Browsed by
Tag: Lorna Dane

Uncanny X-Men, Part 25: The Proteus Saga and My First Comics!

Uncanny X-Men, Part 25: The Proteus Saga and My First Comics!

Welcome to the 25th installment of my reread of The Uncanny X-Men from 1963’s issue #1. We’re now in 1979 and this post will cover issues #125-#128. This is a really memorable run for me for a few of reasons.

First of all, it’s an amazing 4-issue story with huge stakes and high drama, and an example of the Claremont-Byrne team entering their creative peak.

Second, in these 4 issues, some really messed up stuff starts to be revealed about the psychological manipulation of Phoenix that puts the whole series and Marvel history on a collision course with the Dark Phoenix Saga.

Third, issue #128 was one of the first four comics my mom gave me after she came back from a trip, and I remember reading it with a sense of wonder and confusion as I learned by myself how to read comics. I very shortly ended up trading parts of my fledgeling collection to a friend in return first for issue #125, and then finally issues #126 and #127 (and #137!). So my inexperience with the form as well as the non-linear way in which I absorbed the story are indelible parts of my view of what later became known as the Proteus saga.

Read More Read More

Uncanny X-Men, Part 17 – 1976: Sentinels in Space and the Rise of Phoenix!

Uncanny X-Men, Part 17 – 1976: Sentinels in Space and the Rise of Phoenix!

screenshot_20200730__8JH5V

Welcome to part 17 of my quixotic reread of the Uncanny X-Men, beginning in 1963. I’m seeing how far I can go. Issues #97 to #101 are special for me because they loom large in my personal experience of collecting the backstory. This post covers a special period for X-Men and Marvel history too.

The introduction of Phoenix as the new incarnation of original x-man Jean Grey was a gigantic development, with impacts on the Marvel Universe that continue to play out in comics in 2020. An argument could be made that the creation of Phoenix was as significant an event as the creation of characters like Wolverine or the Silver Surfer. Each character opened up new kinds of stories to be told in the Marvel Universe.

Issue #97 (February, 1976) was created by Chris Claremont, Dave Cockrum with Sam Grainger on inks, whom I personally find too rough to catch the finesse of Cockrum’s pencils. The issue opens with alien space ships and a huge space opera battle.

Read More Read More

Uncanny X-Men, Part 11: Storm, the FF and Phoenix in John Byrne’s The Hidden Years

Uncanny X-Men, Part 11: Storm, the FF and Phoenix in John Byrne’s The Hidden Years

screenshot_20200523__iCcjl

Welcome to my 11th installment of my epic rereading of the X-Men, starting in 1963. I say that like it’s a big thing I’ve done, but to put things in perspective, I’ve done 10 posts before this and I haven’t even gotten to Giant-Sized X-Men #1 yet! Partly for that reason and partly because there are some swings and some misses in X-Men: The Hidden Years, and I really want to get back to the Bronze Age appearances of the X-Men.

Let me start with some of the negatives with X-Men: The Hidden Years. I don’t start here to scare anyone off. I think the things that don’t work are generalized problems with this series and are also certainly not fatal. X-Men: The Hidden Years was in fact selling well and was only cancelled at 22 issues because Marvel saw it had too many X-Men books at the same time and needed to cut one.

Read More Read More

Uncanny X-Men Part 8, Issues 59-66: The Savage Land and the End of the Silver Age X-Men

Uncanny X-Men Part 8, Issues 59-66: The Savage Land and the End of the Silver Age X-Men

screenshot_20200124__oEEtZ

This is a gigantic milestone! This is the 8th episode in my reread of the X-Men run. It covers from #59, the height of the Roy Thomas-Neal Adams run, to #66, the end of original X-Men stories, which hit the stands on March 10th, 1970. The end of the X-Men’s ongoing stories coincides with the end of the Silver Age and the beginning of the Bronze.

The Silver Age X-Men, as a distinctly 1960s phenomenon reached their peak with some of the Arnold Drake stories with some interesting experimentation under Steranko’s art. The arrival of Neal Adams feels much more like it belongs in the Bronze Age. Both the art and the story complexity (under Roy Thomas) feels like it’s breaking creative ground that the best of the 1970s will follow.

The merry mutants’ uneven momentum had carried them for 7 years, but even a spectacular finish couldn’t save the series from its failure to come into focus. We’re going to talk today about that end.

Read More Read More