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The Public Life of Sherlock Holmes: Magnifying Glass, Pipe and Deerstalker

The Public Life of Sherlock Holmes: Magnifying Glass, Pipe and Deerstalker

Pipe_RathboneThe curved pipe. The magnifying glass. The deerstalker cap. These three objects are intimately associated with the enduring image of Sherlock Holmes. Sir Arthur Conan Doyle was quite astute to use these rather uncommon devices for his singularly uncommon detective.

Well, not quite. In addition to Doyle, we should also credit three other men for creating the picture we see of Sherlock Holmes, over a century later.

Along with Doyle, we must tip our deerstalker (and puff on our pipe in honor of) illustrators Sidney Paget and Frederic Dorr Steele, a well as the great stage performer, William Gillette.

It is the contributions of the latter three upon which Eille Norwood, Arthur Wontner, Basil Rathbone, Jeremy Brett and others based their portrayals. Of course, since Rathbone’s Universal films were set in the 1940’s, his wardrobe was contemporary to the times. But his two films for Twentieth-Century Fox fit the classic image.

Let’s take a look at three “props” that have been commonly associated with Holmes for over a century.

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The Public Life of Sherlock Holmes: TCM’s Summer of Darkness

The Public Life of Sherlock Holmes: TCM’s Summer of Darkness

TCM_LogoHard boiled and noir are often discussed together. And while a film or story could fit in both categories, they are two distinct genres. Hard boiled is typified by the stories of Dashiell Hammett and Raymond Chandler, and others from Black Mask and Dime Detective magazines.

Noir is usually (but not always) thought of in terms of film: black and white, shadowy movies with dark characters. Much hard boiled is noir, and vice versa. Far more expert folks have discussed the definitions of the two terms for decades.

One example, to me, are the works of Cornell Woolrich, whose “It Had to Be Murder” became the masterful suspense flick, Rear Window. Woolrich’s stories are noir, but not hard boiled.

Many of Humphrey Bogart’s films were hard boiled, including The Maltese Falcon (also noir), The Roaring Twenties and Bullets or Ballots. One of his later films, In a Lonely Place (based on the novel by Dorothy Hughes) is a noir classic but isn’t hard boiled.

So, just know that many films (usually crime related) from the thirties through the fifties and into the sixties, were hard boiled, noir, or both.

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The Public Life of Sherlock Holmes: Wrapping up Jeremy Brett’s Adventures

The Public Life of Sherlock Holmes: Wrapping up Jeremy Brett’s Adventures

Brett3_RucastleClick here for parts one and two of this look at Jeremy Brett’s The Adventures of Sherlock Holmes.

The second installment of Granada’s The Adventures of Sherlock Holmes kicked off on August 25, 1985 with The Copper Beeches. Tapped for the role of one of the Canon’s most dastardly villains, Jephro Rucastle, was veteran actor Joss Ackland. Back in 1965 he had starred opposite Douglas Wilmer’s Holmes in The Disappearance of Lady Frances Carfax, playing her former suitor, Philip Green.

Other tangential Holmes-related efforts had included John Cleese’s disastrous parody, The Strange Case of the End of Civilization as We Know It and an episode of the BBC series, The Rivals of Sherlock Holmes, based on the anthologies edited by Hugh Greene.

And in 1989 he would play the King of Sweden in Christopher Lee’s Sherlock Holmes & The Incident at Victoria Falls. Ackland’s Rucastle is one of the most memorable evildoers in the entire Granada series; menacing in a creepy but understated way.

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The Public Life of Sherlock Holmes: Jeremy Brett’s Adventures Begin

The Public Life of Sherlock Holmes: Jeremy Brett’s Adventures Begin

Brettstrand1Last week I posted part one of our look at Granada’s The Adventures of Sherlock Holmes, starring Jeremy Brett.

The Adventures were divided into two parts; seven episodes in the first; six in the latter. A Scandal in Bohemia aired on April 24, 1984. Can it be thirty-one years since Jeremy Brett first graced television sets as the great detective? Scandal was actually the third story to be filmed.

Producer Michael Cox wanted Brett and his Watson, David Burke, to become comfortable with their roles before filming one of the most famous tales in the Canon, so he didn’t start taping with this one.

Watson enters their Baker Street lodgings, having been gone on a trip. He sees the empty syringe case and fears his flat mate has turned to cocaine. Shortly after our first vision of Holmes, Brett gives the “My mind rebels at stagnation” speech. It is completely understated but still paints a portrait of Holmes’ need for work (compare it to the over-the-top reading of Matthew Frewer).

The script is remarkably faithful to the story and is filled with original dialogue from Doyle. The influence of Sidney Paget is blatantly obvious. The King of Bohemia’s unmasking is a replica of the original drawing, and Brett’s ‘drunken groom’ disguise is nearly identical to Paget’s drawing. We even get the famous “Good Night Mr. Holmes” scene.

David Burke is as far from Nigel Bruce as one can imagine. He is thoughtful, intelligent, amusing without being a buffoon and utterly dependable. There is a valid film reason for Bruce’s un-Canonical portrayal as comic relief, but Burke reinvents Watson as his original self: the way Doyle wrote him.

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The Public Life of Sherlock Holmes: Adventures With Jeremy Brett

The Public Life of Sherlock Holmes: Adventures With Jeremy Brett

Brett46For several decades, Basil Rathbone, star of fourteen Holmes films in the thirties and forties, was generally the most recognizable and popular screen Holmes. And of course today, Benedict Cumberbatch and Robert Downey Jr are internationally recognized for their turns as the master detective.

But in between Rathbone and Cumberbatch, one actor (with apologies to Peter Cushing) stood above all other portrayers of Sherlock Holmes. And that was Jeremy Brett.

This is number one of a three part series looking at the first part (The Adventures) of the Granada television series, which ran in full from 1984 to 1994. To many fans, Brett is simply THE Holmes. So…

In 1980, Michael Cox was a producer at Granada, one of the Independent Television (ITV) contractors in England. At the same time in America, Charlton Heston was starring as Sherlock Holmes in the stage play, The Crucifer of Blood. His Watson was a handsome Englishman named Jeremy Brett.

The following year, Cox proposed an authentic Sherlock Holmes series; one that was as true to the original tales as could commercially be done in the television format. His idea was received positively, but Cox was told that an essential element of the deal would be a pre-sale agreement with American television. This would secure “up-front” money, which would be invested into the series. WGBH in Boston, host of the popular PBS series, Mystery!, was an ideal candidate for the partnership.

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The Public Life of Sherlock Holmes: Richard Diamond, Private Eye

The Public Life of Sherlock Holmes: Richard Diamond, Private Eye

Diamond_PowellA topic that I’ve long intended to visit is that of old time radio shows. Of course, it’s no surprise that Sherlock Holmes has been a popular subject for radio dramas. Arthur Wontner (who I’m sure you read about here) and William Gillette (again, here…) reprised their film roles for radio.

Richard Gordon, John Stanley and Richard Hobbs had long runs as Holmes. And of course, the most popular film Holmes, Basil Rathbone, had a long-running serial with his Watson, Nigel Bruce.

More recently, Clive Merrison starred in the entire Canon (and more) for BBC Radio. Also, Jim French’s Imagination Theater features new Holmes radio dramas (along with several other characters). I’ll certainly be writing about those two.

In the forties and fifties, detectives, newspaper reporters and even insurance investigators were popular heroes for radio dramas. Sam Spade, Philip Marlowe, The Fat Man (ostensibly created by Dashiell Hammett) and Johnny Dollar were some of the radio stars of the day. One of the most fun was Richard Diamond, Private Detective.

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What Are the Best Star Trek Original Series Episodes for Kids?

What Are the Best Star Trek Original Series Episodes for Kids?

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When I’m not writing for all you fine folks, I’m generally hanging out with my nine-year-old son, a budding engineer and scientist. If you have an intellectually curious child it’s best to feed their head, so we give him a steady diet of Lego Tech sets, electronics kits, and educational shows.

(Thank you, National Geographic, for getting my kid to actually ask to see documentaries on Saturday mornings.)

As we all know, there’s nothing better for a young mind than some good science fiction, so we’ve been watching Original Series Star Trek. The blend of action, humor, science, sociology, and good old silliness is what makes the program a classic. It’s hard to pick which episodes are the most fun for kids, so I gathered a panel of experts (i.e., my Facebook friends) and asked them. It turns out many parents agree on the best episodes.

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The Public Life of Sherlock Holmes: Elementary is Back

The Public Life of Sherlock Holmes: Elementary is Back

Elementary_PosterIn September of 2012, Elementary debuted on CBS television in America. It was a modern day Sherlock Holmes series, set in New York City. It followed closely on the heels of the BBC’s Sherlock, which had aired three episode seasons in 2010 and again in 2012.

The BBC series was a clever updating of Arthur Conan Doyle’s original stories (at least, it was until the third season) and was full of Easter eggs to please old school Holmes fans (like me), while appealing to a new generation (including females who swoon at the sight of Benedict Cumberbatch: ‘Cumberbunnies’).

Elementary sprinkles in bits from Sir Arthur Conan Doyle’s works, but it’s really a police procedural with a Holmes overlay. I think it’s inaccurate to say it’s based on Doyle’s stories.

Holmes is a recovering drug addict who sleeps with women. Watson is, well, a woman who starts as Holmes’s life coach. Mycroft is nothing like the original and his relationship with Sherlock has even less to do with the stories.

Irene Adler and Moriarty were completely transformed. Gregson (who was the best of a bad lot) is actually a competent policeman, which is a nice change. On the other hand, there are bits for Sherlockians, such as Holmes keeping bees on the roof and being an expert single stick fighter.

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The Public Life of Sherlock Holmes: Sherlock Is Coming Back – Good or Bad?

The Public Life of Sherlock Holmes: Sherlock Is Coming Back – Good or Bad?

Sherlock_LegoAs a screen presence, Sherlock Holmes was essentially a dormant property from the nineties until 2009. Sherlock Holmes and the Vengeance of Dracula  was a hot script in 1999, with Christopher Columbus set to direct. But screenwriter Michael Valle died unexpectedly and Columbus went on to make some movies with a bunch of kid wizards in a pig school or something like that.

In 2009, Robert Downey Jr. breathed new life into the great detective in the global smash, Sherlock Holmes (worldwide gross: over a half a billion dollars! The sequel did even better).

Mark Gattis and Steven Moffat, writers on the successful Doctor Who series, decided to bring Holmes back to television, but with a twist: the setting would be modern day London. It was a HUGE success, artistically and commercially.

With references to the original stories by Doyle all over the place, including updatings of the original tales (the pilot, A Study in Pink, was a retelling of the first story, A Study in Scarlet), it was a fresh take on an old subject. And with Benedict Cumberbatch playing an obnoxious, young Holmes and likeable everyman Martin Freeman as his trusty sidekick, Watson, the three-episode series was a hit in the UK, America, and all over the world.

Season two was just as good, updating The Hound of the Baskervilles and turning The Woman, Irene Adler, into a dominatrix. Personally, after season two ended, Sherlock was one of my top five all-time favorite shows and even in a battle with Justified for the top spot.

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Fantasy TV Update – Nov. 14

Fantasy TV Update – Nov. 14

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Robert Carlyle as Rumplestiltskin takes the place of the fairy godmother, by making a deal with Cinderella (Jessy Schram).

Miss some network fantasy over the last week? We’ve got you covered:

Once Upon a Time – “The Price of Gold”

The fairy tales diverge more and more from the traditional ones, as we learn the backstory of Cinderella. Just as her fairy godmother is about to help change her life, she is instead incinerated in a burst of flame … by Rumplestiltskin, who steals her magic wand. Cinderella, he says, is better off without magic anyway. But, of course, if she really wants to change her life, he’ll be willing to help out. For a price.

The “reality” tale is based around Ashley, a pregnant teenager who has agreed to put her child up for adoption, using Mr. Gold as the person handling the adoption. This brings up a lot of guilty baggage for Emma, in relation to her own decision to give up Henry all those years ago.

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