread this morning that Night Shade Books is in negotiations with Skyhorse Publishing and Start Publishing in an attempt to avoid bankruptcy.

Night Shade has contacted authors to explain the situation, and excerpts from those letters have been posted online:

As you probably know, Night Shade Books has had a difficult time after the demise of Borders. We have reached a point where our current liabilities exceed our assets, and it is clear that, with our current contracts, sales, and financial position, we cannot continue to operate as an independent publisher. If we filed for Chapter 7 bankruptcy, or liquidation, the rights to your books could be entangled in the courts for years as could past or current unpaid royalties or advances. However, we have found an alternative, which will result in authors getting paid everything they are due as well as finding a future home for their books, subject to the terms and conditions stated in this letter.

The deal is not yet finalized and, in fact, hinges on how many authors approve changes to their existing contracts.

Some, including Jeff VanderMeer, have asked the publisher to revert rights back to authors prior to declaring bankruptcy. That’s not likely to be an option however, as its existing publishing contracts are Night Shade’s most valuable asset. As Harry Connolly points out on his blog, bankruptcy courts generally frown on publishers who do that, and such revisions are routinely overruled in court during bankruptcy proceedings.

The loss of Night Shade would be a real blow to the field. Known for taking risks on new writers, they’ve also published some of the most celebrated authors in the genre, including Paolo Bacigalupi, Iain M. Banks, Martha Wells, Manly Wade Wellman, Greg Egan, Glen Cook, Kage Baker, Jay Lake, Elizabeth Bear, Lucius Shepard, and many others. But there have been omnibus signs for the past several years, including a deep sale last April, authors leaving their stable, and others. Publishers Weekly has more detail on the potential sale here; io9‘s report is here.

Teaching and Fantasy Literature: How to Rehabilitate a Readicidal Maniac

Teaching and Fantasy Literature: How to Rehabilitate a Readicidal Maniac

It’s good to be back at my Wednesday spot here at Black Gate. Two weeks ago, I got home from my favorite annual convention, Lunacon, to find that the kitchen sink had been left running all weekend. That added a few things to my To Do list, and believe me, I’d rather have been blogging. So here’s a long post, for all the thinking that didn’t land on the screen while my house vibrated with the roar of industrial dehumidifiers:

When a student asks me to translate an especially jargon-laden assignment from his high school, I think to myself, To the teacher who wrote this, all these buzzwords seemed like the best way to explain her idea. Surely there is an idea under here somewhere. And sometimes, when I have been as flummoxed as the kid sitting next to me at the kitchen table is, I have wondered if the fault might not be with me, or with my more freewheeling, less methodical training for college teaching. There have been times when I wondered what I missed by abandoning my almost-completed requirements for state certification in favor of grad school. I learned to speak fluent literary theory, and forgot how to speak educational jargon. Now that I’ve escaped from the classroom altogether to do the entrepreneurial tutor thing, I find that neither literary theory nor educational theory is all that useful for communicating with or helping students.

Am I wrong to dismiss the methods of most of my students’ high school teachers?

Thanks to Kelly Gallagher’s Readicide: How Schools Are Killing Reading and What You Can Do About It, that doubt will probably never plague me again. His critique of how reading is taught in most public schools is damning, and his plea to English teachers to push their profession in a better direction is urgent. As in most of the teaching books I’ve talked about here, there’s an argument for allowing students to read “high-interest reading material,” a term that includes fantasy, science fiction, and horror, along with all the other stuff human beings read for pleasure. (It’s a widely used term, despite its puzzling implication that all the books that do make it into formal curricula are somehow low-interest.) What’s unusual about Gallagher’s book is its explanation of why common teaching methods are so pernicious that even “high-interest reading material” cannot protect students’ love of reading from the good intentions of their schools.

Let’s skip most of what Gallagher has to say about high-stakes standardized testing and educational politics — I groove on reading about that stuff, but you probably don’t — and go straight to what freely chosen pleasure reading can do.

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New Treasures: Quintessence by David Walton

New Treasures: Quintessence by David Walton

Quintessence David WaltonThere are few things as intriguing as an exciting new author. Maybe an all-you-can eat Indian buffet, or finding a mysterious note in a 10-year old jacket. And goliath birdeater spiders. Man, they give me the willies.

But back to exciting new authors. David Walton is an exciting new author. Back in 2008 he won the Philip K. Dick Award for his first novel, Terminal Mind, published by tiny Meadowhawk Press. That’s intriguing.

Even more intriguing is the arrival of his long-anticipated second novel: Quintessence. A slipstream counterhistory set in a fourteenth century featuring beetle-based navigation, alchemy, deadly storms, mutiny, sea monsters, and a trip to the edge of the earth, Quintessence promises to be a very different kind of fantasy, and the early buzz has been very favorable indeed.

Imagine an Age of Exploration full of alchemy, human dissection, sea monsters, betrayal, torture, religious controversy, and magic. In Europe, the magic is thin, but at the edge of the world, where the stars reach down close to the Earth, wonders abound. This drives the bravest explorers to the alluring Western Ocean. Christopher Sinclair is an alchemist who cares only about one thing: quintessence, a substance he believes will grant magical powers and immortality. And he has a ship.

Quintessence was published on March 19 by Tor Books. It is 320 pages for $25.99 ($12.99 for the digital edition). Check out the first three chapters on David Walton’s website.

The Top 50 Black Gate Blog Posts in February

The Top 50 Black Gate Blog Posts in February

DSC_1027February is cold here in Chicago. Stay-at-home-or-you’ll-die cold. A good time to gather inside with friends and family, put hot cocoa on the stove, slip a movie in the Blu-ray player, and then forget all of that because there’s something fascinating on the Internet.

We had plenty of fascinating things to offer here at the Black Gate blog in February. Scott Taylor took at serious look at the downside of collecting in “The Weight of Print,” Matthew David Surridge examined Shirley Jackson’s The Haunting of Hill House, Mark Rigney revealed the surprising results of the John Piece Experiement as applied to fantasy, author Violette Malan explained How to Put the Sword in Sword & Sorcery, and Sarah Avery offered up another installment in her popular Teaching and Fantasy Literature series with “Weird Things My Students Have Been Told About Writers.”

And that’s only the Top Five. The complete list of the Top 50 posts in February follows. Enjoy — but not so much that you neglect your houseguests, please. Or let hot chocolate overboil on the stove.

  1. Art of the Genre: The Weight of Print
  2. Shirley Jackson’s The Haunting of Hill House
  3. Genre 2013: The John Pierce Experiment
  4. How to put the sword in Sword and Sorcery
  5. Teaching and Fantasy Literature: Weird Things My Students Have Been Told
  6. Howard and Sandra Tayler discuss being mercenary…
  7. New Treasures: Wilderlands of High Fantasy
  8. Dungeon Board Game from Wizards of the Coast
  9. Echoes of the Goddess: Schweitzer’s Newest Classic
  10. Self-published books: Review of Noggle Stones the Goblin’s Apprentice

     

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