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Blogging Marvel’s Tomb of Dracula Magazine

Blogging Marvel’s Tomb of Dracula Magazine

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marvel_preview_vol_1_12lom1Dracula Lives was Marvel’s companion black and white companion title to the award-winning Tomb of Dracula monthly comic. As a magazine, Dracula Lives was exempt from the strictures of the Comic Code Authority, allowing for more violence and adult themes than would have been possible in the comic at the time. The Legion of Monsters #1 in 1975 and Marvel Preview #12 in 1977 collected three orphan tales – two originally slated for Dracula Lives and the other for Vampire Tales as both titles had ceased publication by this point.

Chapter Seven of Roy Thomas and Dick Giordano’s masterful adaptation of Bram Stoker’s classic was salvaged from Dracula Lives to appear in the debut issue of The Legion of Monsters. The story advances to the point where Professor Van Helsing is brought in by Dr. Seward in an ill-fated effort to save Lucy Westenra’s life. This would be the last installment to see print until the two legendary comics creators reunited decades later to finish the project for Marvel as previously covered in detail in our earlier article on comic adaptations of the Stoker novel.

“Profits are Plunging” was a Steve Gerber solo tale of Lilith, Daughter of Dracula that made its way from Vampire Tales to Marvel Preview. Frank Springer’s artwork is strictly run of the mill, but Gerber’s solid story offers an effective criticism of 1960s idealism giving way to 1970s corporate greed. Martin Gold, the series’ resident Greenwich Village hippie, accepts a PR job to help provide for his pregnant girlfriend, Angel O’Hara. Of course, the conservative capitalists at the chemical company whose compound Martin is supposed to successfully sell to the youth of America are well aware their product will harm both the environment and animal life and are willing to off Martin when he decides to play whistle-blower. This gives Lilith an opportunity to take over her host form of Angel O’Hara to save Martin and take vengeance on the men whose corrupting greed outweighs their respect for life.

Doug Moench’s lost Dracula Lives tale, “Picture of Andrea” is an effective variation on the film noir classic Laura, aided and abetted by the gorgeous artwork of Sonny Trinidad. His depiction of the Lord of Vampires is the equal of Gene Colan. It is appropriate that a story so concerned with the beauty of the human form be graced with an artist capable of illustrating it to perfection.

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Blogging Marvel’s Dracula Lives – Part Two

Blogging Marvel’s Dracula Lives – Part Two

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dracula_lives_vol_1_8Dracula Lives was Marvel’s companion black and white companion title to the award-winning Tomb of Dracula monthly comic. As a magazine, Dracula Lives was exempt from the strictures of the Comic Code Authority, allowing for more violence and adult themes than would have been possible in the comic at the time.

Issue #8 gets underway with Doug Moench’s “Last Walk on the Night Side,” a two-part gritty urban police drama with a cop on the verge of retirement who runs afoul of Dracula. The shock ending, where the officer returns home to discover Dracula has taken his revenge on him by attacking his wife is startling. Tony DeZuniga’s artwork is first-rate throughout.

Len Wein’s “The Black Hand of Death” continues the gritty urban feel with a Roaring Twenties tale of gangsters in Rome. Gene Colan’s artwork lends immediate authenticity by providing stylistic continuity with the monthly series.

Chris Claremont’s “Child of the Storm” is a lengthy text piece. I had forgotten how these were such a fixture of the magazine. Dracula works surprisingly well as a pulp character and these stories prove that the thread between pulps and comics runs deeper than superheroes.

The fourth chapter of Roy Thomas and Dick Giordano’s faithful adaptation of Bram Stoker’s classic rounds out the issue. This chapter has the infamous portrayal of Dracula as a baby snatcher who feeds the stolen infant to his blood-starved wives with the promise they can have Harker once he is finished with him. Jonathan makes a valiant, but unsuccessful, effort to slay Dracula while he sleeps in his coffin during the day. The chapter ends with Harker despairing that he has failed to prevent the plague of the vampire from spreading to England. He knows he will never see his beloved Mina again as he awaits the fall of night, not knowing if this is the night he will meet his death at the hands of Dracula’s brides.

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Blogging Marvel’s Dracula Lives – Part One

Blogging Marvel’s Dracula Lives – Part One

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dracula-lives-smallDracula Lives was Marvel’s black and white companion title to the award-winning Tomb of Dracula monthly comic. As a magazine, Dracula Lives was exempt from the strictures of the Comic Code Authority, allowing for more violence and adult themes than would have been possible in the comic at the time. From the magazine’s launch in 1973 with a stunning Boris Vallejo cover displaying voodoo imagery and undead nudes, readers knew they were in for something decidedly different.

Issue #1 gets underway with the excellent “A Poison in the Blood.” Gerry Conway’s contemporary tale of Dracula in New York, suffering from withdrawal after drinking the tainted blood of junkies easily measured up to the high standard set by Marv Wolfman in the monthly comic series. Assigning the monthly’s art team of Gene Colan and Tom Palmer the artistic chores for the story only reinforced the fact that what was to follow would be every bit as good as the award-winning parent series. More importantly, “A Poison in the Blood” began the Cagliostro story arc which would weave its way through history in subsequent issues.

Roy Thomas’s “Suffer Not a Witch” is the first historical tale and also the first Dracula story to team Thomas with artist Dick Giordano. The pair would later embark on a celebrated adaptation of the original Stoker novel. “Suffer Not a Witch” steers the series into Nathaniel Hawthorne territory with the Lord of Vampires visiting 17th Century America and becoming embroiled in the conflict between hypocritical Puritans and the persecuted witches.

The first issue concludes with Steve Gerber’s “To Walk Again in Daylight,” illustrated by Pablo Marcos. This 18th Century tale set in Vienna is well done, but the central concept (Dracula is seeking an alchemical cure from vampirism) contradicts the established continuity for the series and flies in the face of Marvel’s portrayal of the Lord of the Vampires as a truly Satanic unrepentant figure who embraces evil for his own sake.

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Blogging Austin Briggs’ Flash Gordon, “The Menace of Mysta” / “Home”

Blogging Austin Briggs’ Flash Gordon, “The Menace of Mysta” / “Home”

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flash_gordonflash20gordon_briggs149911171“The Menace of Mysta” was the tenth installment of Austin Briggs’ daily Flash Gordon comic strip serial for King Features Syndicate. Originally published between March 27 and April 25, 1944, “The Menace of Mysta” is a very brief episode that starts off with Flash and Dale and their nameless Elvin guide crossing Lost Lake when they pass through a patch of fog and become embroiled in a spider web. A giant spider rises from the lake to attack them. Flash dispatches the creature easily enough and the trio soon comes ashore on a strange beach where they quickly find themselves among the invisible kingdom of Queen Mysta.

Mysta’s kingdom appears to function magically with visibility and seemingly inter-dimensional passage under the beautiful but mysterious Queen’s control. Dale and their Elvin guide are taken captive. Flash passes through the invisible portal into the kingdom and eventually fights his way into Mysta’s castle. Once Mysta determines that Flash poses no real threat, but is an honorable man fighting for Dale’s freedom, she pulls aside a curtain to unveil the scientific genius that allows her kingdom to operate on what seems to be magical principles. The genius is none other than Dr. Zarkov.

Readers were doubtless as flummoxed as Flash and Dale at this revelation and no sooner are they reunited with their old friend then he is bustling them off into a rocket ship on a secret mission he refuses to tell them anything about, which leads this curious and very brief penultimate adventure into the final storyline of Austin Briggs’ daily strip.

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Blogging Austin Briggs’ Flash Gordon, Part Nine “The Isle of the Elvins”

Blogging Austin Briggs’ Flash Gordon, Part Nine “The Isle of the Elvins”

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966521austinbriggs“The Isle of the Elvins” was the ninth installment of Austin Briggs’ daily Flash Gordon comic strip serial for King Features Syndicate. Originally published between April 22, 1943 and March 25, 1944, “The Isle of the Elvins” follows on directly from “The Royal Hunt” with Queen Tigra of Forestia accidentally losing her way back to the capitol and leading Flash and Dale into Lost Lake, where a fabled treasure stolen from Forestia long ago is believed to be buried. The trio finds a rowboat and set out to cross the lake when the boat’s owner overtakes them and capsizes the boat. Flash is overcome by the stranger and nearly drowned and has to be rescued by Dale and Tigra. The stranger takes possession of Flash’s ray gun and takes them captive. He introduces himself as Doron, King of the Elvins who live on an island in Lost Lake. Soon they are joined by the diminutive form of the Elvin General Krom.

At long last with the introduction of the Elvins, Austin Briggs steps out of Alex Raymond’s shadow and produces a storyline with characters worthy of the strip, without seeming like pale imitations of what has gone before. Arriving on the island as slaves, they are surrounded by the Elvins, who hop up and down excitedly repeatedly shouting, “More girls!” Clearly, Briggs was enjoying himself with this strip. General Krom takes a shine to Tigra, calling her “curly-top” (one can’t help but think of Shirley Temple’s movie of the previous decade), while the indignant Queen of Forestia dismisses her captor as “monkey-face.” Flash comes to Tigra’s defense, but is quickly overwhelmed by the sheer number of Elvins in a scene that recalls the Lilliputians of Gulliver’s Travels.

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Blogging Austin Briggs’ Flash Gordon, Part Eight “The Royal Hunt”

Blogging Austin Briggs’ Flash Gordon, Part Eight “The Royal Hunt”

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flash-gordon-4-27lf“The Royal Hunt” was the eighth installment of Austin Briggs’s daily Flash Gordon comic strip serial for King Features Syndicate. Originally published between November 27, 1942 and April 21, 1943, “The Royal Hunt” follows on directly from “Queen Tigra of Forestia” with the Queen decreeing they all take part in a lion hunt. She makes sure that Dale is given an untamed horse in an effort to injure her rival for Flash’s affections. Meantime, her former consort, Prince Cugar, manages to escape from his cell while the others are otherwise occupied.

While Briggs is no match for Alex Raymond when it comes to illustrating the splendor and pageantry of Mongo, his scenes of Flash’s bare-handed battle with the lion, when he breaks the cat’s back, are as exciting as anything found in the contemporaneous Tarzan newspaper strip. The incident itself seems out of character for Flash and more suited to Edgar Rice Burroughs’s celebrated jungle lord, as much as Flash’s punching out a horse seems better-suited to a western pulp hero.

More troubling for contemporary readers is the continued sexism, unique to Briggs’s take on the character, with the fiercely independent Queen Tigra finding she enjoys having a man give her orders. While Alex Raymond’s dichotomy between virtuous Dale and the exotic, sexually liberated women of Mongo may have been rooted in classical virgin/whore stereotypes, his seminal Sunday strip never demeaned his female characters as Briggs regularly did in the daily strip. This is unfortunate and, coupled with Briggs’s relatively inferior art and plotting, serves to undermine his success as Raymond’s heir once the series’ creator departed the Sunday strip.

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Blogging Austin Briggs’ Flash Gordon, Part Seven “Queen Tigra of Forestia”

Blogging Austin Briggs’ Flash Gordon, Part Seven “Queen Tigra of Forestia”

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briggs_flashgordon1945bbriggsu“Queen Tigra of Forestia” was the seventh installment of Austin Briggs’s daily Flash Gordon comic strip serial for King Features Syndicate. Originally published between July 13 and November 26, 1942, “Queen Tigra of Forestia” gets underway with Flash and Dale leaving Zarkov behind in the radium mines of Electra to pay a visit to Mongo’s capitol, where President Barin welcomes his old friends. Barin is troubled that the last three diplomatic missions to the kingdom of Forestia have failed, with the party disappearing each time, never to be heard from again. Flash and Dale immediately volunteer to investigate.

Flash and Dale’s rocketship speeds along the Great River of Forestia until it encounters a hydra. Dispatching the dragon with ease, they discover the abandoned rocketships of Barin’s three missing ambassadors. After searching the ships for clues, Flash and Dale are cornered by a giant millipede. They are rescued in the nick of time by a mysterious feline girl who has been watching them from the trees. Flash sends Dale back to their ship for safety and then sets out in pursuit of their rescuer. The feral girl leads Flash on a chase through the forest until he falls prey to an arborial version of a Venus fly-trap. The feral girl reveals herself as Queen Tigra and offers to free Flash if he agrees to be her slave. Flash refuses and fights his way free, but is left dazed from his efforts.

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Blogging Austin Briggs’ Flash Gordon, Part Six – “The Radium Mines of Electra”

Blogging Austin Briggs’ Flash Gordon, Part Six – “The Radium Mines of Electra”

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austin121austinbriggs“The Radium Mines of Electra” was the sixth installment of Austin Briggs’s daily Flash Gordon comic strip serial for King Features Syndicate. Originally published between April 27 and July 11, 1942, “The Radium Mines of Electra” is the closest the daily strip has yet come to seeming like authentic Flash Gordon. While Briggs has not yet matched his mentor’s illustrative splendor in depicting Mongo, the storyline is one that might have been found in the Sunday strip.

The story kicks off with Flash, Dale, Zarkov, and Rodan thrown into prison by Colonel Banto upon returning King Radiol to the Kingdom of Electra. The King intercedes on his friends’ behalf, informing the Colonel that they are his guests, not his prisoners, and ordering their release. Banto remains suspicious of the foreigners, for they did take the King hostage originally. A nice bit of romantic intrigue develops with the introduction of Princess Jolia, the King’s daughter, who is immediately smitten with Flash. When Dale spies Flash dancing with the Princess at a ball thrown in honor of the King’s homecoming, she retaliates by making out with Rodan on the balcony.

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Blogging Austin Briggs’ Flash Gordon – “Disaster in Space” / “Shipwrecked”

Blogging Austin Briggs’ Flash Gordon – “Disaster in Space” / “Shipwrecked”

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kgrhqyokjie6sv7rrboucqbgpq60_3527“Disaster in Space” was the fourth installment of Austin Briggs’s daily Flash Gordon comic strip serial for King Features Syndicate. Originally published between December 15, 1941 and January 17, 1942, “Disaster in Space” follows on directly from “War on Earth” and is a very brief storyline depicting the danger-fraught attempt by Flash, Dale, and Zarkov to return to Mongo to acquire more weapons to combat the Red Sword, which has plunged Earth into a Second World War.

Several rockets fail on re-entry into Mongo’s atmosphere, trapping their ship in perpetual orbit around the planet. Flash bravely ventures outside the ship to attempt to repair the damaged rockets, only to discover that no power remains. Despite the glaring omission that this should have been detected by the monitors on the console, there is more real science at work in this strip than has been demonstrated in the series up to this point. The use of the airlock and Flash’s dangerous repair work in space are particularly well done.

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Blogging Austin Briggs’ Flash Gordon, Part Three – “War on Earth”

Blogging Austin Briggs’ Flash Gordon, Part Three – “War on Earth”

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kgrhqeokoye6e8e4gwiboubtkfbng60_35kgrhqiokkqe6pillh-yboubzz4w60_35“War on Earth” was the third installment of Austin Briggs’s daily Flash Gordon comic strip serial for King Features Syndicate. Originally published between August 22 and December 13, 1941, “War on Earth” was the third story in the daily companion to Alex Raymond’s celebrated Sunday strip. The strip is due to be reprinted in 2013 as part of Titan Books’ ambitious Flash Gordon reprint series.

“War on Earth” runs on a parallel path to Raymond’s contemporaneous Sunday strip with the story opening with Flash, Dale, and Zarkov traveling from Mongo via rocketship back to Earth to deal with the unnamed dictator who has plunged their home into a Second World War. While Alex Raymond dealt with the Red Sword in the Sunday strip, “War on Earth” sees their rocketship touch down in Scandinavia, where our heroes quickly befriend refugees from the ruthless dictator who has invaded their homeland.

The refugees are attacked by enemy bombers. Flash perches on the edge of a cliff and easily picks the planes off with a disintegrator rifle they have brought from Ming’s armory. This act of bravery earns Flash the military leadership of the villagers. The Prussian-looking Colonel Ruvich of the Red Sword orders further bombardment by plane and tanks until the mountain pass is cleared. The siege drags out for several days with Flash successfully holding off the bombers with Mongo’s superior military technology.

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