In Praise of Little, Big by John Crowley

In Praise of Little, Big by John Crowley

Little Big-smallOne of the great pleasures of adulthood is stumbling onto those unexpected moments when the world reveals that it still has secrets to impart. John Crowley’s novel Little, Big provokes in me exactly that response.

Those who have read the book fall into two distinct categories. The first group raises baffled eyebrows and perhaps does not even make it through Book One; when this group sat down to order, this is clearly not the meal they expected or wanted. The second group adores Little, Big, and can barely speak coherently about it for fear of needing to sit down suddenly or perhaps burst into a gully-washer of hand-wringing tears. I belong to the latter crowd and what I love best about Little, Big (1981) is that I have only the most limited understanding of why the book affects me as it does.

Let’s face it, I read books now as a writer, which means I am in the business of unpacking the techniques and hidden machinery of every tome I plunder — sorry, not plunder: read. I really meant to say “read.” Plunder is for pirates.

My point remains: the better the book, the more I want to plumb its mysteries, vivisect its wildly beating heart, and fully behold what makes it tick.

With Little, Big, I remain largely in the dark. In the dark, and in tears.

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Vintage Treasures: The Legion of Space by Jack Williamson

Vintage Treasures: The Legion of Space by Jack Williamson

The Legion of Space-smallA few months ago I wrote about The Best of Jack Williamson, a fun refresher course for me in one of the great science fiction writers of the pulp era. It also reminded me that I wanted to read his Legion of Space novels, one of the most popular pre-Campbell space operas.

Time is running out, too. Isaac Asimov, a huge fan of The Legion of Space when he first read it in Astounding Stories in 1934, sadly found it virtually unreadable when he returned to it as an adult. It’s not unusual for these early pulp novels to be a tough read as you get a little older — if you want to really enjoy them, you pretty much have to experience them first in your youth. And since I turn 50 this year, I figured I better get cracking.

The story goes that Jack Williamson was in a Great Books course when he heard that Henryk Sienkiewicz, the Nobel Prize-winning writer of Quo Vadis, had written at least one of his novels by mashing The Three Musketeers with Shakespeare’s John Falstaff. Recognizing a brilliant idea when he heard it, the young Williamson took Falstaff and the Musketeers and shot them into space, and went looking for a market for his new masterpiece.

Williamson’s Legion, the military and police arm of the newly-liberated Solar System, was led by Jay Kalam and the brilliant warrior Hal Samdu. The part of Falstaff is played by Giles Habibula (frequently described on the jacket copy as “the incomparable Giles Habibula!”, with an exclamation mark). The setting is the 30th Century, where the solar system is colonized but mankind dares venture no further, since the first team of interstellar explorers to Barnard’s Star returned as barely-alive madmen, babbling about a massive planet filled with deadly aliens — and a city inhabited by evil “Medusae,” floating jellyfish with terrible powers.

Astounding turned out to be the right market at the right time. Editor F. Orlin Tremaine published The Legion of Space as a five-part serial, beginning in April 1934. It was a success and Williamson followed with The Cometeers, a four-part serial in Astounding starting  in May 1936, and then One Against the Legion, a three-parter starting in April 1939. All three were collected in 1980 as Three from the Legion; one of the first books I ever purchased from the Science Fiction Book Club. Williamson re-visited the Legion a final time, nearly 50 years after he penned their first adventure, with The Queen of the Legion, an epic set after the disbanding of the Legion. It was published in 1983.

I’ve been reading a lot of pulp fiction recently, and mostly enjoying it — especially the short work of Clark Ashton Smith (“The Vaults of Yoh-Vombis“), Murray Leinster (“Proxima Centauri“), and the fanzines that cover the pulps, like Fantasy Review. I have high hopes that The Legion of Space will add to that list.

The Lost Art of Bruce Pennington

The Lost Art of Bruce Pennington

Bruce Pennington The Shadow of the Torturer-small

A few weeks ago, while discussing the cover of the Panther edition of Fritz Leiber’s Night Monsters, I mentioned that I’m a huge Bruce Pennington fan. Bruce was very kind to me when I called him out of the blue in 2007, hoping to buy the rights to two of his paintings to use as covers for Black Gate. Once he’d had a chance to see the magazine for himself, and determined that I was simply a fan with a very limited budget, Bruce was extraordinarily gracious, agreeing to my modest offer without a murmur of complaint, and inviting me to look through his vast portfolio and select the covers I wanted.

Well, this was like being a kid in a candy store. I already knew that I wanted to use his extraordinary painting of an armored horseman, one of the finest pieces of sword & sorcery art I’d ever seen. It was originally published on the Panther edition of Lin Carter’s anthology Flashing Swords 2.

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New Treasures: London Falling by Paul Cornell

New Treasures: London Falling by Paul Cornell

London Falling-smallBoy, Tor publishes intriguing books. I keep trying to save a few bucks by waiting until they arrive in paperback, but there are some books that just demand to be read right now.

I admit I was attracted to London Falling first by the great cover. Covers are important to me — ultimately I have time to read less than a third of what I buy, so at least I want my purchases to look good on my shelves. But the book description, which promises an enticing mix of police procedural and supernatural mystery, really sealed the deal.

Police officers Quill, Costain, Sefton, and Ross know the worst of London — or they think they do. While investigating a mobster’s mysterious death, they come into contact with a strange artifact and accidentally develop the Sight. Suddenly they can see the true evil haunting London’s streets.

Armed with police instincts and procedures, the four officers take on the otherworldly creatures secretly prowling London. Football lore and the tragic history of a Tudor queen become entwined in their pursuit of an age-old witch with a penchant for child sacrifice. But when London’s monsters become aware of their meddling, the officers must decide what they are willing to sacrifice to clean up their city.

Paul Cornell’s first novels were a series of highly regarded Doctor Who tie-ins, and the SF novels Something More (2002) and British Summertime (2007). This is his first fantasy novel, but he’s no stranger to the genre. He wrote three Doctor Who episodes for the BBC, and his comics work includes Batman & Robin, Action Comics, Saucer Country, Demon Knights, and Young Avengers. He’s also an acclaimed short story writer and one of only two people to be nominated for the Hugo Award for fiction, comics and television (bonus points if you can name the other one).

London Falling was published by Tor Books on April 16, 2013. It is 403 pages, priced at $24.99 in hardcover, and $11.99 for the digital edition. The sequel, The Severed Streets, is scheduled to be published by Tor on May 20.

See all of our recent New Treasures here.

Practically Fantasy: The Fort by Aric Davis

Practically Fantasy: The Fort by Aric Davis

The Fort Aric Davis-smallI try hard to keep the focus on fantasy at Black Gate. There’s only so much we can cover and there are plenty of other sites out there devoted to science fiction, horror, etc.

Of course, there are always borderline items for which I’m constantly trying to find a way to justify a mention. That was the case with Aric Davis’s new novel The Fort. After a week of racking my brains, I came up with this: The heck with it. If ever there was a boy’s adventure novel sure to appeal to every young fantasy fan I’ve ever met, it’s The Fort.

Here’s the description from the back of the book:

With the boys’ new fort finally finished, everything that summer was going great. And then the killer showed up.

During the summer of 1987, from their tree house fort in the woods, neighborhood boys Tim, Scott, and Luke spot a man holding a gun to missing sixteen-year-old Molly Peterson’s back. The problem is, nobody believes their story, not even the police. As search efforts to find Molly dwindle, the boys know that she, and the man with the gun, are nearby — and that they must now find and save Molly themselves. A growing sense of honor and urgency forces the boys to take action — to find Molly, to protect themselves, and to stand guard for the last long days of summer.

Aric Davis has a resume that would impress fantasy fans, too. He’s the author of the crime novels Rough Men and A Good and Useful Hurt, and the YA detective novel Nickel Plated, which Gillian Flynn called a “dark but humane, chilling and sometimes heart-breaking work of noir.”

The Fort was published on June 11, 2013 by Thomas & Mercer. It is 239 pages, priced at $14.95 in trade paperback, and just $4.99 for the digital edition.

Gygax Magazine #3 Now Available

Gygax Magazine #3 Now Available

Gygax Magazine 3-smallWhen the last game shop in town went out of business six years ago, I lost the ability to easily browse the latest new releases, and keep up with what’s going on in the industry. Sure, Games Plus in Mount Prospect– one of the finest game shops on the planet — is still in business and thriving, but it’s a good hour away, and I don’t get there more than two or three times a year (although I never miss their semi-annual auction).

One of the things I miss the most is the magazine section. Nothing makes you feel your hobby is vibrant and alive quite like a healthy ecosystem of periodicals. I really enjoyed standing in front of the magazine rack and pulling out the latest issue of Knights of the Dinner Table, Kobold Quarterly, the excellent KnockSpell, Games Workshop’s  White Dwarf, or Troll Lord’s The Crusader.

The loss of so many local game shops has really hurt gaming magazines — we lost Kobold Quarterly in 2012 and Mythmere has announced the future of Knockspell is in doubt. That’s one of the reasons I was so delighted to hear about the launch of the very promising Gygax Magazine last year.

I reviewed the first issue last March and I was very impressed. Issue #2 was released in time for Gen Con, and I’ve been anxiously awaiting the third issue for some time… and wondering how I was going to find a copy.

My wait finally ended last week, compliments of a Priority Mail package from our San Diego correspondent and ace blogger Scott Taylor — who late last year was hired as the new Art Director for the magazine. Inside was a beautiful copy of Gygax Magazine #3, the first issue with his name on the masthead.

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Galaxy Science Fiction, August 1951: A Retro-Review

Galaxy Science Fiction, August 1951: A Retro-Review

Galaxy Science Fiction August 1951-smallSometimes when I look at the table of contents for Galaxy, I can almost hear Horace Gold chuckling. In the August, 1951 issue, for example, there are stories from both Lester del Rey and Ray Bradbury. But every issue is full of talented authors, though some became more famous with the passage of time. I think it would be a struggle to compete against such a formidable magazine.

“Beyond Bedlam” by Wyman Guin — Everyone in society has Multiple Personality Disorder with two strong personalities. The treatment is to allow each personality to live on its own for five days at a time, and the rules of society forbid interacting with the worlds of one’s own alternate personality. Each personality has its own name, its own job, its own spouse. Yet in the case of Bill and Conrad, who share a single body, their wives are within the same physical body. Bill’s curiosity leads him into an interaction with Conrad’s wife, and over time, it develops into an affair — something that the Medicorps would deal with severely if they found out.

Guin mistakenly uses the term schizophrenia throughout the piece, but there has been confusion between that and Multiple Personality Disorder for decades, so it’s easily ignored. This is really an amazing story — highly imaginative and suspenseful. It pulled me along quickly and I couldn’t tell where it would go; I just knew I wanted to find out. This was my favorite piece in the issue.

“Operation Distress” by Lester del Rey — During his return trip from Mars, Bill Adams notices a rash on his hands. It quickly spreads, and he’s denied clearance to land on Earth. Instead, he’s ordered to land on the moon, where a dedicated, risk-taking physician will assess his health. If Bill’s carrying a new disease, it will likely kill both men.

One curiosity beyond the story: the byline had a typo of Lester del Ray. Oops. The logistics within the story felt very realistic. It’s well-written with a nice pace. And it’s interesting that a story with such a dire plot can have a genuine, light-hearted ending.

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New Treasures: Castaway on Temurlone by David Wesley Hill

New Treasures: Castaway on Temurlone by David Wesley Hill

Castaway on Temurlone-smallDavid Wesley Hill was known simply as David W. Hill when I bought his weird western “Far From Laredo” for Black Gate 4. Man, that was a great story. Gunslinger Charles Duke is summoned from 19th Century Texas by poor villagers to deal with three very different — and very deadly — demons. Strange seduction attempts, a forest of trees that used to be men, and a frog-demon blocking a bridge all challenge Duke on his journey… not to mention a reward that turns out very differently than expected.

Duke returned in “The Good Sheriff” in Black Gate 13, one of the strangest and most original tales I’ve ever published. Duke is hired as sheriff of a strange frontier town peopled by dogmen and demons… and a powerful sorcerer who knows how to send him home. But first he must confront a fallen god in an epic shootout in the middle of town.

I wish I could have published a great many more Charles Duke stories, but David turned his attention to novels — including the acclaimed At Drake’s Command, which Awesome Indies called “A godsend to readers.” But I admit I was most intrigued by his first novel, Castaway on Temurlone, featuring as it does space pirates, beautiful clones, and cannibal innkeepers.

It is indeed a Universe of Miracles! But not for young Pimsol Anderts, idle and jobless on a depressed, waterlogged world, until he signs aboard the interstellar freighter Miraculous Abernathy. Indentured to the aristocratic Wirthy family — and bewitched by beautiful Mirable Wirthy, the latest clone of the long-dead matriarch Imogene Wirthy — Pim’s adventure has barely begun when pirates attack, forcing him to flee the ship with Mirable in tow.

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Spotlight on Fantasy Webcomics: Do Superheroes Qualify as Fantasy?

Spotlight on Fantasy Webcomics: Do Superheroes Qualify as Fantasy?

Mega Girl realizes that being a superhero isn't the answer in the really excellent "Strong Female Protagonist."
Mega Girl realizes that being a superhero isn’t the answer in the really excellent “Strong Female Protagonist.”

There’s a strange divide between superhero fiction and the rest of SFF. It may be because superheroes started out in comics. Almost all the tropes — the spandex, the tights, the rules of combat enforced by the Comics Code of the 1950s — come out of those comic book origins. As more and more superheroes hit the big screen, it hasn’t been surprising to see them in novels, some of them on the literary side of SFF (like Austin Grossman’s Soon I Will Be Invincible, Carrie Vaughn’s “Golden Age” books), and many of them looking at how those tropes play out when you’re not in a visual medium.

So how do you classify superhero webcomics that play with the tropes in the way that those SFF novels have done? Are they fantasy or are they superhero comics, or are those lines really more fluid than the divisions warrant? Either way, three of my favorite webcomics are superhero comics and all of them look at the genre in a way that questions our assumptions about how superheroes work.

What happens when a superhero gets married to a nice, normal girl — and what kind of strengths does it require to be married to someone with a secret identity? What does it matter if you can kick butt and take names if you’re not contributing to solving the big world problems? What is it like to be an 8 year-old superhero? Keep reading and find out how three very different comics are looking at superheroes (and why you should be reading them).

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Sgt. Janus Returns

Sgt. Janus Returns

Sgt._Janus_ReturnssgtjanusJim Beard made quite a splash in the New Pulp community when he introduced an original occult detective character in Sgt. Janus, Spirit-Breaker in 2012. There has been a rich history of Holmesian occult detectives, but Beard appeared to have been the first to hit upon the brilliant concept of having each short story in the volume narrated by a different client of the detective. It was a simple, but highly effective means of giving eight different perspectives on the character.

Beard also took the unexpected decision to kill off his character at the end of the last story in the collection. Imagine if A Study in Scarlet had concluded with Holmes plunging to his death at the Reichenbach Falls and you have a clear notion of what a bold and unexpected move it was to make for an author who had already managed to raise the bar in a genre that many believed had been exhausted of fresh ideas.

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