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Category: Editor’s Blog

The blog posts of Black Gate Managing Editor Howard Andrew Jones and Editor John O’Neill

Vintage Bits: BattleTech: The Crescent Hawk’s Inception

Vintage Bits: BattleTech: The Crescent Hawk’s Inception

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Battletech The Crescent Hawk's Inception-smallInfocom is one of the most revered names in computer gaming history. In fact, for serious collectors of PC games, there’s probably no other company that commands the respect of (or is as collectible as) Infocom.

Their heyday was the early 80s, when they released the most famous text adventure ever written, Zork (1980), alongside other classics like Enchanter (1983), Steve Meretzky’s Planetfall (1983), Brian Moriarty’s Wishbringer (1985), and Dave Lebling’s fabulously creepy Lovecraftian scarefest The Lurking Horror (1987).

But my favorite Infocom game came late in their history — indeed, after the company very nearly collapsed following the failure of their ambitious DOS database, Cornerstone, in 1986. By that time, over half of the employees had been laid off and the remnants of the company sold to Activision in a fire sale. For the first time in their history, Infocom turned to outside developers to help fill their production schedule.

It was a desperate move. Infocom had a nearly flawless reputation in the gaming industry, even as late as 1988, and expecting an untested development shop to deliver product that would meet the public’s exceedingly high expectations for an Infocom title was an exceptionally risky bet.

Fortunately, the outside developer they chose was Westwood Studios, who would later go on to develop some of the most successful games of the 90s, including Dungeons & Dragons: Eye of the Beholder (1990), Command & Conquer (1995), Blade Runner (1997) — and who virtually created the real-time strategy (RTS) genre with their groundbreaking Dune II (1992). Their first game for Infocom, and the one that really put them on the map, was one of the best titles Infocom ever released: BattleTech: The Crescent Hawk’s Inception (1988).

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Rejecting the Golden Age: Gareth L. Powell on Escaping Science Fiction’s Pulp Roots

Rejecting the Golden Age: Gareth L. Powell on Escaping Science Fiction’s Pulp Roots

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The Recollection Garath Powell-smallOver at SF Signal, author Gareth L. Powell has issued a call to stop recommending classic SF and fantasy, and start putting newer works in the hands of readers curious about our genres. His comments apparently arise from his experiences talking to a reading group who hadn’t read any SF written in the last 50 years.

The only way we’ll escape the legacy of our pulp roots is to promote the innovation, literary merit, and relevance of the best modern genre writing. Some fans will always cling to the ‘golden age’ works of the 1950s, 1960s and 1970s, and I can understand why. They provide a magic door back to the simple pleasures of a simpler world – a world before global warming, oil shortages, terrorism, and economic uncertainty; relics of a world where the future was easily understood, and (largely) American, middle class and white in outlook, origin and ethnicity.

Part of me understands and sympathizes with that need for security. I still draw comfort and enjoyment from those old books. Arthur C. Clarke, Larry Niven, Philip K. Dick… These writers are the elder gods in my personal pantheon; but they are neither the beginning nor the end… being a fan’s a bit like being in a marriage. You have to accept that the person you’re with will mature and change, and you have to embrace that, and change with them in order to keep things fresh…

So, the next time a non-SF reader asks you what they should read, resist the temptation to throw them a copy of Foundation or Slan, and point them instead at something published in the last five years… Give them something modern, and they’re more likely to find characters, ideas and attitudes with which they can relate.

Powell is the author of Silversands, The Recollection, Ack-Ack Macaque and its new sequel, Hive Monkey — which he freely notes employs “the furniture of 1930s pulp literature – Zeppelins, Spitfires, cigar-smoking monkey pilots, evil android armies.”

Read the complete article at SF Signal here.

A Fond Look Back at Bluejay Books

A Fond Look Back at Bluejay Books

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Alien Cargo Theodore Sturgeon-smallThe most popular article on the Black Gate website in July was our report on the departure of James Frenkel from Tor Books.

News articles like that are usually good for some decent traffic. It seems everyone had something to say about Frenkel stepping down from his post at the most powerful genre publisher in America and all that attention generated a lot of clicks.

Most conversations, however, dwelled on the circumstances of his departure, and overlooked his many accomplishments. During his years at Tor, Frenkel sure was busy. He acquired and edited some of their most important books, including volumes from Frederik Pohl, Dan Simmons, Jack Williamson, Timothy Zahn, Greg Bear, Andre Norton, Vernor Vinge, and many others.

But even before he joined Tor, Frenkel made major contributions to American SF and fantasy, particularly as publisher at Bluejay Books in the mid-80s. It’s Bluejay, and the beautiful books they produced before going out of business, that I want to talk about today.

Bluejay was active just as I was really discovering American fantasy and SF in the early 80s, haunting bookshops in downtown Ottawa. They were pioneers in the trade paperback market, hired excellent cover artists — including Rowena Morrill, Tom Kidd, Barclay Shaw, John Pierard, Jill Bauman, and others — and published many of the top writers in the field, such as Theodore Sturgeon, Philip K. Dick, Harlan Ellison, Vernor Vinge, and many more.

That was a powerful combination, and it meant that Bluejay was an imprint with enormous prestige — at least in my mind. I kept an eye out for their books on the shelves and always gave them special attention.

That prestige extended to all their titles, not just the authors I recognized (part of the magic of having a strong and easily recognizable visual brand). It also extended to the new authors they discovered and championed.

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The Top 50 Black Gate Posts in October

The Top 50 Black Gate Posts in October

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Worlds of Edgar Rice Burroughs-smallThe top article on the Black Gate blog last month was our look at Mike Resnick and Robert Garcia’s new anthology Worlds of Edgar Rice Burroughs. (A few weeks later Robert Garcia wrote his first Saturday blog post for us, a fond look back at The Pulp Art of Virgil Finlay. Do we bring the heavy hitters, or what?)

Second on the list was E.E. Knight’s open letter to Amy Farrah Fowler, a character on The Big Bang Theory, on her controversial theory that Indiana Jones had no impact on the ending of Raiders of the Lost Ark. Fight the good fight, Eric.

Third was Jon Sprunk’s look at his favorite fantasy films, followed by his article on the use of elves in fantasy lit. Way to hog the list, Jon. Rounding out the Top Five was James Maliszewski’s “Appendix T,” an attempt to craft a hypothetical Appendix N for the great Traveller RPG, listing roughly 20 works of classic science fiction that clearly influenced the game’s creators.

The complete Top 50 Black Gate posts in October were:

  1. New Treasures: Worlds of Edgar Rice Burroughs
  2. An Open Letter to Amy Farrah Fowler, Ph.D
  3. My Favorite Fantasy Movies
  4. To Elf or not to Elf: Races in Fantasy Lit
  5. Appendix T
  6. Richard Kadrey Talks with Black Gate about Dead Set
  7. In Defense of Fantasy Heroes
  8. Campbell’s Reheated Mythopoetic Soup
  9. Remembering Dave
  10. How Many Psychiatrists Does it Take to Change a Genre?

     

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The Top 20 Black Gate Fiction Posts in October

The Top 20 Black Gate Fiction Posts in October

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The Black Fire Concerto-smallOur exclusive excerpt from Mike Allen’s dark fantasy novel The Black Fire Concerto was our most popular work of fiction in October, its first month at the top of the charts. John R. Fultz called it “A post-apocalyptic melody played on strings of Terror and Sorcery,” and apparently word is getting around.

Joe Bonadonna’s “The Moonstones of Sor Lunarum,” in the number 2 slot, has been steadily creeping up the charts since we posted it last December. It is without a doubt the most consistently popular work of fiction we have ever published.

Last month’s chart topper, Dave Gross’ Pathfinder Tales: King of Chaos, came in third, an entirely respectable showing; and John C. Hocking’s new story “Vestments of Pestilence” broke into the Top Ten for the first time, coming in 4th. Rounding out the Top Five was E.E. Knight’s perennial favorite “The Terror in the Vale,” first published in January.

Also making the list were exciting stories by Janet Morris and Chris Morris, David Evan Harris, Martha Wells, Peadar Ó Guilín, David C. Smith and Joe Bonadonna, David C. Smith, Howard Andrew Jones, Michael Shea, Nina Kiriki Hoffman, Mark Rigney, Jamie McEwan, Aaron Bradford Starr, Alex Kreis, and Ryan Harvey.

If you haven’t sampled the adventure fantasy stories offered through our new Black Gate Online Fiction line, you’re missing out. For the past year we’ve presented an original short story or novella from the best writers in the industry every week, all completely free. Here are the Top Twenty most-read stories in October:

  1. An excerpt from The Black Fire Concerto, by Mike Allen
  2. “The Moonstones of Sor Lunarum,” by Joe Bonadonna
  3. An excerpt from Pathfinder Tales: King of Chaos, by Dave Gross
  4. “Vestments of Pestilence,” by John C. Hocking
  5. “The Terror in the Vale,” by E.E. Knight
  6. “The Sacred Band” by Janet Morris and Chris Morris
  7. “The Gentle Sleeper” by David Evan Harris
  8. An excerpt from Pathfinder Tales: Queen of Thorns, by Dave Gross
  9. The Death of the Necromancer, a complete novel by Martha Wells
  10. “The Dowry,” by Peadar Ó Guilín

     

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Vintage Treasures: Pirates and Plunder

Vintage Treasures: Pirates and Plunder

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Pirates and Plunder box-smallBack in the early 80s, publishers were still exploring the boundless possibilities of role playing.

It occurred to more than one designer that sword & sorcery — the tiny genre Gygax and Arneson had chosen to build their fabulously successful Dungeons & Dragons upon — was a niche market at best, with very limited widespread appeal.

Yet if D&D had managed to come so far with source material of such limited public familiarity, what might a game with much broader appeal accomplish?

And so the early 80s was a time when we had an astounding array of new role playing games promoted by a host of hopeful publishers, in a wide range of genres — science fiction, action, spy thrillers, mystery, superhero, and many others. There were gangster games (Gangbusters), Arthurian games (Pendragon), games based on popular action films (Indiana Jones, James Bond), and westerns (Boot Hill). There were horror games (Chill, Beyond the Supernatural), post-apocalyptic survival games (Twilight 2000, Gamma World), games based on prime time soap operas (SPI’s infamous Dallas), and bestsellers like Richard Adams’ Watership Down (Bunnies & Burrows).

Virtually all of them failed. Turns out that D&D didn’t succeed in spite of the fact that it drew inspiration from the classic heroic fantasy listed in the famous Appendix N, but in fact because of it. Sword & sorcery offered the kind of larger-than-life heroes players wanted to play — and more importantly, no other genre came so readily pre-packaged with a catalog of terrific opponents, from orcs to vampires to dragons.

But while most of those games are long forgotten today, a handful are still fondly remembered. Pirates and Plunder, a role playing game set in the golden age of piracy, is one of the latter. At least, it’s fondly remembered by me.

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Vintage Treasures: Prince of Foxes by Samuel Shellabarger

Vintage Treasures: Prince of Foxes by Samuel Shellabarger

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Prince of Foxes-smallIf you’ve been reading my Vintage Treasures posts for any length of time, you’re probably aware I have a weakness for buying small collections. Especially vintage paperback collections.

There are a few ways to find interesting lots on online auctions sites like eBay, but I’ve had the most success recently searching for Bantam Giants, a line which repackaged a lot of popular historical adventure fiction in paperback with terrific covers — and without chopping it up first to fit the smaller format, a common practice in the early days of paperbacks.

Bantam Giants are a great way to learn about new writers (okay, old writers, but new to me), and they’re ridiculously cheap. They sold — by the tens of thousands — on newsstands for 35 cents in the early 1950s. Generally speaking, copies in fine condition are still fairly common, and don’t cost much more than that now.

Last year I talked about discovering the works of Lawrence Schoonover, especially his 13th Century adventure novels The Golden Exile and The Burnished Blade. Tucked into the same collection that contained those volumes was a gorgeous book titled The King’s Cavalier, by someone named Samuel Shellabarger.

My guides through the world of 40s and 50s historical adventures, the Honorable Howard Andrew Jones and John C. Hocking, have been telling me about Shellabarger for years. So I was delighted to find another of his novels in the latest collection of Permabooks and Bantam Giants I acquired last month: Prince of Foxes, a tale of adventure and intrigue in Renaissance Italy.

It follows the exploits of Andrea Orsini, a talented and resourceful peasant who rises through the ranks to become a political agent for the sinister Cesare Borgia. It was filmed in 1949, with Orson Welles as Borgia and Tyrone Power as Orsini.

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Goodbye, Blockbuster

Goodbye, Blockbuster

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Blockbuster is GoneThe Chicago Tribune is reporting today that Blockbuster will close all of its remaining brick-and-mortar outlets.

And so we bid a fond goodbye to an earlier, simpler way of life. When Friday nights meant leaving work a few minutes early to get in line at the rental store, before all the new releases were gone and you were stuck with an Andrew Dice Clay picture.

This is just one more thing that will confuse the hell out of me when I’m old and senile and wander away from the home. I’ll be standing in the parking lot of Best Buy with five bucks in my hand, trying to rent the first season of Kolchak the Night Stalker. Just you wait.

End of an era, for sure. The last remnants of the Old Republic have been swept away. (But how will Google maintain control without the bureaucracy?)

Blockbuster filed for bankruptcy in September 2010. It was purchased by DISH Network Corp. in a bankruptcy auction for $320 million in 2011, back when they were trying to seriously compete with Netflix. The company says it will close all of its 300 remaining U.S. stores by early January and shut down the Blockbuster By Mail service in mid-December.

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New Treasures: Pathfinder Tales: Stalking the Beast by Howard Andrew Jones

New Treasures: Pathfinder Tales: Stalking the Beast by Howard Andrew Jones

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Pathfinder Tales Stalking the Beast-smallIt’s funny. I talked to Howard nearly every day while he was writing this book, and heard the blow-by-blow as he devised the plot and fleshed out the characters, recognized the growing excitement in his voice as the novel came together and he contributed his own unique talents and fine narrative gifts to the collaborative bit of gaming genius that is Pathfinder. It almost felt like reading the book would be superfluous.

And then I read the description below and realized hearing all the behind-the-scenes details meant absolutely nothing. It’s like saying you know how a gourmet dish will turn out because you’ve seen all the ingredients. I may have watched Howard lay all the pieces out on his writing table, but the true magic comes in how they all fit together. I’m excited to find out and I know I’ll be delighted.

When a mysterious monster carves a path of destruction across the southern River Kingdoms, desperate townsfolk look to the famed elven ranger Elyana and her half-orc companion Drelm for salvation. For Drelm, however, the mission is about more than simple justice — it’s about protecting the frontier town he’s adopted as his home, and the woman he plans to marry.

Together with the gunslinging bounty hunter Lisette and several equally deadly allies, the heroes must set off into the wilderness, hunting a terrifying beast that will test their abilities — and their friendships — to the breaking point and beyond. But could it be that there’s more to the murders than a simple rampaging beast?

From critically acclaimed author Howard Andrew Jones comes a new adventure of love, betrayal, and unnatural creatures, set in the award-winning world of the Pathfinder Roleplaying Game.

Interested? Paizo has promised us enough free copies for a giveaway. Stay tuned for details and you could win your own copy.

Pathfinder Tales: Stalking the Beast was published this week by Paizo. It is 400 pages, priced at $8.99 in paperback. No word on the digital edition yet. Howard’s previous Pathfinder book was Plague of Shadows, released in 2011. His most recent novel was The Bones of the Old Ones.

2013 World Fantasy Award Winners Announced

2013 World Fantasy Award Winners Announced

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alif-the-unseenYou’d think that, since I’m unable to attend World Fantasy this year, they’d keep the convention low key. I mean, no sense rubbing it in, right?

No such luck. I hear there was just as much excitement, just as many panels, and just as many fabulous parties as always. It’s like they don’t care.

They even gave out just as many awards as usual. Well, even if I couldn’t attend, at least I can read the same award-winning fantasy as everyone else. See, that’s what’s great about awards — they’re fair to everybody.

This year’s winners of the World Fantasy Awards are:

Novel:

Novella:

  • “Let Maps to Others,” K.J. Parker (Subterranean, Summer 2012)

Short Story:

  • “The Telling,” Gregory Norman Bossert (Beneath Ceaseless Skies, Nov 29, 2012)

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