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Uncanny X-Men, Part 26: Introducing Kitty Pryde, Emma Frost and Launching the Dark Phoenix Saga in 1979!

Uncanny X-Men, Part 26: Introducing Kitty Pryde, Emma Frost and Launching the Dark Phoenix Saga in 1979!

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Well, if you’ve been waiting for my epic reread of the Uncanny X-Men to reach one of the most consequential and memorable stories in comic history, your waiting has paid off. It only took 26 blog posts, but we’ve arrived at the beginning of the Dark Phoenix Saga. This arc of the Dark Phoenix Saga, from issue #129 to #131 does some major things.

First, it introduces a mutant who will over the course of the coming decades become a very important X-Man and eventually one of the team leaders: Kitty Pryde. Second, it introduces a mutant who over than same time period will become an iconic X-Men rival and villain, and eventually an ally, teammate and leader herself: Emma Frost. Third, it deepens the corruption of Phoenix’ soul by Jason Wyngarde and Emma Frost.

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Uncanny X-Men, Part 24: Arcade, Murderworld and their First King-Sized Annual

Uncanny X-Men, Part 24: Arcade, Murderworld and their First King-Sized Annual

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Oh hi! You’ve stumbled onto part 24 of my ongoing reread of The Uncanny X-Men. We’ve reached the year 1979, about halfway through the Bronze Age of comics and about a third of the way into the legendary Claremont-Byrne-Austin run. Looking back, we’ve come a long way from 1963; the Bronze Age was a time of growing sophistication and experimentation in comics, and the X-Men was one of the petri dishes.

This post will only cover issues #123 and #124 because we’ve also got our first King-Sized Annual in the mix as well. Taken together, there’s less character development and angst than normal, in part because these three issues are wall-to-wall mutant superheroics.

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Uncanny X-Men, Part 14: 1973 and 1974 – Magneto, the Hulk, Banshee and Post-Watergate Captain America

Uncanny X-Men, Part 14: 1973 and 1974 – Magneto, the Hulk, Banshee and Post-Watergate Captain America

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Welcome to part 14 of my X-Men reread! The X-Men are still in their publishing purgatory that lasted from 1970-1975. During this time, the X-Men series is reprinting middling mid-1960s material. Hank McCoy lasted 6 issues as the star of Amazing Adventures and the Silver Age X-Men seem to have had so little impact on the 1970s working creatives that artists, writers and colorists don’t know them well enough to get powers, personalities or even costumes right. It’s a dark era for X-Men fans.

But before getting into the main guest appearances in this post, I’m going to go back in time to cover four issues where the X-Men had at best a tangential role in the story because I like being something of a completist. Just before Hank McCoy’s run on Amazing Adventures, the title had been devoted to the Inhumans, who often split the issues with Black Widow. In issue #9-10 (Nov, 1971) Gerry Conway and Mike Sekowsky concluded an ongoing story-line with Magneto looking to make Blackbolt leader of a bunch of mutants Magneto would create.

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Uncanny X-Men, Part 9: Filling in the Corners of the Original X-Men with Savage Hulk #1-4

Uncanny X-Men, Part 9: Filling in the Corners of the Original X-Men with Savage Hulk #1-4

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Welcome to the 9th episode of my reread of the vast X-Men story that began in 1963. The X-Men series stopped putting out original stories in early 1970, due primarily to low sales; it was a reprint magazine from issues #67–93, cover dated December 1970 to April 1975, until the beginning of the Claremont and Cockrum run in issue #94.

I’m going to go through their early Bronze Age appearances in coming blog posts, but for story continuity purposes, I’m also reading issues created in contemporary times but fitting into that 5-year dead period, like I covered for the original X-Men in X-Men: First Class.

So this time I read the 2014 series Savage Hulk, by writer/penciller Alan Davis, inker Mark Farmer and colorist Matt Hollingsworth. 

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Uncanny X-Men Part 6: Issues #49-53: Reunion and Family and Steranko

Uncanny X-Men Part 6: Issues #49-53: Reunion and Family and Steranko

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Holy mutants, Batman! We’ve reached week 12, episode 6 of the great X-Men reread! This is an exciting run, because we get to experience the first of two  moments of major artistic experimentation in the Silver Age X-Men, as well as the first real addition to the X-Men’s roster since issue #1. This blog post will only cover the 4-issue Daughter of Magneto saga and a stand-alone issue with an FF villain (so October, 1968 to March 1969), but I think we’re getting to periods where it’s worth slowing down to experience the art and writing more slowly.

We left the X-Men at the end of issue #48, having been split up for two issues and still mourning their deceased professor. By the time issue #49 rolled around, we readers were ready to see the gang back together. Their reunion feels like a big deal not just because they’re together again, but because of the cover art and the new story.

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Uncanny X-Men, Part 5: Issues #40-48: Death and Separation

Uncanny X-Men, Part 5: Issues #40-48: Death and Separation

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Welcome to the 5th installment of my reread of the X-Men from 1963 forward. This is a cool one, going from cover date January, 1968 to almost the end of 1968. There are some big stories and even the middling stories in this run have their charm, and the best ones hold up as exemplars of the best of the Silver Age, including an Avengers-X-Men cross-over. If this it the first of these posts that you noticed, my can find my previous ones here:

  • Part I: X-Men #1 (Nov, 1963) to X-Men #20 (May, 1966)
  • Part II: Early X-Men guest appearances (1964-1965), X-Men #21-23 (1966), and X-Men: First Class Volume I (2006)
  • Part III: X-Men: First Class, Volume II (2007)
  • Part IV: X-Men #24-39: The Middle Years of the Original Team

I wish I could say that this run opens with a bang, but after the work that went into ending the Factor Three multi-part story line, Roy Thomas and company come out with a forgettable (or best forgotten) Frankenstein’s monster story in issue #40. Issue #41 follows up slightly better, because although they’re fighting another poorly-drawn hulking brute, it’s about a secret subterranean civilization that have all died due to human action.

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X-Men, Part 4: Issues #24-39: The Middle Years of the Original Team

X-Men, Part 4: Issues #24-39: The Middle Years of the Original Team

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While travelling in November, I loaded a bunch of X-Men comics onto my phone for the airports. I haven’t stopped reading and I started blogging about my reread. I’ve made the reread slightly more complete by adding in stories that were written later but fit into the canon.

In this post, I’m covering my thoughts on X-Men #24-39, with cover dates 1966-1967 which cover, most significantly, the introduction of Banshee and the multi-part Factor Three story. I mention the dates though because for the older issues I often spool up music from the corresponding year to play in the background for flavour. If you’re reading along at home via Marvel Unlimited or trades or Masterworks, give it a try. It’s weird way to situate yourself in the historical era.

It’s also important to situate ourselves in the comics era. During this period, Roy Thomas was getting his feet under him, with maybe as many hits as misses? Elsewhere in the Marvel Universe, Kirby and Lee were introducing the Silver Surfer, Galactus, and the Black Panther. On TV, the Adam West Batman series was premiering, as was the animated Spider-Man series, the first Fantastic Four animated series, as well as Marvel’s old Thor, Captain America and Iron Man cartoons which were half animated, half motion comic. It was a heady time to love superheroes, although I missed it by 15 years.

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Uncanny X-Men, Part 3: X-Men: First Class, Volume II and First Class Finals

Uncanny X-Men, Part 3: X-Men: First Class, Volume II and First Class Finals

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I am continuing my perhaps Quixotic reread of The X-Men. I started in 1963 and am working my way up to the present, and I’m including not just the main series, but some significant cross-overs and the series that retcon some good stories.

My first blog post covered X-Men #1-20. My second post covered X-Men 21-23, some early cross-overs, and the 2006 series X-Men: First Class. For this one, I read X-Men: First Class, Vol II, #1-16, which continued Jeff Parker’s excellent story of the original five X-Men, with art by Eric Nguyen, Roger Cruz, Nick Dragotta and others.

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Uncanny X-Men, Part 2: Early Guest Appearances (1964-65), Uncanny X-Men #21-23 and X-Men: First Class Volume I (2006)

Uncanny X-Men, Part 2: Early Guest Appearances (1964-65), Uncanny X-Men #21-23 and X-Men: First Class Volume I (2006)

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While I was travelling, I loaded a bunch of X-Men comics onto my phone for the airports. I haven’t stopped reading and I started blogging about my reread in Part I two weeks ago, which covered X-Men #1 (Nov, 1963) to X-Men #20 (May, 1966). It’s been a lot of fun, with not too many cringey moments.

This second post, I’m continuing my reading, but altering the experience a bit. I’m not just going to include the core X-Men series. I think I would like to try reading the stories in the chronology that Marvel sort of had in mind for each story.

So I’m going to start including guest appearances and cross-overs and later series that added history to this period. So this post will cover Strange Tales #120, Fantastic Four #28, Tales of Suspense #49, Journey Into Mystery #109, and X-Men issues #21-23, all of which were published between 1963 and 1966, and Volume I of X-Men: First Class, which was published in 2006-2007, but whose events occur before X-Men #24. I hope this ride is not too disorienting for you or me!

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A Fresh Look at X-Men Continuity: Ed Piskor’s Grand Design

A Fresh Look at X-Men Continuity: Ed Piskor’s Grand Design

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When I started collecting X-Men comics in 1981, there was one universe. There had never been a Marvel reboot, and DC had only had one — the 1956-1958 transition from the Golden Age to the Silver Age. By the time I left comics in the early 1990s, DC had brought us through the second major reboot in history, the classic and brilliant Crisis on Infinite Earths.

However, Marvel still hadn’t really messed up its continuity, although the reprint title X-Men Classics was retconning a number of elements into the early Claremont-Cockrum-Byrne stories.

By the time I came back to comics almost 15 years later, I was bewildered by the X-Men and didn’t know where to pick up. The Age of Apocalypse had happened in an alternate universe as far as I could tell, and while the Onslaught event had apparently killed everyone, they were somehow back in time for there to be not just a few dozen or a few hundred mutants, but over a million.

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