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Discovering Robert E. Howard: Wally Conger on “Rogues in the House”

Discovering Robert E. Howard: Wally Conger on “Rogues in the House”

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BG_RoguesComicOne of the cool things about being an active member in the Sherlock Holmes community is that I run across a broad spectrum of people with other common interests outside of the world’s first private consulting detective. Wally Conger and I have had back and forth conversations on versions of The Hound of the Baskervilles and other topics.

We may not agree on season three of Sherlock, but we do both enjoy reading Conan. So, I asked him to review “Rogues in the House,” which I knew he had just read. He was kind enough to do just that…

By the time Robert E. Howard launched into writing “Rogues in the House” in January 1933, he already had 10 Conan tales under his belt. He was very comfortable with the character.

In fact, upon publication of the story in the January 1934 issue of Weird Tales, Howard wrote to fellow writer Clark Ashton Smith:

Glad you liked ‘Rogues in the House.’ That was one of those yarns which seemed to write itself. I didn’t rewrite it even once. As I remember I only erased and changed one word in it, and then sent it in just as it was written. I had a splitting sick headache, too, when I wrote the first half, but that didn’t seem to affect my work any.

I wish to thunder I could write with equal ease all the time. Ordinarily I revise even my Conan yarns once or twice, and the other stuff I hammer out by main strength.

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Discovering Robert E. Howard: Bobby Derie on REH in the Comics – Beyond Barbarians

Discovering Robert E. Howard: Bobby Derie on REH in the Comics – Beyond Barbarians

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REHComics_REHOur summer of Robert E. Howard is just rolling along here at Black Gate. The latest entry delves into the comic book/graphic novel world of Howard’s works. I don’t know much about this area, but even I’m aware of Roy Thomas.

Bobby Derie is going to take us on a tour focusing on the non-Conan adaptations of Howard’s works. You’re going to learn about a quite a few you’ve missed. So, on we go!

The Golden Age of Comics passed Robert E. Howard by completely. The Silver Age treated him almost as poorly, save for in Mexico, where La Reina de la Costa Negra spun out the fantastic adventures of a blond Conan as second-mate to the pirate-queen Bêlit, and “The Gods of the North” found a few pages in Star-Studded Comics #14 (Texas Trio, 1968), and Gardner F. Fox borrowed liberally from Conan in crafting “Crom the Barbarian” for Out of this World (Avon, 1950).

In an era when DC Comics and their contemporaries felt no qualms stealthily adapting the horror and science fiction stories of H. P. Lovecraft, Arthur Machen, and Ray Bradbury without permission or credit, they apparently did not touch the evocative weird tales of Robert E. Howard; neither did the sport comics or westerns or detectives.

In 1970 when Marvel Comics licensed the character of Conan the Barbarian from Glenn Lord, acting as the agent for the Howard estate, they were on unsure ground; up until this point, Marvel had mostly worked on their own characters and properties. Yet the barbarian proved an unexpected success as the issues wore on, with writer Roy Thomas receiving permission even to adapt some of Howard’s original Conan stories to the comics, including such classics as “The Tower of the Elephant” and the novel The Hour of the Dragon.

The success of Conan led Marvel to license additional of Howard’s characters for adaptation — Kull of Atlantis, the Pictish king Bran Mak Morn, and the Puritan adventurer Solomon Kane — as well as the creation of original spin-off characters, most notably Red Sonja, based in part on Howard’s Red Sonya of Rogatino.

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Discovering Robert E. Howard: Frank Schildiner on Solomon Kane

Discovering Robert E. Howard: Frank Schildiner on Solomon Kane

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Kane_MoonMartial arts expert Frank Shildiner has forgotten more about Adventure Pulp than I’ve ever known. His writings have included new tales starring  pulp characters Richard Knight and Thunder Jim Wade (if you’re a Doc Savage fan, you should check big Jim out).

Solomon Kane is probably Robert E. Howard’s second best-known character after a certain well-muscled barbarian, and one which influenced Frank very early on. So, I turned to Frank for a look at the puritan sword slinger, as Black Gate continues its summer look at Robert E. Howard.

Solomon Kane. I can still remember when I first read the name. I was 11 and looking through books and comics at a flea market, my mother one row over looking through the Robin Cook section. I pulled a slim paperback from the pile, the cover showing a cold eyed Puritan staring at me with open condemnation (at least that’s how I interpreted the visual). But then I read the name… SOLOMON KANE. And there wasn’t a prayer on Earth of getting me to let go of this book that day.

And that first short story, “Red Shadows,” changed me forever. I became a fan for all things Robert E. Howard, but especially Solomon Kane. Caught by the enemy he’d chased from Europe into Africa, Kane looked up at this man he’d hounded relentlessly for years, and the following thought summed up why this hero became my favorite.

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Dave Gross on Pitching and Pinching

Dave Gross on Pitching and Pinching

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Pathfinder Tales Lord of Runes-smallYou know, of course, we love us some Pathfinder (the role playing game, not the Viking-American Indian movie) here at Black Gate. And I don’t just say that because Managing Editor Howard Andrew Jones has written two novels (with a third coming in October) for their excellent fiction line, Pathfinder Tales.

There have been 30 novels in the series so far. The first (Prince of Wolves), the most recent (The Lord of Runes) and three in between (Master of Devils, Queen of Thorns, King of Chaos) have come from the prolific pen of Dave Gross.

With his tales of half-elven Pathfinder Varian Jeggare and his devil-blooded bodyguard Radovan, Gross has successfully blended the fantasy and mystery genres. Dave has taken some time out of his busy schedule to share some thoughts. Of course, I love the ‘Holmes and Watson’ references.

You can find more info on the Pathfinder Tales line here, including free web fiction. And here’s a link to some Black Gate coverage of the line, including The Lord of Runes. Check out the fine fantasy writing that’s taking place in Pathfinder’s world of Golarion. Take it away, Dave…

As a writer, I hate throwing what Hollywood calls elevator pitches — you know, those snappy “X meets Y” descriptions of a screenplay. We do the same thing in publishing, often still referencing movies rather than books. “It’s Star Wars meets Sixteen Candles,” or “Ocean’s Eleven meets Ghostbusters,” or “Casablanca with orcs as the Nazis.”

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The Fantasy and Science Fiction Films of Thomas Edison

The Fantasy and Science Fiction Films of Thomas Edison

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The original Frankenstein's monster from the 1910 Edison film.
The original Frankenstein’s monster from the 1910 Edison film.

In the annals of early silent film, the name Thomas Edison stands out prominently. The American inventor racked up a series of firsts–building the first film studio in the U.S., registering the first copyright for a film in the U.S., making the first sound film in the U.S. (and arguably the world), and many other innovations.

Edison Studios was launched in 1894 and ran until 1918, when an antitrust lawsuit led Edison to sell the company. In that time, the studio’s host of directors made almost 1300 films. The vast majority were shorts, with the earliest efforts being “actualities” such as The Sneeze (1894) and the historically interesting Sioux Ghost Dance (1894). For the first few years of film, simply seeing people moving on screen was enough, but soon audiences wanted stories. Edison Studios churned out dozens of shorts a month, most of them rather forgettable comedies or dramas as well as a few Westerns such as the very first in the genre, The Great Train Robbery (1903).

A few, however, broke new ground in fantasy, science fiction, and horror. The most notable are The Night Before Christmas (1905), Alice’s Adventures in Wonderland (1910), A Christmas Carol (1910), Frankenstein (1910), A Trip to Mars (1910), and the powerful The Land Beyond the Sunset (1912). Click the links to watch the movies. None are longer than 13 minutes. Spoilers are coming.

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The Public Life of Sherlock Holmes: Conan of Venarium

The Public Life of Sherlock Holmes: Conan of Venarium

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Turtledove_Venarium2I’ve got a couple Holmes-related posts in the works, but am not done researching any of them (no, I don’t just make up my posts as I go: I actually put some thought into them; even if  it may not always appear so). Fortunately, I’ve got no shortage of other areas of interest that I can use to fill the gap (I still haven’t figured out how to get a baseball-related post here. Although, if I still had my copy of that Daryl Brock book.  Maybe something on W P Kinsella.).

The esteemed Ryan Harvey used to review Conan pastiches here at Black Gate. I am absolutely a Robert E. Howard and Conan fan. Perhaps you read this recent post? So, looking to indulge my non-mystery interest (I really want to write something on Tolkien’s Nauglamir, but it’s not even outlined yet), I turned to Conan.

Harry Turtledove is best known for his alternate history novels. I’ve read little Turtledove, so I can’t expound on them. However, one that I did read and enjoyed very much was The Guns of the South, which involves time-travelers bringing Robert E. Lee AK-47s, changing the outcome of the American Civil War (it’s better than it sounds). I definitely enjoyed it more than his other alt-Civil War book, How Few Remain.

Back in 2003, Turtledove joined the list of authors putting out Conan pastiches for Tor Books. Fans of Conan know that this line was quite hit and miss. Conan of Venarium was the 49th and last of the Tor originals, coming six years after the previous entry.

You can read Ryan’s review of that one, here. I’ll include a quote that I think sums up his thoughts on Venarium’s predecessor:  “I am glad to report that Conan and the Death Lord of Thanza is superior to Conan and the Mists of Doom. Unfortunately, that still ranks it as the second worst Conan novel I’ve read.”

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Eastercon 66: Fun and Friction in Science Fiction

Eastercon 66: Fun and Friction in Science Fiction

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Last weekend I had the good fortune to attend Dysprosium, the 66th Eastercon, in London. It was only my second big convention and I was impressed by the number of people, dealers, panels, and events. Big cons are definitely my thing!

The convention was held at The Park Inn at Heathrow Airport, which is appropriately decorated with images of aviation and space pioneers. The elevators have glowing plastic panels that change colors and made me feel like I was in an Italian science fiction movie from the 1960s. The con was stretched out. Two large common rooms were connected by a long corridor. This meant that there was no main dealers room. Instead, each dealer had their own room and they took advantage of this by hosting their own events. Elsewhen Press gets my vote for friendliest dealer for offering plenty of friendly chatter, UFO-shaped candies, and several readings. Another dealer hosted a fascinating talk on Malaysian folklore. This worked out well for the guests but I heard more than one dealer complain they felt isolated from other dealers.

Like last year’s Worldcon, which I reported on here, diversity and inclusion was a central theme. Several of the panels reflected this, such as one on Fencing for Writers, in which two women demonstrated various ways to slash and skewer your opponent. They gave several anecdotes about female swashbucklers in the Renaissance. One French lesbian fought numerous duels with men over women and even saved her lover from a nunnery by burning the place down! That’s just begging to be made into a novel. The presenters made the telling point that, “Historians have dismissed these women as exceptions, but when you look at the sources, there are an awful lots of exceptions.”

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The Public Life of Sherlock Holmes: Terry Pratchett’s ‘City Watch’

The Public Life of Sherlock Holmes: Terry Pratchett’s ‘City Watch’

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CityWatch_GuardsCoverAs readers of this column are certainly aware, I’m quite the fan of detective and private eye novels. Beyond just the guy that the whole thing is named after. As I mentioned in last week’s post on Isaac Asimov’s Caves of Steel, I’ve made several posts about the genre.

Related yet distinct is the police procedural (though some stories, like the aforementioned Caves, fit in both genres). As you can guess from the name, these focus on police officers, rather than private operatives. They are all over television, such as Castle, CSI (insert name here), Hill Street Blues, and brand new shows like Battle Creek. Ranging from Dragnet and The Streets of San Francisco to Hawaii Five O (which lasted 12 seasons before coming back in its current incarnation).

The literary police procedural, while popular, has a lower profile than its television version and is definitely overshadowed by the private eye story.

Evan Hunter (better known as Ed McBain), who I consider THE master of the mystery short story, wrote more tales of New York’s 87th Precinct than I can count: and I can count to one, two, three, many (that’s a Terry Pratchett joke). Probably my favorite straight police procedurals are Tony Hillerman’s novels about The Navajo Tribal Police. The subject of a future post, they are superb police mysteries, set in the Indian reservation lands of the Four Corners. (I ended up doing a pretty solid three-part series on those fantastic books)

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The Public Life of Sherlock Holmes: Post Index #2

The Public Life of Sherlock Holmes: Post Index #2

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VAlley_wilesCipherBack on September 29th of last year, I created a linked index of all The Public Life of Sherlock Holmes posts up to that date, plus a few extras that I’d written here at Black Gate. Well, since this column debuted on March 10, 2014 (yep, a year ago tomorrow!), I figured I’d create an index of all the posts written since that first index.

As the past year has shown, I’m not just about Holmes. I’ve looked at other mystery topics, including my love of hard boiled private eyes. And I’ve touched on fantasy, science fiction, true crime and gaming.

There’s lots more to come (Robert E. Howard’s Steve Harrison is currently in the research stage). Hopefully you’ll keep checking in on Monday mornings. Thanks!

Sherlock Holmes/Arthur Conan Doyle

William Gillette – The first great Holmes on stage or screen.

The List of Seven – Mark Frost’s Conan Doyle pastiche.

Elementary – America’s modern-day version of Holmes returns to televisions.

The Abbey Grange Examined – Did Holmes get played in this story?

Solar Pons – The greatest Holmes successor and pastiche of them all.

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The Public Life of Sherlock Holmes: The Lords of Dus

The Public Life of Sherlock Holmes: The Lords of Dus

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Dus_BasiliskThe eighties was full of epic fantasy series’ by the likes of David Eddings, Raymond Feist, Stephen R. Donaldson, Terry Brooks and Katherine Kurtz, to name a few. While many remain giants in the history of the genre, Lawrence Watt-Evans wrote a largely forgotten series: The Lords of Dus.

Watt-Evans has written quite a bit of fantasy, science fiction and horror and is probably best known for his Ethshar series. Ethshar was created as a role-playing game world and he ended up writing many novels and short stories using the setting.

Watt-Evans had flunked out of Princeton’s architectural school and had to wait a year before he could re-apply. He had heard (the possibly apocryphal story) that Larry Niven started his career by deciding to write for one year and if he sold something, continue on: if he didn’t, he’d give it up. Watt-Evans decided to do the same and wrote a slew of short stories, selling one.

He did go back to school, but he wrote a novel (The Cyborg and the Sorcerer) on a summer break and after two years of college, gave it up to make a living with the typewriter (as a writer, not a typewriter salesman).

Influenced by Robert E. Howard, Michael Moorcock and Lin Carter’s anthologies (Flashing Swords, anyone?), he was ready to spin a fantasy saga featuring a non-human (but less effete than a Melnibonian) hero. Thus, the race of overmen.

He wanted to write a ‘quest’ series, so he needed somebody to tell Garth what to do. He borrowed from Robert Chambers and came up with The King in Yellow (yes, people were influenced by Chambers before HBO’s True Detective). So, we had a sort of Elric meets the Labors of Hercules.

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