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The Golden Age of Science Fiction: Bob Shaw

The Golden Age of Science Fiction: Bob Shaw

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Bob Shaw
Bob Shaw

The Hugo Award was first presented at the 11th World Science Fiction Convention (sometimes called Philcon II), held in Philadelphia from September 5-7, 1953. The awards were not perceived as an annual event at that time and, in fact, no awards were presented the following year. They were presented again in 1955 and have been presented annually since. Although a #1 Fan Personality Award was presented in the first year, to Forrest J Ackerman and a Best Actifan was awarded to Walt Willis in 1958, the Best Fan Writer Award wasn’t created until 1967, when it was won by Alexei Panshin and has been awarded ever since. The Hugo Awards are nominated and voted on by the members of the World Science Fiction Convention. Bob Shaw won the Hugo Award for Best Fan Writer Award twice, in 1979 and 1980. He was also nominated for the Best Short Story award in 1967 and the Best Novel award in 1987. In 1980 the Hugo Award was presented at Noreascon Two in Boston, Massachusetts on August 31.

The Doc Weir Award was established in 1963 in memory of Arthur Weir. Selected by the membership of Eastercon, the award is presented to individuals who are seeing as making a significant contribution to fandom who have largely gone unrecognized.  The first Doc Weir Award was presented to Peter Mabey. The award takes the form of a silver cup with names of early winners engraved on the base. The cup comes with a presentation box which has plaques on it that contain the names of the winners since the cup’s based was filled.  A new box was created by John Wilson in 2019. The winner is responsible for having their own name engraved and running the following year’s voting process.

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The Golden Age of Science Fiction: Alexis Gilliland

The Golden Age of Science Fiction: Alexis Gilliland

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by Alexis Gilliland
by Alexis Gilliland

Alexis Gilliland
Alexis Gilliland

by Alexis Gilliland
by Alexis Gilliland

The Best Fan Artist category was not one of the original Hugo categories in 1953, not introduced until 1967, when it was won by Jack Gaughan. The award has been presented every year since then. Gilliland was nominated for the Hugo every year between 1978 and 1985, winning that award in 1980 and for three years running from 1983 to 1985. While several fan artists have won the award more times than Gilliland, his three year streak ties those of Tim Kirk and Brad W. Foster for consecutive wins.

The Fan Activity Achievement Awards, or FAAN Awards were founded in 1976 by Moshe Feder and Arnie Katz. Created to highlight writing in fandom, they differed from the Fan Hugos in that they were voted on specifically by fanzine fans. The original awards were presented at various convention. Following the 1980 awards, the awards were on hiatus until 1994 and have been presented each year since, with the exception of 1996. Alexis Gilliland won the last of the original run of FAAN Awards for Best Fan Artist—Humorous, his third sequential win. The first winner was Bill Rotsler. The category was not revived after the hiatus, being combined with the Best Fan Artist—Serious category and replaced by the Best Fan Artist category. Gilliland was nominated for The FAAN Award for Best Humorous Art in three consecutive years from 1978 through 1980.

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The Golden Age of Science Fiction: “Enemy Mine,” by Barry B. Longyear

The Golden Age of Science Fiction: “Enemy Mine,” by Barry B. Longyear

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Cover by Vincent di Fate
Cover by Vincent di Fate

The Best Novella category was not one of the original Hugo categories in 1953. I twas introduced in 1968, when it was won by Philip José Farmer for “Riders of the Purple Wage” and Anne McCaffrey for “Weyr Search.” Since then, some version of the award has been a constant, with the exception of 1958. In 1980, the awards were presented at Noreascon II in Boston.

The Nebula Award was created by the Science Fiction Writers of America (SFWA) and first presented in 1966, when the award for Best Novella was won by Brian W. Aldiss for “The Saliva Tree” and Roger Zelazny for “He Who Shapes.” The award has been given annually since then.

The Locus Awards were established in 1972 and presented by Locus Magazine based on a poll of its readers. In more recent years, the poll has been opened up to on-line readers, although subscribers’ votes have been given extra weight. At various times the award has been presented at Westercon and, more recently, at a weekend sponsored by Locus at the Science Fiction Museum (now MoPop) in Seattle. The Best Book Novella Award dates back to 1974, when the short fiction awards were split into Short Fiction and Novella lengths. Frederick Pohl won the first award. In 1980. The Locus Poll received 854 responses.

In January, I wrote about Barry B. Longyear, the winner of the John W. Campbell Award in 1980 and explored the vast amount of fiction he published in 1978 and 1979. At that time, I dismissed his biggest hit with a single line, “His breakout story, of course, was “Enemy Mine,” which will be covered in more depth in the article on that novella’s various awards for the year.” Now is come the time to discuss that story.

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The Golden Age of Science Fiction: “Sandkings,” by George R.R. Martin

The Golden Age of Science Fiction: “Sandkings,” by George R.R. Martin

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Cover by Peter Goodfellow
Cover by Peter Goodfellow

The Hugo Award was first presented at the 11th World Science Fiction Convention (sometimes called Philcon II), held in Philadelphia from September 5-7, 1953. No short fiction awards were presented the first year. In 1955, the first award for Best Novellette, not yet known as a Hugo Award, was given to Walter M. Miller, Jr.’s “The Darfsteller.” The award for Best Novelette was not presented in 1957 or 1958, returned in 1959 and then disappeared until 1967. It was on hiatus again from 1970 through 1972 and became a permanent ficture in 1973. The Hugo Awards are nominated and voted on by the members of the World Science Fiction Convention. Martin won two Hugo Awards in 1980, for “The Way of Cross and Dragon” in the Short Story Category and “Sandkings” in the Novelette category. He had previously won a Hugo for his novella “A Song for Lya” in 1975 and would win a second novella award for “Blood of the Dragon” as well as a Best Dramatic Presentation: Long Form Hugo for season 1 of Game of Thrones. The only fiction category in which he has not yet won a Hugo is the Best Novel category. In 1980, the Hugo Award was presented at Noreascon Two in Boston, Massachusetts on August 31.

The Locus Awards were established in 1972 and presented by Locus Magazine based on a poll of its readers. In more recent years, the poll has been opened up to on-line readers, although subscribers’ votes have been given extra weight. At various times the award has been presented at Westercon and, more recently, at a weekend sponsored by Locus at the Science Fiction Museum (now MoPop) in Seattle. The Best Book Publisher Award dates back to 1972, although in 1975 and 1976 the Publisher Award was split into paperback and hardcover categories. Ballantine Books won the award each year from its inception through 1977 (winning the paperback for the two experimental years with the Science Fiction Book Club winning the hardcover award). In 1978, when Del Rey was established as an imprint of Ballantine, Ballantine/Del Rey began winning the award. The award was not presented in 1979 for works published in 1978, but when it was reinstituted in 1980, Ballantine/Del Rey picked up its winning streak. In 1980. The Locus Poll received 854 responses.

In many ways, “Sandkings” is a predictable story. Simon Kress is depicted from the start as arrogant and cruel. Although the world of Baldur is not particularly well depicted, based on Kress’s personality and actions, the world seems to provide a breeding ground for a decadent society, at least the part of it that Kress is part of, although Martin does indicate that he has some sort of business that he must occasionally attend to which provides him with the means to pursue his decadent lifestyle, which centers on the collection, exhibition, and eventual discarding of various exotic animals/aliens.

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The Golden Age of Science Fiction: Peter Nicholls and The Encyclopedia of Science Fiction

The Golden Age of Science Fiction: Peter Nicholls and The Encyclopedia of Science Fiction

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Cover by Chris Foss
Cover by Chris Foss
Cover by Chris Foss
Cover by Chris Foss
Cover by Dave Christensen
Cover by Dave Christensen

Peter Graham is often quoted as saying that the Golden Age of Science Fiction is 12. I was reminded of this quote last year while reading Jo Walton’s An Informal History of the Hugo Awards (Tor Books) when Rich Horton commented that based on Graham’s statement, for him, the Golden Age of Science Fiction was 1972. It got me thinking about what science fiction (and fantasy) looked like the year I turned twelve and so this year, I’ll be looking at the year 1979 through a lens of the works and people who won science fiction awards in 1980, ostensibly for works that were published in 1979. I’ve also invited Rich to join me on the journey and he’ll be posting articles looking at the 1973 award year.

The Best Nonfiction category was not one of the original Hugo categories in 1953, and since its introduction in 1980, when Nicholls won the inaugural award, it has been something of a Frankenstein category, a place where anything that doesn’t clearly fit into another category has been placed. This has resulted in books, websites, comics, podcasts, and music all going up against each other in a chaotic mélange. At various times, the category has been for Related Work, Related Book, and Nonfiction. While the award has not been well defined, it has been a constant on the Hugo ballots since its introduction in 1980. Not only did Peter Nicholls win that first award for The Science Fiction Encyclopedia, he won it a second time for the 1994 expansion with John Clute, The Encyclopedia of Science Fiction as well as in 2012 for the web-based The Encyclopedia of Science Fiction, Third Edition, with Clute, David Langford, and Graham Sleight. In 1980, the Hugo Award was presented at Noreascon Two in Boston, Massachusetts on August 31.

The Locus Awards were established in 1972 and presented by Locus Magazine based on a poll of its readers. In more recent years, the poll has been opened up to on-line readers, although subscribers’ votes have been given extra weight. At various times the award has been presented at Westercon and, more recently, at a weekend sponsored by Locus at the Science Fiction Museum (now MoPop) in Seattle. The Best Related Non-Fiction Book category has gone by several different names over the years. It was presented as a one-off award in 1976, when James E. Gunn won it for Alternate Worlds: The Illustrated History of Science Fiction.  It was reintroduced in 1979 and given to Frederik Pohl for The Way the Future Was.  Some form of the award has been presented every years since then.  In 1980, Peter Nicholls won the award for The Science Fiction Encyclopedia. In 1980, the Locus Poll received 854 responses.

The Pilgrim Award was established in 1970 by the Science Fiction Research Association. Named for J.O. Bailey’s book Pilgrims through Space and Time, the first award was presented to Bailey and recognizes individuals who have devoted their lives to science fiction research and scholarship. The 1980 award was presented at the SFRA Annual Conference held from June 18-21 on Staten Island. Australian author Peter Nicholls (1939-2018) received the award in 1980, the same year that his landmark The Science Fiction Encyclopedia won the Hugo Award for Best Nonfiction and the Locus Award for Best Reference Book.

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The Golden Age of Science Fiction: The Fountains of Paradise by Arthur C. Clarke

The Golden Age of Science Fiction: The Fountains of Paradise by Arthur C. Clarke

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The-Fountains-of-Paradise-Terry-Oakes-1 The-Fountains-of-Paradise-Paul-Bacon-small The-Fountains-of-Paradise-Chris-Moore-1-small
Cover by Terry Oakes Cover by Paul Bacon Cover by Chris Moore

Peter Graham is often quoted as saying that the Golden Age of Science Fiction is 12. I was reminded of this last year while reading Jo Walton’s An Informal History of the Hugo Awards (Tor Books) when Rich Horton commented that based on Graham’s statement, for him, the Golden Age of Science Fiction was 1972. It got me thinking about what science fiction (and fantasy) looked like the year I turned twelve and so this year, I’ll be looking at the year 1979 through a lens of the works and people who won science fiction awards in 1980, ostensibly for works published in 1979. I’ve also invited Rich to join me on the journey and he’ll be posting articles looking at the 1973 award year.

The Hugo Award was first presented at the 11th World Science Fiction Convention (sometimes called Philcon II), held in Philadelphia from September 5-7, 1953. That year the award for Best Novel, not yet known as a Hugo Award, was given to Alfred Bester’s The Demolished Man. The awards were not perceived as an annual event at that time and, in fact, no awards were presented the following year. They were presented again in 1955 and have been presented annually since, although in 1957, the Best Novel category was not included. The Best Novel Awardhas been referred to, with some tongue in cheek, as “the Big One” and is generally the last one announced at the ceremony. The Hugo Awards are nominated and voted on by the members of the World Science Fiction Convention. Clarke won the Hugo Award for Best Novel twice, for Rendezvous with Rama in 1974, and for The Fountains of Paradise in 1980. In 1980 the Hugo Award was presented at Noreascon Two in Boston, Massachusetts on August 31.

The Nebula Award was created by the Science Fiction Writers of America (SFWA) and first presented in 1966, when the award for Best Novel was won by Frank Herbert for Dune. It has been presented annually since then, with a tie in 1967 when it was won by Samuel Delany for Babel-17 and Daniel Keyes for Flowers for Algernon. Clarke won the Nebula Award for Best Novel twice, for Rendezvous with Rama in 1974 and for The Fountains of Paradise in 1980.

It has been several decades since I read The Fountains of Paradise, and re-reading it I realized that I had no real memories of it at all. I remembered that the central point of the book was to build a space elevator from a peak in Sri Lanka (repositioned and renamed Taprobane in the novel), but absolutely nothing else.

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Eastercon 66: Fun and Friction in Science Fiction

Eastercon 66: Fun and Friction in Science Fiction

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Last weekend I had the good fortune to attend Dysprosium, the 66th Eastercon, in London. It was only my second big convention and I was impressed by the number of people, dealers, panels, and events. Big cons are definitely my thing!

The convention was held at The Park Inn at Heathrow Airport, which is appropriately decorated with images of aviation and space pioneers. The elevators have glowing plastic panels that change colors and made me feel like I was in an Italian science fiction movie from the 1960s. The con was stretched out. Two large common rooms were connected by a long corridor. This meant that there was no main dealers room. Instead, each dealer had their own room and they took advantage of this by hosting their own events. Elsewhen Press gets my vote for friendliest dealer for offering plenty of friendly chatter, UFO-shaped candies, and several readings. Another dealer hosted a fascinating talk on Malaysian folklore. This worked out well for the guests but I heard more than one dealer complain they felt isolated from other dealers.

Like last year’s Worldcon, which I reported on here, diversity and inclusion was a central theme. Several of the panels reflected this, such as one on Fencing for Writers, in which two women demonstrated various ways to slash and skewer your opponent. They gave several anecdotes about female swashbucklers in the Renaissance. One French lesbian fought numerous duels with men over women and even saved her lover from a nunnery by burning the place down! That’s just begging to be made into a novel. The presenters made the telling point that, “Historians have dismissed these women as exceptions, but when you look at the sources, there are an awful lots of exceptions.”

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