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Not Fade Away: The Cemetery of Untold Stories by Julia Alvarez

Not Fade Away: The Cemetery of Untold Stories by Julia Alvarez


The Cemetery of Untold Stories (Algonquin Books, April 2, 2024). Cover artist unknown

We live our life telling a story

Of what we’ve said and done

But lately you caused me to worry

That you’re spinning fiction

— Amanda Fish, “The Hard Way,” Kingdom

What perhaps separates humans from our fellow creatures is the capacity, indeed the compulsion, of storytelling. Hardly an original observation on my part (cf., The Stortelling Animal by Jonathan Gottschall), though for all we know the white whale biting off the mad captain’s leg is vocalized in Cetacea pods.

Stories, and discussions of stories, are why you are all reading here. Of course it’s not limited to the literate classes, as the rich oral tradition of ancient cultures demonstrates, not to mention the popularity among screen-addicts of  so-called “reality shows” of otherwise untalented people whose only achievement is being on a reality show. Though even that low level of celebrityhood is further diluted in an era where just about everyone has their own Instagram following.

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Magical Realism from the Sudan

Magical Realism from the Sudan

The Longing of the Dervish-smallIt feels like we’re in a Golden Age for translations of speculative fiction. We’re seeing everything from the rise of Egyptian dystopian novels to Chinese authors making it big in the American market. Of course, some nations and cultures are better known than others. One that is little known to English-language readers is Sudanese fiction. It can be hard to get in the West, and even on my regular visits to the American University in Cairo bookshop I have to hunt to find authors from south of the border.

It’s worth the search. Sudanese literature is rich in history and folklore, and a large measure of what I’ve come across contains speculative elements. One could call it magical realism, although I have not seen any Sudanese author use that term.

My most recent acquisition was Hammour Ziada’s novel The Longing of the Dervish. Set in the nineteenth century during the time of the Mahdi’s brief empire, it follows the adventures of the slave Bakhit and his obsession with the Alexandrine Greek nun Theodora. Poor Theodora spends most of the novel as a ghost while Bakhit sets out to avenge her killing. The historical setting is richly drawn, as are the characters, and one gets the feeling that the phantom Theodora is not the product of Bakhit’s madness. There’s also some interesting scenes of folk magic.

The journal Banipal, which publishes Arabic literature in translation, dedicated their issue 55 to Sudanese writing. A couple of the stories have speculative elements. “Amulet and Feathers” by Leila Aboulela is another tale of revenge that involves a female character who dresses as a man to avenge her father’s killing only to go through a even more radical transformation. “The Jealous Star” is a children’s tale with a star as the main character who convinces all the other stars to move to the daylight. Other stories are set more firmly in reality, including an excellent one by Hammour Ziada about what happens to an isolated village when a Bedouin tribe decides to move in.

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