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By Crom: The Tor Conan – Quality May Vary…

By Crom: The Tor Conan – Quality May Vary…

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Conan_RogueEvery so often, I get the hankering to read a tale of Conan the Cimmerian (better known as ‘The Barbarian’ thanks to Ah-nuld Schwarzenmuscles).

I usually grab one of the three excellent Del Rey volumes (which Howard Andrew Jones and Bill Ward entertainingly went through – here’s the first installment) and get a quick fix. For a little more reading, I snag one of the Ace/Lancer series edited by L Sprague De Camp (with some help from Lin Carter). And less often, I find one of the Tor paperbacks that I haven’t gotten around to yet and try one of them.

As I mentioned in this post on what qualifies as Conan Canon (say that five times fast!) back in 2015:

‘From 1982 through 2003, eight authors (though primarily four) cranked out 43 new Conan novels for Tor. At two per year, the quality varied wildly, as you can imagine. John M. Roberts’ Conan the Rogue is an homage to Dashiell Hammett’s Red Harvest and one of my favorite Conan books. Steve Perry’s Conan the Indomitable is one of the worst fantasy books I’ve ever read (even though it is a direct sequel to Perry’s Conan the Defiant, which I liked).’

I have maybe two-thirds of the Tor books and have read two-thirds of those (What: I’m channeling Yogi Berra now?). Some of the Tor titles give you at least a bit of an idea what the story is about, such as John M. Roberts’ Conan and the Treasure of the Python and Leonard Carpenter’s Conan of the Red Brotherhood.

But the majority are all titled Conan the (insert vague word here). It’s a litany of titles like Conan the Valorous, Conan the Defiant, Conan the Great, Conan the Formidable: you get the idea. You’ve got to read the back cover to get some clue what the story is about.

The Tor books, pushed out at a punishing pace, are very much a mixed bag. And my experience so far is that more often than not, they fall into the “meh” or worse category.

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Black Gate on the List for the 2017 REH Foundation Awards

Black Gate on the List for the 2017 REH Foundation Awards

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Howard_FoundationPlaqueWell, the Preliminary List. There may well not be a more respected organization in Robert E. Howard circles than that of the REH Foundation. Black Gate and a few of its bloggers were on the final 2016 Awards ballot. Last week, the Foundation released the preliminary list for the 2017 Awards. It will be winnowed down to a final ballot soon.

Typing ‘Robert E. Howard’ or ‘Conan’ in the BG search engine (or just clicking on the Conan Category at left) will definitely establish that we love Howard and his works here at Black Gate. And several Black Gaters, including the site itself, are in the running for the 2017 final ballot. I’ll also point out that many of the nominees contributed to our ‘Discovering Robert E. Howard’ series: some of the best Howard scholars came to Black Gate to share their thoughts. The Black Gate contingent:

The Cimmerian—Outstanding Achievement, Essay (Online)

(Essays must have made their first public published appearance in the previous calendar year and be substantive scholarly essays on the life and/or work of REH. Short blog posts, speeches, reviews, trip reports, and other minor works do not count.)

ADAMS, FRED – “Esau Cairn – A Man Outside His Epoch” – Black Gate
BYRNE, BOB – “Steve Harrison: REH’s Private Detective” – REH: Two Gun Raconteur Blog
JONES, HOWARD ANDREW – “The Ne’re-do-well Hero of “Gates of Empire” – REH: Two Gun Raconteur Blog
MAYNARD, WILLIAM PATRICK – “Steve Harrison Reconsidered” – REH: Two Gun Raconteur Blog

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The Public Life of Sherlock Holmes: ‘Dirk Gently’ is Not ‘Timeless’

The Public Life of Sherlock Holmes: ‘Dirk Gently’ is Not ‘Timeless’

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gently_circleI love Dirk Gently’s Holistic Detective Agency, the novel by Douglas Adams. Which you know because you read my Black Gate post about it. And I liked the sequel, The Long Dark Tea Time of the Soul. And there were some good bits in the third novel, unfinished at Adams’ death.

And, I thought that the BBC miniseries starring Houdini & Doyle’s Stephen Magnon was worth watching. I own audio books of Adams reading Dirk Gently and the excellent BBC radio play of it. So, I’m a fan. I was leery after seeing the trailer for the new BBC miniseries starring Elijah Wood (not as Gently, however). It didn’t look like it was very true to the style of Adams’ books.

I’ve watched the first two episodes. Except for discussing BBC’s Sherlock post-season two, I’m usually pretty positive with my Black Gate posts here. If you are looking for more of that sunshine, skip the following and scroll on down to my review of the new show, Timeless.

With six of eight episodes yet to air, the new Dirk Gently is a festering pile of tripe. It bears almost no resemblance to Adams’ character, and even disregarding that, it’s a ridiculous mess of a show in its own right. Max Landis, who it appears wanted to imitate Quentin Tarentino while showing everyone how talented he is, all but completely ignores Adams’ work.

There is barely a shadow of the actual Dirk Gently in this series. Samuel Barnett’s character is totally clueless, almost completely helpless and neither clever nor funny. He just rolls along with no real insights or ability to influence events. That sound like Adams’ character? And, he’s not even the star, as the show is really about Gently’s reluctant assistant, Todd, played by Wood.

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The Public Life of Sherlock Holmes: RPGing is Story Telling

The Public Life of Sherlock Holmes: RPGing is Story Telling

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inspiration_tomblizardAs I recall, I began playing Dungeons and Dragons at the very end of 1st Edition. Most of my early memories are of playing AD&D and that’s still my favorite Role Playing Game (RPG) system. My buddy Chris and I used to ride our bikes to Hobbyland and he would get a shiny new TSR module, while I grabbed a color-bled, paper-bound supplement from Judges Guild.

I had read Moorcock and Lieber by then (though I didn’t get to Tolkien until early high school). I had acquired a love of Greek mythology (and to a lesser extent, Norse) earlier, and The Trojan War was probably my favorite subject matter (I rooted for Troy: that was disappointing: I mean, c’mon, tear apart the walls to drag in a giant horse your enemy left you???).

You know, The Iliad is like a game of Chainmail: a mass combat wargame with the fantasy supplement for individual heroes. Then  you’ve got The Odyssey, which is an overland (over-the-sea, mostly) D&D campaign. After you’ve played that one a time or two, you could switch to The Aeneid and you’ve got an overland campaign with a kingdom building mechanic. Huh – there’s fodder for another post…

My earliest fantasy gaming memories are of playing Adventure on an Atari 2600. That led to Temple of Apshai on an Atari 1200XL computer. I mapped out every room of that game (and The Upper Reaches sequel) on graph paper. Eventually I got an IBM-compatible PC and tore through the gold box games from SSI. I made the graphical leap to Dungeon Master from FTL (this preceded the more successful but derivative Eye of the Beholder by a few years). Even when I stopped playing pen and paper D&D, I continued on through Baldur’s Gate, Neverwinter Nights, Morrowwind and right up to Age of Conan.

Though I stopped playing, I still read a lot of 3rd Edition D&D stuff and began playing once again with Pathfinder. And as I wrote here at Black Gate just a few weeks ago, I’ve begun running a Swords & Wizardry game for some non-pen and paper fantasy players (it’s a good post. Really. You should go read it!).

And from Dungeon! to Wrath of Ashardalon to the Pathfinder Adventure Card Game, I’ve played fantasy board games for decades.

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Heavy Metal Lyrics, Sword & Sorcery Fantasy and Video Games: A Cultural Synergy by Dr. Fred Adams

Heavy Metal Lyrics, Sword & Sorcery Fantasy and Video Games: A Cultural Synergy by Dr. Fred Adams

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Fred_SpaceInvadersLast year, Dr Fred C. Adams, Ph.D., joined our parade of writers in the Discovering Robert E. Howard series with an entry on Esau Cairn, REH’s classic science fiction character. Dr. Adams is back for another guest post here at Black Gate. Put on your headphones and go!

The parallel (and almost simultaneous) ascensions of heavy metal music, video game technology (which later migrated to personal computers), and sword and sorcery fantasy to mass popularity from the early 1970s forward are not coincidental. Rather, they are synergistic. All three draw from the late 20th century youth culture’s fatalism and nihilism, honed to a fine edge in the fin de siècle era of the 1990s.

Consider the aesthetic of the Ur-arcade-video game of the 1980s, Space Invaders: ranks of grotesque aliens march across the screen as space ships fly overhead firing missiles. You, represented by a screen icon, scuttle back and forth, trapped in a small area firing and dodging missiles while trying to destroy the oncoming ranks of invaders before they reach you and symbolically stomp you into the earth.

The more you destroy, the more ranks appear, starting closer and advancing more quickly. You can forestall death for a time, but the denouement is inevitable. You will lose; the programming foreordains that you will die no matter how well or how long you fight. Other games of the era, like Missile Command, and Asteroids followed suit.

An occasional arcade game like Dragonquest allowed victory, but most reduced play to a life-and-death struggle the player will never win. The kill tally represents the only satisfaction—how many of them do I take with me? As the Time Traveler of Wells’ famous novel says of fighting an impossible number of Morlocks in the darkened forest, “I will make them pay for their meat.”

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The Shannara Chronicles Will Be Back (Though Amber will Not…)

The Shannara Chronicles Will Be Back (Though Amber will Not…)

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Shannara_titleBack in January, I wrote about the then-in progress Shannara Chronicles miniseries on MTV. I was less than overwhelmed. Even though Terry Brooks was involved, and while it did some things nicely, it most certainly was not the Shannara project some of us have been waiting decades for. Granted, it was decent enough that I stuck through all ten episodes.

While the main storyline got closure in the final episode, others (which had nothing to do with The Elfstones of Shannara, the book the series was based on) were left wide open.

I missed this, but back in April, MTV signed on for a second season, though I haven’t come across any kind of timeline.

“This dream team delivered a beautiful, ground breaking show with compelling stories and character journeys which brought in new viewers. I can’t wait to see what season 2 brings,” said Mina Lefevre, Executive Vice President and Head of Scripted Development at MTV.

The show did extremely well in digital format, with over 16 million streams and becoming the most downloaded single-season show ever for MTV. Since it was aimed at the teens and twenties crowd, that’s a good sign.

I liked it enough that I will watch season two, where I’m sure we’ll get more pretty people and lots of the angst, which is the hallmark of the target age group.

Terry Brooks has said that the story is leaning towards The Wishsong of Shannara (which followed Elfstones), with some of Sword of Shannara mixed in.

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Of Necromancers and Frog Gods: Part Two (The Public Life of Sherlock Holmes)

Of Necromancers and Frog Gods: Part Two (The Public Life of Sherlock Holmes)

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FROG GOD GAMES

Last November, I did a post on the history of Necromancer Games. I wrapped up with, “And there, our saga of Necromancer Games draws to a close. But our story has most certainly not come to an end.” That’s because Slumbering Tsar would rise from the ashes and a new RPG company would be built on its foundations. Welcome to Part Two: Of Necromancers & Frog Gods.

Waking the Tsar

FGG_DesolationShortly after Necromancer hung it up, co-founder Bill Webb established Frog God Games just to publish Greg Vaughan’s The Slumbering Tsar as a fourteen-part subscription saga, to be issued as one massive book at the end of the project.

Starting at 7th level, Tsar is divided into three books. If you want to start from 1st level, I suggest using The Wizard’s Amulet and/or The Crucible of Freya, then part of Tomb of Abysthor as a 1st through 6th level lead-in. The Lost City of Barakus is another excellent option, though not as thematically linked. Though it wouldn’t take much to give the villainous Devron a tie-in to Tsar.

Book one, The Desolation, is three installments (parts) dealing with a small settlement in the barren plains. It totals about 125 pages and gives the party a staging area for adventuring towards Tsar. Think of a Necromancer version of The Village of Hommlet – but way nastier. The story of The Army of Light at the very end of part one is worth it alone for me.

Part two includes the Ashen Waste: with such highlights as The Tomb of the Sleeping Knight (not a lot of sleeping going on here) and the burial mound of the barbarian warriors led by Tark. The Chaos Rift, featuring The Sepulcher of the Last Justicar, is even more deadly.

Part Three gets the party to the walls of Tsar, though it might well perish in The Boiling Land or The Dead Fields first. And a sticky situation waits outside the walls…

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Deities and Demigods of the Word Count: or, How to Write 500 Novels and Still not be Considered Prolific

Deities and Demigods of the Word Count: or, How to Write 500 Novels and Still not be Considered Prolific

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Nice book, but where are the 800 others you lazy git?
Nice book, but where are the 800 others you lazy git?

Last week, M Harold Page posted an interesting article here on Black Gate about achieving a steady word count as a writer, giving some insights into his own practice. He said,

I manage 1,000 words a day at the start and an average of 3,000 words a day once I’m underway. Sprinting – 5,000 to 7,000 words a day; that’s for the last half.

Many newbie writers would screech in horror and say no one can write that fast, while most MFA snobs would turn up their noses and say it’s impossible to write anything of worth at that rate, that writing must be an agonizing process of constant revision and polishing. They’re both wrong, as Page’s own writing attests.

The fact is, however, Page’s speed is rather modest. Mine is about the same, so I’m not knocking him. I know how hard it is to keep up a good momentum while maintaining your responsibilities to family, not to mention the distractions of the Internet and local pub. I’m fortunate enough that writing is my day job, so at least I don’t have a separate career getting in the way of my productivity.

Page and I may both have a bunch of books to our name, but we are mere henchmen, mere spear carriers to the great Deities and Demigods of publishing — the truly prolific. Dean Wesley Smith, who has written well over 100 novels and about 500 short stories and only seems to be picking up speed, recently shared a link to an interesting blog post titled 17 Most Prolific Writers in History. I have a lot of quibbles with this list, as I’m sure you will too, but while it isn’t authoritative or entirely accurate, it’s certainly inspiring and daunting in equal measure.

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The Public Life of Sherlock Holmes: Elric & “The Jade Man’s Eyes”

The Public Life of Sherlock Holmes: Elric & “The Jade Man’s Eyes”

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Jade_FlasingBeing an avid Black Gate reader, you know that we devoted a lot of attention to the various works of Conan’s creator last year with our ‘Discovering Robert E. Howard’ series. I was very much a latecomer to Conan, as well as Howard in general. I’ve made up a lot of ground on Solomon Kane, El Borak and others, but I’ve still got a slew of Tor paperbacks featuring the Cimmerian that I haven’t read yet, among other stuff.

However, one fantasy series that I delved far deeper into at a much younger age was Michael Moorcock’s saga of Elric and the Eternal Champion. To my middle school, Dungeons and Dragons-playing mind, that stuff, with those awesome DAW covers, was pure gold. In fact, White Wolf would have been FAR better served to use one of those instead of the craptacular cover they put on Elric: The Stealer of Souls in 1998. It is beyond awful and I’m not going to include it in this post. You can Google it if you doubt me, but I’d take my word for it.

I was going through some boxes of books that aren’t on my shelves and I came across the Dell paperback of Lin Carter’s Flashing Swords #2. First published in hardback in 1974, it included a new story of the pale Melnibonian, “The Jade Man’s Eyes.” And with a Frank Frazetta cover, it’s miles ahead of the aforementioned White Wolf cover as well.

This collection has an interesting introduction that talks about Howard’s Conan as the birth of sword and sorcery (remember: forty-plus years ago and pre-internet, what we now regard as common knowledge and what’s popular and respected often wasn’t the case then).

Carter tells of the creation of The Swordsmen and Sorceror’s Guild of America, Ltd. (SAGA), including himself, L. Sprague de Camp and John Jakes. Fritz Lieber, Mike Moorcock and Jack Vance were added soon after, followed by Poul Anderson and Andre Norton. I imagine you’ll see a SAGA post here somewhere down the line.

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Future (Video Game) Treasures: Conan – Age of Exiles

Future (Video Game) Treasures: Conan – Age of Exiles

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Conan_ExilesShot1Funcom is the developer of the MMO Age of Conan – Unchained. AoC is the only MMO I ever played more than a few times and stuck with. I think it’s an excellent game with a novel fighting system and superb graphics. It did a nice job of using the Conan world setting and I enjoyed playing it.

Sadly, as with most MMOs which aren’t named World of Warcraft, it just doesn’t have a ton of players. There were many times I would roam an area and only see one or two other characters. But it if you’re looking to check out an MMO, I highly recommend it.

Well, Funcom is bringing Conan to PCs and consoles with Conan Exiles:

An open-world survival game in the brutal lands of Conan the Barbarian.

You are an exile, one of thousands cast out to fend for themselves in a barbaric wasteland swept by terrible sandstorms and besieged on every side by enemies. Here you must fight to survive, build and dominate.
Hungry, thirsty and alone, your very first battle is that against the harsh environment. Grow crops or hunt animals for food. Harvest resources to build weapons and tools. Build a shelter to survive. Ride across a vast world and explore alone, or band together with other players to build entire settlements and strongholds to withstand fierce invasions.

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