A (Black) Gat in the Hand: Hardboiled in Key West – John Leslie

A (Black) Gat in the Hand: Hardboiled in Key West – John Leslie

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

I wanted to bring over another post from The Public life of Sherlock Holmes. From my experience, this is a WAAAAAY below the radar private eye series. But I’ve read it through twice, and I really like it. And it’s got a very Pulp Era atmosphere, though it was written in the nineties. So, here’s a revised essay on John Leslie’s Key West, piano-playing, private eye.

If you read this column, (or are a FB friend) you know that John D. MacDonald, author of the Travis McGee series, Cape Fear (originally titled The Executioners), and much, much more, is my favorite writer. And I believe, one of the greatest American writers of the twentieth century, in any genre. His is the pre-eminent name in the subcategory of ‘Florida writers.’ Randy Wayne White’s Doc Ford, a marine biologist who lives in a stilt house, is absolutely McGee’s successor. I think White is a top-notch writer and I certainly recommend that series.

I’m not as up on this group as I used to be, but Carl Hiassen is probably the best-known Florida scribe these days. His biting satire and hilarious situations can be laugh-out-loud reading. In a similar vein to Hiassen are the works of Lawrence Shames. He also pokes fun at the absurdities of Florida life with a series of mostly unconnected books set in Key West. They provide some chuckles.

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New Treasures: Skallagrim – In the Vales of Pagarna by Stephen R. Babb

New Treasures: Skallagrim – In the Vales of Pagarna by Stephen R. Babb

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Skallagrim – In the Vales of Pagarna (Hidden Crown Press, 373 pages; Kindle, Paperback, Hardcover, March 2022). Cover by Walking of Sky Tree
Frazetta – Against the Gods

Experience Skallagrim – In the Vales of Pagarna by Stephen R. Babb in all its forms. This post covers everything to get you hooked, from a summary, review, excerpts, and links to the complementing albums from Glass Hammer. Reading Skallagrim feels like you are a witness to the live version of Frazetta’s “Against the Gods” painting! You actually witness a hero grab a sword from the sky.

The opening scene poses a set of mysteries as the titular protagonist is brutally attacked in the streets of Archon, the Dreaming City. He loses his memory during the struggle, by wounds or sorcery, so the hero and the reader want to know: Why Skallagrim in a melee? Who is he, really? Why does he feel protective over a maiden kidnapped during the conflict? Why are multiple sorcerers after him? Why the hell can he grab a sentient, screaming sword that materializes from a sudden storm?

The rest of the book unravels these questions, as Skallagrim races against time to save the mystery maiden. He’ll wrestle with eldritch, chthonic creatures, a herd of ghouls, a few necromancers, and an assassin. As Skallagrim unearths the weird history of Andorath’s Southern Region, we get to learn about it as he battles. The book stands alone, but did you know that Stephen R. Babb has been a progressive rocker and theatrical-album-leader for thirty years (more on Glass Hammer below!). Poems and lyrics infuse the prose. For the full effect, readers should listen to the complementary Skallagrim albums. These are not Audio Books. These are thematic rock sets chronicling Skallagrim’s heroic journey.  Embedded below are the opening songs to (1) and (2).  Listen to these!  Babb is creating a rich world here.

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Goth Chick New: A Grady Hendrix Novel (Finally) Makes It to Film

Goth Chick New: A Grady Hendrix Novel (Finally) Makes It to Film

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In April 2016 my strange and unusual friends over at Quirk Books introduced me to one of their newly signed authors via a copy of his first book Quirk Books publication, and a pre-publication copy of his next one. At that time, Grady Hendrix already had four novels under his belt, including his first with Quirk, Horrorstör, a horror novel which takes place in an Ikea-like establishment and is documented inside an Ikea-like catalog. And though Hendrix already had a following due to his very unique approach to storytelling, Quirk was certain that his next novel with them was going to be the one that made him literary famous. The name of that novel was My Best Friend’s Exorcism, which was released in May 2016.

Grady released two more books with Quirk before decamping in 2020, but his book sales have continued to climb until his 2021 release which premiered on the New York Times best seller list, The Final Girl Support Group. I found a statistic stating only .0001% of all published books become movies, and those that do take an average of 10 years to get to the screen. With that in mind, Hendrix has bucked the odds on both accounts.

A movie adaptation of My Best Friend’s Exorcism is on the way, debuting on Amazon Prime Video on September 30, 2022.4

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Prequels, Poetry, Plying the South Seas and Double Wolves—Heroic Fantasy Quarterly # 53

Prequels, Poetry, Plying the South Seas and Double Wolves—Heroic Fantasy Quarterly # 53

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Heroic Fantasy Quarterly #53 broke its bonds in August, and it runs amok, featuring three stories, three sort poems, with art and audio.

We’ve got two prequal tales: “The Path of Two Entwined” returns to Gregory Mele’s fantasy Meso-American world of Azaltlán, delving into one of the pre–piracy adventures of Sarrumos Koródu. “The Crown of Azt’nyr” returns us to Mike Adamson’s ringed world of Malovar with the story of how Derros and Princess Therolynn  met before their hard-fought return to the city of Tymass.

Our third story, “The Waking Gods,” by D. H. Rowe introduces a new hero, Hekili, an adventurer who sails the mysterious islands of a fantasy south seas.

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Random Reviews: “The Hades Business,” by Terry Pratchett

Random Reviews: “The Hades Business,” by Terry Pratchett

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Cover by Gerard Quinn
Cover by Gerard Quinn

Because I’ve been asked about the process by which I’ve been selecting stories for the Random Review series, I thought I’d take a moment to explain how the stories are selected.

I have a database of approximately 42,000 short stories that I own sorted by story title. When it comes time for me to select a story to review as part of this series, I role several dice (mostly ten sided) to determine which story should be read. I cross reference the numbers that come up on the die with the database to see what story I’ll be reviewing.  This week, I rolled 14,780 which turned out to be Terry Pratchett’s short story “The Hades Business.”

One of the things I’m hoping to get out of this series, from a person point of view, is to discover authors and short stories that I’ve owned and have never read. Of course, I’m also hoping to share those discoveries, good or bad, with the readers of Black Gate.

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New Treasures: Ymir by Rich Larson

New Treasures: Ymir by Rich Larson

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Ymir (Orbit, July 12, 2022). Cover by Arcangel

Rich Larson has enjoyed a vanishingly rare career phenomenon. He’s vaulted into the top rank of modern science fiction almost solely on the strength of his short fiction.

This used to be more common. In fact, it used to be the way to do it — you published a few dozen short stories in genre magazines, maybe got a series going, attracted a few sly looks from publishers, and next thing you know you had a book deal and a real writing career. That doesn’t happen any more. At least, not the way it used to.

Except for Rich Larson, apparently. He burst onto the scene in 2012, and sold over 100 stories in the next six years — more than one per month. In 2016 Gardner Dozois called him “one of the best new writers to enter science fiction in more than a decade.” Since then he’s been focusing on longer work, and in July of this year he published his third novel Ymir. Publishers Weekly says “The nonstop action and violence keep the pages flying. Fans of finely crafted, high-intensity sci-fi stories will enjoy.”

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Thomas M. Disch: Love and Nonexistence

Thomas M. Disch: Love and Nonexistence

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334 by Thomas M. Disch (Avon, October 1974). Cover artist unknown

In the last page of Thomas M. Disch’s novel 334, the family matriarch, Mrs. Hansen, has finished explaining why she should have the right to die. “I’ve made sense, haven’t I? I’ve been rational?” she asks her unseen auditor, a civil servant taking an application. “They’re all good reasons, every one of them. I checked them in your little book.” She has indeed given reasons why her life is no longer worth living, with disconcerting thoroughness, and makes clear that if her application is turned down, she will appeal. “I dream about it. And I think about it. And it’s what I want.”

What is remarkable about this scene is not the defense of suicide (which does not take place in the text — the book ends with Mrs. Hansen’s summation), but an articulated yearning for nonexistence. The three elements of this nexus — the voiced eloquence, the fiercely focused desire, and the prospect of nothingness — constitute three compass points of Disch’s art. There is a fourth, always present but harder to see, which we will come to in a moment. For now, let us consider these elements, vividly present throughout Disch’s fiction and widely remarked upon, but also widely misunderstood, especially in the SF genre, where he began his career and which he never fully left.

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A (Black) Gat in the Hand: Hardboiled Fantasy – Garrett, PI

A (Black) Gat in the Hand: Hardboiled Fantasy – Garrett, PI

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

The extremely talented Glen Cook is best known for his excellent dark fantasy series about a mercenary group, The Black Company. In 2018, Fletcher Vredenburgh wrote a FOURTEEN-part deep dive into the series. If I ever write anything even half as impressive here at Black Gate, I’m going to ask them to actually pay me. I love The Black Company series, and cannot recommend it enough.

Cook has written several other fantasy and sci-fi series’ – none of which I have read. They are all well-regarded. But the other one I have read from start to finish – more than once – is his Garrett, PI series. I think that every Writer (or in my instance, lower case ‘w’ writer) has that ONE series they wish they had come up with and written. For me, it’s the Garrett books.

They are light years away in tone and style of The Black Company. And also from what I understand of The Dream Empire and The Instrumentalties of the Night series.’ However, they are identical to the Black Company in regards to quality of writing. Garrett is the ore-eminent fantasy PI (private investigator).

Cook has written a series of books that appeals to fans of the hardboiled PI, notably practiced by Raymond Chandler; fans of the humorous fantasy world best typified by Terry Pratchett’s Discworld and to those who have read Rex Stout’s Nero Wolfe mysteries. The fact that Cook has masterfully combined all three of these elements is admirable in the extreme. And the reason I wish I had come up with something like this.

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Vintage Treasures: New Arrivals, Old Encounters by Brian Aldiss

Vintage Treasures: New Arrivals, Old Encounters by Brian Aldiss

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New Arrivals, Old Encounters (Triad/Granada, August 1983). Cover by Tim White

New Arrivals, Old Encounters was Brian Aldiss’s 17th collection, an incredible accomplishment no matter how you slice it. It contains ten stories published between 1966-78, plus two originals.

The book is crammed full of classic Aldiss, including spacefarers who return after a century to find a radically transformed Earth, a society that worships computers, the Tahiti underworld, dream research, the future of human evolution, and missionary clones on a distant planet. There’s adventure, thoughtful speculation, dark comedy, and bleak satire all wrapped up in a tight package, as only Aldiss could do it.

Thomas M. Wagner wrote a detailed (and highly enthusiastic) review 25 years ago for SF Reviews; discussing each of the tales. Here’s the highlights.

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Haunted Trains and the Rock-and-Roll Afterlife: The Year’s Best Horror Stories: Series X, edited by Karl Edward Wagner

Haunted Trains and the Rock-and-Roll Afterlife: The Year’s Best Horror Stories: Series X, edited by Karl Edward Wagner

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The Year’s Best Horror Stories: Series X (DAW, August 1982). Cover by Michael Whelan

The Year’s Best Horror Stories: Series X was the tenth volume in DAW’s Year’s Best Horror Stories, copyrighted and printed in 1982. A whole decade for this anthology thus far! This was the third volume edited by horror author and editor Karl Edward Wagner (1945–1994). Michael Whelan’s (1950–) artwork appears for an eighth time in a row on the cover. This is one of his eeriest and best yet. The same cover would later appear on the 1989 omnibus Horrorstory: Volume Five, a collection of volumes XIII-XV of this series from Underwood Miller.

Of the eighteen different authors in The Year’s Best Horror Stories: Series X, all but two were male, with one story cowritten by a male/female team. (G. W. Perriwils is the pen name for Georgette Perry & William J. Wilson.) Eleven were American, the other seven were British. Of the fifteen stories included seven were from professional magazines, four from books, three from fanzines or booklets, and one was original to this anthology, though was to appear shortly afterward in another periodical.

I enjoyed the first volumes in DAW’s Year’s Best Horror Stories edited by Richard Davis (Series I–III) and Gerald Page (Series IV–VII). I would not say that these editors were “stale,” but Wagner does seem to bring a fresher vitality. I think this is due primarily to his introductions, which operate more as “state of horror field” yearly addresses, and his short bios before each story. I’m sure all good editors put forth their best efforts, but Wagner’s passion, I think, really shows itself in these volumes.

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