Black Gate – Page 963 – Adventures in Fantasy Literature

En Garde!

Friday, February 28, 2014 Violette Malan Comments 15 comments

A few weeks ago, my colleague Jon Sprunk gave us a marvelous post on the weapons of fantasy. Like Jon, the weapons were very much what attracted me to fantasy in the first place. But I loved swords and sword fighting before I ever picked up my first fantasy novel (The Lion the Witch and the Wardrobe, in which, by the way, the tradition of named weapons is followed with Peter’s sword Rhindon).

I’m not sure what got Jon started off, but what attracted me to sword fighting, and prepared me for the fight scenes in my favourite genre, were movie sword fights, beginning particularly with those in Errol Flynn’s Captain Blood and The Adventures of Robin Hood.

It was from this last movie that I also gained my life-long love of archery, and the great archer Howard Hill, who did all the trick shots for Flynn, including the iconic splitting of the arrow.

Flynn did do all his own fencing in the films, but unlike his frequent opponent and co-star, Basil Rathbone, he didn’t take it up as a sport.

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Future Treasures: Nebula Awards Showcase 2014, edited by Kij Johnson

Friday, February 28, 2014 John ONeill Comments 0 Comment

I love the Nebula Awards Showcase volumes. For one thing, they have a glorious history — stretching all the way back to the very first volume in 1966, edited by the founder of SFWA himself, Damon Knight.

And for another thing… they include some damn good stories. The Nebula Award winning short fiction from the previous year (and as many nominees as will fit), as chosen by the members of Science Fiction Writers of America. Alongside those stories are excerpts from the award-winning novel; appreciations of this year’s Grand Master Winner, Gene Wolfe, by Neil Gaiman and Michael Dirda, a Wolfe story, and more. If you’re looking for a survey of the best in SF and fantasy from last year, you’d be hard pressed to do better than this.

The Nebula Awards Showcase volumes have been published annually since 1966, reprinting the winning and nominated stories in the Nebula Awards, voted on by the members of the Science Fiction & Fantasy Writers of America . The editor selected by SFWA’s anthology committee (chaired by Mike Resnick) is American fantasy writer Kij Johnson, author of three novels and associate director of the Center for the Study of Science Fiction at the University of Kansas.

This year’s Nebula winners, and expected contributors, are Kim Stanley Robinson, Nancy Kress, Andy Duncan, and Aliette de Bodard, with E.C. Myers winning the Andre Norton Award for Young Adult Science Fiction and Fantasy Book.

Nebula Awards Showcase 2014 is edited by Kij Johnson and will be published on May 13, 2014 by Pyr. It is 291 pages, priced at $18 in trade paperback and $11.99 for the digital edition. New publisher Pyr has put together a handsome package for the book, with a colorful cover by Raoul Vitale. Keep an eye out for it — and don’t forget to have a look at the 2013 Nebula Award Nominations, announced earlier this week.

Goth Chick News: M. Night Shyamalan Gets Small

Thursday, February 27, 2014 Sue Granquist Comments 10 comments

M. Night on the set of Sundowning with his production designer — M. Night on the set of *Sundowning* with his production designer

Okay, don’t immediately blow past this post because your eye caught the name M. Night Shyamalan – this is actually encouraging news.

The last time I wrote something about M. Night (as they call him in the biz that once thought he was the next Spielberg, but then mercilessly crucified him), he had left his tomato-covered director’s chair and returned to writing. M. Night completed the script for Devil back in 2009 and relative newcomer John Dowdle brought it to the big screen with a modest $10M budget. It grossed nearly $340M worldwide, definitively proving that M. Night is a masterful storyteller, but an inconsistent front man.

Case in point: in a rush of optimism following Devil, the Hollywood moneymen turned around and gave M. Night $130M and Will Smith (plus child) to write, direct and executive produce After Earth, which was an apocalyptic film in more ways than one.

So it is either by choice or necessity that M. Night’s latest project is very small and hasn’t been getting a ton of press beyond what M. Night himself has been dolling out; oh, and it’s being called a micro-budgeted horror film.

“Micro budget” is the latest, sexy term for independent films, or films not financially supported or promoted by a large studio or big-budget investors. If you want some examples of micro-budget films that went platinum, IMDB has compiled a handy list (ironically a good percentage of them are horror movies), and in the number 1 slot is The Blair Witch Project.

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New Treasures: Shadow Ops: Breach Zone by Myke Cole

Thursday, February 27, 2014 John ONeill Comments 5 comments

Apparently, Myke Cole never gets tired of being awesome. He wrote the awesome short story “Naktong Flow” for Black Gate 13 and all that awesome spilled over into his first novel Shadow Ops: Control Point, which Peter V. Brett called “Black Hawk Down meets the X-Men.” He was awesome when our roving reporter Patty Templeton interviewed him (totally awesome!), and in his essay “Selling Shadow Point,” which busted open a lot of myths about publishing your first fantasy novel. His second book Shadow Ops: Fortress Frontier was, guess what, awesome, and he was even awesome last month at ConFusion (according to Howard Andrew Jones, who knows all about being awesome.)

Now here he is with his third novel, Shadow Ops: Breach Zone. And it’s awesome. Next time you run into Myke, do yourself a favor and ask how you, too, can become awesome. On top of everything else, Myke’s a very gracious guy and I’m sure he’ll give you some pointers. And I bet they’ll be awesome.

The Great Reawakening did not come quietly. Across the country and in every nation, people began “coming up Latent,” developing terrifying powers — summoning storms, raising the dead, and setting everything they touch ablaze. Those who Manifest must choose: become a sheepdog who protects the flock or a wolf who devours it…

In the wake of a bloody battle at Forward Operating Base Frontier and a scandalous presidential impeachment, Lieutenant Colonel Jan Thorsson, call sign “Harlequin,” becomes a national hero and a pariah to the military that is the only family he’s ever known.

In the fight for Latent equality, Oscar Britton is positioned to lead a rebellion in exile, but a powerful rival beats him to the punch: Scylla, a walking weapon who will stop at nothing to end the human-sanctioned apartheid against her kind.

When Scylla’s inhuman forces invade New York City, the Supernatural Operations Corps are the only soldiers equipped to prevent a massacre. In order to redeem himself with the military, Harlequin will be forced to face off with this havoc-wreaking woman from his past, warped by her power into something evil…

Shadow Ops: Breach Zone is the third novel in the Shadow Ops series. It was published on January 28, 2014 by Ace Books. It is 370 pages, priced at $7.99 for both the paperback and digital versions.

One Arthurian Film to Rule Them All: John Boorman’s Excalibur

Thursday, February 27, 2014 William I. Lengeman III Comments 6 comments

“I’m trying to suggest a kind of Middle Earth, in Tolkien terms. It’s a contiguous world; it’s like ours but different.”
— John Boorman, on Excalibur

As I began poking around into the history of Arthurian film adaptations, I was surprised to find a lot less of this sort of thing than I was expecting.

Good old Wikipedia lists 36 “relatively straightforward adaptations” made between 1904 and 2009. Many of these are rather obscure, to say the least, and quite a few deal with tangential aspects of the core legend, such as the stories of Arthurian knights, Parsifal, Launcelot, Gawain, and Galahad.

The earliest so-called adaptation is one of those tangential ones, Parsifal (1904), in which Thomas Edison’s thriving production company essentially just filmed a few scenes from Richard Wagner’s 1882 opera of the same name. Over at IMDB, they list a total of 46 features which star King Arthur. He seems to have first appeared on film in Launcelot and Elaine (1909), which explores a thwarted romance involving Launcelot, as detailed in Lord Alfred Tennyson’s epic poem, Idylls of the King.

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Firefly, A Retrospective — Part 3

Wednesday, February 26, 2014 Jon Sprunk Comments 13 comments

I’m back with my third installment of this series about the Firefly show. I covered the pilot in Part 1, and episodes two and three (“Train Job” and “Bushwhacked “) in Part 2.

This week we’re up to the fourth and fifth episodes. Sit back, put your starship on autopilot, and enjoy.

Shindig (Episode 4)

This one begins with a familiar sight: Mal, Zoe, and Jayne are in a cantina, this time playing pool with some traders while Inara watches. It turns out these friendly traders deal in transporting slaves, so Mal lifts their money clip and, naturally, starts a bar brawl.

Next, Serenity stops at the planet of Persephone, which we last saw in the pilot episode. They’re here to find work. Inara is in her shuttle looking for clients. She chats with Atherton Wing, a blueblood who invites her to a fancy party.

Mal comes in and they banter about her work, and his brawling. This scene sets up the rest of the episode, which mainly focuses on their budding relationship.

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The Clothes Make the Mage: Alan Moore’s Fashion Beast

Wednesday, February 26, 2014 Matthew David Surridge Comments 4 comments

Fashion Beast It seems like one of those creative pairings that could only happen in comics. Odd, then, that it was originally planned to be a film.

In the mid-1980s, fashion and music impresario Malcolm McLaren called acclaimed comics writer Alan Moore. It seemed McLaren had some ideas for a film he wanted to make. The two men met and Moore was fascinated by one of McLaren’s notions: a movie that would be a modern retelling of the fairy-tale of “Beauty and the Beast,” to be set in the fashion industry — or a strange fantastical version thereof. You can see the connection: a fable about the conflict between exterior appearances and internal natures, set in a milieu that was all about appearances. Moore wrote a script titled Fashion Beast, apparently as heavily detailed as any of his comics work; in an interview with The Comics Journal a few years later, he mentioned that McLaren had observed that he’d left very little for a director to do with the film. In any event, the production never happened and the project was abandoned.

Until 2012, when Avatar press resurrected the script. With Moore’s blessing, Antony Johnston signed on to adapt the film script to comics. With art by Facundo Percio (and colours by Hernan Cabrera and lettering by Jaymes Reed), the movie script became a ten-issue limited series, now collected in a trade paperback. It’s an odd project, but the final result’s quite strong. It may not be of the same calibre as Watchmen, but it’s a very good story that seems to me to compare well with much of Moore’s other work of the period — in the range of his Swamp Thing run, say, perhaps even of V For Vendetta.

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J.K. Rowling, The Solitary House, and the Public Shaming of Lynn Shepherd

Wednesday, February 26, 2014 John ONeill Comments 31 comments

Lynn Shepherd’s latest novel The Solitary House, set in the gas-lit world of London in 1850, features a pair of detectives — one of whom appears to be suffering from early stage Alzheimer’s — in the employ of a powerful financier with a dark past. It sounds fascinating, actually, exactly the kind of book I’d be interested in reading.

Of course, that was before she took a swipe at the world’s most popular fantasy writer in an ill-conceived and mean-spirited article last week at The Huffington Post, “If JK Rowling Cares About Writing, She Should Stop Doing It.”

I didn’t much mind Rowling when she was Pottering about. I’ve never read a word (or seen a minute) so I can’t comment on whether the books were good, bad or indifferent. I did think it a shame that adults were reading them… But The Casual Vacancy changed all that… That book sucked the oxygen from the entire publishing and reading atmosphere… what can an ordinary author do, up against such a Golgomath?

And then there was the whole Cuckoo’s Calling saga… The book dominated crime lists, and crime reviews in newspapers, and crime sections in bookshops, making it even more difficult than it already was for other books — just as well-written, and just as well-received — to get a look in. Rowling has no need of either the shelf space or the column inches, but other writers desperately do.

Now Rowling’s legions of fans are venting their anger at Shepherd in a cascade of 1-star reviews at Amazon,com, which are quickly overwhelming legitimate reviews of the book. As of this morning, there are 59; here are just a few snippets from the more entertaining examples.

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Vintage Treasures: And All Between by Zilpha Keatley Snyder

Wednesday, February 26, 2014 John ONeill Comments 8 comments

I love doing these Vintage Treasures articles. I could tell you they’re popular, or they bring some historical weight to the blog, but really, they’re just an excuse to scan some of my favorite old paperbacks and happily yak about them for a few paragraphs. It’s the simple things that keep you happy.

But every once in a while, it’s interesting to feature a book, and an author, that I know absolutely nothing about. And that’s the case with today’s subject, And All Between, a 1985 paperback from Tor and the second volume in the Green-Sky trilogy, by an author I’ve never heard of: Zilpha Keatley Snyder.

I picked it up in the Dealer’s Room at Capricon 34 two weeks ago. I bought it from Erin and Rich at Starfarer’s Despatch for two bucks, because the cover was so gorgeous that I couldn’t say no. I mean, just look at it.

Yes, it’s the second book in a trilogy. But that just makes it more intriguing to a paperback collector like me. Now I have two more to track down. Sweet! I hope their covers are just as luscious (turns out, they are.)

To be honest, the back cover text kinds of make the novel sound like an episode of The Smurfs, which isn’t really a selling point.

The Erdlings live in the underground world below the magical root — banished there forever by the Ol-zhaan, supreme members of the Kindar, who live in the lofty branches of their forest home in Green-sky.

The Erdlings are starving and escape through the iron-strong root is impossible. Yet, when eight-year-old Teera learns that her pet Lapin must be used for food, she runs away — and climbs through a break in the root to the forest floor above.

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Art of the Genre: The Halflings of Jeff Dee

Tuesday, February 25, 2014 Scott Taylor Comments 12 comments

Does this Halfling have a cape or a shield on his back? I always wanted it to be a shield.

I was playing Keep on the Borderlands this past week, certainly one of my all-time favorite modules, and as I flipped through it I came across a Jeff Dee illustration that had a Halfling in the background. As two weeks ago I’d done a piece here on BG called ‘The Top 40 RPG Artists of the Past 40 Years’ AND had left Jeff off that list, I couldn’t help but stare at the image and wonder why I had done so.

Certainly people in the OSR had raised a big fuss about Jeff’s lack of ‘love’ on my part, and for good reason. He could have arguably made the list, depending on how you viewed the industry as a whole. Add such a view to the fact that Jeff has been a tireless game designer, player, and advocate for the industry of RPGs since I was in grade school, then he could almost be grandfathered in just for trying so hard. I guess it would be like a Lifetime Achievement Oscar or something.

Whatever the case, I sat there looking at this great little Halfling and couldn’t shake the feeling that of all the artists to ever do these little guys, Jeff was hands-down the best in my opinion, and here are the reasons why.

One: Jeff is a gamer, and as such, he has an inherent connection to how gamers see themselves, and with that, how gamers see their characters. Certainly, the thought of a Halfling is appealing because of Tolkien, but not necessarily the thought of Bilbo Baggins. Sure, we all love Bilbo, but do we love the Rankin/Bass version as a representation of our player characters? I doubt it.

Two: Jeff drew from a comic book style and therefore his lean lines for humans and elves spilled over directly to Halflings. Gone were the pot-bellied and cheery pipe-smokers, who were in turn replaced by ‘little men’ with ripped chests, chiseled faces, and weapons and armor that looked incredibly formidable.

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