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Hit That Word Count! Reading The Fiction Factory by William Wallace Cook

Hit That Word Count! Reading The Fiction Factory by William Wallace Cook

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Street_&_Smith_book_department_in_1906

Street & Smith was one of the many publishers Cook worked for.
This is their book department in 1906, at the height of Cook’s career.

As I’ve mentioned in previous posts, I’ve been studying the careers of hyperprolific authors. No study of the field would be complete without looking at the life of William Wallace Cook. Around the turn of the last century his work was everywhere — as serialized novels in newspapers, as dime novels, and later in hardback books. We wrote everything from boy’s fiction to romance to mystery to science fiction.

His two most enduring books, however, and really the only two that are still read today, are both nonfiction. The first is Plotto, a plot outline device that allows you to link up various plot elements to create a virtually infinite variety of stories. It’s on my shelf but I have yet to try it. The other is The Fiction Factory, in which he describes his early years breaking into the writing business in the 1890s and his climb to steady success in the early years of the 20th century. Despite having been written more than a hundred years ago it remains useful and inspiring reading for any aspiring or professional author.

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Old School Steampunk: Reading The Steam Man of the Plains (1883)

Old School Steampunk: Reading The Steam Man of the Plains (1883)

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In the days before television, movies, or even pulp magazines, readers who wanted exciting fantastic fare read dime novels. This style of popular literature lasted from about 1860 to 1930, before the pulps finally killed them off. In those 70 years, countless series and titles were published — mysteries, Westerns, historical dramas, romances, and even steampunk.

Yes, steampunk goes right back to the age of steam. I recently read one of the most popular titles, the 1883 edition of The Steam Man of the Plains, published by the Five Cent Wide-Awake Library, a series directed specifically at adolescent boys. You can read it online at Northern Illinois University’s excellent online collection of dime novels.

Warning: spoilers follow!

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Making it on the American Grub Street: Hired Pens, Professional Writers in America’s Golden Age of Print

Making it on the American Grub Street: Hired Pens, Professional Writers in America’s Golden Age of Print

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0821412043Last month I posted here about Researching the Habits of Highly Prolific Authors for a book I’m working on. Black Gate reader John Hocking kindly suggested in the comments section that I read Hired Pens: Professional Writers in America’s Golden Age of Print, by Ronald Weber. I took him up on his advice and I’m sure glad I did.

This book looks at the careers of writing and editing from the nation’s earliest days until the end of World War Two. Weber shows us a parade of successful writers and editors — many well-known to this day, many more now forgotten — who found success in the ever-changing market for American popular periodicals.

Until the middle of the 19th century, American writers were hampered by the lack of international copyright laws. Newspaper and magazine editors filched English publications for free and saw no reason to pay homegrown talent. As the population grew and both American and British writers managed to get their governments to set up legal barriers to such theft, the market for American writing blossomed.

These writers certainly didn’t waste their time moaning about their lack of inspiration and hoping the muse would visit them. As prolific and successful Western writer Zane Grey said in a letter to a friend:

This morning I had no desire to write, no call, no inspiration, no confidence, no joy. I had to force myself. But when I mastered the vacillation and dread, and had done a day’s work — what a change of feelings. I had a rush of sweet sensations.

This is a common thread throughout the book. In example after example, we are shown that writer’s block is a myth and that writers should not — indeed, must not — sit around all day twiddling their thumbs. These writers worked hard.

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