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The Resurrection of Dr. Phibes

The Resurrection of Dr. Phibes

vulnavias secretLSOH PhibesLongtime readers will be well aware of my love for Dr. Phibes, the cult classic character played by Vincent Price in two campy AIP productions forty years ago. “Phibes is special,” is how my old friend, Chris Winland summarized the property a couple decades ago and his understatement couldn’t be more accurate. Equal parts horror, comedy, thriller, and romance, the whole is greater than the sum of its parts.

Part of what made Phibes special is there were only two films, despite several attempts over the years to get a third film as well as a TV series off the ground. A few years ago, the character’s co-creator, William Goldstein, acquired the literary rights to his property from MGM, who control the AIP catalog. At the time, Goldstein had to contend with unlicensed comic book appearances and an attempt by his former writing partner to revive the series with a new film. Having settled legal matters, Goldstein set about reviving the book series.

Forty years ago, Goldstein not only novelized the screenplay he co-authored for the original film, but he also novelized the sequel he helped develop. The movie tie-in novels are a very different beast from the films. Devoid of the eye-popping art deco sets and costumes, the campy scores and the scene-stealing performances by the likes of Vincent Price, Joseph Cotton, Robert Quarry, and Terry-Thomas; the books read like old-fashioned pulp thrillers with an exceptionally keen eye for historical detail.

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Blogging Sax Rohmer’s The Trail of Fu Manchu, Part Three

Blogging Sax Rohmer’s The Trail of Fu Manchu, Part Three

Trail ConsulTrail Doubleday spineSax Rohmer’s The Trail of Fu Manchu was originally serialized in Collier’s from April 28 to July 14, 1934. It was published in book form later that year by Cassell in the UK and Doubleday in the US. The book marked the first time Rohmer employed third person narrative in the series and dispensed with the first person narrative voice modeled on Sir Arthur Conan Doyle’s Sherlock Holmes stories. The results dilute what would otherwise have been a stronger novel that saw the series return to its roots.

Chief Inspector Gallaho leads a police raid on Sam Pak’s opium den and begins the descent into the tunnel system below the Thames where Fu Manchu is transmuting base metal to gold in an alchemical process utilizing human bodies fed into a giant underground furnace. Alan Sterling has been sent to labor in the boiler room while Sir Denis Nayland Smith has been condemned to death alongside Fah lo Suee, Fu Manchu’s treacherous daughter. Sir Denis is puzzled why Fah lo Suee has forfeited her own life in a failed effort to save his own. He is startled when she confesses the reason is that she has loved him for many years as the man who did not fear to stand up to her father.

Sterling succumbs while working in the heat of the boiler room and awakens to find himself bound and sharing the same cell with Sir Denis and Fah lo Suee. Ali, Fu Manchu’s servant, who recognized Sterling and delivered his message to Sir Denis, is with them. They watch in horror as Fu Manchu orders Ali’s execution. He is first decapitated and then his body is thrown into the furnace.

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Blogging Sax Rohmer’s The Trail of Fu Manchu, Part Two

Blogging Sax Rohmer’s The Trail of Fu Manchu, Part Two

Trail late PyramidThe Trail of Fu ManchuSax Rohmer’s The Trail of Fu Manchu was originally serialized in Collier’s from April 28 to July 14, 1934. It was published in book form later that year by Cassell in the UK and Doubleday in the US. The book marked the first time Rohmer employed third person narrative in the series and dispensed with the first person narrative voice modeled on Sir Arthur Conan Doyle’s Sherlock Holmes stories. The results dilute what would otherwise have been a stronger novel that saw the series return to its roots.

Sir Denis Nayland Smith, Alan Sterling, and Chief Inspector Gallaho follow Fah lo Suee from Sam Pak’s Limehouse opium den to the Ambassador’s Club, where the daughter of Fu Manchu has a rendezvous with Sir Bertram Morgan. The reader learns in short order that Fah lo Suee met Sir Bertram three years ago in Cairo and so has retained her old identity of Madame Ingomar. The old financier has fallen madly in love with the seductive Eurasian beauty. Sir Denis and company follow their car to Rowan House in Surrey, the former residence of Sir Lionel Barton, where Madame Ingomar’s father now resides. Once again, Rohmer refers back to the first book in the series, for it was at Rowan House where Nayland Smith and Dr. Petrie first encountered Sir Lionel Barton.

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Blogging Sax Rohmer’s The Trail of Fu Manchu, Part One

Blogging Sax Rohmer’s The Trail of Fu Manchu, Part One

Trail ColliersTrail frontispieceSax Rohmer’s The Trail of Fu Manchu was originally serialized in Collier’s from April 28 to July 14, 1934. It was published in book form later that year by Cassell in the UK and Doubleday in the US. The book marked the first time Rohmer employed third person narrative in the series and dispensed with the first person narrative voice modeled on Sir Arthur Conan Doyle’s Sherlock Holmes stories. The results dilute what would otherwise have been a stronger novel that saw the series return to its roots.

The book gets off to an atmospheric start on a foggy night in London, where a lone constable is standing guard outside Professor Pietro Ambroso’s art studio. He catches a glimpse of a shambling figure approaching the studio several times, but the crouching man eludes capture. A woman’s cries for help send the constable away from his post to investigate, but he finds no one. When he returns to his post, he finds the front door to Professor Ambroso’s studio open and upon investigating finds the studio deserted.

The scene shifts to Scotland Yard, where Sir Denis Nayland Smith is in conference with Chief Inspector Gallaho, who succeeded Inspector Weymouth after the latter became Police Superintendant in Cairo. The reader is somewhat surprised to learn that Professor Ambroso is also the focus of their concern. The Professor has attained fame as an artist and sculptor. His latest work is The Sleeping Venus, a stunningly beautiful porcelain nude. Ambroso had requested police protection upon his arrival in London.

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Blogging Sax Rohmer’s The Bride of Fu Manchu, Part Four

Blogging Sax Rohmer’s The Bride of Fu Manchu, Part Four

1858522_320The Bride of Fu ManchuSax Rohmer’s The Bride of Fu Manchu was originally serialized in Collier’s from May 6 to July 8, 1933 under the variant title, Fu Manchu’s Bride. It was published in book form later that year by Cassell in the UK and Doubleday in the US. The US edition retained the original magazine title until the 1960s when the UK book title was adopted for the paperback edition published by Pyramid Books.

Sir Denis Nayland Smith and Alan Sterling lead the police raid of Mahdi Bey’s Riviera estate. Moving deep below sea level in the underground catacombs, they find themselves cut off by steel doors which descend on both sides. Fearing for their lives and plunged in darkness, they are startled to hear the voice of Fu Manchu informing them he is leaving by submarine and that Dr. Petrie and Fleurette go with him. He explains he is sparing their lives only because Sir Denis and Sterling spared his when they both encountered him in his opium trance.

Smith and Sterling manage to climb through an opening in the catacombs and descend into the underground stream and swim across until they can climb the rocks leading to the beach at St. Claire. Sir Denis notes that Petrie could never have made the journey to the submarine in his weakened condition and sees evidence of oil trails that suggest that another party has left the beach via motorboat. The question remains where the motorboat will meet up with the submarine. Smith suspects their destination would be a yacht with which to transport the party to the rendezvous.

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Blogging Sax Rohmer’s The Bride of Fu Manchu, Part Three

Blogging Sax Rohmer’s The Bride of Fu Manchu, Part Three

51rhbeFgQTL__SL500_AA300_b70-968Sax Rohmer’s The Bride of Fu Manchu was originally serialized in Collier’s from May 6 to July 8, 1933 under the variant title, Fu Manchu’s Bride. It was published in book form later that year by Cassell in the UK and Doubleday in the US. The US edition retained the original magazine title until the 1960s when the UK book title was adopted for the paperback edition published by Pyramid Books.

Our narrator and hero, botanist Alan Sterling has found himself a Companion of the Si-Fan along with numerous other scientific geniuses conscripted into their service after falling victim to the catalepsy-inducing drug that leads the outside world to believe them dead. Fah lo Suee, the daughter of Fu Manchu, has conspired to prevent Sterling from being subjected to her father’s mind control drug in order to use him as a pawn to remove Fleurette, raised since childhood to bear Fu Manchu a son, from the household.

Attempting to escape, Sterling stumbles upon Fu Manchu in an opium trance. He considers murdering him to avenge Dr. Petrie’s death, but finds he is unable to lift a hand against him for some unknown reason. Retracing his steps, Sterling works to find an escape route through the elaborate cave system that leads from Mahdi Bey’s estate down to the beach at Ste. Claire. Rohmer builds suspense well as Sterling’s path through the dark is made more dramatic as he becomes aware someone is stalking him. Both Sterling and the reader are startled to learn the pursuer is none other than Nayland Smith.

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Blogging Sax Rohmer’s The Bride of Fu Manchu, Part Two

Blogging Sax Rohmer’s The Bride of Fu Manchu, Part Two

$(KGrHqJ,!p!E9dR9SnnCBPebmY)fDQ~~60_35The Bride of Fu ManchuSax Rohmer’s The Bride of Fu Manchu was originally serialized in Collier’s from May 6 to July 8, 1933 under the variant title, Fu Manchu’s Bride. It was published in book form later that year by Cassell in the UK and Doubleday in the US. The US edition retained the original magazine title until the 1960s, when the UK book title was adopted for the paperback edition published by Pyramid Books.

After Alan Sterling recovers consciousness, Sir Denis insists he dine out that evening in Monte Carlo to take his mind off the terrible situation with Dr. Petrie. Complying with his wishes, Alan drives to Monaco and spends some time at a casino trying to apply Petrie’s (really Rohmer’s) complicated system to break the bank, to no avail. While dining that night, he is startled to spy Fleurette at another table dining with a Russian nobleman and Mahdi Bey.

Observing them in public, Sterling convinces himself that Fleurette must be Mahdi Bey’s mistress. This devastates him as he has idealized her as his virginal dream girl since first glimpsing her on the beach at Ste. Claire. Sterling’s reverie is broken when he spies the Chinese agents of Dr. Fu Manchu in the restaurant. He then hears the mysterious sonic trumpet sound once more. He doesn’t understand the connection, but he is now certain that Mahdi Bey is somehow mixed up in the dangerous business and Fleurette with him.

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Blogging Sax Rohmer’s The Bride of Fu Manchu, Part One

Blogging Sax Rohmer’s The Bride of Fu Manchu, Part One

bride-fu-manchu-sax-rhomerBride of Fu Manchu2Sax Rohmer’s The Bride of Fu Manchu was originally serialized in Collier’s from May 6 to July 8, 1933 under the variant title, Fu Manchu’s Bride. It was published in book form later that year by Cassell in the UK and Doubleday in the US. The US edition retained the original magazine title until the 1960s, when the UK book title was adopted for the paperback edition published by Pyramid Books. Under any title, it is without a doubt the finest book of the series in terms of prose and plotting.

The Bride of Fu Manchu introduces readers to a new narrator/hero in the form of the young botanist, Dr. Alan Sterling. As the book opens, Sterling is in France along with Dr. Petrie. They have both been called in to investigate a strange new epidemic that has stricken the Riviera.

Sterling comes ashore on Ste. Claire and discovers a beautiful girl on an otherwise deserted beach. The introductory scene is a long and evocative one and will be instantly familiar to James Bond fans as a clear influence on Ian Fleming. The girl is called Fleurette and likens herself to the goddess, Derceto. She is the property of the mysterious Mahdi Bey, who owns the great house on Ste. Claire. A strange sonic trumpet sounds and Fleurette rushes back to her master’s home, leaving Sterling both smitten and frustrated by their brief but tantalizing encounter.

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The Return of Dr. Mabuse

The Return of Dr. Mabuse

42654401Norbert Jacques’s criminal mastermind was immortalized in three classic Fritz Lang films made between 1922 and 1960. As in the original bestselling novel, the title character in Lang’s epic 5-hour silent film, Dr. Mabuse der Spieler, served as the incarnation of post-war German decadence.

A decade later, Lang returned to the character in the classic The Testament of Dr. Mabuse, imbuing the character with an occult influence as Dr. Baum becomes obsessed with the institutionalized Mabuse to the point where he believes he is possessed by his recently-deceased patient’s spirit. Fleeing Germany shortly after the film’s completion, the Jewish Lang proudly noted that in this film, Mabuse served as a critique of the Nazi Party that had recently risen to prominence.

At the end of his career, Lang returned to the character for The Thousand Eyes of Dr. Mabuse, but the mesmerizing criminal genius was now awash with Cold War paranoia amidst a tale that painted the inexplicably reborn Mabuse as the personification of the Big Brother-style East German communist government forever spying on the people it seeks to control.

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Evangelizing for Pulp Fiction

Evangelizing for Pulp Fiction

product_thumbnailproduct_thumbnail2David Lee White is an accomplished contemporary playwright in the Tri-State area who is also a man with a fervent mission. Through his publishing imprint, Beltham House, he has brought a number of obscure works back into print after many decades. L. T. Meade and Robert Eustace’s The Sorceress of the Strand (1902) and The Brotherhood of the Seven Kings (1899), a pair of obscure yet influential mysteries involving Madame Blavatsky-like female criminal masterminds, are two prime examples. However, it is with Pierre Souvestre and Marcel Allain’s Fantomas crime series that White has truly made his greatest impact. It is unlikely that any American has done more for bringing Fantomas back in the public eye in the United States than Mr. White.

Beltham House has been responsible for reprinting six long out-of-print titles in the series for the first time in decades, only to have numerous copycat public domain publishers quickly throw together their own knockoff editions. Since Beltham House is published through Lulu Press and not all of their titles are readily available on Amazon.com, it is likely that most of the specialized audience for the series is not even aware that Beltham House is the one-man operation that rediscovered these lost classics of the thriller genre. White also adapted a long-lost 1920 Fantomas serial as a novelization for Black Coat Press a few years back entitled, Fantomas in America. The book was the first new Fantomas novel in nearly fifty years and its historical significance was even greater for preserving a story that was otherwise lost to the ravages of time as no extant print of the serial has yet been recovered.

So it was that I approached Beltham House’s contribution to Fantomas’s centennial last year with a degree of skepticism. I already owned the nine original books that were back in print and White’s novelization of the serial, so why would I shell out the extra money for The Collected Fantomas, an omnibus edition collecting the first seven books in the series? If I already owned the books,  the omnibus could not possibly be of interest to me, right? Wrong.

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