New Treasures: Lost Worlds & Mythological Kingdoms edited by John Joseph Adams

New Treasures: Lost Worlds & Mythological Kingdoms edited by John Joseph Adams

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Lost Worlds & Mythological Kingdoms (Grim Oak Press, March 8, 2022)

I owe my professional writing career to John Joseph Adams.

I published four stories in Black Gate magazine, all under the name Todd McAulty. I wrote one novel, The Robots of Gotham, and before I could really start to shop it around John purchased and published it under his John Joseph Adams imprint at Houghton Mifflin Harcourt. That was the first time I’d ever been paid for my fiction, and with that one sale, John made me a professional writer. He subsequently bought several of my short stories for Lightspeed magazine, including one I really wanted to call “Sixty Ton Killer Robot,” but John wisely retitled “The Ambient Intelligence.”

It’s no surprise that John and I are pretty aligned. We both love fast paced adventure SF and fantasy in colorful settings. Also robots! (Yeah I know. Everybody loves robots.) John is a prolific anthologist, with nearly 50 anthologies under his belt in the last 15 years or so, including the popular Wastelands and The Apocalypse Triptych volumes, and I’m always on the lookout for his latest. So I was excited to see Lost Worlds & Mythological Kingdoms, a fat volume of original stories from the top fantasists working today, including Kate Elliott, Carrie Vaughn, Tobias S. Buckell, James L. Cambias, Jonathan Maberry, Seanan McGuire, Jeffrey Ford, Becky Chambers, Theodora Goss, and many others.

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Exclusive Preview: The World of Catalyst by Brandon Crilly

Exclusive Preview: The World of Catalyst by Brandon Crilly

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Catalyst by Brandon Crilly (Atthis Arts, October 11, 2022). Cover artist uncredited.

Hello, Black Gate folks! Normally I spend my time here raving about other people’s books, but this time I’m in the very weird position of talking about my own. Yikes. Catalyst is my debut fantasy novel, releasing in October from Atthis Arts, and John has graciously invited me to talk a bit about the world of the book.

Catalyst centers on three estranged friends: Mavrin, a street magician who doesn’t believe in real magic, other than what the Aspects provide; Eyasu, labeled a heretic by the Aspects’ followers but determined to prove a secret history everyone else rejects; and Deyeri, a retired soldier whose adopted city is threatened by forces tied to that history. They begin the story in different corners of Aelda, a world that split apart at its core a little over three centuries earlier, and would have been destroyed completely if not for the intervention of the Aspects: massive, cephalopod-like beings the people of Aelda believe to be their gods, who have been circling the planet ever since providing atmosphere and holding what remains of Aelda together.

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A (Black) Gat in the Hand: Back Porch Pulp #2

A (Black) Gat in the Hand: Back Porch Pulp #2

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

And we’re wrapping up another summer run of A (Black) Gat in the Hand with Back Porch Pulp #2. So, here we go!

DAVID DODGE

Back Porch Pulp is reading the first novel by David Dodge. He is best known as author of the thriller novel, To Catch a Thief.

Which became a famous Cary Grant movie, directed by Alfred Hitchcock. I saw that on the big screen at The Ohio Theater. That was a treat.

I like his adventure novel, ‘Plunder of the Sun.’ Which became a not-famous movie, with Glenn Ford. Hard Case Crime reissued that book, introducing me to the author.

Dodge was an accountant. And his first couple novels were hardboiled ones starring San Francisco accountant Whit Whitney. I wrote an essay on Dodge and two of his novels, last month.

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Vintage Treasures: The Naphar Trilogy by Sharon Baker

Vintage Treasures: The Naphar Trilogy by Sharon Baker

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Quarreling, They Met the Dragon, Journey to Membliar, and Burning Tears of Sassurum
(Avon, 1984, 1987, and 1988). Covers by Wayne Barlowe, Paul Lehr, and Ron Walotsky

Sharon Baker died in Seattle in June 1991, at the much-too-young age of 53. She began writing in her 40s, while she was busy raising four sons. In a Gale Contemporary Author interview in 1986 she said

I felt like a car appliance [and] to remind myself that I was not, I signed up for a weekly writing class… On good days, I no longer feel like an appendage of my station wagon or anything else. I feel like me. And I like it.

Her first novel was Quarreling, They Met the Dragon, published in 1984, and it drew immediate attention. In Trillion Year Spree, Brian Aldiss praised it as evidence of “An original mind at work on an ingenious world.” Gene Wolfe said “Sharon Baker is better than good… [she will be] one of the field’s most important author’s by the close of this decade,” and Publishers Weekly compared her to Samuel R, Delany.

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Peter Straub: Men Love Him, Women Want to be Like Him 

Peter Straub: Men Love Him, Women Want to be Like Him 

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TIna Jens and Peter Straub

Peter Straub, who passed away on September 4, was the Toastmaster at World Horror Convention 2006 San Francisco. Tina Jens was asked to write his “appreciation” essay for the program book. Here it is, in its entirety.

Barbie wants to be an astronaut. Geena Davis wants to be president. When I grow up, want to be Peter Straub. We’ve all got to have our dreams. And let’s face it, as dreams so, I’m shooting for a much farther star than Barbie or Geena.

Maybe it’s because, rumor has it, Peter still dresses for dinner each night. (And I’m not implying the alternative is Peter showing up for dinner in his skivvies.) If you’ve seen him at a convention, you know he looks damned fine in his custom suits. (We won’t talk about his old publicity photo where he looked like a dead ringer for Hank Kingsley on The Larry Sanders Show.)

Maybe it’s because he spent time as an ex-pat writer in Ireland, then London, or that he lists Raymond Chandler, Herman Melville, and Charles Dickens as his favorite authors, alongside Dennis Lehane and William Faulkner.

Maybe it’s because Rosemary Clooney, the brassy and beautiful singer of “Mambo, Italiano” was a family friend (which means he may well have had a play date with George Clooney). Although when he first told me that, I didn’t watch ER and was much more impressed that he knew Rosemary; but since we’re talking about it, Peter – can you introduce me to George?

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A Strange Song of Unknown Places: The Dream-Quest of Unknown Kadath by H.P. Lovecraft

A Strange Song of Unknown Places: The Dream-Quest of Unknown Kadath by H.P. Lovecraft

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HPL’s original manuscript

Three times Randolph Carter dreamed of the marvelous city, and three times was he snatched away while still he paused on the high terrace above it. All golden and lovely it blazed in the sunset, with walls, temples, colonnades and arched bridges of veined marble, silver-basined fountains of prismatic spray in broad squares and perfumed gardens, and wide streets marching between delicate trees and blossom-laden urns and ivory statues in gleaming rows; while on steep northward slopes climbed tiers of red roofs and old peaked gables harbouring little lanes of grassy cobbles. It was a fever of the gods, a fanfare of supernal trumpets and a clash of immortal cymbals. Mystery hung about it as clouds about a fabulous unvisited mountain; and as Carter stood breathless and expectant on that balustraded parapet there swept up to him the poignancy and suspense of almost-vanished memory, the pain of lost things and the maddening need to place again what once had been an awesome and momentous place.

HP Lovecraft (1890-1937) was a man who seems to have never been fully comfortable in the world. His racism, most unpleasantly, but also, his old-fashioned affectations and his adamant refusal to bend his artistic desires to the least sort of commercial demands, all these, I believe, indicate a severe unease with the way the world was (he even turned down the editorship of Weird Tales because he refused to move to Chicago “on aesthetic grounds.”) The old America, peopled by the heirs of the original colonial families, had been washed away on a tide of industrialization and immigration. It was decadent and in decline and he would not be a part of it.

From his earliest days, Lovecraft was plagued by strange dreams and nightmares. Many of these would serve as the basis of stories later in life. A tragic family life — his father died in an asylum of late-stage syphilis and his family slowly slipped into poverty — and an innate nervous disposition probably had much to do with his attitudes. At the heart of the horror stories for which he’s most famous is the belief that mankind is insignificant and powerless in the face of a vast and uncaring Universe. While I don’t think he was mentally ill or anything, I do believe he longed for some intangible, more fantastic and better world.

Not finding one at hand, he created one in a series of related tales that culminated with The Dream-Quest of Unknown Kadath in 1927 (though it wouldn’t be published until 1943). Typically referred to as his Dream Cycle, Lovecraft was greatly influenced in writing these tales by Lord Dunsany‘s lush stories. The stories are filled with dense descriptive passages, surreal imagery, and the illogical logic of dreams.

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Random Reviews: “Pollen and Salt,” by Octavia Cade

Random Reviews: “Pollen and Salt,” by Octavia Cade

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Cover by Eldar Zakirov
Cover by Eldar Zakirov

The stories in the database I’m using to determine what to review span a period of several hundred years. So far, the earliest the dice have selected is 1928’s “The Yeast Men,” by David H Keller, which came up on January 20.  While it isn’t inevitable that the dice would select a current story, it is quite possible and has happened. At the time I’m writing this review of Octavia Cade’s “Pollen and Salt,” the July/August 2022 issue of Asimov’s is the most recent issue of that magazine to have been published.

“Pollen and Salt” is the musings of a palynologist who is studying salt flats in a world much further along its route toward global warming than our own currently is. Waters are receding, which is indicative of the world’s move toward climate catastrophe, but at the same time opens up new and unique opportunities for study as once water covered areas are exposed.

Even as she explores the mysteries of the world and waxing nostalgic about everything that climate change has killed off, she is also dealing with the death of her partner and spouse, to whom “Pollen and Salt” is a running commentary as she tries to make sense of the world she is finding.

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Ellsworth’s Cinema of Swords: Mondo Mifune

Ellsworth’s Cinema of Swords: Mondo Mifune

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Vendetta of a Samurai (Japan, 1952)

If American and European film fans recognize only one Japanese actor, it’s the great Toshiro Mifune (1920-1997), who came to prominence in the west for his collaborations with director Akira Kurosawa — not just the historical films such as Rashomon (1950), Seven Samurai (1954), and Yojimbo (1961), but also Kurosawa’s acclaimed crime movies such as The Bad Sleep Well (1960) and High and Low (1963).

Mifune had a broad range, with the ability to inhabit a wide variety of characters of all sorts, though he had the kind of classically handsome face with regular features that often limit actors to matinee idol roles. A broadly physical actor when the role required, at need he could convey deep emotion by subtle changes of facial expression. Mifune was an ambitious actor who acknowledged few limitations, and he worked with many other leading directors other than Kurosawa, often co-producing on projects he felt strongly about. This week we’re taking a look at three of his lesser known features, movies that exhibit considerable diversity just in the genre of chambara swordplay films.

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Neverwhens, Where History and Fantasy Collide: Rebecca Roanhorse’s Fevered Star Shines Against a Black Sun

Neverwhens, Where History and Fantasy Collide: Rebecca Roanhorse’s Fevered Star Shines Against a Black Sun

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Fevered Star (Gallery/Saga Press, April 19, 2022)

The great city of Tova is shattered. The sun is held within the smothering grip of the Crow God’s eclipse, but a comet that marks the death of a ruler and heralds the rise of a new order is imminent.

The Meridian: a land where magic has been codified and the worship of gods suppressed. How do you live when legends come to life, and the faith you had is rewarded?

As sea captain Xiala is swept up in the chaos and currents of change, she finds an unexpected ally in the former Priest of Knives. For the Clan Matriarchs of Tova, tense alliances form as far-flung enemies gather and the war in the heavens is reflected upon the earth.

And for Serapio and Naranpa, both now living avatars, the struggle for free will and personhood in the face of destiny rages. How will Serapio stay human when he is steeped in prophecy and surrounded by those who desire only his power? Is there a future for Naranpa in a transformed Tova without her total destruction?

In late 2020, a year of darkness, catastrophe and ill-omen, Rebecca Roanhorse published Black Sun, the first book in the Between Earth and Sky trilogy, a novel of darkness, catastrophe and ill-omen. While decidedly a coincidence, perhaps this was just the right book at the right time for me to curl up and read. Inspired by the civilizations of the Pre-Columbian Americas, particularly, those of Mesoamerica, the Southwestern ‘Ancient Puebloans’ and the great, wooden city of Cahokia in central Illinois, this was a fast-paced, fresh story that turned the ideas and tropes of epic fantasy to a new set of myths and civilizations. I devoured it rather quickly, and you can see my thoughts in my review here at BG.

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A (Black) Gat in the Hand: Hardboiled in Key West – John Leslie

A (Black) Gat in the Hand: Hardboiled in Key West – John Leslie

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

I wanted to bring over another post from The Public life of Sherlock Holmes. From my experience, this is a WAAAAAY below the radar private eye series. But I’ve read it through twice, and I really like it. And it’s got a very Pulp Era atmosphere, though it was written in the nineties. So, here’s a revised essay on John Leslie’s Key West, piano-playing, private eye.

If you read this column, (or are a FB friend) you know that John D. MacDonald, author of the Travis McGee series, Cape Fear (originally titled The Executioners), and much, much more, is my favorite writer. And I believe, one of the greatest American writers of the twentieth century, in any genre. His is the pre-eminent name in the subcategory of ‘Florida writers.’ Randy Wayne White’s Doc Ford, a marine biologist who lives in a stilt house, is absolutely McGee’s successor. I think White is a top-notch writer and I certainly recommend that series.

I’m not as up on this group as I used to be, but Carl Hiassen is probably the best-known Florida scribe these days. His biting satire and hilarious situations can be laugh-out-loud reading. In a similar vein to Hiassen are the works of Lawrence Shames. He also pokes fun at the absurdities of Florida life with a series of mostly unconnected books set in Key West. They provide some chuckles.

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