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Uncanny X-Men, Part 25: The Proteus Saga and My First Comics!

Uncanny X-Men, Part 25: The Proteus Saga and My First Comics!

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Welcome to the 25th installment of my reread of The Uncanny X-Men from 1963’s issue #1. We’re now in 1979 and this post will cover issues #125-#128. This is a really memorable run for me for a few of reasons.

First of all, it’s an amazing 4-issue story with huge stakes and high drama, and an example of the Claremont-Byrne team entering their creative peak.

Second, in these 4 issues, some really messed up stuff starts to be revealed about the psychological manipulation of Phoenix that puts the whole series and Marvel history on a collision course with the Dark Phoenix Saga.

Third, issue #128 was one of the first four comics my mom gave me after she came back from a trip, and I remember reading it with a sense of wonder and confusion as I learned by myself how to read comics. I very shortly ended up trading parts of my fledgeling collection to a friend in return first for issue #125, and then finally issues #126 and #127 (and #137!). So my inexperience with the form as well as the non-linear way in which I absorbed the story are indelible parts of my view of what later became known as the Proteus saga.

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Uncanny X-Men, Part 21: Epic Magneto Triumph and More X-Men Death!

Uncanny X-Men, Part 21: Epic Magneto Triumph and More X-Men Death!

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I started collecting comics in 1981. I was lucky that a friend had been collecting for a while and didn’t care much for X-Men. I ended up trading comics with him and ending up with X-Men, which was my favourite. Because of that, for the longest time, the earliest X-Men issues I had were #112, #116 and #118. Occasional trips to the comic shops in Toronto and my many visits to my town’s lone second-hand book store helped me fill in many gaps, although it wasn’t until the 1986 reprint series Classic X-Men that I got to read issue #111.

That experience of just trying to collect all the stories of your favourite characters seems alien to my son, who has trade and omnibus editions, can read digitally for a pittance and so on. My reading experience growing up was not knowing what was in the missing issues which felt like standing on an island and looking across the way to another island I couldn’t reach, but could imagine.

Welcome to my 21st post in my ongoing blog series of my reread of the X-Men starting in 1963. We’ve reached 1978, just three years before I started collecting, and we’re into issues now that form part of my biographical comics playlist. These were among the stories that shaped the outline of my creativity. The art and story and emotion still leave me in a bit of awe.

So put on your bell bottoms, check your medallions and pull up a chair to 1978. If you need help getting into the mood, the radio was playing Baker Street by Gerry Rafferty, September by Earth, Wind and Fire, Just What I Needed by The Cars and Abba asked us to Take a Chance on Me.

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Uncanny X-Men, Part 20: Iron Fist, Blame Canada, and Some Strike-Outs

Uncanny X-Men, Part 20: Iron Fist, Blame Canada, and Some Strike-Outs

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This Quixotic blog series of my reread of the Uncanny X-Men has gotten to twenty posts! When I started in December, I wasn’t sure how long I could do this, but it’s been a lot of fun! In this post, I’m going to go over two gems from 1977: the Canadian Invasion in Uncanny X-Men #109 and the dinner party gone bad in Iron Fist #15. Then I’m going to take a bit of a higher level look at a few swing-and-a-miss guest appearances and another issue where a fill-in art team mangled an issue.

You’ll recall that at the end of X-Men #108, the X-Men, along with Princess Lilandra, had just come home after Phoenix saved the universe. Except for their vacation-trap in issue #101 this is basically the first break the X-Men get since issue #98. #108 is the first issue in over a year that didn’t end with some kind of a cliffhanger!

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Uncanny X-Men, Part 19: Phoenix, Firelord, and the Imperial Guard!

Uncanny X-Men, Part 19: Phoenix, Firelord, and the Imperial Guard!

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Welcome to Part 19 of my reread through the Uncanny X-Men. In this post I want to cover Uncanny X-Men #105-110, which finishes the first part of the Phoenix Saga, from their last fight with Eric the Red, the alien Shi’ar spy, to the fate of the M’Krann Crystal, which fully shows the full set of changes that Jean Grey has undergone when she resurrected herself in issue #101. This post begins though, with a side-trip to Iron Fist #11, which was also being written by Claremont, and drawn by Byrne and inked by Dan Adkins. We do this only to see Jean and Scott leaving the hospital.

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Uncanny X-Men, Part 17 – 1976: Sentinels in Space and the Rise of Phoenix!

Uncanny X-Men, Part 17 – 1976: Sentinels in Space and the Rise of Phoenix!

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Welcome to part 17 of my quixotic reread of the Uncanny X-Men, beginning in 1963. I’m seeing how far I can go. Issues #97 to #101 are special for me because they loom large in my personal experience of collecting the backstory. This post covers a special period for X-Men and Marvel history too.

The introduction of Phoenix as the new incarnation of original x-man Jean Grey was a gigantic development, with impacts on the Marvel Universe that continue to play out in comics in 2020. An argument could be made that the creation of Phoenix was as significant an event as the creation of characters like Wolverine or the Silver Surfer. Each character opened up new kinds of stories to be told in the Marvel Universe.

Issue #97 (February, 1976) was created by Chris Claremont, Dave Cockrum with Sam Grainger on inks, whom I personally find too rough to catch the finesse of Cockrum’s pencils. The issue opens with alien space ships and a huge space opera battle.

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Uncanny X-Men, Part 10: John Byrne’s The Hidden Years #1-4

Uncanny X-Men, Part 10: John Byrne’s The Hidden Years #1-4

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Holy cow! We’re into double digits of my reread of the X-Men story that began in 1963. I include a full set of links to the post series at the bottom of this post. As we saw last time, some later creators have had some fun in writing stories that fit into those empty years between 1970 and 1975 when X-Men was just a reprint title. One of the most famous is John Byrne’s 1999-2001 series X-Men: The Hidden Years. 

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Uncanny X-Men, Part 9: Filling in the Corners of the Original X-Men with Savage Hulk #1-4

Uncanny X-Men, Part 9: Filling in the Corners of the Original X-Men with Savage Hulk #1-4

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Welcome to the 9th episode of my reread of the vast X-Men story that began in 1963. The X-Men series stopped putting out original stories in early 1970, due primarily to low sales; it was a reprint magazine from issues #67–93, cover dated December 1970 to April 1975, until the beginning of the Claremont and Cockrum run in issue #94.

I’m going to go through their early Bronze Age appearances in coming blog posts, but for story continuity purposes, I’m also reading issues created in contemporary times but fitting into that 5-year dead period, like I covered for the original X-Men in X-Men: First Class.

So this time I read the 2014 series Savage Hulk, by writer/penciller Alan Davis, inker Mark Farmer and colorist Matt Hollingsworth. 

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Uncanny X-Men Part 8, Issues 59-66: The Savage Land and the End of the Silver Age X-Men

Uncanny X-Men Part 8, Issues 59-66: The Savage Land and the End of the Silver Age X-Men

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This is a gigantic milestone! This is the 8th episode in my reread of the X-Men run. It covers from #59, the height of the Roy Thomas-Neal Adams run, to #66, the end of original X-Men stories, which hit the stands on March 10th, 1970. The end of the X-Men’s ongoing stories coincides with the end of the Silver Age and the beginning of the Bronze.

The Silver Age X-Men, as a distinctly 1960s phenomenon reached their peak with some of the Arnold Drake stories with some interesting experimentation under Steranko’s art. The arrival of Neal Adams feels much more like it belongs in the Bronze Age. Both the art and the story complexity (under Roy Thomas) feels like it’s breaking creative ground that the best of the 1970s will follow.

The merry mutants’ uneven momentum had carried them for 7 years, but even a spectacular finish couldn’t save the series from its failure to come into focus. We’re going to talk today about that end.

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Uncanny X-Men: Part 7, Issues #54-58 – Havok and Neal Adams

Uncanny X-Men: Part 7, Issues #54-58 – Havok and Neal Adams

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I was super-tempted to pause my blogging about my X-Men reread to complain about my reread of another classic, but I opted for the high road and am glad I did, because this was a fun post to think through. And, for those of you still with me, we’re almost at the end of the original X-Men! So pull up a chair for the 7th installment of my reread of the X-Men.

In this post, I want to look at issues #54-58 (March, 1969 – July, 1969), a run that contains two major Silver Age milestones. The first is the introduction of Alex Summer, the mutant brother of Scott Summers. Alex will eventually join the X-Men as their 7th member. The second is equally exciting – the beginning of Neal Adams’ brief but spectacular run. The team-up of Roy Thomas and Neal Adams marks the beginning of the zenith of the original team, outshining the Kirby-Lee issues and sitting comfortably at the same table as many of the great Claremont-Byrne stories.

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