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Exploring the Royal Army Museum, Brussels (Part 2)

Exploring the Royal Army Museum, Brussels (Part 2)

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A view of the Colonial section.
A view of the Colonial section.

In my last post, we looked at some of the medieval arms and armor at The Royal Museum of the Armed Forces and of Military History in Brussels, Belgium. The impressive medieval collection is only one part of this huge museum, which covers all periods of Belgian history. The Napoleonic and World War Two sections are extensive, but of most interest to me were the Colonial and World War One sections. You won’t find much about Belgian colonial wars outside of Belgium and the small nation had a unique role in the First World War.

Belgium may have been small, but it had colonies in Africa, China, and Guatemala, as well as economic interests in many other areas. The Colonial hall follows the history of Belgian military interventions in these regions.

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Exploring the Royal Army Museum, Brussels (Part 1)

Exploring the Royal Army Museum, Brussels (Part 1)

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The collection includes many rare items, such as this bone jousting shield.
The collection includes many rare items, such as this bone jousting shield.

Europe is filled with many fine museums showcasing medieval arms and armor. Famous collections such as the Tower of London or the Hofburg in Vienna get top billing, but there are dozens more. One interesting collection can be found at The Royal Museum of the Armed Forces and of Military History in Brussels, Belgium.

The medieval section is well laid out with displays running chronologically. Armor and weapons from the same half-century are displayed together, giving the visitor a good overall idea of the military technology of that time.

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Viking Art, Magic, and Wisdom at the British Museum

Viking Art, Magic, and Wisdom at the British Museum

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The Hunterston Brooch, c. 700, Hunterston, Ayrshire, Scotland. Gold, silver, amber. Diam. 12.2cm. Runic inscription says, ''Melbrigda owns this brooch'. Copyright National Museums Scotland.
The Hunterston Brooch, c. 700, Hunterston, Ayrshire, Scotland. Gold, silver, amber. Diam. 12.2cm.
Runic inscription says, ”Melbrigda owns this brooch.’ Copyright National Museums Scotland.

 

They journeyed boldly;
Went for gold,
Fed the eagle
Out in the east,
And died in the south
In Saracen land.
— Gripsholm Runestone (AD 1000-1100)

 

The British Museum has come up with another blockbuster with its new exhibition, Vikings: Life and Legend. Bringing together hundreds of artifacts from around the world, this massive exhibition tells about Norse life, art, and beliefs through everyday objects, works of art, magical objects, and even an entire Viking ship.

There are many surprises. For example, a whalebone axehead from Greenland dating to 1000-1300 AD shows that far-flung Norsemen in harsh regions used whatever material they had at hand. I’m sure the owner of this axehead wanted a real one of iron — the axe appears to have broken at the socket! There are also charming reminders of family life, such as some wooden toy boats from Dublin dating to around 800-1050 AD.

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The Waterloo Panorama: An Epic Example of Military Art

The Waterloo Panorama: An Epic Example of Military Art

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Marshal Ney leading his troops.
Marshal Ney leading his troops.

The Napoleonic era has always fascinated me for its visuals — the massive armies, the colorful costumes, and the sweeping scope of some of the battles. These terrible conflicts produced some of the finest military art in European history and I discovered a remarkable example of it when I visited Waterloo, Belgium, last week.

Preserved on the battlefield is a rare example of a panorama. A popular form of entertainment in the nineteenth and early twentieth centuries, these large paintings are now rare. They were usually of epic scenes such as battles or Biblical stories or famous cities, and would be placed on the inside of round buildings to provide a 360 degree viewing experience. Others were set up on stage and unrolled like a scroll in front of the audience, each part relating a sequence of the story.

The Waterloo panorama is set in a round building and is 110 meters long and 14 meters high. It was painted by Louis Dumoulin and his assistants in 1912, just as those newfangled moving pictures were beginning to make panoramas obsolete.

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The Medieval Treasures of the Kunsthistorisches Museum, Vienna

The Medieval Treasures of the Kunsthistorisches Museum, Vienna

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Automaton of a cittern player, possibly made in Spain in the second half of the 16th century. A mechanism inside it makes her play the cittern and turn her head.
Automaton of a cittern player, possibly made in Spain in the second half of the 16th century. A mechanism inside it makes her play the cittern and turn her head.

The Kunsthistorisches Museum in Vienna is one of Europe’s great art museums. With its origins in the personal collections of the Hapsburgs, it has extensive collections of French, Spanish, Italian, German, and Dutch art. There are also large galleries dedicated to Classical and Ancient Egyptian art. Of the most interest to Black Gate readers is the medieval collection, which is the best I’ve seen in ten years of exploring Europe’s artistic treasures.

The emphasis here is on luxury items that once graced the homes of nobility. Of especial interest are the numerous automatons, such as the 16th century cittern player above. There’s also a 16th century gold ship that rolls along a table and fires its cannon, a 17th century moving chariot that doubles as a clock, and a 17th century gilded Diana and centaur that wheel around in circles while moving their heads and eyes. These rare items were the wonders of their time and acted both as forms of conspicuous consumption and a way to celebrate the latest in technology.

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The Church and Treasury of the Teutonic Order, Vienna

The Church and Treasury of the Teutonic Order, Vienna

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DSC_0299

Gold crucifix and reliquary, 19th century

Vienna is home to many great treasures, such as the Kunsthistorisches Museum with its fine art collection and the Hapsburg armor and armor collection at the Neue Berg. One little museum that’s often overlooked is the Church and Treasury of the Teutonic Order.

Tucked away near Stefansdom, the city’s cathedral, it’s easy to miss with its small steeple, smaller sign, and simple front gate. Go inside, however, and you’ll be in for a treat.

First stop is the 14th century Gothic church, remodeled in the early 18th century in the Baroque style. There’s a fine triptych from Flanders made in 1520 and the walls are covered with the coats of arms of various men who have joined the Order, which is formally called The Order of The Teutonic Knights of St. Mary’s Hospital in Jerusalem.

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Mysterious Paintings in the Donjon of an Italian Castle

Mysterious Paintings in the Donjon of an Italian Castle

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Note the date next to the dove.
Note the date next to the dove.

When I visited the castle in Gorizia, Italy, the part that intrigued me most was the donjon. This cramped room is a grim little place with no window to the outside. It was used for several centuries and over the years bored prisoners decorated the walls and vaulted ceiling with drawings. Religious motifs, sailing ships, people, and a number of abstract shapes caught my attention.

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Heroic Historical and Uncomfortable Truths

Heroic Historical and Uncomfortable Truths

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large_towton
A winter battle. How positively…

People often quote LP Hartley (without having any idea they’re quoting him, or who he was, me included) — “The past is a foreign country: they do things differently there.”

To an extent you can take a tourist attitude and go, “Look at the funny foreigners. How romantic!”

Distance in time fosters distance in morality, making it — for example — entirely acceptable to offer Battle of Towton greetings cards. A winter battle. How positively Christmassy!

Or for the Scottish Borders Council to adopt the Border Reiver as a logo.

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Spanish Castle Magic, Part Three

Spanish Castle Magic, Part Three

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madrid

In my previous Spanish castle magic posts, I’ve talked about some of the classic castles of Spain. The country is filled with castles thanks to the Reconquista and all the fighting that happened before that period.

As we all know, however, these weren’t the last battles on Spanish soil. The most bitter fighting happened during the Spanish Civil War from 1936-39. Some of Spain’s castles were actually used in the fighting. Strategic positions don’t tend to change, and when visiting Spanish castles, I’ve often seen evidence of more modern conflicts.

One such castle is the fifteenth-century Castillo de Alameda de Osuna, which guarded one of the main approaches to Madrid. Improved and fitted for artillery in the 16th century, the stone-lined moat and rectangular outline of walls with round towers at the corners are still well preserved. Right next to it, as you can see, is a bunker from the Spanish Civil War. There was fighting around here and the castle took a couple of hits. Luckily it’s in the process of being restored.

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Purpose Built Centurion

Purpose Built Centurion

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Centurion RPGThe idea for a role-playing game focused on playing legionaries was in my head as early as August of 2009 when I did a podcast series on playing military characters in role-playing games, and did episodes on Republican Rome, the Civil Wars and the early Empire. I had always loved Roman history and the image of the legion, and I had run games set in Imperial Rome, or a reasonable facsimile thereof, but hadn’t thought about actually designing a game for legionaries.

Then I created Sword Noir and Kiss My Axe, and I realized this was something I could do. I decided it was something I wanted to do. And thus was Centurion: Legionaries of Rome set on its long path to realization.

What’s the point, you might ask, of developing a game with such a specific focus when there are other games out there that could probably do the job? One of the reasons is because I can. The mountain climber answer never appeased anyone, so let me try this: other games might do the job, but what if one wants a game designed for the job. There’s a good chance that game will do the job better.

I spent most of my role-playing life playing with one system: Dungeons & Dragons. Why bother to learn another system when this one does what I want? And, yeah, sometimes it doesn’t do exactly what I want, but it’s close, and I can always house-rule it.

So until a little under a decade ago, I was in the thrall of D&D. Completely. It was not a bad place to be, and let me tell you, I am excited about 5E … or D&D Next … or whatever it’s going to be. I still love D&D and that’s because it does its own thing so well. It has created its own fantasy genre that is different from anything else out there. That doesn’t mean it is the perfect game for all genres.

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