Random Reviews: “The Weather Master,” by Arthur Cave

Random Reviews: “The Weather Master,” by Arthur Cave

Cover by Leo Morey
Cover by Leo Morey

Arthur Cave’s only science fiction story appeared in the July 1935 issue of Amazing Stories. The story looks into the far future of 1980 and while Cave depicts a few aspects of that distant year with some relative success, overall his view of the world seems grounded in a much simpler time.

“The Weather Master” was published in 1935 when the United States and the Soviet Union were engaging in cultural exchanges and an attempt to normalize relations and the Cold War wouldn’t begin in earnest for another decade, Cave foresaw the tension between the superpowers. His 1980 sees a hot war between the two nations with Russia having wiped out the US air fleet and the President working with his War Council to come up with their next steps.

Those next steps involve Professor Wilton, America’s leading (generic) scientist, who just happens to show up at the White House demanding an audience with the President, a demand which is granted, although the President only agrees to give him two and a half minutes. Wilton had spent the past two years incommunicado on an arctic expedition and was widely believed to have died. Instead, he has learned how to control the weather, which provides his answer to how to victoriously end the war with Russia.

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A Masterclass in Grand-Scale Storytelling: The Legacy of the Mercenary King by Nick Martell

A Masterclass in Grand-Scale Storytelling: The Legacy of the Mercenary King by Nick Martell


The Legacy of the Mercenary King trilogy: The Kingdom of Liars, The Two-Faced Queen and The Voyage
of the Forgotten
(Saga Press, February 8, 2022). Covers by Bastien Lecouffe Deharme and Benjamin Carré

I love it when a fantasy trilogy sneaks up on me.

It seemed like just yesterday we were reporting on the imminent release of The Kingdom of Liars, the debut fantasy from 23-year old wunderkind Nick Martell, getting rave reviews from all quarters. Now I find the third volume in the trilogy will be released in a matter of weeks…. how did that happen?

The acclaim for this series has only grown with each volume. At Tor.com, Paul Weimer described it as “Something like PKD and [Gene] Wolfe teaming up to write City State Fantasy.” Kirkus called the first one “An impressive fantasy debut,” but pulled out all the stops for The Two-Faced Queen, saying “Simply put, this series is a masterclass in grand-scale storytelling. The future of epic fantasy is here — and this saga is it.”

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New Treasures: 36 Streets by T.R. Napper

New Treasures: 36 Streets by T.R. Napper


36 Streets (Titan Books, February 8, 2022). Cover by Shutterstock

Here’s one that came out a while ago, but I just caught up with recently: 36 Streets, the debut novel by Australian T.R. Napper.

It’s got a Blade Runner/Cyberpunk vibe, and an armload of great notices: Grimdark Magazine calls it “brilliantly realized SF noir,” Publishers Weekly proclaims it “A gripping near-future cyberthriller with plenty of action and intrigue,” and SciNow sums it up as “a deeply textured vision of the future brimming with new and inventive ideas… a gripping sci-fi thriller.”

Sounds like my kind of debut. I snapped up a copy on my last trip to Barnes & Noble. Here’s a snippet from that Grimdark review by Adrian Collins.

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What I’ve Been Listening To: September, 2022

What I’ve Been Listening To: September, 2022

Last week, I talked about what I’ve been watching. I could do another entry on that, but I want to mix it up a little bit. So, this week, I’m gonna talk about five things I’ve listened to, lately. I listen to audio books, and radio plays, when I’m driving by myself. And I can also listen to them during most work days. My mind can listen to them, and focus on my work, most of the time. I’m fortunate that way.

When I have to split my attention, I often listen to something I’ve heard before, like the Dirk Gently broadcast. Or an old radio show.

SPEAKS THE NIGHTBIRD – Robert R. McCammon

I wrote this essay about the introduction to my favorite novel of all time: McCammon’s Boy’s Life. It’s simply a tour-de-force of writing. McCammon is the only straight horror author I like. That genre creeps me out too much. King, Lovecraft, Robert E Howard – don’t care for any of their horror stuff. But man, do I love me some McCammon.

One of the genres best-sellers, he wanted to write something different after 1992’s Gone South (that has the most memorable opening line I’ve ever read). His publisher, not wanting the money train to move onto a siding, told him ‘No’ and to keep the horror coming. Denied an outlet for a historical fiction novel, McCammon took his toys and went home. He quit.

He wrote the book on his own, and a decade later, it came out from a small publisher. The ninth Matthew Corbett book is upcoming, and he has also written a few more ‘regular’ horror books. He came back to the industry on his own terms.

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Vintage Treasures: Great Short Novels of Adult Fantasy edited by Lin Carter

Vintage Treasures: Great Short Novels of Adult Fantasy edited by Lin Carter


Great Short Novels of Adult Fantasy, Volume 1 (Ballantine Books, 1972). Cover by Gervasio Gallardo

Over the decades we’ve spent a lot of pixels at Black Gate talking about Lin Carter’s groundbreaking Ballantine Adult Fantasy series. He was under contract to produce a book a month for editors Ian and Betty Ballantine, and that’s exactly what he did for five years and 65 titles, almost all reprints of out-of-print fantasy novels and original anthologies. For the most part my favorites are those marvelous anthologies, including The Young Magicians, Golden Cities, Far, Discoveries in Fantasy, and others.

In 1972 and 1973 Carter produced the first two volumes in what he’d hoped would be an ongoing series, Great Short Novels of Adult Fantasy. They each included four novellas, accompanied by his usual fine introductions, and it’s a tragedy he was unable to produce any more before the Adult Fantasy series was discontinued when Random House bought Ballantine. In his opening essay, Four Worlds of Wonder, Carter explains his focus on longer fantasy.

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A Jumble Sale of Fascinating Ideas: The Science Fiction of Arthur C. Clarke

A Jumble Sale of Fascinating Ideas: The Science Fiction of Arthur C. Clarke

Across the Sea of Stars and From the Ocean, from the Stars,
two omnibus collections by Arthur C. Clarke (Harcourt, Brace & Co, 1959 and 1961)

I’ve just about finished trimming and sorting my SF collection. It’s a pretty eclectic assortment: some of these books have personal meaning for me, some strike me as interesting for their cover art or their connection to the history of the genre, some are just old friends I’ve carried around for decades. Most fall into the category of post-war English-language SF up to about 1980, though there are more recent titles among them. I have other and more current titles elsewhere in the house, but this is where my heart is. (Maybe you can’t love a genre quite so wholeheartedly once you start publishing in it.)

All of which prompted me to re-read some classic SF, since I probably can’t trust the opinions I formed when I encountered these books at the age of 14 or 15. Case in point: Arthur C. Clarke’s Childhood’s End, as I originally discovered it: in the omnibus collection Across the Sea of Stars.

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Strange Diseases, Vengeful Ghosts, and Lovecraftian Horror: September/October 2022 Print SF Magazines

Strange Diseases, Vengeful Ghosts, and Lovecraftian Horror: September/October 2022 Print SF Magazines

September/October 2022 issues of Asimov’s Science Fiction, Analog Science Fiction & Fact, and
The Magazine of Fantasy & Science Fiction. Cover art by 123RF, 123RF, and Bob Eggleton

I was at the launch party for Randee Dawn’s debut novel Tune in Tomorrow at Worldcon this month (with the most amazing TV-shaped cake — seriously, check it out), when I spotted the also-amazing Sheila Williams, editor of Asimov’s Science Fiction Magazine. I was hoping for the chance to catch up, but long before that happy event the party became so crowded that Jacob Weisman and I, who’ve both managed to dodge COVID for the past two years, nervously ducked out and ended up talking in relative quiet on the Hyatt skyway.

Some time before midnight Sheila found us as she made her weary way to her hotel room. We pulled over some chairs, and soon there was a small crowd of us gossiping about short fiction on the skyway over North Stetson Avenue (ironically enough, overlooking the exact location of the opening scene of my novel The Robots of Gotham).

One of the things Sheila shared was that, despite all my expectations to the contrary, the print SF magazines — including Asimov’s and Analog — are doing very well, thank you. The pandemic played havoc with distribution, and for the last few years all the attention (and award nominations) has gone to online magazines like Uncanny and Clarkesworld, but Asimov’s subscriber base has proven remarkably steadfast, and is even growing. I’ve been used to a steady stream of bad news, and general gloom and doom around the print mags for years, and it was wonderful to hear they have plenty of life in them yet.

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Goth Chick News: Letting the Right One in Again

Goth Chick News: Letting the Right One in Again

Let the Right One In (Showtime Original)

With the Fall comes all manner of scary goodness to watch on both the big and small screens. As I’ve mentioned, vampires seem to be the monster-du-jour for 2022, though one might have expected zombies, with C19 still in the news. Still, I’m not complaining one bit, even when the offerings are less than stellar, as was the case with The Invitation. We can still look forward to the Interview with the Vampire series coming soon to AMC, and (maybe) House of Darkness, which started streaming this week on YouTube (if you’ve already seen it, don’t tell me anything).

And then there’s this.

Thanks to Stoker’s Dracula, one could argue that all the vampire stories that have come after are simply different takes on the same core idea; and you wouldn’t be far wrong. For instance, The Invitation was pretty much a modern take on Dracula’s brides. But to me at least, things are getting weird in the entertainment industry, when vampire tales begin… well… eating themselves.

Case in point is the vampire story, Let the Right One In.

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Andor: The Birth of a Rebellion

Andor: The Birth of a Rebellion

Episode 1: The Spoils of Empire

It is a time of growing oppression. Ordinary people, without the heft of a famous name or the gifts of the midi-chlorians and a Jedi guardian, must make a choice: Join the GALACTIC EMPIRE and accept a comfortable life of regimentation, obedience to orders, and acceptance of the official line or — something else.

Young CASSIAN ANDOR, an unknown scion of lost cargo cult on a half-forgotten world, has chosen something else. A life on the fringe, in the shadows, leaving as few traces of himself as possible and carefully watching each step. His search for his sister continues on the leased planets of PREOX-MORANA CORPORATE ZONE.

During his investigation, matters go awry. The hunter becomes the hunted. Now one man, increasingly caught in a web of what might be called “imperial entanglements” faces a choice, both for himself and his lost sister, that will alter the future of an entire galaxy . . .

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Random Reviews: “Roses” by Deborah Burros

Random Reviews: “Roses” by Deborah Burros

Cover by Ron Walotsky
Cover by Ron Walotsky

Deborah Burros had a relatively short writing career, publishing a total of five stories between her debut in 1991 with “Masks” and her most recent story, “Artistic License,” which appeared in 2002. Three of her stories appeared in the Sword and Sorceress anthology series, while the other two appeared in Marion Zimmer Bradley’s Fantasy Magazine. Her middle tale, “Roses,” appeared in the Summer 1993 issue of the magazine.

Burros tells the story of the marriage between Lady Rose and Lord Sleet. It is not a happy marriage, for neither of them loved the other and it was understood by both that Lord Sleet had married Lady Rose for her family’s money and Lady Rose had married Lord Sleet in order to gain a veneer of respectability for a family whose money was apparently made under unsavory conditions. The couple seemed to have come to an arrangements, however, wherein Lady Rose would spend her time cultivating a rose garden and Lord Sleet would spend his time in dalliance with his mistress, Jade.

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