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Category: Editor’s Blog

The blog posts of Black Gate Managing Editor Howard Andrew Jones and Editor John O’Neill

All Eyes on Mars as Curiosity Prepares to Land

All Eyes on Mars as Curiosity Prepares to Land

marsAs I type this, the one-ton Curiosity, the largest rover ever sent to another planet, is nearing an historic landing on Mars. It is scheduled to land at 1:31 a.m. Eastern Standard Time tomorrow morning, in slightly more than two hours.

Curiosity is already famous for several reasons. The $2.6 billion atomic-powered robot carries perhaps the most sophisticated mobile lab ever built — including 17 cameras, a laser, instruments that can analyze soil and rock samples, and a telecommunications system that can beam the results hundreds of millions of miles back to Earth.

It’s also famous for a series of videos depicting the “Seven Minutes of Terror,” the almost impossibly complex landing sequence — involving the world’s largest supersonic parachute, a sky crane, and no less than 76 precisely timed explosive charges — that will decelerate the rover from 13,000 miles an hour to zero in just seven minutes, delicately depositing it on the Martian surface. At 1,986 pounds, Curiosity is much too large for any previously-designed landing sequence to work.

I cannot do justice to the amazing scheme JPL has cooked up to slow the rover. I leave that to William Shatner, who narrates a 4-minute summary of the planned landing here. No, he’s not kidding. It really is that crazy.

I am very, very excited about this landing tonight. But like the entire staff of NASA, and much of the rest of the world, I’m also very concerned about all the things that could go wrong. I will spend much of the next two hours with my fingers crossed. CNN will be broadcasting live coverage of the landing, starting at 11:30 p.m. Eastern tonight.

I’m rooting for you Curiosity. Make it down in one piece, buddy.

Update: NASA reports that the SUV-sized Curiosity touched down safely on Mars, transmitting black and white images back to Earth. Higher resolution color images are expected later in the week. Way to go, Curiosity!

The Top 30 Black Gate Posts in June

The Top 30 Black Gate Posts in June

June was a terrific month for the Black Gate blog. Traffic has been steadily increasing for the past two years, and in June we reached a total of 2,300 blog posts. The top article for the month was “Selling Philip K Dick” from June 11, and the most popular link on the website was to the collected “New Treasures” columns.

The complete list of the Top 30 blog posts in June at Black Gate follows.
the-simulacra-philip-k-dick

  1. New Treasures
  2. Selling Philip K Dick
  3. Black-Gate-goes-to-the-summer-movies-Snow-White-and-the-Huntsman
  4. Vintage-Treasures-George-RR-Martin’s-Nightflyers
  5. The-best-of-modern-arabian-fantasy-Saladin-Ahmed
  6. Drinking-atlantis-no-chaser-Conan-the-Barbarian-2011
  7. Black-Gate-goes-to-the-summer-movies-Prometheus
  8. TSR’s-Amazing-science-fiction-anthologies
  9. The-best-of-modern-arabian-fantasy-CA-Suleiman
  10. Cerebus
  11. Art-of-the-genre-the-art-of-a-future-fallen
  12. Brave
  13. Fall-from-Earth-a-review
  14. Thank-you-Martin-H-Greenberg-and-Doug-Ellis
  15. New-Treasures-the-sword-sorcery-anthology
  16. Read More Read More

New Treasures: The Black Opera by Mary Gentle

New Treasures: The Black Opera by Mary Gentle

the-black-operaI don’t know if British fantasy author Mary Gentle is all that well known here in the US. But in my native Canada — and especially among the fantasy fans I circulated among in Ottawa — she is highly respected indeed.

Her first novel was Hawk in Silver, published in 1977 when she was only eighteen. But it was her two linked science fiction novels Golden Witchbreed (1983) and Ancient Light (1987) that really put her in the map. Her first major fantasy novel was Rats and Gargoyles (1990), the first volume of the White Crow sequence; perhaps her most acclaimed recent work has been Ash: A Secret History (2000, published in four volumes in the US) and Ilario (2007).

She’s also well known for Grunts! (1992), an action-packed send-up of epic fantasy, which follows Orc Captain Ashnak and his war-band as they take arms against the insufferable forces of Light — including murderous halflings and racist elves — who slaughter his orc brothers by the thousands in their path to inevitable victory.

Her newest novel is The Black Opera, and it has all the hallmarks of Gentle’s original and thought-provoking fantasy:

Naples, the 19th Century. In the Kingdom of the Two Sicilies, holy music has power. Under the auspices of the Church, the Sung Mass can bring about actual miracles like healing the sick or raising the dead. But some believe that the musicodramma of grand opera can also work magic by channeling powerful emotions into something sublime. Now the Prince’s Men, a secret society, hope to stage their own black opera to empower the Devil himself – and change Creation for the better! Conrad Scalese is a struggling librettist whose latest opera has landed him in trouble with the Holy Office of the Inquisition. Rescued by King Ferdinand II, Conrad finds himself recruited to write and stage a counter opera that will, hopefully, cancel out the apocalyptic threat of the black opera, provided the Prince’s Men, and their spies and saboteurs, don’t get to him first. And he only has six weeks to do it…

The Black Opera was published in May by Night Shade Press. It is 515 pages (including a one-page appendix, “Rude Italian for Beginners,”) and is available for $15.99 in trade paperback and $9.99 in various digital formats.

Vintage Treasures: The Barbarians Anthology Series

Vintage Treasures: The Barbarians Anthology Series

barbariansThere’s been some good discussion of Sword & Sorcery on the BG blog of late, from Brian Murphy’s excellent list of “A Half-Dozen Swords And Sorcery Short Stories Worth Your Summer Reading Time, and Howard Andrew Jones’s skillful examination of the writing technique of the genre’s patriarch, “Under the Hood with Robert E. Howard,” to Joe Bonadonna’s warm reminiscence of the very best S&S of his youth, “How I Met Your Cimmerian (and other Barbarian Swordsmen).”

I thought I was pretty well educated in Sword & Sorcery; but it’s the sign of a rich and vibrant genre that it can still surprise you after decades of collecting.

That’s exactly what happened when I found the artifact at left, buried deep in a paperback science fiction collection I recently purchased.

Barbarians was a major S&S retrospective anthology published by Signet in 1986. It was edited by Robert Adams, Martin H. Greenberg, and Charles Waugh, and contained stories by Fritz Leiber, Fred Saberhagen, Andre Norton, Karl Edward Wagner, and many more. It’s a thick paperback original with 13 short stories.

And no, I’d never seen a copy before — or its sequel. Here’s the back cover copy:

From a beautiful huntress with glittering eyes and a killing kiss to mighty Conan’s struggle in a deadly place beyond magic… from a distant planet fated to do battle with the forgotten past to primeval swordsmen pledged to protect a besieged land — here are tales of titanic strength and unearthly courage, of savage warriors facing incredible challenges in the far-flung realms of the imagination.

Sounds pretty good. Not entirely sure how this one escaped me for all these years, but I’m glad I’ve stumbled across it now.

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The Return of Brak the Barbarian

The Return of Brak the Barbarian

witch-of-the-four-winds2E-book publisher Open Road Media has announced the publication of two omnibus editions of John Jakes’ fondly-remembered Sword & Sorcery hero Brak the Barbarian.

Witch of the Four Winds and Brak the Barbarian will be available in digital format at Barnes & Noble and Amazon.com on July 31 for $4.99 each (before discounting).

Brak the Barbarian first appeared in Fantastic magazine in the short story “The Devils in the Walls” (1963). Over the next few years, Jakes produced over a dozen short stories and novellas featuring Brak, that he gradually collected and expanded into five books, published between 1968 and 1980.

Brak the Barbarian contains the 1968 short story collection Brak the Barbarian and the novel Mark of the Demons (1969), plus additional Brak stories and an illustrated biography of Jakes with rare images from the author’s personal collection.

Witch of the Four Winds contains two more early novels: Witch of the Four Winds — originally published under that title in Fantastic magazine in 1963, and then revised and expanded in novel format as Brak the Barbarian Versus the Sorceress (1969) — and When the Idols Walked (Fantastic 1964, expanded and released under the same title in 1978), plus more bonus stories and an illustrated biography.

Jakes’ Brak the Barbarian stories were strongly influenced by Robert E. Howard’s Conan. In the YouTube video Open Road created to promote the launch of the digital editions, Jakes says:

I was directly influenced by Robert Howard, by the fact that there weren’t enough Conan stories to go around… I wanted to create a character much like Conan, put him in similar circumstances, and have a good time writing them.

For science fiction fans, Open Road has also collected two early SF novels by Jakes in a third omnibus collection: On Wheels (1973) and Six-Gun Planet (1970). It’s also available July 31.

New Treasures: Philip Jose Farmer’s Up the Bright River, edited by Gary K. Wolfe

New Treasures: Philip Jose Farmer’s Up the Bright River, edited by Gary K. Wolfe

up-the-bright-river2

There’s no truth to the vicious rumor that I select candidates for my New Treasures column based solely on awesome cover art.

I also have to be able to get my hands on a copy. That’s two criteria, which I figure gives me a balanced approach.

Which brings us to today’s special guest, Up the Bright River by Philip Jose Farmer, a short story collection edited by Gary K. Wolfe. And its awesome wraparound cover, courtesy of Bob Eggleton (click for even awesomer high-res version).

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How Galaxy Magazine Saved Robert Silverberg from a Life of Smoking

How Galaxy Magazine Saved Robert Silverberg from a Life of Smoking

galaxy-issue-1-smallI’ve been neglecting Galaxy magazine in my recent Vintage Treasures articles. I’ve covered some of the great fiction in Analog, Asimov’s Science Fiction, and Worlds of If, but the truth is that Galaxy was on its last legs by the time I started reading science fiction and fantasy in 1976, and it folded in 1979.

But I’m not wholly ignorant of the contribution Galaxy made to the field, especially under the editorship of H.L. Gold (1950 – 1961) and Frederik Pohl (1961 – 1969). Until 1950 the field was almost entirely dominated by John W. Campbell, editor of Astounding, who was legendary in his ability to spot talent, but also held a fairly narrow view of what kinds of SF and fantasy would sell. Gold was interested in tales of social and psychological upheaval, not just the hard science puzzle fiction in Astounding, and quickly proved that readers would buy stories with that bent — as well as satire, humor, and tales where mankind didn’t always triumph in its march to the stars and inevitable conflict with alien races.

Mike Ashley, one of our field’s finest historians, credits the success of Galaxy for the huge boom in science fiction and fantasy in the fifties, when the field grew from a handful of magazines to over two dozen, saying Galaxy “revolutionized the field overnight.”

Author Robert Silverberg, however, has a more personal tale of how Galaxy changed his life. He writes:

It was the founding of Galaxy that saved me from a life of smoking. It was September, 1950, and I was a teenager with about forty cents in my pocket. A pack of cigarettes cost about a quarter then. So did the first issue of Galaxy, which had just come out. I went into a newsstand thinking I might buy some cigarettes (I had been smoking a few, not with any pleasure, but simply to make myself look older) and there was the shiny Vol One Number One Galaxy. I could afford one or the other, not both. I made my choice and lived happily ever after.

While I was too late to buy more than a handful of issues of Galaxy on the newsstand, I rectified that later in life, amassing a fair collection going back to that famous first issue in 1950. I’ve been enjoying them over the last few years, and will report in here with the very best stories I find.

Graphic Classics Half-Price Sale

Graphic Classics Half-Price Sale

horror-classics-graphic-classics-10-2I’ve been collecting Eureka Press’ Graphic Classics for over ten years, ever since we received a review copy of Volume 1: Edgar Allan Poe, in 2001 (back when they were Rosebud Graphic Classics, a spin-off of Rosebud magazine). Tom Pomplun, longtime Art Director for Rosebud, started up Eureka Press that year to produce high quality comics anthologies, and in the last decade he’s published nearly two dozen volumes, including several that have gone through multiple editions.

A typical issue of Graphic Classics is 144 densely-packed black & white pages, containing loving adaptions of classic stories by some of the best talents in comics — including Rick Geary, Gahan Wilson, Richard Sala, Mark A. Nelson, Alex Nino, Skip Williamson, Richard Corben, Hunt Emerson, and many others. Matt Howarth’s 22-page rendition of “The Shadow Out of Time” in Graphic Classics: H. P. Lovecraft may be the finest comics adaptation I’ve ever read, period. It captured the chilling mood of that piece perfectly.

Eureka has just announced a limited-time half-price sale on their entire line of in-stock GRAPHIC CLASSICS. The sale runs August 1 through August 14, 2012, and applies only to direct sales through their website. A partial list of titles in the sale include:

  • GRAPHIC CLASSICS: EDGAR ALLAN POE – $12.95 retail / ON SALE $5
  • GRAPHIC CLASSICS: ARTHUR CONAN DOYLE — $11.95 retail / ON SALE $5
  • GRAPHIC CLASSICS: H.P. LOVECRAFT  —  $11.95 retail / ON SALE $5
  • GRAPHIC CLASSICS: JACK LONDON  —  $11.95 retail / ON SALE $5
  • GRAPHIC CLASSICS: AMBROSE BIERCE  —  $11.95 retail / ON SALE $5
  • GRAPHIC CLASSICS: BRAM STOKER  —  $11.95 retail / ON SALE $5
  • GRAPHIC CLASSICS: ROBERT LOUIS STEVENSON  —  b&w / $12.95 retail / ON SALE $5
  • HORROR CLASSICS: Graphic Classics Vol 10  —  $9.95 retail / ON SALE $5
  • ADVENTURE CLASSICS: Graphic Classics Vol 12  —  $11.95 retail / ON SALE $5
  • GRAPHIC CLASSICS: RAFAEL SABATINI   —  $11.95 retail / ON SALE $5
  • GOTHIC CLASSICS: Graphic Classics Vol 14   —  $11.95 retail / ON SALE $5
  • FANTASY CLASSICS: Graphic Classics Vol 15  —  $11.95 retail / ON SALE $5
  • SCIENCE FICTION CLASSICS: Graphic Classics Vol 17  —  color / $17.95 retail / ON SALE $7.50
  • POE’S TALES OF MYSTERY: Graphic Classics Vol 21  —  color / $17.95 retail / ON SALE $7.50

Note that some volumes are in low supply, and there is a $10 minimum purchase.

Vintage Treasures: The Giant Anthology of Science Fiction, edited by Margulies and Friend

Vintage Treasures: The Giant Anthology of Science Fiction, edited by Margulies and Friend

the-giant-anthology-of-science-fiction2Those four boxes of books I purchased from the Martin H. Greenberg collection have been the gift that keeps on giving. In the third box I found about 30 hardcover anthologies, dating from the 40s to the 70s, including The Giant Anthology of Science Fiction: 10 Complete Short Novels, edited by Leo Margulies and Oscar J. Friend.

This book is a treasure trove of vintage novellas from the Golden Age of SF and fantasy. Despite the “Science Fiction” in the title, a great many of the delights on offer are fantasy, as the term was used pretty much interchangeably with science fiction at the time. Just check out this table of contents, with original dates of publication:

  • “Enchantress of Venus,” Leigh Brackett (1949)
  • “Gateway to Darkness,” Fredric Brown (1949)
  • “The Girl in the Golden Atom,” Ray Cummings (1919)
  • “Forgotten World,” Edmond Hamilton (1946)
  • “By His Bootstraps,” Robert A. Heinlein (1941)
  • “Sword of Tomorrow,” Henry Kuttner (1945)
  • “Things Pass By,” Murray Leinster (1945)
  • “Rogue Ship,” A. E. van Vogt (1950)
  • “Island in the Sky,” Manly Wade Wellman (1941)
  • “The Sun Maker,” Jack Williamson (1940)

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New Treasures: Rachel Aaron’s The Spirit War

New Treasures: Rachel Aaron’s The Spirit War

the-spirit-warAlways nice to see a new fantasy series succeed. In particular, it’s nice to see a non-traditional series succeed — i.e. one that doesn’t feature vampires, werewolves, or a stake-wielding heroine with an all-leather wardrobe. And it’s especially nice to see a genuine sword & sorcery series succeed, one whose protagonist is not a swordsman, prince, or naive young hero… in fact, he may not be a hero at all.

Rachel Aaron’s first novel The Spirit Thief (October, 2010) kicked off The Legend of Eli Monpress, a series that has now run to four volumes. The most recent, The Spirit War, was just released last month.

Eli Monpress is vain. He’s cocky. And he’s a thief.

But he’s a thief who has just seen his bounty topped and he’s not happy about it. The bounty topper, as it turns out, is his best friend, bodyguard, and master swordsman, Josef. Who has been keeping secrets from Eli…

Family drama aside, Eli and Josef have their hands full. The Spirit Court has been usurped by the Council of Thrones and someone calling herself the Immortal Empress is staging a massive invasion. But it’s not just politics — the Immortal Empress has a specific target in mind: Eli Monpress, the greatest thief in the world.

Here’s what our buddy John Ottinger III at Grasping for the Wind said about the first novel:

The Spirit Thief is a work of sword and sorcery that will appeal to readers of Jim C. Hines, Karen Miller, Jon Sprunk, and Piers Anthony. It is a thrill ride of a novel, delightfully amusing, based on an original magic system… I loved it.

Missed out on the first volumes? No problem. Orbit has just released all three — The Spirit Thief, The Sprit Rebellion, and The Spirit Eater — in a single handsome omnibus edition for $15 ($9.99 for the digital version).

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