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Blogging Dan Barry’s Flash Gordon, Part Eight

Blogging Dan Barry’s Flash Gordon, Part Eight

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1157a55_d__0_FlashGordon1950sTVStarringStev2“Peril Park” by Dan Barry was serialized by King Features Syndicate from August 31 to November 13, 1954. I’ve begun to develop a fondness for Barry’s rather unique take on the character. He is a far cry from Alex Raymond, but his version is not without charm and these early 1950s strips did much to influence the Flash Gordon television series of the fifties.

“Peril Park” opens with a tranquil scene of Flash and Dale enjoying a summer day boating on the lake when Flash discovers a message in a bottle. The twist is that the message was written 600 years in the future by a woman called Elda who claims to be held captive on an island in the very lake where Flash and Dale are relaxing.

Dale is eager to let the matter lie, but Flash cannot and, with Dr. Zarkov’s help, he whisks forward six centuries via the time-space projector in Zarkov’s lab. The time travel scenes are rendered in a highly inventive fashion that suggests an influence on the trippy astral projection art pioneered by Steve Ditko on Marvel’s Doctor Strange a decade later.

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Blogging Dan Barry’s Flash Gordon, Part Seven

Blogging Dan Barry’s Flash Gordon, Part Seven

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kurtzman_flash_gordon_cvr1089218651297“Circea” by Dan Barry was serialized by King Features Syndicate from March 22 to May 29, 1954. This lighthearted story begins with Zarkov encouraging Flash to propose to Dale. Just as he starts to ask her to marry him, the gravity of the area around them is thrown off and Flash and Dale find themselves hurtling past the clouds while the oxygen grows rapidly thinner.

They recover consciousness to find themselves in a rocketship hurtling through space. They leave our galaxy and pass through a comet unscathed before entering the atmosphere of an unknown planetoid in a far distant galaxy. They are brought to rest through the skylight of a large installation perched high on a cliff. They find themselves facing a beautiful woman named Circea who has observed Flash from afar and become infatuated with him.

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Blogging Dan Barry’s Flash Gordon, Part Six

Blogging Dan Barry’s Flash Gordon, Part Six

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FlashGordon1_original55_d__0_FlashGordon1950sTVStarringStev“The Lost Continent” by Dan Barry was serialized by King Features Syndicate from October 26, 1953 to March 20, 1954. This is the story where Dan Barry finally realized his potential and would serve as the model for his best work on the strip over the next four decades. His art and plotting are reminiscent of the classic original work by Alex Raymond and rank alongside Al Williamson’s later work as the most faithful interpretations of Raymond’s unique style.

The story gets underway with Flash, Dale, and Zarkov enjoying a deep sea fishing trip in the West Indies when they are caught in a hurricane. Their yacht strikes a bathysphere in the storm and is washed ashore with it on the island of Bimini. A panel on the bathysphere opens and Flash, Dale, and Zarkov enter to find a pair of Neanderthals who quickly suffocate in the open air. The dying Neanderthals manage to speak a few words in their strange language and Zarkov makes out “Poseidon” and concludes they hail from the legendary capitol of the lost continent of Atlantis.

Dale discovers a cache of gold coins in the flooring while Zarkov discovers a recording machine that translates thoughts. The device translates the Atlan language into several different languages including English through which they learn the Neanderthals were on a mission to flood the markets of the surface world with the cache of gold in order to destroy the world economy to pave the way for an invasion. The trio resolves to pilot the bathysphere down to Atlantis to sabotage their plan after giving the Neanderthals a proper burial on Bimini.

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Blogging Dan Barry’s Flash Gordon, Part Five

Blogging Dan Barry’s Flash Gordon, Part Five

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kurtzman_flash_gordon_cvr1MV5BMzk2NTI0Nzg3MF5BMl5BanBnXkFtZTcwMTg3MjE5Mw@@__V1_SY317_CR3,0,214,317_“The Space Kids on Zoran” was Dan Barry’s first Flash Gordon storyline following the departure of Harvey Kurtzman from the strip. It was published by King Features Syndicate from April 21 to October 24, 1953. The storyline shows the influence of Captain Video and his Video Rangers, the seminal series that was to the first television generation what the Buster Crabbe Flash Gordon serials had been to their parents. As the storyline progresses, Barry incorporates another Biblical parable, this time offering up a space age twist on the Christ story.

Dan Barry had settled into a more comfortable style with the characters that was recognizably his own take on Alex Raymond’s original work. This style would remain constant until the early 1980s. The story begins with Flash and Dale driving to visit Ray Carson, who has set up a club called the Space Kids at an abandoned site. The boys have built a full-size model rocket out of wood and spare parts that Ray’s father gave him. Flash agrees to help the boys that weekend. There is a definite switch to a more juvenile approach to the strip, with the portrayal of the kids more reminiscent of Harvey Comics than a dramatic adventure strip. The sight of Flash smoking a pipe as he surveys the youngsters’ work is also somewhat disconcerting.

From there, Flash leaves for a meeting with aeronautics industrialist, J. B. Pennington, who is employing Ray’s dad to build a rocket and has hired Flash to fly it. Pennington is the stereotypical capitalist authority figure. He is dismissive of his employees and unloving to his young son, Cyril. Flash’s contemptuous attitude is meant to endear him to the young readers of the strip more than it is to offer social criticism as the generation gap becomes one of the major themes of the storyline.

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Blogging Dan Barry’s Flash Gordon, Part Four

Blogging Dan Barry’s Flash Gordon, Part Four

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kurtzman_flash_gordon_cvrflabarry“Mr. Murlin” was artist Dan Barry and writer Harvey Kurtzman’s follow-up to “The Awful Forest” and was published by King Features Syndicate from December 31, 1952 to April 20, 1953. The story would be the last pairing for the team, although Barry would continue on with the strip until 1990.

Their finale marks another departure from the formula. Flash and Ray stumble upon a medieval cottage in a forest clearing and, knocking upon the door, they encounter Mr. Murlin, an alchemist from 14th Century Earth who inexplicably recognizes Flash and Ray. The old man has an adolescent daughter, Marilyn, with whom Ray has his first crush. Murlin explains how he invented a time case through which he traveled far into the future and to another world.

Flash views the future by looking in the time case and sees he is reunited with Dale. Eager to know when the reunion will occur, Flash is startled to see Dale emerge from the back of the cottage. Murlin tells him he found her wandering in a dazed state in the forest and gave her refuge. Dale explains that she looked into the time case and saw that she would be reunited with Flash in the cottage and so has waited for him. This accounts for Murlin’s knowledge of Flash and Ray’s identities.

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Blogging Dan Barry’s Flash Gordon, Part Three

Blogging Dan Barry’s Flash Gordon, Part Three

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2526022-fla42528342-fla5“The Awful Forest” was artist Dan Barry and writer Harvey Kurtzman’s follow-up to “Tartarus” and was published by King Features Syndicate from October 20 to December 30, 1952. The story shows a marked step forward in quality in Barry’s artwork. At times, he equals Alex Raymond, barring his love of EC-style comic grotesqueries which likely reflect Kurtzman’s involvement in the creative process.

Flash, Marla, Kent, and Ray arrive on horseback at the edge of the Awful Forest along with a party of satyr porters from Tartarus. The rain is pouring down steadily and the setting is clearly meant to call to mind Germany’s Black Forest.

No sooner do they arrive in the Awful Forest, then they encounter the figure of a gibbering madman who pleads with them to turn back, before rushing off into the woods in abject terror. Their porters recognize this strange figure as the Black Duke, Lucifan’s cousin who abducted Dale from the deposed king’s court. What should be an effective sequence of mounting suspense is let down by the depiction of the mad Duke as a comic loony who would have been at home in an early issue of Mad.

The Black Duke’s pitiable condition is enough to cause their porters to desert them during the night. Flash sets off on a fruitless quest to retrieve them and leaves Kent to care for Marla and Ray. The trio is beset by night terrors in which the strange noises of the forest give way to nightmarish visitations from a crowd of goblins and gremlins.

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Blogging Dan Barry’s Flash Gordon, Part Two

Blogging Dan Barry’s Flash Gordon, Part Two

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2520373-ama1ggpb1542“The Butterfly Men” was artist Dan Barry and writer Harvey Kurtzman’s follow-up to “The City of Ice” and was published by King Features Syndicate from June 16 to August 9, 1952. The storyline is simple sci-fi hokum, but of a type not previously seen in the series. Flash and Queen Marla materialize on the planet Tanium in the Alpha Centauri system. Of course, it is sheer luck that has brought them to the same planet that Dale and the crew of the X-3 have journeyed to in their quest for the missing Dr. Carson. It is also sheer coincidence that Flash and Marla are met by Ray Carson, the doctor’s young son who broke away from the crew of the X-3 in his eagerness to search for his father. The trio reaches the X-3 only to discover the ship deserted with disturbing telltale signs of a struggle, including Dale’s torn, bloodstained clothing.

Weakened by their hunger and thirst, they scour the barren landscape where they encounter a giant insect. Marla shoots the creature with a heat ray, although Flash is convinced it is harmless. The wounded creature limps off and spins a cocoon around its injured body. The visitors then see the strange sight of giant butterflies with the bodies of men descending upon them from the air. The butterfly men are the dominant life form of Tanium and are the adult form of the strange giant insects following their natural metamorphosis.

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Blogging Mac Raboy’s Flash Gordon, Part Two – “Yeti”

Blogging Mac Raboy’s Flash Gordon, Part Two – “Yeti”

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Flash Gordon 1Flash Gordon 2Mac Raboy succeeded Austin Briggs in illustrating the Flash Gordon Sunday strip from 1948 until his death in 1967. As an artist, Raboy was heavily influenced by the strip’s creator, Alex Raymond, and did a fine job of continuing the series. Dark Horse reprinted the entire Mac Raboy run in four oversized monochrome trade paperbacks a few years ago. Titan Books will reprint the series in full color as part of their ongoing hardcover reprints of the entire run of the series. At present, I have only two Mac Raboy stories (one early and one late-period) as a sample of his two decade run on the strip.

“Yeti” was serialized by King Features Syndicate from July 21 to November 17, 1963. Raboy’s artwork was not as strong by this point as it had been earlier, but having succeeded Don Moore in writing his own scripts, it is clear that Raboy was taking a cue from Dan Barry’s concurrent daily strip in moving the series away from Alex Raymond’s original template.

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Blogging Mac Raboy’s Flash Gordon, Part One – “Polaria”

Blogging Mac Raboy’s Flash Gordon, Part One – “Polaria”

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Flash Gordon 4Flash Gordon 3Mac Raboy succeeded Austin Briggs in illustrating the Flash Gordon Sunday strip from 1948 until his death in 1967. As an artist, Raboy was heavily influenced by the strip’s creator, Alex Raymond, and did a fine job of continuing the series. Dark Horse reprinted the entire Mac Raboy run in four oversized monochrome trade paperbacks a few years ago. Titan Books will reprint the series in full color as part of their ongoing hardcover reprints of the entire run of the series. At present, I have only two Mac Raboy stories (one early and one late-period) as a sample of his two decade run on the strip.

“Polaria” was serialized by King Features Syndicate from September 18, 1949 to January 1, 1950. Raboy’s artwork never approached the grandeur of Alex Raymond’s vistas (to be fair, he wasn’t allotted the space), but the realism of his characters (particularly their windswept hair) exceeded the originals. Don Moore’s scripts remained unchanged fifteen years after the fact, as the storyline concerned yet another regional monarch’s desire to become Emperor of Mongo and follow in the footsteps of both Ming the Merciless and Kang the Cruel.

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Blogging Austin Briggs’ Flash Gordon – “The Storm Queen of Valkr” / “The Wizard King of the Fur Men”

Blogging Austin Briggs’ Flash Gordon – “The Storm Queen of Valkr” / “The Wizard King of the Fur Men”

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Flash_Gordon“The Storm Queen of Valkr” was the twenty-sixth installment of the Flash Gordon Sunday comic strip serial for King Features Syndicate. Originally published between March 24 and September 29, 1946, “The Storm Queen of Valkr” opens with Flash’s rocketship crashing down in the eye of the hurricane. Flash pulls Dale from the wreckage just as the ship explodes. They are rescued by a party of amazons riding giant wolves and discover their leader is Valkir, Queen of the Forbidden Kingdom of Valkr where they have landed.

Once they reach Valkir’s palace, Flash is placed in the Queen’s harem. He soon meets her royal consort, Marko, and her dwarf jester, Roki. At dinner, Flash offends Valkir by stating he is President of Mongo. She challenges him to a fencing match.

When Flash bests her, her oversized house cat pounces upon him. Flash fights off the great cat. Later, Marko confides in him that Kang’s rocketship has likewise crashed down in Valkr and the deposed Emperor is wooing the Queen and setting himself up as a rival to Marko. This marks an interesting departure from the established formula where the reader would expect the Queen to quickly fall for Flash with her consort becoming a jealous rival to our hero.

Flash and Marko go out riding on wolves and discover Valkir trapped by a flash flood while crossing a stream. Flash rescues the Queen who, unaccustomed to being dominated and then rescued by a man, kisses him passionately before recovering her royal bearing.

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