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What I’ve Been Listening To: February, 2025

What I’ve Been Listening To: February, 2025

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I haven’t shared what I’ve been listening to, since November. How have you lasted this long??? Let’s rectify that right now, shall we?

ISAAC STEELE & THE FOREVER MAN – Daniel Rigby

This is the first of two originals produced by Audible as The Isaac Steele Chronicles – it’s not a print or digital book turned into an audiobook.

Rigby wrote it, and he narrates as well. He sounds a lot like Cary Elwes, which totally works for me (you want a great audiobook – Elwes’ memoir about the making of The Princess Bride, with several cast members reading their own parts, is superb).

It’s NSFW – I don’t play this one out loud in the office. I’d say ‘raunchy.’ So, take that for what it is.

Steele works for Greatest Britain’s Department of Clarification. He’s basically a police detective for the intergalactic British government. Greatest Britain is about as beloved as Britain was during the Colonial Era. Steele is never the most popular guy in the room. He also drinks, does drugs, has unresolved parental issues, and he’s not exactly a stickler for the rules. A scifi version of the hardboiled private eye trope.

He can be his own worst enemy, but there are plenty of other people, robots, and monsters, willing to make his life worse for him. He has a robotic partner, Timothy, who sulks in his tent like Achilles, after getting benched on the case. Steele is less than gracious in welcoming his new, temporary partner.

This is campy fun, without being silly. I can imagine that there are some seriously devoted fans, on board for more.

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Science Fiction History Considered As a Series of Images of Newsstand Displays

Science Fiction History Considered As a Series of Images of Newsstand Displays

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Science Fiction magazines likely displayed on the stands at ten year intervals, 1933 to 2013

Many readers here no doubt lack the experience of having personally cruised news stands, tobacco shops and underground hole-in-the-wall used book stores, through no fault of their own. Unless you can fault someone for not having been born in a particular year, which I think would be a silly thing to do.

I, on the other hand, managed to arrive on this planet at a time conducive to such things. Following a brief orientation period lasting a handful of years, during which I learned how to navigate within a 1G gravitational field and picked up a few useful tips, such as becoming proficient in one of the native languages and where food came from, not to mention the necessity of wearing clothing when out and about, I was introduced to a small, yet extremely powerful concept called “Science Fiction”.

In short order I became enraptured and the rest, as they say, is personal history.

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Galloway Gallegher — Kuttner’s Sauced Scientist

Galloway Gallegher — Kuttner’s Sauced Scientist

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Robots Have No Tails (Lancer, 1973). Cover by Ron Walotsky

Try this one on for size…you go to sleep one night and have a lively dream. You see yourself doing wonderful things, creating new devices based on principles so advanced you can’t even image how they could be. You don’t question the fact that it is a dream because you know that, normally, you could never build such fabulous, world-changing technologies. It’s all kind of fuzzy though — what you’re building, the people you’re interacting with, everything.

When you wake in the morning you discover any number of strange devices in your house. You have no idea what they are, how they work, or where they came from. The phone rings. Apparently, there are several people to whom you now owe a lot money. You’ve never met any of them before but they seem to know you. Is it a scam? You hope so because one of them is suing you for breach of contract. Another is taking you to court for assault and battery. What happened? Could your dreams have been real somehow? Regardless, it seems that you’re now morally responsible for a whole lot of trouble.

This is essentially the premise of Henry Kuttner’s five Galloway/Gallegher stories: “Time Locker” (1943), “The World Is Mine” (1943), “The Proud Robot” (1943), “Gallegher Plus” (1943), and “Ex Machina” (1948).

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A Hero Named Mayhem

A Hero Named Mayhem

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Johnny Mayhem, man of a thousand faces, leaping from body to body, putting right things that had once went…no wait! That’s the television show, Quantum Leap, which ran from 1989 to 1993. Never mind. Decades before Sam Beckett went leaping through time, there was another bodiless adventurer doing much the same thing. His name was Johnny Mayhem.

Illustration from “My Name is Mayhem,” (Amazing Stories, September 1955). Artwork by Kotzky.

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These Violent Delights: HBOs Westworld

These Violent Delights: HBOs Westworld

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I don’t often find a lot I enjoy on TV. There are notable exceptions. I loved Battlestar Galactica and Sons of Anarchy, enjoyed a few seasons of Game of Thrones, Justified and Banshee, and dabble in Star Trek: Discovery.

A few years ago though, I was absolutely blown away by the first season of Westworld. Physical distancing has given me a bit of extra time and in Canada Westworld is on Crave premium, so I rewatched season one, blew through Season Two and found to my delight that new episodes of Season Three are appearing weekly.

What is it and why am I talking about it on Black Gate? It’s probably the most scientifically faithful science fiction I’ve ever seen on TV or the big screen, and yet it has the powerful literary and narrative qualities you’d expect in an HBO series. There is no hand-holding here for the viewer and no clumsy exposition. It’s keep up or go home all the way — the series treats you like you’re smart enough to keep up, which really means that Westworld has enough depth of character and story to leave you turning it over in your mind for quite some time.

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The Rise of Skywalker: A GREAT Ending to the Star Wars Saga

The Rise of Skywalker: A GREAT Ending to the Star Wars Saga

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SW_RisePosterEDITEDI was ten years old in the summer of 1977, and my dad took me to Cinema East that summer to see Star Wars (A New Hope). Cinema East, then on Broad Street in Whitehall, but now long gone, had 70 MM screenings. I think it was the biggest screen in town.

Forty-two years and seven movies later this past Saturday, one day before my son turned twelve, I took him to see Star Wars: The Rise of Skywalker. I have liked some of the series, and the ‘extra’ movies, and the animated shows. I didn’t like others. But I can value that generations have been able to share the Star Wars universe. That’s something powerful in our increasingly shallow culture.

I’m going to write a short, relatively spoiler-free post. I liked The Force Awakens, even though it seemed rather unoriginal. But after the second trilogy, which I didn’t care for, I was happy to enjoy a Star Wars movie again. And then came The Last Jedi. Had I not taken my son to see it, I probably would have either fallen asleep, or left before the end. It was a dull, plodding movie. And I feared the saga was going to limp to its final end.

But I’ve approached every Star Wars film with an open mind. I don’t have an agenda, or any strong feelings about it. I watched the first three movies, read a few books like Alan Dean Foster’s Splinter of the Mind’s Eye.  But I wasn’t overly big into Star Wars. I was more interested in fantasy than science fiction. I’d rather read Michael Moorcock, Terry Brooks, or Terry Pratchett, than dig deeper into Star Wars.

And The Rise of Skywalker was an excellent ending to the epic cycle. I don’t think they could have done a whole lot better in putting the original movie series to bed. It’s a movie about hope, redemption, courage, perseverance, honor, and commitment. It’s cool in our Dark Knight era of superhero movies (a genre created for kids and totally taken over by adults who really need to lighten up and examine their lives a bit), to denigrate uplifting, feel-good stories.

Rise is a return to the values, themes and messages of the original trilogy. It brings closure to a story begun over four decades ago. And it does it in a way that lets the movie-goer walk out of the theater satisfied. Especially someone who has been watching Star Wars for decades.

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Reworking A Classic: Frankenstein in Baghdad by Ahmed Saadawi

Reworking A Classic: Frankenstein in Baghdad by Ahmed Saadawi

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9781786073976The Arabic world has seen an upsurge in speculative fiction in recent years. Some attribute it to the disappointments of the Arab Spring and the disaster of the U.S. invasion of Iraq. Others point to ready access to the Internet, allowing Arab writers to communicate more easily with genre fans in other parts of the world.

Of course this ignores the fact that Arabic literature has a long tradition of the fantastic. Arab writers are working from very deep roots. So it’s interesting that one of the most successful Arab speculative novels of the past decade takes its inspiration from a Western source.

Frankenstein in Baghdad retells Mary Shelley’s classic tale in American-occupied Baghdad in the early years of this decade. The book originally came out in Arabic in 2013. Baghdad is a nightmare of opposing factions shooting it out while a corrupt Iraqi government propped up by the clueless Americans tries to keep it all together.

***Spoilers follow. If you don’t like spoilers, just go out and buy the novel. You’ll be glad you did.***

Hadi is a junk dealer who drinks too much and works too little, living in an abandoned house and telling wild tales at the local cafe to anyone who listens. On his rounds he comes across the wreckage of countless car bombings. While the emergency crews try to clean up as much as possible, they often miss small body parts. Hadi decides to take these home and sew them together, making a complete body that would be suitable for burial.

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Wargaming with my Twelve-Year-Old

Wargaming with my Twelve-Year-Old

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Outpost Gamma-small Outpost Gamma-back-small

It may be turning into an annual tradition here at the McLachlan-Alonso household–beating the Madrid heat by playing tabletop wargames. I first introduced my son to the concept of wargames with Soldiers 1918, an old Strategy & Tactics game.

This summer it was Outpost Gamma, an old Dwarfstar Games science fiction wargame available free online. Just download it, take it to your local printshop to get the board and chits on suitable card stock, and bingo! Old school fun.

This is a simple game, perfect for a kid who hasn’t done many wargames. The rules are clear and straightforward, and the game is pretty fast moving. Game time took about an hour.

Earthers have placed mining colonies on a distant planet ravaged by electrical storms. The native species isn’t too happy about it and decides to kick the miners and the space marines out. What results is basically a colonial warfare game, with a few heavily armed soldiers trying to beat off a superior force of poorly armed natives.

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The Darwin Variant by Kenneth Johnson Is a Thrilling and Frightening No-Empathy Apocalypse

The Darwin Variant by Kenneth Johnson Is a Thrilling and Frightening No-Empathy Apocalypse

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darwin-variant-coverLast year I had the opportunity to interview Kenneth Johnson, the famed television writer-producer-director responsible for The Incredible Hulk, V: The Original Miniseries, The Bionic Woman, and Alien Nation, about his upcoming novel, The Man of Legends. Mr. Johnson, or “Kenny” as he prefers to be called, is the interview subject most writers dream about: warm, humorous, intelligent, and overflowing with anecdotes showing the amount of thought he infuses into his work. This depth of thinking shows in The Man of Legends, a multi-character epic about an immortal man and the people he encounters in his long past and the urgent crisis of his present. It was, without a doubt, my favorite new novel of 2017.

Plenty of readers agreed with my opinion and made The Man of Legends a bestseller. Amazon’s 47North imprint immediately asked the author for a sequel. Although there was room for a follow-up, Johnson had shifted onto an idea that could use the same multi-narrator structure of The Man of Legends to tell a different type of epic — a viral outbreak tale with a twist that goes into territory similar to V: The Original Miniseries.

When Kenny called me to ask if I wanted to read the new book, The Darwin Variant, and talk to him about it, I couldn’t say “yes” fast enough. This time I had the good fortune to interview him in person at his Sherman Oaks office, where photos covering the walls recount his own “Man of Legends” history with everyone from Bill Bixby and Vincent Price to George Burns and Nikita Khrushchev. (Actually a taxi driver from NY who posed as Kruschev for The Mike Douglas Show, which Kenny was producing at the time.)

The Darwin Variant explores what occurs when members of humanity make a sudden evolutionary surge. Their intelligence rises rapidly, but something else fails: their empathy. These superior humans are aggressive, dominant, compassionless, and they’re threatening to remake the world. In the chilling words of a leader of the evolutionarily elevated group calling themselves The Friends of America (or just “The Friends”), “We’ll do good — exactly as we want it.”

It’s a timely and terrifying concept. Johnson weaves it into a tight science fiction thriller offering hope among the horror, and a fascinating duel between the ethos of the Survival of the Fittest and the evolution of humanity toward a better humanity, not merely a smarter one. “More intelligent? Yes, you are,” a character challenges one of the infected Friends. “But more educated? Not at all.” Reaching that education is the journey the book takes readers on.

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STRANGE! WEIRD! EERIE! The Odd, Unusual, and Uncanny Biography of Lionel Fanthorpe

STRANGE! WEIRD! EERIE! The Odd, Unusual, and Uncanny Biography of Lionel Fanthorpe

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The Return Lionel Fanthorpe-small The Return Lionel Fanthorpe-back-small

Some writers agonize over every line. Some are prolific like Andre Norton. Others are hyperprolific like Isaac Asimov.

But Lionel Fanthorpe stands alone. He isn’t the most prolific author out there, having written “only” about 200 books, but he had the distinction of having written 168 books in less than a decade. Many he wrote in a week. Some he wrote over a three-day weekend.

This fervid output was the result of his association with Badger Books, a cheap-as-they-come UK publisher that emphasized quantity over quality. The publisher would commission the cover art first (or steal it from some old American paperback), send it to the author, and have them write a 45,000 word novel, usually with a deadline of one week.

Fanthorpe wrote 168 books for Badger between 1961 and 1967, dictating his tales into a reel-to-reel recorder and sending the tapes into the publisher’s typist. Often he’d stay up late into the night, covering his head with a blanket so he could concentrate. The results were overwritten, padded, and compellingly bad.

The only biography of Lionel Fanthorpe, Down the Badger Hole by Debbie Cross, has long been out of print but has now been revised, expanded, and released as a free ebook on the TAFF website.

And what a book it is! Cross gives us generous helpings of Fanthorpe’s prose, including masterful examples of padding through repetition.

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