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Blogging The Insidious Dr. Fu-Manchu by Sax Rohmer, Part Three – “The Clue of the Pigtail”

Blogging The Insidious Dr. Fu-Manchu by Sax Rohmer, Part Three – “The Clue of the Pigtail”

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NOTE: The following article was first published on March 28, 2010. Thank you to John O’Neill for agreeing to reprint these early articles, so they are archived at Black Gate which has been my home for over 5 years and 260 articles now. Thank you to Deuce Richardson without whom I never would have found my way. Minor editorial changes have been made in some cases to the original text.

The_Mystery_of_Dr._Fu-Manchu_cover_1913220px-Mysteriousfumanchu“The Clue of the Pigtail” was the second installment of Sax Rohmer’s serial, Fu-Manchu. It was first published in The Story-Teller in November 1912. It would later comprise Chapters 4-6 of the novel, The Mystery of Dr. Fu-Manchu [US title: The Insidious Dr. Fu-Manchu] published the following year. Rohmer makes a drastic switch from the weird menace of “The Zayat Kiss” to a more traditional Yellow Peril storyline. The influence of Sir Arthur Conan Doyle’s Sherlock Holmes mysteries is much less pronounced the second time around. This episode and the one that immediately follows it (“Redmoat” which we will examine in greater detail next time) see Rohmer instead delve deeper into the background of his Yellow Peril mystery. This transition is a necessary one to provide Dr. Fu-Manchu with a plausible motive for the weird deaths he was directing against his political enemies in the first story.

Most critics cite the Boxer Uprising of 1900 as the beginning of Yellow Peril fiction. While that inaugural international conflict of the 20th Century certainly did much to incite reader interest, Yellow Peril stories had existed prior to the series of massacres of Western missionaries that would ultimately spell the end of the Manchu Dynasty and be responsible for much of the ideological and socio-political transformation of the globe in the last century. A brief overview of the most prominent Yellow Peril stories prior to Sax Rohmer’s introduction of Dr. Fu-Manchu may prove beneficial.

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Blogging The Insidious Dr. Fu-Manchu by Sax Rohmer – Part Two: “The Zayat Kiss”

Blogging The Insidious Dr. Fu-Manchu by Sax Rohmer – Part Two: “The Zayat Kiss”

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NOTE: The following article was first published on March 14, 2010. Thank you to John O’Neill for agreeing to reprint these early articles, so they are archived at Black Gate which has been my home for over 5 years and 260 articles now. Thank you to Deuce Richardson without whom I never would have found my way. Minor editorial changes have been made in some cases to the original text.

ZayatInColliersfumanchu1It has often been noted that Nayland Smith and Dr. Petrie are cut from the same cloth as Sherlock Holmes and Dr. Watson and yet they display as many differences as they do similarities to their more famous progenitors. When Sax Rohmer incorporated “The Zayat Kiss” into the first three chapters of his first novel, British readers had a distinct advantage over their American counterparts in that the UK edition, The Mystery of Dr. Fu-Manchu contains chapter titles that The Insidious Dr. Fu-Manchu is lacking. The first chapter is titled, in a direct reference to the opening chapter of the first Holmes novel, “Mr. Nayland Smith of Burma.”

Yet it is not Nayland Smith who conjures the most indelible image of Sherlock Holmes so much as it is the brilliant, but eccentric criminal pathologist, Chalmers Cleeve who we meet as he crawls beetle-like about the crime scene. Cleeve is stumped by the murder of Sir Crichton Davey as much as Scotland Yard’s Inspector Weymouth (who Smith and Petrie meet for the first time in this tale) for it requires more than deductive reasoning to successfully combat Dr. Fu-Manchu. The Devil Doctor can only be matched by an opponent destined to defeat him. Fate, in its distinctly Eastern concept, is the deciding factor in restoring order to the frenzied paranoiac world that Rohmer vividly creates for his readers in sharp contrast with Sir Arthur Conan Doyle’s prevailing belief that trained reasoning can solve any problem.

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The Body’s Upstairs at Hangover House

The Body’s Upstairs at Hangover House

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HangoverColliersHangoverRandomSax Rohmer’s last title to receive a hardcover edition in the US during his lifetime was Hangover House. It was Rohmer’s final showing on the bestseller lists and his only novel published by Random House. It was first serialized in Collier’s from February 19 to March 19, 1949 prior to its hardcover publication by Random House in the US and Herbert Jenkins in the UK.

Interestingly, Collier’s had published an earlier iteration as the short story, “Serpent Wind” in their November 7, 1942 issue. This story was part of a series later collected in book form in 1944 by Robert Hale as Egyptian Nights in the UK and by McBride & Nast under the title Bimbashi Baruk of Egypt in the US. “Serpent Wind” was retitled “The Scarab of Lapis Lazuli” for its hardcover publication. The story later appeared under its original title in the anthologies, Murder for the Millions in 1946 and Horror and Homicide in 1949.

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Blogging The Insidious Dr. Fu-Manchu by Sax Rohmer – Part One: “The Zayat Kiss”

Blogging The Insidious Dr. Fu-Manchu by Sax Rohmer – Part One: “The Zayat Kiss”

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NOTE: The following article was first published on March 7, 2010. Thank you to John O’Neill for agreeing to reprint these early articles, so they are archived at Black Gate which has been my home for over 5 years and 250 articles now. Thank you to Deuce Richardson without whom I never would have found my way. Minor editorial changes have been made in some cases to the original text.

ZayatInColliersinsidious 1Arthur Henry Ward was born in England in 1883. His father hoped his son would make his way through life as a respectable businessman, but young Arthur was determined to make a name for himself as an author.

He discovered immortality with the invention of two unlikely monikers that conjured an air of exotic intrigue when they debuted in print a century ago. The first was his chosen pen name, Sax Rohmer and the second was the name of the character at the heart of his first published novel, Dr. Fu-Manchu.

Over the years, the name lost its hyphen and became synonymous with the moustache artists and actors always depicted the character as wearing despite the fact that he was always described in print as clean-shaven. Dr. Fu-Manchu is a brilliant and honorable scientist who is opposed to British colonial interference in the East. Using a variety of fiendish inventions, insects, and assassins, he sets out to remove Western influence and silence those who know too much about the East.

Most intriguing in our post-9/11 world, the Devil Doctor chooses to fight his battles not in China, but on British soil using terror as his weapon. He is opposed in his efforts by stalwart British colonialist Nayland Smith and Smith’s bodyguard and Fu-Manchu’s chronicler, Dr. Petrie. Rohmer’s stories spanned five decades moving in real time with his characters aging alongside their author. For much of the first half of the last century, Dr. Fu-Manchu was the villain readers loved to hate.

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The Public Life of Sherlock Holmes: The Stuff That Dreams are Made of

The Public Life of Sherlock Holmes: The Stuff That Dreams are Made of

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Much of my hard boiled knowledge came from Black Lizard's editions of the classics.Last week marked the 86th anniversary of Dashiell Hammett’s The Maltese Falcon in book form. It had been serialized the year before in the pages of Black Mask Magazine. Hammett gets my vote for best writer of the hard-boiled genre. And I am quite the fan of Red Harvest (the uncredited source for Bruce Willis’ under-appreciated gangster film, Last Man Standing) and of the Continental Op stories (well worth reading). But I happen to think that The Maltese Falcon is the best private eye novel yet to be written. Period.

Sam Spade (who looked like a blonde Satan) also appeared in three short stories, which I wrote about in a prior post here at Black Gate. Sadly, they aren’t particularly memorable and definitely aren’t in the upper half of Hammett’s works. In 2009, Joe Gores wrote Spade and Archer, an authorized prequel. I love Gores’ Daniel Kearney Associates series of books, but I’m still saving this Sam Spade gem for a future read.

A great deal has been written about Hammett’s novel and about Spade himself, including William Maynard’s post here. It’s certainly worthy of a post all by itself. But I’m going to focus on the media Falcon: specifically the third of three filmed versions. It’s far and away the best known and I’m guessing that many people who haven’t actually read the book have seen the movie.

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Post-Modern Pulp: Speaking With Indie Action Writer Jack Badelaire

Post-Modern Pulp: Speaking With Indie Action Writer Jack Badelaire

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COA_SmallToday we’re talking to Jack Badelaire, author of numerous action books in the tradition of the 70s “Men’s Adventure” genre. His best known work is his Commando series of WWII action novels. Jack reflects on indie publishing and the state of the genre.

Full Disclosure: Jack is a critique partner of mine. He’s also a fellow member of the secret commando group Sicko Slaughterers (“SS,” we really need a new acronym), which goes after terrorists and human traffickers. So far I’ve killed 1,487 sickos, while wimpy little Jack has only killed 1,059. He gets props for killing that ISIS commander in Raqqa with a blender, though.

Anyway, on with the interview.

The Men’s Adventure fiction of the 60s and 70s is obviously a huge influence on your work. You’ve mentioned that you think there’s a lot more going on in these books than many people think. Could you expand on that?

This genre of fiction was brewed up during an especially turbulent period of history. The Cold War, Vietnam, rejuvenated organized crime syndicates, the rise of international terrorist organizations, the War on Drugs… and those are just the chart-toppers.  These post-modern pulps of the period were a direct reflection of, if we want to get Freudian for a moment, society’s collective Id. The Executioner went out and slaughtered Mafiosi because we wished someone would, and Phoenix Force obliterated terrorists because we wished someone would. Even today, the modern successors to these stories feature ex-SEALs and former Delta Force operators hunting terrorists and organized crime syndicates, stories little different than those written thirty or forty years ago.

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Kull and the Quest for Identity

Kull and the Quest for Identity

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Baen Kull Robert E Howard-smallkull-the-fabulous-warrior-king-198NOTE: The following article was first published on April 18, 2010. Thank you to John O’Neill for agreeing to reprint these early articles, so they are archived at Black Gate which has been my home for over 5 years and 250 articles now. Thank you to Deuce Richardson without whom I never would have found my way. Minor editorial changes have been made in some cases to the original text.

Robert E. Howard’s “The Shadow Kingdom” is a remarkable advancement upon “Exile of Atlantis” and the “Am-ra of the Ta’an” fragments. Howard’s first published story of what will later be known as the Pre-Cataclysmic Age leaves behind the derivative world of Edgar Rice Burroughs pastiches to mine new territory in terms of character and setting as well as genre.

Kull, the barbarian who has recently seized the crown and now must struggle to keep it, marks a significant break from both Howard and the fantasy genre’s past while continuing to build upon the age-old theme of the outsider as noble savage. Howard was hardly the first young man who felt a sense of kinship with such characters. It is not hard to imagine the aspiring young writer, alienated in Cross Plains, pouring his feelings into the exiled Atlantean who remains an outcast even after rising to the throne of Valusia.

The story opens with Kull making a proper royal entrance. Unsurprisingly, the barbarian king’s empathy rests not with Valusia’s finest archers and trumpeters, but with the mercenaries paid to act as foot soldiers – men who show the king little respect, but who demonstrate integrity for all their brash honesty. This sets the stage for the introduction of Brule, the noble Pict destined to become Kull’s loyal companion. While Brule enters the series as a figure of suspicion, Kull soon modifies his opinion of the man’s character. Brule, like Kull, is a man of integrity.

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Discovering Robert E. Howard: David C. Smith on Bran Mak Morn

Discovering Robert E. Howard: David C. Smith on Bran Mak Morn

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BranMak_MistsI discovered Oron before I first read a Conan tale. It was pretty much my introduction to barbarians in the world of fantasy. Author David C. Smith co-wrote the Red Sonja and Bran Mak Morn books with Richard Tierney. It’s safe to say that he knows his Howard. And about barbarians. So it’s natural that our ‘Discovering Robert E. Howard’ series turned to Dave to talk about Bran Mak Morn. “Worms of the Earth” was one of the first non-Conan stories I read from REH. Wow. Read on for Dave’s take on yet another topic for the series.

I was around 14 or 15 years old when I discovered the Hyborian. So now what will become of us, without barbarians. Those men were one sort of resolution.

— “Waiting for the Barbarians” (1897-1908) Constantine Cavafy

Howard knew the truth of these lines by Cavafy, just as South African author J. M. Coetzee did in his acclaimed novel of the same title. What do the barbarians bring to societies that are past their glory, that are overripe, living softly, in decline? What do the barbarians bring to societies whose citizens exist with each day the same as the day before, overripe citizens living softly?

These citizens have become soft while standing on the backs of those they kept down, slaves and serfs, and those they have conquered or coerced — the barbarians. When at last the barbarians turn on the overripe soft ones who keep them down, it is indeed one sort of resolution.

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Blogging Sax Rohmer’s The Wrath of Fu Manchu, Part Two

Blogging Sax Rohmer’s The Wrath of Fu Manchu, Part Two

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Tom Stacey Wrathdaw_fu_manchuWhen Rohmer scholar, Dr. Robert E. Briney compiled a posthumous hardcover collection of the author’s rare and previously uncollected short fiction in the early 1970s, he included three short stories that were first published in This Week magazine in between Rohmer’s last two Fu Manchu novels. The stories were subsequently reprinted in sequence in Edgar Wallace Mystery Magazine between January and March 1966 where the latter two stories were retitled. The hardcover collection, The Wrath of Fu Manchu and Other New Stories was first published in the U.K. in 1973 by Tom Stacey. A U.S. mass market paperback edition from DAW Books followed in 1976. The collection was subsequently reprinted in 2001 as part of Allison & Busby’s Fu Manchu Omnibus – Volume 5. Titan Books will reprint the original collection as a trade paperback in March 2016.

“The Eyes of Fu Manchu” was serialized in two installments in This Week magazine on October 6 and 13, 1957. It first appeared in book form when Dr. Briney added it to the 1970 Ace paperback collection, The Secret of Holm Peel and Other Strange Stories. The story opens with Sir Denis Nayland Smith attending a lecture at the Sorbonne by an American scientist, Dr. Gregory Allen. Dr. Allen is a specialist in the possible chemical means of halting or even reversing the effects of aging. Sir Denis correctly believes Dr. Allen’s research will draw him to the attention of Dr. Fu Manchu. He makes plans to attend Dr. Allen’s upcoming lecture at King’s College in London with Dr. Petrie who is flying in from Cairo.

Rohmer mines one of his own life’s episodes when he encountered and began an extramarital affair with a young bohemian woman while on a voyage to Madeira. Here, Gregory Allen meets a young bohemian woman named Mignon while crossing the English Channel. Mignon is an artist and, upon learning Gregory abandoned his study of art for science, she makes some pointed remarks about his abandoning the bohemian life of freedom and truth for one of compromised values as part of the Establishment. Her words seem to sting Dr. Allen as much as her beauty and youth charm him just as Rohmer, the former bohemian turned established bestselling author and husband must have felt when he began his own affair with a younger free spirit on his voyage to Portugal years before.

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Sam Spade and the Pursuit of Empty Dreams

Sam Spade and the Pursuit of Empty Dreams

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NOTE: The following article was first published on February 21, 2010. Thank you to John O’Neill for agreeing to reprint these early articles, so they are archived at Black Gate which has been my home for over 5 years and 250 articles now. Thank you to Deuce Richardson without whom I never would have found my way. Minor editorial changes have been made in some cases to the original text.

First FalconFalcon pbkMuch of what has been written about Dashiell Hammett’s The Maltese Falcon focuses on the novel as groundbreaking in its realistic portrayal of detective work. More in-depth literary studies tend to focus on the significance of Hammett’s shift in protagonist from the incorruptible and nameless Continental Op of his earlier work to the jaded self-portrait of the author as Sam Spade. In my view, this transition is primarily noteworthy in that Hammett’s protagonist changed from an idealized conception of the man he might have become had he remained a Pinkerton Operative (the Continental Op is based on Hammett’s boss during his stint with the Pinkerton Agency) to a more self-reflective portrayal of a man mired in moral conflict. Hammett’s own moral crisis would color his fiction from this point until he resolved his dilemma and settled into a life alternating his celebrity status with reclusiveness – a life whose one constant was Hammett’s complete lack of creative output for his remaining 27 years.

Many have speculated why Hammett’s creativity dried up when he and his muse and mistress Lillian Hellman had settled comfortably into something approaching unwedded bliss as the Nick and Nora Charles of the real world. My own opinion has been that once freed of the conflict of whether or not to walk a path of integrity or give in to the encroaching corruption that constantly assailed his world, Hammett had nothing further to draw upon for inspiration. Resolution was tantamount to becoming a spent force and Hammett was finished as a writer. The fact that he realized this dilemma was inescapable lies at the heart of both The Maltese Falcon and The Glass Key in their pursuit of empty dreams incapable of satisfying the characters whose lust is so great they are willing to die for or kill in their futile quests.

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