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Hither Came Conan: The Best Conan Story Written by REH Was….?

Hither Came Conan: The Best Conan Story Written by REH Was….?

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Conan_FrazettaFrostGiants

Welcome to a brand new, Monday morning series here at Black Gate. Join us as a star-studded cast of contributors examine every original Conan story written by Robert E. Howard: and tell you why THAT is the best of the bunch. Read on!

“KNOW, oh prince, that between the years when the oceans drank Atlantis and the gleaming cities, and the years of the rise of the Sons of Aryas, there was an Age undreamed of, when shining kingdoms lay spread across the world like blue mantles beneath the stars—Nemedia, Ophir, Brythunia, Hyperborea, Zamora with its dark-haired women and towers of spider-haunted mystery, Zingara with its chivalry, Koth that bordered on the pastoral lands of Shem, Stygia with its shadow-guarded tombs, Hyrkania whose riders wore steel and silk and gold. But the proudest kingdom of the world was Aquilonia, reigning supreme in the dreaming west. Hither came Conan, the Cimmerian, black-haired, sullen- eyed,sword in hand, a thief, a reaver, a slayer, with gigantic melancholies and gigantic mirth, to tread the jeweled thrones of the Earth under his sandalled feet.”—The Nemedian Chronicles

And so it began. In the December, 1932 issue of Weird Tales (a good month for pulps! Black Mask included stories by Frederick Nebel, John Carroll Daly and Erle Stanley Gardner), Conan of Cimmeria, a barbarian who had wrested the kingship of the mighty kingdom of Aquilonia with his sword, struggles mightily with…paperwork! Truly, heavy is the crown…

But Robert E. Howard, creator of Kull, Solomon Kane, El Borak and others, had come up with what would become the most recognizable character in the Fantasy genre. No silly Hobbitses here!

It wasn’t all mead and concubines from the get go, however. Farnsworth Wright, editor of Weird Tales, and who remained intertwined in Howard’s life to the end, rejected two (“The Frost Giant’s Daughter” and “The God in the Bowl”) of the first three tales. Not exactly a stellar start.

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Conan and the Philosopher of Swords: Damon Young at the Edinburgh Book Festival and in Island Magazine

Conan and the Philosopher of Swords: Damon Young at the Edinburgh Book Festival and in Island Magazine

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Let teachers and priests and philosophers brood over questions of reality and illusion.
Let teachers and priests and philosophers brood over questions of reality and illusion.
Art by Brom for "Queen of the Black Coast"
Conan the Id-barian…

A dozen of us sit in the round, beards bushing, long hair flowing over metalesque T-shirts. An energetic 40-something bloke hands out sheets and clipboards. Each bears a picture of Conan the Barbarian.

We’re at the super highbrow Edinburgh International Book Festival, but it feels like an over-stuffed old-school D&D group.

It’s a mostly male ensemble. My teen-aged son is the the youngest, I’m probably the least cool, and there are faces I recognise from the monthly Event Horizon SciFi gig.

However, we’re not actually here to roll dice. Rather, it’s one of the Book Festival’s Reading Workshops: intimate symposiums on reading a particular author or book. In this case — you guessed it — Damon Young, academic philosopher and Australian progressive public intellectual, is about lead a discussion on the Conan stories by the very late, but — by Crom he was too young when he died! — still lamented Robert E Howard:

Damon Young is an award-winning writer and philosopher. Join him for today’s workshop exploring Robert E Howard’s lovingly crafted sword and sorcery hero. Howard created Conan the Barbarian for a magazine in the 1930s and it has since spawned countless books, comics, video games and films. Expect an open discussion from the start; you can read the stories ahead of the event or be inspired to pick them up afterwards.

Take a moment to savour that.

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Why isn’t Conan a Mary Sue?

Why isn’t Conan a Mary Sue?

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Conan Rogues in the House-smallHow is Conan not a Mary Sue?

The barbarian is pretty obviously Robert E Howard’s authorial self-projection into the Hyborian Age. Big, bellicose and amoral, but honourable and never mean. He’s mighty-thewed death on two legs, women fall into his arms, kingdoms fall at his feet. He male bonds when he falls into good company, and despite being a barbarian fish out of civilised water, he commands the loyalty of his men and the respect of those nobles worthy of respect.

He’s everything Robert E Howard was and wasn’t and might have been had the big Texan lived long enough to fight in WWII. (Imagine Howard as a veteran of Iwo Jima, and the great literature he would have written…)

Really, how is he not a Mary Sue? (He certainly fails a Mary Sue test)

And yet, Conan survived the oh-so-ironic later 20th century. One whiff of Thrud should consigned him to the company of Captain Future and Doc Savage: The emperor barbarian has no clothes on! He even weathered Terry Pratchett’s slash and burn through the genre.

Was it just that Howard invented Sword and Sorcery?

No. Conan’s literary longevity is more than just about being first with sandals on the ground.

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Discovering Robert E. Howard: Jeffrey Shanks on The Worldbuilding of REH

Discovering Robert E. Howard: Jeffrey Shanks on The Worldbuilding of REH

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Conan_WBHyboriaWe are trying to look at as broad a range of topics related to Robert E. Howard as we can in this series. Characters, genres, events, themes: Black Gate really wants to showcase the many facets of the man and his works.

Today’s guest post is such an example. Jeff Shanks wrote the introduction to the just published facsimile edition of Howard’s essay, The Hyborian Age and is the REH consultant on Modiphius’ upcoming Conan RPG  (we’re gonna have a post for that, too!). I can’t think of anyone better to write about one of my favorite subjects,  world-building.

While Robert E. Howard is known as the creator of a number of memorable heroic protagonists, such as Kull of Atlantis, Solomon Kane, Bran Mak Morn, and, of course, Conan the Cimmerian, his efforts as a pioneer in fantasy world-building are often overlooked. When it is remarked upon at all, Howard’s creation of the Hyborian Age of Conan is generally described as a fairly impromptu effort — a hodge-podge of fictitious kingdoms based on thinly-disguised real world historical analogues, thrown together hastily in early 1932 after the first Conan story was accepted by Weird Tales.

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The Public Life of Sherlock Holmes: By Crom – Are Conan Pastiches Official?

The Public Life of Sherlock Holmes: By Crom – Are Conan Pastiches Official?

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ConaPas_Ace2Today’s post is actually about Robert E. Howard’s Conan, but (in a stunning surprise) it’s got some Sherlock Holmes at the foundation. No, Conan never met the great detective…

Hopefully you’ve been checking in on our summer series, Discovering Robert E. Howard. There are plenty more posts coming, so stay tuned. While I very much like Howard and his works, I came late to his stories and I’m certainly no expert.

There is one area I’ve found…curious, which relates to the “official” status that seems to be accorded to the authorized pastiches written since Howard’s death. It’s quite different in the Holmes world.

There are sixty official Sherlock Holmes tales. Period. Fifty-six short stories and four novels (more novellas, really), all penned by Sir Arthur Conan Doyle and published during his lifetime. There are two Holmes short-shorts, “How Watson Learned the Trick” and “The Field Bazaar” and there is no disputing that they were written by Doyle. But they are not included (by anyone, I believe) in the official count.

You, oh enlightened one, know that the Doyle Estate tried to include a sixty-first story, found among ACD’s papers by a researcher, but it turned out to have been written by Arthur Whitaker.

To quote myself, from my first Solar Pons post here at Black Gate:

Parodies are stories that poke fun at Holmes. But the more serious Holmes tales, those that attempt to portray Sir Arthur Conan Doyle’s detective to varying levels, are called pastiches. Just about the earliest ‘serious’ attempt at a Holmes copy was by Vincent Starrett, who wrote “The Adventure of the Unique Hamlet” in 1920.

Doyle’s son Adrian, sitting at his father’s very desk, produced The Exploits of Sherlock Holmes (half of the stories were co-written with John Dickson Carr, who would quit mid-project).

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Discovering Robert E. Howard: Wally Conger on “Rogues in the House”

Discovering Robert E. Howard: Wally Conger on “Rogues in the House”

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BG_RoguesComicOne of the cool things about being an active member in the Sherlock Holmes community is that I run across a broad spectrum of people with other common interests outside of the world’s first private consulting detective. Wally Conger and I have had back and forth conversations on versions of The Hound of the Baskervilles and other topics.

We may not agree on season three of Sherlock, but we do both enjoy reading Conan. So, I asked him to review “Rogues in the House,” which I knew he had just read. He was kind enough to do just that…

By the time Robert E. Howard launched into writing “Rogues in the House” in January 1933, he already had 10 Conan tales under his belt. He was very comfortable with the character.

In fact, upon publication of the story in the January 1934 issue of Weird Tales, Howard wrote to fellow writer Clark Ashton Smith:

Glad you liked ‘Rogues in the House.’ That was one of those yarns which seemed to write itself. I didn’t rewrite it even once. As I remember I only erased and changed one word in it, and then sent it in just as it was written. I had a splitting sick headache, too, when I wrote the first half, but that didn’t seem to affect my work any.

I wish to thunder I could write with equal ease all the time. Ordinarily I revise even my Conan yarns once or twice, and the other stuff I hammer out by main strength.

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The Public Life of Sherlock Holmes: Conan of Venarium

The Public Life of Sherlock Holmes: Conan of Venarium

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Turtledove_Venarium2I’ve got a couple Holmes-related posts in the works, but am not done researching any of them (no, I don’t just make up my posts as I go: I actually put some thought into them; even if  it may not always appear so). Fortunately, I’ve got no shortage of other areas of interest that I can use to fill the gap (I still haven’t figured out how to get a baseball-related post here. Although, if I still had my copy of that Daryl Brock book.  Maybe something on W P Kinsella.).

The esteemed Ryan Harvey used to review Conan pastiches here at Black Gate. I am absolutely a Robert E. Howard and Conan fan. Perhaps you read this recent post? So, looking to indulge my non-mystery interest (I really want to write something on Tolkien’s Nauglamir, but it’s not even outlined yet), I turned to Conan.

Harry Turtledove is best known for his alternate history novels. I’ve read little Turtledove, so I can’t expound on them. However, one that I did read and enjoyed very much was The Guns of the South, which involves time-travelers bringing Robert E. Lee AK-47s, changing the outcome of the American Civil War (it’s better than it sounds). I definitely enjoyed it more than his other alt-Civil War book, How Few Remain.

Back in 2003, Turtledove joined the list of authors putting out Conan pastiches for Tor Books. Fans of Conan know that this line was quite hit and miss. Conan of Venarium was the 49th and last of the Tor originals, coming six years after the previous entry.

You can read Ryan’s review of that one, here. I’ll include a quote that I think sums up his thoughts on Venarium’s predecessor:  “I am glad to report that Conan and the Death Lord of Thanza is superior to Conan and the Mists of Doom. Unfortunately, that still ranks it as the second worst Conan novel I’ve read.”

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The Coming of Dorgo the Dowser

The Coming of Dorgo the Dowser

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mad-shadowfrank_frazetta_manapeGrowing up in the 1970s, the Ballantine editions of Edgar Rice Burroughs’ Tarzan series and the Ace Conan series were part of my steady diet. Seminal pulp fiction graced with stunning cover art by the likes of Neal Adams, Boris Vallejo, and Frank Frazetta. The cover art for the Conan books perfectly captured a bygone savage world that never existed in mankind’s past, but should have. While most Robert E. Howard fans have long since rejected these editions because of the sometimes gratuitous changes made to the original text, the impact of the Conan paperback series on the proliferation of the fantasy subgenre cannot be underestimated.

My own passion for sword & sorcery waned somewhere around the time that Robert Jordan took up his pen to tell bolder and ever more sweeping tales of the Hyborian Age for Tor Books that dwarfed the originals without ever capturing the same sense of wonder. I closed the book on that chapter of my life not long after starting junior high and never expected to revisit it. Flash forward to 2012 when I discovered Mad Shadows: the Weird Tales of Dorgo the Dowser by Joe Bonadonna and found that sometimes you can go home again.

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Pastiches ‘R’ Us: Conan the Free Lance

Pastiches ‘R’ Us: Conan the Free Lance

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conan-free-lanceConan the Free Lance

Steve Perry (Tor, 1990)

Let’s see … I’ve reviewed a Conan pastiche novel each from Leonard Carpenter and John Maddox Roberts. So next up, Steve Perry.

If there’s one word I would used to describe Steve Perry’s Conan novels, it’s goofy. Perry has a reputation among Conan fandom for overkill and general silliness. He apparently loves high fantasy. Perhaps he loves it too much. His Conan books burst at the seams with fantastic monsters, strange races, and weird magic … and not in an ideal way. Although Perry has an enormous imagination, it gets away from him and creates a world that has almost no resemblance to Robert E. Howard’s Hyborian Age. It’s not so much that these elements are silly, but that they seem so when placed in Howard’s setting. They would work fine in the Star Wars universe — and Perry has written some good Star Wars novels to prove it; I’ll admit I enjoyed his Shadows of the Empire, even if LucasFilm tried shoving it down my throat first. But in the grittier, more-historically centered Hyborian Age, where magic is rare and sinister, Perry’s style feels like someone trying to write a Forbidden Realms novel who accidentally wandered into Robert E. Howard-land.

Conan the Free Lance (yes, two words, not one, according to the actual title page — Conan isn’t picking up occasional assignments for the New Yorker) won’t change anyone’s mind about Perry’s style. The story occurs in an overt wonderland akin to high fantasy. Its villain and the instigator of our plot, Dimma the Mist Mage, lives in fortress on a bed of sargasso weeds in a Karpash Mountains lake. He needs a talisman to restore his body to its solid form, and so he sends his shapeshifting servants the selkies to fetch it from the Tree Folk. Conan, while on his way to Shadizar, rescues Cheen, a medicine woman of the Tree Folk, from the draconian hunting beasts of the reptilian-descended Pili. (Okay, we already have far too many demi-human races running around.) Conan helps the Tree Folk repulse the selkie attack, but the selkie leader Kleg escapes with the talisman—the ‘Seed’ which the Tree Folk need to make their tree homes grow. He also kidnaps Cheen’s young brother, Hok. Conan joins the Tree Folk in the quest to save Hok and recapture the Seed.

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Pastiches ‘R’ Us: Conan and the Treasure of Python

Pastiches ‘R’ Us: Conan and the Treasure of Python

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Conan and the Treasure of Python

By John Maddox Roberts (Tor, 1992)

My first post on Black Gate’s blog was a review of a Conan pastiche. I would feel untrue to myself if I didn’t return to this rich vein of material from time to time. This go-round, I’m paying a visit to one of the most interesting of the Tor novels from the most consistently successful of its stable of authors, John Maddox Roberts. Even if you’re not a fan of Conan novels that don’t come from the pen of Robert E. Howard, Conan and the Treasure of the Python has something to offer you: a take on one of the classic adventure novels of all time.

The editors should have renamed this book Conan and the Treasure of King Solomon’s Mines. This isn’t a case of borrowing or inspiration the way that, for example, Forbidden Planet borrows from The Tempest, or The Warriors draws inspiration from Xenophon’s Anabasis. No, this novel is literally King Solomon’s Mines: John Maddox Roberts copies the exact plot of the classic H. Rider Haggard 1885 adventure novel and recasts it as a Conan story, with the legendary barbarian starring in the Allan Quatermain role. The story similarities are striking, pervasive, and go far beyond coincidence or subconscious borrowing. The overall structure of both books is beat-for-beat identical.

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