Culture, Corporate and Otherwise

Culture, Corporate and Otherwise

Scooby-Doo, Where Are You!It’s been a while since I posted anything here at Black Gate. There’s no one reason; a number of things have kept me busy or occupied, most recently a persistent head cold and ear infection. I mention this because being under the weather has indirectly to do with the following post. Firstly, being sick led me to watch some TV shows which I now want to write a bit about. Secondly, my mental state shaped the way I thought about what I experienced; I can only hope now to capture the sense of coherence I had then. This essay will be more shapeless than usual, I’m afraid, an attempt to explain the connections that drifted through my mind between Alan Moore, Doc Savage, and Scooby Doo, among others.

When you’re feeling sick — or at least when I’m feeling sick — it’s sometimes restful to read or watch something familiar. As it was coming up to Halloween when I caught a bad cold, I decided to watch something spooky but unchallenging. And it turned out that Canadian Netflix had both the very first Scooby-Doo TV series, 1969’s Scooby-Doo, Where Are You! (created by Joe Ruby and Ken Spears), and the most recent, 2010’s Scooby-Doo: Mystery Incorporated (created and produced by Spike Brandt, Tony Cervone, and Mitch Watson).

I’d read some very good things about the latter show, some here on this blog from Nick Ozment, so I decided I’d rewatch the series I knew from my youth and then see the modern reboot. Because curiosity takes many odd forms, I also ended up drifting around Wikipedia and the Internet Movie Database, reading up on the creation of both shows. Which touched off a few reflections on the shape of stories, generational differences, and popular culture.

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Somalia’s Forgotten Past: Medieval Empires on the Horn of Africa

Somalia’s Forgotten Past: Medieval Empires on the Horn of Africa

Decoration above the entrance to a traditional coral house in Mogadishu.
Decoration above the entrance to a traditional coral house in Mogadishu.

In a previous post, I talked about Somalia’s prehistoric cave paintings. Today I want to talk about Somalia’s vibrant medieval period.

Due to its location on the Red Sea, the northern Somali region has always been part of an international trade network. For many centuries, however, the main focus of the trade was in what is now Eritrea, which was the coastline of successive Ethiopian empires that traded with Egypt and out into the Indian Ocean. Two eastern outlets are in what’s now Somaliland, the port of Zeila and Berbera. Trade routes led east from the Ethiopian highlands and crossed a short stretch of desert to get to the coast.

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New Treasures: The Winter Long by Seanan McGuire

New Treasures: The Winter Long by Seanan McGuire

The Winter Long Seanan McGuire-smallSeanan McGuire published her first novel, the urban fantasy/detective story Rosemary and Rue, on September 1, 2009, barely five years ago. In the last five years, she has come dangerously close to conquering the entire field.

To start with, she’s produced seven additional novels in what’s now known as the October Day series — including the latest, The Winter Long. In between she’s also published three novels in her InCryptid series (with one more on the way.) Both series have put her on the New York Times bestseller list. Because 11 novels isn’t enough in five years, she’s also written five novels under her pseudonym Mira Grant, including the Newsflesh zombie trilogy and two novels in the new Parasitology trilogy, plus at least one standalone novel. I’m not sure how many novels that is in total, because I’ve lost count.

Blackout, the final Newsflash novel, received a 2013 Hugo Award nomination — and in fact, that year McGuire received a record five Hugo nominations, two for Grant and three under her own name. In 2010, she was awarded the John W. Campbell Award for Best New Writer at the 2010 World Science Fiction Convention. I’m telling you, this woman intends to conquer the entire genre, and she’s perilously close. If you haven’t been paying attention to Seanan McGuire, it’s probably time to change that. Here’s the compact blurb for her latest novel, The Winter Long.

Toby thought she understood her own past; she thought she knew the score.

She was wrong.

It’s time to learn the truth.

The Winter Long was published by DAW Books on September 2, 2014. It is 358 pages, priced at $7.99 in paperback and $6.99 for the digital version. The cover is by the ubiquitous Chris McGrath.

Vintage Treasures: The Cosmic Puppets by Philip K. Dick / Sargasso of Space by Andre Norton

Vintage Treasures: The Cosmic Puppets by Philip K. Dick / Sargasso of Space by Andre Norton

The Cosmic Puppets-smallWe’re back to looking at Ace Doubles.

This month, I have a special treat for you. A 1957 pairing of two major science fiction writers, both early in their careers, which resulted in a very collectible paperback: The Cosmic Puppets by Philip K. Dick, published back-to-back with Sargasso of Space by Andre Norton.

Let’s start with The Cosmic Puppets because, while Dick was never as popular as Andre Norton while he was alive, over the past three decades his fame has grown steadily, to the point where he’s now considered one of the most important SF writers of the 20th Century. The Cosmic Puppets was his fifth novel, and appeared here for the first time (in this form, anyway). While Sargasso of Space is a popular and important SF novel — for reasons I’ll get to shortly — The Cosmic Puppets is the primary reason this paperback commands real interest among collectors.

The Cosmic Puppets is a tale of alien invasion… although, as usual for Dick, it disregards most of the typical conventions of an alien invasion story. Some readers consider it Dick’s most approachable novel (although that doesn’t mean you won’t close the book with a lot of questions.) It’s also the Dick novel that skirts closest to pure fantasy.

The novel opens almost like a Twilight Zone episode, as our protagonist returns to his home town, only to discover that the inhabitants have no memory of him at all. Here’s the summary from the 1957 Ace edition.

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Ancient Worlds: Killing the Bull of Heaven

Ancient Worlds: Killing the Bull of Heaven

300px-British_Museum_Queen_of_the_NightWhen you kill the Big Bad, it gets attention.

Gigamesh and Enkidu return to Uruk after Humbaba’s death. Gilgamesh bathes and puts on his royal garments. This effect is so impressive that the goddess Ishtar herself appears before him and begs her to marry him.

If you remember back to the Odyssey, this is a pretty typical motif: the hero who is so manly that goddesses are laid low. But while Odysseus tried to have his cake and eat it too (pardon the expression), Gilgamesh has absolutely no interest in playing nice.

He does not offer Ishtar a polite refusal. He calls her a whore. He lists the many lovers she has had and their terrible fates.

And that is just the beginning. He calls her:

a half-door that keeps out neither breeze nor blast,
a palace that crushes down valiant warriors,
an elephant who devours its own covering,
pitch that blackens the hands of its bearer,
a waterskin that soaks its bearer through,
limestone that buckles out the stone wall,
a battering ram that attracts the enemy land,
a shoe that bites its owner’s feet!

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November/December Magazine of Fantasy & Science Fiction now on Sale

November/December Magazine of Fantasy & Science Fiction now on Sale

Fantasy and Science Fiction November December 2014Editor Gordon van Gelder kicks off the Nov/Dec issue with the following, disguised as part of the intro to Paul Di Filippo’s “I’ll Follow the Sun”:

There was a time — or so it seems to your editor — when writers turned to science fiction to explore ideas they couldn’t touch in any other medium. A fair number of stories regarded as classics today were transgressive when they first came out.

These days, however, the internet seems to thrive on posts by people who aren’t keen on tolerating viewpoints that differ from their own, and some of those posts focus on the science fiction and fantasy field. They’ve inspired us here at F&SF to give this issue an extra helping of stories that deal with touchy themes or go beyond the bounds of Political Correctness.

Quite an intro. There’s an impressive list of contributors taking part in this rebellious experiment, including Albert E. Cowdrey, Scott Baker, and David Gerrold.

Even film reviewer Alan Dean Foster gets in on the act with a little honest blasphemy in his column, “On Novelizing Noah,” a meditation on adapting last summer’s biblical-themed movie, written as a conversation with God.

Here’s Tangent Online reviewer C.D. Lewis on Gerrold’s contribution.

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October Short Story Roundup

October Short Story Roundup

oie_1851216pr439k8tThe last few weeks have been particularly busy for me in my real life (as opposed to the one I lead as a dashing blogger-about-town on all things old school Swords & Sorcery) so this won’t be as complete a roundup as I’d like it to be. Fantasy Scroll #3 will have to wait until next month. As for Beneath Ceaseless Skies, I failed to read either issue last month, but looking at October’s authors, I see World Fantasy Award-winning (for the splendid “The Telling“) Gregory Norman Bossert, along with some other talented writers, so let’s just assume you should go check them out for yourself.

What I did manage to read were magazines I never miss — Swords and Sorcery Magazine (#33) and Heroic Fantasy Quarterly (#22). I’ve been following the former since the third issue, so I never want to miss out on what happens next. As for HFQ, it’s consistently the best — and my favorite — magazine for heroic fantasy, which means as soon as it hits the electronic superhighway, I try to check it out.

Swords and Sorcery Magazine #33 presents us with its usual quota of two new stories. In ages past, Jonathan Nathaniel De Este, commander of Queen Isabella’s Dark Army and protagonist of Alex B.’s “Black Water“, “drank the Black Water and took the Darkness upon his spirit.” Every other man who did that found himself transformed into a bestial man or a complete beast. Only Jonathan has managed to hold onto a portion of his humanity and prevent himself from being changed externally as well as internally.

It’s an interesting story filled with grisly bits. There’s real potential for some exploration of Jonathan’s past and motives, but it’s not supplied. The mystery over his relationship to a picture of a princess is left only vaguely answered at best.

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Future Treasures: Sustenance, A Novel of the Count Saint-Germain, by Chelsea Quinn Yarbro

Future Treasures: Sustenance, A Novel of the Count Saint-Germain, by Chelsea Quinn Yarbro

Sustenance Chelsea Quinn Yarbro-smallI was pleased to be at the Awards ceremony at the World Fantasy Awards last weekend when Chelsea Quinn Yarbro was presented with a Lifetime Achievement Award. Yarbro virtually invented the vampire romance, perhaps the most popular fantasy sub-genre of the past decade, with her popular Count Saint-Germain novels, the tales of gentleman vampire Saint-Germain and his adventures down through the centuries, beginning with Hôtel Transylvania in 1978. Sustenance, the 27th novel in the series, which finds the Count caught up in Cold War politics in 20th Century Europe, will be released next month.

Just after World War II, Saint-Germain travels throughout Europe, determining what of his business and properties survived the war, and offering what comfort and aid he can to refugees. Charis Treat, an American writer, academic, and professor, is one such. Persecuted by the House Un-American Activities Committee, Charis has left her husband and young sons in the United States and fled to Paris, falling in with a community of expatriate intellectuals.

When they meet, Saint-Germain is taken by Charis’s intelligence and by her grace under pressure, and they soon begin an affair. She introduces him to the other expats, and in so doing, brings him under the scrutiny of the fledgling CIA, who are determined to squelch Communist sympathizers at home and abroad. Such close examination might expose the vampire’s true nature, but Saint-Germain has long practice at convincing duplicity.

The expats are not so lucky. Illniss, accidents, and death begin to winnow their numbers, Saint-Germain wonders if the accidents are truly accidents, or if there is a traitor in their midst. In an international game of cat and mouse, it’s difficult to determine who is the prey and who is the predator.

Sustenance will be published on Dec 2 by Tor Books. It is 480 pages, priced at $29.99 in hardcover and $14.99 for the digital edition. Read an excerpt here.

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Epic Pets

Epic Pets

Soward AuthorToday I’m turning over the Black Gate rostrum to the talented Kenny Soward! Take it away, Kenny!

We all have our favorite pets, those whose personalities outshined the others. Or maybe they were all awesome. Ever think about making them into one of your characters? I did – albeit unawares – magically turning an old Persian kitty into a gnomish wizard.

You see, when I was younger and just getting into epic fantasy, my pets weren’t just friends to me. They were my battle companions, my protectors, and my fondest allies as I dreamed of becoming an epic, sword-wielding warrior, probably at the same time comic book nerds were dreaming of being Superman, Wonder Woman, or Batman. I used to dream about my pets growing to magnificent sizes where I could saddle them up and ride off to battle. My first epic mount was a German Shepherd named Rommel. While I never actually climbed aboard him – I wasn’t dumb enough to risk an annoyed nip from my beast – I thought about it all the time.

Some of the first stories I ever wrote featured me riding Rommel into a bloody fray, his teeth gnashing and crunching through enemy armor while I wagged my sword above my head and shouted a battle cry. And then, I’d sweep down with my sword and … wait … I’m writing an article here, not a story!

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Meet a Dominatrix Who Solves Murders in Mistress Bunny and the Cancelled Client by Michael Penkas

Meet a Dominatrix Who Solves Murders in Mistress Bunny and the Cancelled Client by Michael Penkas

Mistress Bunny and the Cancelled Client-smallWhen I discussed his short story collection Dead Boys last year, I said the following about Michael Penkas:

Michael has an uncanny ability to pry open your heart with sparkling prose, humor, and warm and genuine characters… and then drive a cold spike through it with relentless and diabolical twists. All with some of the most compact and economical prose I have ever encountered.

Now that I’ve read his first novel, Mistress Bunny and the Cancelled Client, I can confirm that he is just as impressive at longer lengths. Mistress Bunny, a cozy mystery featuring a Chicago dominatrix who’s very good at her job, is, in the words of C.S.E. Cooney, “Too weird to dismiss as quirky, too warm and funny to keep you at a distance, but so kinky and clear-sighted and compassionate.” I predict that it will launch Michael on a very successful career.

Life’s hard enough for a working class dominatrix without the occasional murder.

After getting dumped by her boyfriend, Mistress Bunny cancels her six o’clock session so that she can cry and drink herself to sleep. When she learns the next day that her client was found dead in his office, shot in the head at the same time she should have been tying him up, she can’t help but feel a little responsible.

But when she attends his funeral, Bunny begins to suspect that the gunshot wound wasn’t nearly as self-inflicted as the police believe. Her investigation uncovers a string of “suicides” that don’t begin (or end) with her client … a string where the next mysterious death might be her own. Hounded by a drunk ex-boyfriend, a pissed-off widow, and an office assistant with a hidden agenda, Mistress Bunny finds herself at the center of a mystery and discovers that there are some secrets a man won’t even share with his dominatrix.

If you’d like a taste of the twisted sense of humor on display in his novel, try Michael’s chilling and hilarious biblical fantasy ”The Worst Was Yet to Come,” published right here at Black GateMistress Bunny and the Cancelled Client was published on November 6, 2014. It is 208 pages, priced at $15 in trade paperback and $5 for the digital edition. The cover is by Viola Estrella.