The Golden Age of the Novella: The Singing Hills Cycle by Nghi Vo

The Golden Age of the Novella: The Singing Hills Cycle by Nghi Vo

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All three volumes in The Singing Hills Cycle: The Empress of Salt and Fortune,
When the Tiger Came Down the Mountain, and Into the Riverlands (Tor.com, 2020-2022). Covers by Alyssa Winans

Happy book birthday to Into the Riverlands, the third volume in Nghi Vo’s acclaimed The Singing Hills Cycle!

In its review of the second volume, When the Tiger Came Down the Mountain, The Chicago Review of Books said “We are in a golden age of the novella,” and boy, that’s the truth. Tor.com alone has published many hundreds of novellas since they launched their novella line in September 2015, and for the past half-decade or so they’ve thoroughly dominated the long-form Hugo and Nebula ballot, with series like Martha Wells Murderbot, Seanan McGuire’s Wayward Children, Becky Chambers’ A Psalm for the Wild-Built, Nnedi Okorafor’s Binti, and many, many others.

Last year the Hugo Award for Best Novella was awarded to Nghi Vo for her debut Tor.com release The Empress of Salt and Fortune. It was followed less than ten months later by When the Tiger Came Down the Mountain, which Publishers Weekly called “Dazzling.” It’s delightful to see the third volume in this groundbreaking fantasy series arrive so quickly after the first two.

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Talking The Rings of Power – The Istari

Talking The Rings of Power – The Istari

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So – season one of Amazon’s massively expensive Second Age epic, The Rings of Power, has fully aired. I have mixed feelings about it. It’s definitely better than MTV’s teen-drama take on Shannara (The Sword of Shannara is one of my all-time favorite novels). But I liked the Wheel of Time better than Rings. And that certainly had some flaws. So, still sorting through things.

I’m going to do a re-watch, really paying attention and trying to be a little less disappointed at the approach they took. I will say, if you’re a fan of The Silmarillion, it’s worth watching to see some of that book come to life – even if it could have been done more faithfully.

For the next month-ish, I’m going to identify some key aspects of the show, and look at some of the good and the bad for each. And the main part will be Tinkering With Tolkien – some discussion of what Tolkien actually wrote about the topic of the week.

The Silmarillion is my favorite Tolkien novel. I love the lore and the history of Middle Earth. The wars, the stories of dwarves, and elves; it’s incredible world-building. I like reading about what he created, more than reading the actual books straight through. I enjoy reading the appendices to the Lord of the Rings, and the events in the timelines. Unfinished Tales, which elaborated on the five main books, is actually my favorite Tolkien book of them all.

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Vintage Treasures: A Glow of Candles by Charles L. Grant

Vintage Treasures: A Glow of Candles by Charles L. Grant

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A Glow of Candles (Berkley Books, November 1981). Cover by Jill Bauman

Charles L. Grant was a major figure in 20th Century horror, not just as a writer but as a talented editor. He edited dozens of horror anthologies, including eleven volumes of the groundbreaking Shadows series from 1978-1991. He produced over a dozen novels, but is remembered today primarily for his powerful short fiction, gathered in three major collections: Tales from the Nightside and A Glow of Candles and Other Stories (both in 1981), and the retrospective Scream Quietly: The Best of Charles L. Grant (PS Publishing, 2012). He died in 2006.

Grant received the British Fantasy Society’s Special Award for life achievement in 1987, and the Lifetime Achievement Award from the Horror Writers of America in 2000. He was honored with two Nebula Awards and three World Fantasy Awards for his writing and editing. Sadly, little of his work remains in print, and his collections can be hard to come by. I recently managed to track down a copy of A Glow of Candles, and it was well worth the effort.

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The Only Devil Book You’ll Ever Need: The Book of Fiends – A Malefic Bestiary for Fifth Edition by Robert J. Schwalb

The Only Devil Book You’ll Ever Need: The Book of Fiends – A Malefic Bestiary for Fifth Edition by Robert J. Schwalb

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The Book of Fiends (Green Ronin Publishing, March 8, 2022). Cover by Svetoslav Petrov

It’s a cliché to say that a good role playing campaign is like a satisfying fantasy series, packed with realistic characters, compelling action, and vivid settings. It’s more accurate, I think, to say that truly great role playing shares an essential ingredient with the best fantasy. I mean, of course, that it’s all about the villains.

Want to keep your players coming back, clutching well-worn character sheets and eager for action? You need challenges worthy of their time, and you won’t get that with the same generic dragons week after week. You need truly malefic opponents with legendary skills, cunning agendas, and awe-inspiring magic at their disposal.

There are some terrific resources out there to help you craft really memorable villains, but for my money the best one on the market is The Book of Fiends by Robert J. Schwalb, with Aaron Loeb, Erik Mona, and Chris Pramas. It’s a massive 254-page tome filled to the brim with inventive and truly original infernal menaces for Fifth Edition Dungeons & Dragons. There isn’t another book published in the last five years I’ve drawn from as heavily for my own game as this one. I don’t care why kind of RPG you play, The Book of Fiends will up your game.

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Future Treasures: Eyes of the Void, Book 2 of The Final Architecture by Adrian Tchaikovsky

Future Treasures: Eyes of the Void, Book 2 of The Final Architecture by Adrian Tchaikovsky

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Shards of Earth and Eyes of the Void (Orbit, August 3, 2021, and November 22, 2022). Cover design by Steve Stone

Adrian Tchaikovsky is equally at home with ambitious epic fantasy (including his Echoes of the Fall trilogy, and the sprawling, 13-volume Apt series) and big-canvas science fiction (including Warhammer 40K and his Arthur C. Clarke award-winning Children of Time novels).

HIs latest is an ambitious space opera trilogy. It began with Shard of Earth, which BookPage labeled “one of the most stunning space operas I’ve read this year… glorious,” and Publishers Weekly called “dazzlingly suspenseful… a mix of lively fight scenes, friendly banter, and high-stakes intrigue.”

Next month the second installment Eyes of the Void drops, and the advance buzz for this one is just as rapturous. I usually avoid a series until at least three novels are in print, but I may have to make an exception for this one.

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Random Reviews: “Divina” by Sarah Ash

Random Reviews: “Divina” by Sarah Ash

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Cover by Roy Virgo
Cover by Roy Virgo

Sarah Ash’s “Divina: A Tale of Bel’Esstar” is set in her city of Bel-Esstar and focuses on the opera composer Avenel Brumiere and his muse, the Divina Oralie. Unfortunately for both of them, the story opens with Oralie’s costume igniting on the stage lights and the soprano suffering horrible burns all over her body, to which she would succumb despite the intervention of a mysterious doctor.

Part of Ash’s story deals with Brumiere’s attempts to work through his grief at the loss of his paramour and inspiration. As may be expected, Brumiere’s attempts to complete his next opera are stymied by the loss of the only woman he believes would have been able to sing the part he was writing. Dust comes to cover the score he was working on.

When the mysterious doctor appears with the offer to not only help Brumiere through his grief, but also help him regain his ability to compose, Brumiere ignores his offer. At this point, the story appears to move from a study of grief on the creative process into a deal-with-the-devil story, supported by the doctor’s business card which identifies him as Asmodé, who exhibits automata at the House of Asphodel.

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Tales From the Magician’s Skull #8 Now Available

Tales From the Magician’s Skull #8 Now Available

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Tales From the Magician’s Skull #8. Cover by Ken Kelly

What have Howard Andrew Jones and his cabal of mad writers and artists been toiling to create, deep in the abandoned publishing mines below Evanston, Illinois?

Many bothans died to bring us early word, and now at last we can share it with you: it’s issue #8 of the world’s greatest Sword & Sorcery magazine, Tales From the Magician’s Skull!

According to hand-written notes scrawled by dying bothans, the long-awaited new issue is packed with fiction of keen interest to Black Gate readers, including a new Morlock tale by James Enge, a new Tale of Gaunt and Bone by Chris Wilrich, and fiction by C. L. Werner, Robert Rhodes, Jeremy Pak Nelson, and many others — all packaged under a cover by legendary artist Ken Kelly. The issue is available to buy today; check out all the details below.

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New Treasures: The Justice of Kings by Richard Swan

New Treasures: The Justice of Kings by Richard Swan

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The Justice of Kings (Orbit, August 23, 2022). Cover by Martina Fackova

These days it’s all about blending genres. Dark fantasy police procedurals (Dan Stout’s The Carter Archives). High fantasy romance (Foz Meadow’s A Strange and Stubborn Endurance). Cthulhu mythos and epic fantasy (Jonathan Mayberry’s Kagen the Damned). If you can imagine it, then trust me, it’s out there.

Some genres go together better than others, though. For my money, the ideal pairing is the tightly plotted murder mystery, blended with the sprawling cast of an ambitious political fantasy. Turns out that perfectly describes Richard Swan’s brand new novel The Justice of Kings, released at the end of August by Orbit. Booklist labels it “Rich and interesting,” and Grimdark Magazine flat out calls it “Brilliant.” Here’s an excerpt from the enthusiastic starred review at Kirkus.

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Some Tolkien Thoughts…

Some Tolkien Thoughts…

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So, I’ve got over 1,500 words about season one of The Rings of Power, but it wasn’t gonna be wrestled into shape for this morning. So, I’ll work on tidying that up by next Monday. And I’m working on a basic Reader’s Guide to The Silmarillion: which, while my favorite Tolkien book, is, admittedly, not an easy read. But that’s not ready. So, I decided to write about a few Tolkien-related topics today. And awaaaay we go:

Lord of the Rings Online

I mentioned in last week’s article that Elder Scrolls Online replaced Age of Conan as my favorite MMO. Over the last year, I made my first dive into Lord of the Rings Online (LotRO). I’m not a fan of the Turbine engine, which LotRO uses. As does the original Dungeons and Dragons Online game, and Asheron’s Call. I find the Neverwinter Nights MMO engine much better for my D&D fix.

I played a dwarf up to halfway through the Mines of Moria expansion. ESO and Age of Conan – and even Neverwinter Nights – are better MMOs. That Turbine engine is dated, and clunky. The graphics are okay, but definitely inferior to Age of Conan and Elder Scrolls Online. It’s not even remotely close.

But for a Tolkien fan, the lore in LotRO is simply fantastic! From The Shire, to Moria, to the North Downs: it is literally a chance to live in Middle Earth. The game is worth playing alone for the depth of setting, and the capturing of the lore. If I weren’t enjoying ESO so much, I would be continuing on in LotRO. It’s very easy to solo, which is how I play MMOs. If you’re a gamer, and you want to experience Tolkien, this is the game for you. How much you actually like the Turbine engine will probably determine if you stick with it or not.

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THE ART OF THINGS TO COME, PART 4: 1964-1966

THE ART OF THINGS TO COME, PART 4: 1964-1966

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Science Fiction Book Club mailer from 1964, featuring From the Twilight Zone. Art by Virgil Finlay

As I related in the first three installments of this series (parts One, Two, and Three), like tens of thousands of science fiction fans before and after me, I was at one time a member of the Science Fiction Book Club (or SFBC for short). I joined just as I entered my teen years, in the fall of 1976, shortly after I’d discovered their ads in the SF digests.

The bulletin of the SFBC, Things to Come – which announced the featured selections available and alternates – sometimes just reproduced the dust jacket art for the books in question. During the first couple of decades of Things to Come, however, those occasions were rare. In most cases during that period, the art was created solely for the bulletin, and was not used in the book or anywhere else. Since nearly all of the art for the first 20 years of Things to Come is exclusive to that bulletin, it hasn’t been seen by many SF fans.

In this series, I’ll reproduce some of that art, chosen by virtue of the art, the story that it illustrates or the author of the story. The first installment featured art from 1957 and earlier, while the second installment covered 1958-1960 and the third installment dealt with 1961-1963. In this fourth installment I’ll look at the years 1964-1966, presented chronologically.

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