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Exploring the Tomb of Idu at Giza

Exploring the Tomb of Idu at Giza

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The rather unobtrusive entrance to the tomb. Like most
mastabas, its superstructure has disappeared over time.

Put on your pith helmets, Black Gate readers, because today we’re going into an ancient Egyptian tomb!

This tomb, on the Giza plateau, was built for Idu, an inspector of priests of the pharaohs Khufu and Khafre and overseer of scribes. Idu made sure the rites and rituals in honor of the departed pharaohs were done properly, and that the priests had all the equipment they needed. Idu lived in the VI Dynasty, probably during the reign of Pepi I (2332-2283 BC), a couple of hundred years after the death of these two important pharaohs. The most prominent Egyptian pharaohs had cults that lasted centuries.

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Egyptian Dystopian Fiction: The Queue by Basma Abdel Aziz

Egyptian Dystopian Fiction: The Queue by Basma Abdel Aziz

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the_queue_basma_abdel_aziz-smallSince the Arab Spring, there has been an upsurge in dystopian fiction coming out of the Middle East. The dashed hopes of that widespread popular uprising have found their expression in pessimistic novels such as Otared, (reviewed in an earlier post) and several other notable works of fiction.

One of the most lauded in the West is The Queue by Basma Abdel Aziz, an Egyptian writer and social activist.

In The Queue, we are transported to a strange near future where the civilian government has been taken over by a faceless entity called the Gate. The Gate issues a series of edicts that become ever more baffling and hard to obey. Companies are forced to changed what they produce, individuals need to get signed forms for even the most mundane matters, and little by little the Gate forces its way into every aspect of the city’s life.

The people rebel, in what the Gate refers to as the Disgraceful Events, which are suppressed with predictable police brutality. One of the casualties is a young man named Yehya, who is shot by a police officer. Yehya needs a form signed in order to have the bullet removed, but the Gate closes right after the Disgraceful Events.

As Yehya languishes, the Gate issues a continuous torrent of edicts, prompting more and more citizens to line up in front of the Gate hoping to get their forms filled out. The line soon stretches for miles, developing its own economy and culture. Street preachers rail against the citizens for their lack of faith in the Gate, shopkeepers try to make a living selling tea and snacks to the other people in line, and salesmen give away free mobile phones that are bugged.

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Results of a Writing Retreat in Cairo

Results of a Writing Retreat in Cairo

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Obligatory pyramid shot

Hello, Black Gaters! I’m back after a month’s silence, and my silence on here usually means I’m drunk I’ve gone off somewhere. This time I spent three weeks in Cairo on my second writing retreat of the year.

During my previous Cairo retreat back in February, I started The Case of the Purloined Pyramid, the first in my neo-pulp detective series The Masked Man of Cairo. It’s set in Cairo in 1919, with the hero trying to solve a murder while the city is convulsed with its first major independence demonstrations. That book recently won the Kindle Scout program and is being published by Kindle Press on January 9. This time around I worked on the next in the series, The Case of the Shifting Sarcophagus.

So what does a wandering writer do when he goes to Cairo to write a novel? Try desperately hard not to let his research take too much time away from his writing!

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Off on Another Writing Retreat in Cairo

Off on Another Writing Retreat in Cairo

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The title of this post is a not-so-clever way to say I’m taking the month of December off from blogging. Back in February, I spent a few weeks in Egypt writing my neo-pulp detective novel The Case of the Purloined Pyramid, which recently won the Kindle Scout contest. It’s coming out soon and I’m using part of my advance to head on back to Cairo to write the next one, The Case of the Shifting Sarcophagus.

I’ll be seeing friends, hopefully making new ones, helping a colleague with his fascinating book proposal, and visiting some sights. Mostly I’ll be wandering around the old medieval neighborhood, where one of my heroes has his antiquities shop. Nothing like walking the actual streets to get the old brain pan bubbling!

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Stained Glass Windows in Cairo

Stained Glass Windows in Cairo

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Last week in my post on the Coptic Heritage of Cairo I posted a photo of a stained glass window done in the traditional Egyptian style, from the so-called “Hanging Church” in Cairo, officially known as St. Virgin Mary’s. It got its name because it’s built atop an old Roman gatehouse.

I was surprised at this and other stained glass windows I found all over Cairo, both in Christian and Muslim settings. I had never read about these windows in my (admittedly small) collection of Islamic art books, and I didn’t remember them from my previous visit in 1991. I’ve been able to find very little about them online, so if anyone knows more, please comment!

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Coptic Heritage in Cairo

Coptic Heritage in Cairo

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A stained glass window using small bits of colored glass in a plaster
framework. Mosques and private houses also use this style of
decoration, although the mosques don’t include crosses, of course

While Egypt’s ancient civilization is the main draw for visiting the country, I find its medieval and modern history equally fascinating. Cairo is full of historic monuments. Minarets built a thousand years ago rise above the honking traffic, old houses from the Ottoman period are nestled in quiet back alleys, and a medieval citadel looks out over the city.

Many of Cairo’s most interesting historic sites are Christian. Early in Christian history, Egypt started a distinct tradition of worship that developed into what is now known as Coptic Christianity. The Coptic church traces its origins back to 50 AD, when Saint Mark visited the country and established the Church of Alexandria. The word “Copt” comes from the ancient Greek word for Egypt, “Aigyptos.”

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Four Thousand Year Old Bread from Ancient Egypt

Four Thousand Year Old Bread from Ancient Egypt

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Here’s something you don’t see every day, some preserved bread from the Eleventh Dynasty (2134-1991 BC) from Thebes. I snapped this photo in the Cairo Museum during a recent writing retreat.

… and I’m afraid that’s all I have for you this week from Egypt. As I mentioned in a previous post, I’m working as a ghostwriter and I have a heinous deadline for a novel due this Friday. I’m also finishing up a short nonfiction booklet and my own novel, the one I went to Cairo to write in the first place. A minor character knocked the plot sideways and added 10,000 words to it.

So if I don’t want to be eating this bread next week, I have to get back to writing. But here are some more pics because I love you.

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Black Gate Interviews Egyptian Science Fiction Author Mohammad Rabie

Black Gate Interviews Egyptian Science Fiction Author Mohammad Rabie

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51JYgQ68kPL._SY344_BO1,204,203,200_One pleasant stop on my recent trip to Cairo was the American University’s bookshop near Tahrir Square. It’s a treasure trove of books on Egyptology and Egyptian fiction in translation. Among the titles I picked up was the dystopian novel Otared by Mohammad Rabie.

This novel, originally published in Arabic in 2014 and published in English in 2016 by Hoopoe, the fiction imprint of the American University of Cairo, is a grim dystopian tale of Cairo in 2025.

After several botched revolutions in which the people repeatedly fail to effect real social and political change, Egypt is invaded by a foreign power. The army crumples, most of the police collude with the occupiers, and the general public doesn’t seem to care. A small rebel group decides to take back their nation, and one of its agents is former police officer turned sniper, Otared. The rebels basically become terrorists, deciding the only way to get the people to rise up is to make life under the occupation intolerable, which means killing as many innocent civilians as possible.

The world Rabie paints reminds me very much of the insane landscape in Paul Auster’s In the Country of Last Things, with its violence, its cruelty, and its bizarre customs (in Otared almost everyone wears a mask) that begin to make sense once you learn more about the world. Throw in a nightmarish disease that affects only children, plus a national death wish, and you have a grim but compelling read. No science fiction novel has gut punched me this hard for a long, long time.

Mohammad Rabie is an emerging force in Egyptian letters. Born in 1978, he graduated from the Faculty of Engineering in 2002. His first novel, Amber Planet, was released in 2010 and won first prize in the Emerging Writers category of the Sawiris Cultural Award Competition in 2011. His second novel, Year of the Dragon, came out in 2012. Otared was shortlisted for the International Prize for Arabic Fiction in 2016 (popularly referred to as the Arabic Booker). Curious to learn more, I sat down with Rabie (OK, I shot him an email) to speak with him about his writing.

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The Queens’ Pyramids at Giza

The Queens’ Pyramids at Giza

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The pyramid of Menkaure (2532-2504 BC) and
its three Queens’ Pyramids, looking east

We’ve all seen the pictures. Tucked beside the massive pyramids at Giza are a few little pyramids. They are generally described in one line as the “Queens’ Pyramids” or “satellite pyramids” and not mentioned any further. They seem like such an afterthought to the awe-inspiring pyramids of Khufu, Khafre, and Menkaure, not to mention the Sphinx, that they get all but forgotten. But why were these monuments built? And who were they for?

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Mastabas: Early Tombs of Ancient Egypt

Mastabas: Early Tombs of Ancient Egypt

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Interior of the mastaba of Meresankh III. The row of
statues shows the queen and female members of her family

Not everyone gets a pyramid when they die.

As nice as it would be for everyone to get their own massive stone monument that lasts for all time, it’s really expensive and the one percenters want to have something of their own that makes them feel special.

So for those of us who don’t get to rule over Ancient Egypt with an iron fist, but aren’t so poor that we’re stuck in a shallow pit in the desert, there’s the mastaba, a home away home where we can spend the afterlife.

Mastabas were rectangular buildings made of mud brick or stone containing a few rooms and a burial chamber beneath it reached via a vertical shaft. They were wonderfully decorated on the inside and had a place for making offerings to the dead.

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