Black Gate

I spent my professional working life as a freelancer, temporarily employed by a various corporations, ad and media companies, start-ups, and consultants on a project, on-call, or contractual for a stated number of months basis. Work might last a month or two, sometimes as much as a year, and then I never hear from the employer again; others develop into long-term relationships, albeit at time with gaps (sometimes long gaps) between assignments.

As a “disposable asset,” I cost the organization less (even as I earn higher pay because there is no overhead expense) and am easier to terminate than a salaried employee. While in today’s gig economy job-seekers often have little choice but to settle for contract work, I turned down offers of full-time permanent employment (though “permanent” is a misnomer given the trend of corporate “restructurings” and “force redeployments” and other such euphemisms to disguise layoffs).

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Mistress of Bees (Dragonwell Publishing, September 23, 2025)

Judge not a book by its cover, lest ye be judged. Possibly F. Nietzsche said this. More likely, he didn’t. But he should have, and in particular, he should have said it about the highly entertaining Mistress of Bees, from Dragonwell Publishing, and authored by Bernie Mojzes. I mention this because, based on the cover art, I didn’t know what to expect, but I am pleased to report that what’s hiding inside is exactly what a good many Black Gate readers are looking for.

Mistress of Bees features a successful blend of socially relevant High Fantasy and streetwise Sword & Sorcery, all nicely leavened with a sly sense of humor. Revolution with a Les Mis flair waits in the wings, and when it comes – as it does more than once – the ruling aristocracy gives way to plucky, upstart attempts at democracy, cheered on (always) by our hero, Maris Goselin.

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Torchship by Karl K. Gallagher (Kelt Haven Press, December 9, 2015). Cover by Stephanie G. Folse

In the introduction to his first collection of short fiction, Unmitigated Acts (the title comes from Rudyard Kipling’s poem “The Female of the Species”), Karl Gallagher reflects on the history of the series: “I have a fondness for ‘rag tag crew on ramshackle ship’ stories” (p. 5). His first book, Torchship, published in 2015, is exactly that kind of story. Its setting is a nostalgic one: A starship, the Fives Full, navigated with paper charts and slide rules, like something from a Heinlein juvenile!

But there’s more to this than nostalgia. Gallagher’s interstellar future has a history, one in which artificial intelligence has come to be seen as an existential threat. How to deal with this threat is a central political issue that drives much of the plot. It’s more or less in the background in this first volume; in the sequels (Torchship Pilot and Torchship Captain), the entire plot emerges from it.

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Lansdale is the well known, prolific author both of mysteries (Hap and Leonard series) and of famous horror stories, which made him the recipient of multiple Bram Stoker awards.

The present collection does not include new stories but assembles a bunch of his best horror tales, making the book a real treat for horror fan. His narrative output is so huge that even a confirmed horror lover like myself has found here a few tales I was not familiar with.

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