Browsed by
Tag: pulp fiction

STRANGE! WEIRD! EERIE! The Odd, Unusual, and Uncanny Biography of Lionel Fanthorpe

STRANGE! WEIRD! EERIE! The Odd, Unusual, and Uncanny Biography of Lionel Fanthorpe

Comments 5 comments
The Return Lionel Fanthorpe-small The Return Lionel Fanthorpe-back-small

Some writers agonize over every line. Some are prolific like Andre Norton. Others are hyperprolific like Isaac Asimov.

But Lionel Fanthorpe stands alone. He isn’t the most prolific author out there, having written “only” about 200 books, but he had the distinction of having written 168 books in less than a decade. Many he wrote in a week. Some he wrote over a three-day weekend.

This fervid output was the result of his association with Badger Books, a cheap-as-they-come UK publisher that emphasized quantity over quality. The publisher would commission the cover art first (or steal it from some old American paperback), send it to the author, and have them write a 45,000 word novel, usually with a deadline of one week.

Fanthorpe wrote 168 books for Badger between 1961 and 1967, dictating his tales into a reel-to-reel recorder and sending the tapes into the publisher’s typist. Often he’d stay up late into the night, covering his head with a blanket so he could concentrate. The results were overwritten, padded, and compellingly bad.

The only biography of Lionel Fanthorpe, Down the Badger Hole by Debbie Cross, has long been out of print but has now been revised, expanded, and released as a free ebook on the TAFF website.

And what a book it is! Cross gives us generous helpings of Fanthorpe’s prose, including masterful examples of padding through repetition.

…

Read More Read More

Results of a Writing Retreat in Cairo

Results of a Writing Retreat in Cairo

Comments 0 Comment

20170228_115246-EFFECTS

Obligatory pyramid shot

Hello, Black Gaters! I’m back after a month’s silence, and my silence on here usually means I’m drunk I’ve gone off somewhere. This time I spent three weeks in Cairo on my second writing retreat of the year.

During my previous Cairo retreat back in February, I started The Case of the Purloined Pyramid, the first in my neo-pulp detective series The Masked Man of Cairo. It’s set in Cairo in 1919, with the hero trying to solve a murder while the city is convulsed with its first major independence demonstrations. That book recently won the Kindle Scout program and is being published by Kindle Press on January 9. This time around I worked on the next in the series, The Case of the Shifting Sarcophagus.

So what does a wandering writer do when he goes to Cairo to write a novel? Try desperately hard not to let his research take too much time away from his writing!

…

Read More Read More

Off on Another Writing Retreat in Cairo

Off on Another Writing Retreat in Cairo

Comments 0 Comment

20170220_141732

The title of this post is a not-so-clever way to say I’m taking the month of December off from blogging. Back in February, I spent a few weeks in Egypt writing my neo-pulp detective novel The Case of the Purloined Pyramid, which recently won the Kindle Scout contest. It’s coming out soon and I’m using part of my advance to head on back to Cairo to write the next one, The Case of the Shifting Sarcophagus.

I’ll be seeing friends, hopefully making new ones, helping a colleague with his fascinating book proposal, and visiting some sights. Mostly I’ll be wandering around the old medieval neighborhood, where one of my heroes has his antiquities shop. Nothing like walking the actual streets to get the old brain pan bubbling!

…

Read More Read More

Hit That Word Count! Reading The Fiction Factory by William Wallace Cook

Hit That Word Count! Reading The Fiction Factory by William Wallace Cook

Comments 1 comment

Street_&_Smith_book_department_in_1906

Street & Smith was one of the many publishers Cook worked for.
This is their book department in 1906, at the height of Cook’s career.

As I’ve mentioned in previous posts, I’ve been studying the careers of hyperprolific authors. No study of the field would be complete without looking at the life of William Wallace Cook. Around the turn of the last century his work was everywhere — as serialized novels in newspapers, as dime novels, and later in hardback books. We wrote everything from boy’s fiction to romance to mystery to science fiction.

His two most enduring books, however, and really the only two that are still read today, are both nonfiction. The first is Plotto, a plot outline device that allows you to link up various plot elements to create a virtually infinite variety of stories. It’s on my shelf but I have yet to try it. The other is The Fiction Factory, in which he describes his early years breaking into the writing business in the 1890s and his climb to steady success in the early years of the 20th century. Despite having been written more than a hundred years ago it remains useful and inspiring reading for any aspiring or professional author.

…

Read More Read More

Old School Steampunk: Reading The Steam Man of the Plains (1883)

Old School Steampunk: Reading The Steam Man of the Plains (1883)

Comments 3 comments

39088017896721_0001_edit

In the days before television, movies, or even pulp magazines, readers who wanted exciting fantastic fare read dime novels. This style of popular literature lasted from about 1860 to 1930, before the pulps finally killed them off. In those 70 years, countless series and titles were published — mysteries, Westerns, historical dramas, romances, and even steampunk.

Yes, steampunk goes right back to the age of steam. I recently read one of the most popular titles, the 1883 edition of The Steam Man of the Plains, published by the Five Cent Wide-Awake Library, a series directed specifically at adolescent boys. You can read it online at Northern Illinois University’s excellent online collection of dime novels.

Warning: spoilers follow!

…

Read More Read More

Making it on the American Grub Street: Hired Pens, Professional Writers in America’s Golden Age of Print

Making it on the American Grub Street: Hired Pens, Professional Writers in America’s Golden Age of Print

Comments 3 comments

0821412043Last month I posted here about Researching the Habits of Highly Prolific Authors for a book I’m working on. Black Gate reader John Hocking kindly suggested in the comments section that I read Hired Pens: Professional Writers in America’s Golden Age of Print, by Ronald Weber. I took him up on his advice and I’m sure glad I did.

This book looks at the careers of writing and editing from the nation’s earliest days until the end of World War Two. Weber shows us a parade of successful writers and editors — many well-known to this day, many more now forgotten — who found success in the ever-changing market for American popular periodicals.

Until the middle of the 19th century, American writers were hampered by the lack of international copyright laws. Newspaper and magazine editors filched English publications for free and saw no reason to pay homegrown talent. As the population grew and both American and British writers managed to get their governments to set up legal barriers to such theft, the market for American writing blossomed.

These writers certainly didn’t waste their time moaning about their lack of inspiration and hoping the muse would visit them. As prolific and successful Western writer Zane Grey said in a letter to a friend:

This morning I had no desire to write, no call, no inspiration, no confidence, no joy. I had to force myself. But when I mastered the vacillation and dread, and had done a day’s work — what a change of feelings. I had a rush of sweet sensations.

This is a common thread throughout the book. In example after example, we are shown that writer’s block is a myth and that writers should not — indeed, must not — sit around all day twiddling their thumbs. These writers worked hard.

…

Read More Read More

Researching the Habits of Highly Prolific Authors (and I could use your help!)

Researching the Habits of Highly Prolific Authors (and I could use your help!)

Comments 8 comments

Maxwell Grant writes the Shadow-small

Almost exactly a year ago, I wrote an article here on Black Gate about the habits of prolific authors. The research I did for that post sparked an interest in me that’s only grown. Now I’m working on a book-length study of how some of the great writers of the 20th century managed to write hundreds of books, most of them while hammering away on manual typewriters. There are lots of books on increasing your word count, but none, as far as I know, focus on the actual methods of the most productive writers.

I’ve set myself some limitations. First, to be given a chapter in the book, the writer must have written at least 300 books. They must also have enough biographical material that I can gain insights into their work methods. Also, they must be dead so that I can look at their careers as a whole, they must have been active in the 20th century so their work is more applicable to the modern era, and they must have written in either of the two languages I am comfortable reading — English or Spanish.

At the moment I have the following list: Isaac Asimov, Walter Brown Gibson, Corín Tellado, Marcial Lafuente Estefanía, Lauran Bosworth Paine, Ursula Bloom, Enid Mary Blyton, Barbara Cartland, and John Creasey. Some writers who don’t quite fit the bill but who have something worth quoting are given passing mention. Frank Gruber is a good example. His book The Pulp Jungle is essential reading for anyone who wants to know the inner workings of a true wordsmith.

…

Read More Read More

More Thoughts on Ghostwriting for a Living

More Thoughts on Ghostwriting for a Living

Comments 7 comments

Disorganized_books_piling_one_another

I haven’t written this many books, but I’m working on it

Last year I wrote an article about making a living as a ghostwriter. I talked about how a plethora of small presses have created a new pulp era, in which ghostwriters put out large numbers of stories and short novels under house names. It’s a world that rewards hardworking writers who can hit high word counts and deliver in a variety of genres.

That was more than six months ago, and I thought I’d share some more insights I’ve had from the crazy new world of wordsmiths.

…

Read More Read More

The Public Life of Sherlock Holmes: Get Hard Cased (with Charles Ardai)

The Public Life of Sherlock Holmes: Get Hard Cased (with Charles Ardai)

Comments 8 comments

ardai_fiftyCharles Ardai co-founded the internet company, Juno. That success gave him the opportunity to start his own publishing imprint, Hard Case Crime, which both reprints forgotten pulp novels and also publishes new novels in the genre. The roster of Hard Case Crime authors is beyond impressive: Lawrence Block, Max Allen Collins, Lester Dent, Erle Stanley Gardner, Stephen King, Wade Miller. Richard Stark, Donald Westlake and many more.

Hard Case Crime has found several “lost” books by some big names, including James M. Cain and Gore Vidal. While Erle Stanley Gardner is best known for Perry Mason, he put out 29 books about a mismatched duo of detectives, Bertha Cool and Donald Lam. The Knife Slipped was to have been the second in the series but it was cancelled by the publisher. A week from Tuesday, on December 6, a veritable treasure goes on sale. Hard Case Crime is printing, for the first time ever, that unpublished Cool and Lam novel. I’ll be writing ab out Cool and Lam right here, next week. But today, I’ve got a Q & A with Charles Ardai!

A never before published Cool and Lam novel. Wow! How in the world did you get your publisher hands on that?

Jeffrey Marks, a biographer in the mystery field who has written about Craig Rice and Anthony Boucher among others, was working on a bio of Erle Stanley Gardner when he came across references to an unpublished Cool and Lam novel among Gardner’s papers. He brought it to my attention, and my reaction was roughly the same as yours: Wow. With the assistance of Gardner’s grandson we got a copy of the typescript from the University of Texas, where Gardner’s papers are held, and I read the thing, hoping against hope that it hadn’t remained unpublished for 75 years for good reasons. And far from deserving to be unpublished, I found it was easily one of the most enjoyable books in the series!

…

Read More Read More

Deities and Demigods of the Word Count: or, How to Write 500 Novels and Still not be Considered Prolific

Deities and Demigods of the Word Count: or, How to Write 500 Novels and Still not be Considered Prolific

Comments 5 comments
Nice book, but where are the 800 others you lazy git?
Nice book, but where are the 800 others you lazy git?

Last week, M Harold Page posted an interesting article here on Black Gate about achieving a steady word count as a writer, giving some insights into his own practice. He said,

I manage 1,000 words a day at the start and an average of 3,000 words a day once I’m underway. Sprinting – 5,000 to 7,000 words a day; that’s for the last half.

Many newbie writers would screech in horror and say no one can write that fast, while most MFA snobs would turn up their noses and say it’s impossible to write anything of worth at that rate, that writing must be an agonizing process of constant revision and polishing. They’re both wrong, as Page’s own writing attests.

The fact is, however, Page’s speed is rather modest. Mine is about the same, so I’m not knocking him. I know how hard it is to keep up a good momentum while maintaining your responsibilities to family, not to mention the distractions of the Internet and local pub. I’m fortunate enough that writing is my day job, so at least I don’t have a separate career getting in the way of my productivity.

Page and I may both have a bunch of books to our name, but we are mere henchmen, mere spear carriers to the great Deities and Demigods of publishing — the truly prolific. Dean Wesley Smith, who has written well over 100 novels and about 500 short stories and only seems to be picking up speed, recently shared a link to an interesting blog post titled 17 Most Prolific Writers in History. I have a lot of quibbles with this list, as I’m sure you will too, but while it isn’t authoritative or entirely accurate, it’s certainly inspiring and daunting in equal measure.

…

Read More Read More