Future Treasures: The Desert and the Blade by S.M. Stirling

Future Treasures: The Desert and the Blade by S.M. Stirling

The Desert and the Blade-smallI didn’t really appreciate the ambition and complexity of S.M. Stirling’s massive saga of The Change, until Edward Carmien did a 15-part examination of the series here at Black Gate (check out the first installment here). This year sees two new releases in this epic fantasy series: The Change: Tales of Downfall and Rebirth, a big anthology set in Stirling’s universe, with stories by Victor Milán, Walter Jon Williams, Harry Turtledove, Jane Lindskold, Emily Mah Tippetts, and many others (see Ed’s review here), and The Desert and the Blade, the sixteenth novel in the series. Continuing the quest that began in The Golden Princess, two future rulers of a world without technology risk their lives seeking a fabled blade…

Reiko, Empress of Japan, has allied herself with Princess Órlaith, heir to the High Kingdom of Montival, to find the Kusanagi-no-Tsurugi, the Grass-Cutting Sword, a legendary treasure of an ancient dynasty that confers valor and victory to its bearer. Órlaith understands all too well the power it signifies. Her own inherited blade, the Sword of the Lady, was both a burden and a danger to her father, Rudi Mackenzie, as it failed to save the king from being assassinated.

But the fabled sword lies deep with the Valley of Death, and the search will be far from easy. And war is building, in Montival and far beyond.

As Órlaith and Reiko encounter danger and wonder, Órlaith’s mother, Queen Matildha, believes her daughter’s alliance and quest has endangered the entire realm. There are factions both within and without Montival whose loyalty died with the king, and whispers of treachery and war grow ever louder.

And the Malevolence that underlies the enemy will bend all its forces to destroy them.

The Desert and the Blade will be published by Roc on September 1, 2015. It is 612 pages, priced at $27.95 in hardcover and $13.99 for the digital edition. The cover is by Larry Rostant.

Things Your Writing Teacher Never Told You: Pro Tip From Karen E. Taylor

Things Your Writing Teacher Never Told You: Pro Tip From Karen E. Taylor

Photo by Chris Whitlow
Photo by Chris Whitlow

About every other week, I’ll be hosting the wit and wisdom of professionals across the Spec Fic field. I’ve compiled a list of some of the most frequently asked questions posed by new authors, and provided that list to some of the pros. (Feel free to suggest a question you’d like answered, using the comments section below.) The pros are invited to pick one and respond to it. This week, the prolific, award-nominated author Karen E. Taylor talks about how she delays the outlining process until she’s well into the piece.

It’s hard to classify Karen’s body of work (though when forced to, most will say she’s a horror and paranormal author). She writes about vampires, intergalactic saleswomen, telepathic dinosaurs, humanoid robots, ghosts, drafty castles, and assorted magic workers. She has at least eight published novels, and two short story collections: Mexican Moon and Other Stories, new out this week (available in trade paperback and Kindle ebook), and Fangs and Angel Wings (a 2003 hardcover from Betancourt & Co.), which received one of the best author blurbs I’ve ever seen:

“Karen writes like an angel – an angel in black lingerie with a straight razor tucked into her garter belt.” – William Sanders

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New Treasures: Age of X by Richelle Mead

New Treasures: Age of X by Richelle Mead

Gameboard of the Gods Age of X-small The Immortal Crown-small

No matter how closely I keep tabs on this industry, nothing beats a visit to a well-stocked bookstore to really get up-to-date on the latest. In my last trip, I picked up the first volume in a new science fantasy series by Richelle Mead, author of the bestselling Vampire Academy books: Gameboard of the Gods. The sequel, The Immortal Crown, has just been released in paperback and the series — featuring supersoldiers, supernatural mysteries, mysterious murders, and ancient gods — looks like a lot of fun.

The truth is, when you banish the gods from the world, they eventually come back — with a vengeance.

In the near future, Justin March lives in exile from the Republic of United North America. After failing in his job as an investigator of religious groups and supernatural claims, Justin is surprised when he is sent back with a peculiar assignment — to solve a string of ritualistic murders steeped in seemingly unexplainable phenomena. Justin’s return comes with an even bigger shock: His new partner and bodyguard, Mae Koskinen, is a prætorian, one of the Republic’s technologically enhanced supersoldiers. Mae’s inexplicable beauty and aristocratic upbringing attract Justin’s curiosity and desire, but her true nature holds more danger than anyone realizes. As their investigation unfolds, Justin and Mae find themselves in the crosshairs of mysterious enemies. Powers greater than they can imagine have started to assemble in the shadows, preparing to reclaim a world that has renounced religion and where humans are merely gamepieces on their board.

Gameboard of the Gods: Age of X was published in hardcover by Dutton on June 4, 2013, and in mass market paperback by Signet on June 3, 2014. The sequel, The Immortal Crown, was published in hardcover on May 29, 2014, and in paperback on June 2, 2015.

Dear Conservatives: Don’t Let the Door Hit You On the Way Out

Dear Conservatives: Don’t Let the Door Hit You On the Way Out

Loncon 3 Hugo statue-smallThe results of the 2015 Hugo balloting are in. The results are a clear statement to conservatives: you’re not welcome in true SF fandom as long as you bitterly cling to your ideals.

When I read io9’s liveblog of the results this morning, I was dismayed, but not the tiniest bit surprised, to see NO AWARD after NO AWARD, all to the accompaniment of raucous cheering and Charlie Jane Anders’s gloating. This is exactly what I predicted after reading the clamor here at Black Gate and elsewhere on the net, and the surging tide of people saying “Vote NO AWARD on everything! Let’s show the Puppies they can’t get away with it!”

In the editor categories, as well as some of the others, there were plenty of nominees who have won Hugo awards in the past, and are considered at the top of their field. All went down beneath the NO AWARD tidal wave.

After the readers’ packets were distributed, there were comments to the effect “Eh, all these works are crap, anyway.” John O’Neill’s post this morning here at Black Gate reiterated this view after the results were announced: “Dear Puppies: Your Taste Sucks.”

There’s also comment from editors and the like around the net about how they read the works and found them worthy not of being tossed lightly aside, but rather hurled with great force.

So which is it? Is it a vote against slate tactics, or is it a vote against the specific works nominated?

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Clarkesworld 107 Now on Sale

Clarkesworld 107 Now on Sale

Clarkesworld 107-smallMark Cole’s article in the latest issue of Clarkesworld is on a topic near and dear to us old-time SF fans: the influence (for good and ill) of the legendary John W. Campbell.

In September of 1959, Jason Howley walked into the Golden Casino in Reno, Nevada, carrying a small, black, plastic box. Within a matter of minutes, he’d won over three hundred thousand dollars. When the device was opened up by investigators, they found nothing in it but a plastic lens, two silver contacts, white paint, and a series of diagrams drawn in black ink.

Regular readers of Astounding Science Fiction recognized it immediately when they read “David Gordon” (Randall Garrett)’s story, “…Or Your Money Back” : it was a version of the Hieronymus Machine, a “psionic amplifier” promoted by Astounding’s editor, John W. Campbell…

One thing more than anything else ushered psychic powers into the mainstream of SF: the influence of one of the genre’s greatest editors, in the pages of one of the most distinguished SF magazines of the Golden Age.

The influence of John W. Campbell and his work in Astounding.

Read Cole’s article “Fans Are Slans”: A Study in Campbellian Influence for the complete story.

Issue #107 of Clarkesworld has six stories — four new, and two reprints — from Martin L. Shoemaker, J.B. Park, Han Song, Emily Devenport, Peter M. Ball, and Neal Asher

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Dear Puppies: Your Taste Sucks

Dear Puppies: Your Taste Sucks

Hugo Award Black GateThe winners of the 2015 Hugo Awards were announced Saturday evening at Sasquan, the 73rd World Science Fiction Convention in Spokane, Washington. As we’ve discussed here several times, the Hugo ballot was largely hijacked by the Rabid Puppies slate (and to a much lesser extent, by the Sad Puppies slate), which dictated roughly 70% of the final ballot.

The results are now in, and they mark a stinging repudiation of both the Rabid Puppies and Sad Puppies. Not a single Puppy-nominated work of fiction or non-fiction won, and the majority of Puppy-nominated works placed below “No Award.” In both of the short fiction categories in which the Puppies locked out all other nominees, the Hugo went to “No Award.” The complete list of winners follows.

Best NovelThe Three Body Problem by Cixin Liu, translated by Ken Liu (Tor Books)
Best Novella – No Award
Best Novelette – “The Day the World Turned Upside Down” by Thomas Olde Heuvelt (Lightspeed, April 2014)
Best Short Story – No Award
Best Related Work – No Award
Best Graphic StoryMs. Marvel Volume 1: No Normal (Marvel Comics)
Best Dramatic Presentation (Long Form)Guardians of the Galaxy
Best Dramatic Presentation (Short Form)Orphan Black: “By Means Which Have Never Yet Been Tried”

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Fantasia Diary 2015, Days 10 and 11: On the White Planet and The Blue Hour

Fantasia Diary 2015, Days 10 and 11: On the White Planet and The Blue Hour

On the White PlanetThursday, July 23, was the first day of the Fantasia Festival I chose not to see any movies. Wandering down to the screening room was a very real temptation, but I desperately needed to do laundry and other household chores — as well as to write about the films I was seeing. In fact as I made my plans it seemed that I was entering a relatively light stretch of the schedule, before what looked like a killer weekend.

On Friday the 24th I returned to the De Sève Theatre for two films. The first was an animated Korean science-fantasy called On the White Planet. The second was The Blue Hour, a gay romance from Thailand with elements of horror. Both were interesting to watch and ponder, though I can’t say I found either perfectly satisfying.

On the White Planet, or Chang-baek-han eol-gul-deul, was written and directed by Hur Bum-wook, and comes from the same animation school as Park Hye-mi’s Crimson Whale. It’s an extremely bleak but startlingly beautiful movie. It takes place on another planet (or some other time period of this planet) where there is no colour — everything’s white. Except for the sky and the lead character, Choi Min-je. Min-je’s flesh marks him out as an outcast, in what seems a very direct metaphor. Isolated at the start of the movie, he falls in with a gang, and things go from bad to worse. Murder and rape and all sorts of pain follow, and eventually the movie becomes a sort of extended chase as Min-je seeks sanctuary with two fellow escapees from the gang, and then goes on to try to find a way off the white planet.

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Vintage Treasures: Flamesong by M.A.R. Barker

Vintage Treasures: Flamesong by M.A.R. Barker

Flamesong back-small Flamesong spine-small Flamesong-small

In my last Vintage Treasures article, I talked about M.A.R. Barker’s first novel The Man of Gold, the first of five fantasy novels set in the famed world of Tékumel, one of the most celebrated fantasy settings ever created.

Barker followed The Man of Gold a year later with an even more ambitious sequel, Flamesong. Flamesong was highly acclaimed… but only by those few who read it. It’s a tough find today; unlike the first book, which was reprinted by DAW, had a British edition, and is currently in print in both trade paperback and digital formats, Flamesong vanished shortly after it appeared. It has never been reprinted, and is highly sought today by Tékumel fans.

Click on the image at left to read the back cover text (or any of the images above for bigger versions.)

Flamesong was published by DAW Books in September 1985. It is 412 pages, priced at $3.50. The wraparound cover is by Richard Hescox. It is currently out of print, and there is no digital edition.

Future Treasures: Dragon Heart by Cecelia Holland

Future Treasures: Dragon Heart by Cecelia Holland

Dragon Heart Cecelia Holland-smallCecelia Holland has written over thirty novels, ranging from historical fiction to science fiction to historical fantasy. Her novels include the space opera Floating Worlds, the Viking saga trilogy The Soul Thief, Byzantine Empire tale Varanger, and The King’s Witch. Her latest is a tale of new-born empires, ancient kingdoms, deadly court intrigue…. and a mysterious dragon of the sea.

Where the Cape of the Winds juts into the endless sea, there is Castle Ocean, and therein dwells the royal family that has ruled it from time immemorial. But there is an Empire growing in the east, and its forces have reached the castle. King Reymarro is dead in battle, and by the new treaty, Queen Marioza must marry one of the Emperor’s brothers. She loathes the idea, and has already killed the first brother, but a second arrives, escorted by more soldiers. While Marioza delays, her youngest son, Jeon, goes on a journey in search of his mute twin, Tirza, who needs to be present for the wedding.

As Jeon and Tirza return by sea, their ship is attacked by a shocking and powerful dragon, red as blood and big as the ship. Thrown into the water, Tirza clings to the dragon, and after an underwater journey, finds herself alone with the creature in an inland sea pool. Surprisingly, she is able to talk to the beast, and understand it.

So begins a saga of violence, destruction, and death, of love and monsters, human and otherwise.

Dragon Heart will be published by Tor Books on September 1, 2015. It is 286 pages, priced at $25.99 in hardcover and $12.99 for the digital edition. The cover is by Lucas Graciano.

The Great Serialization Experiment: Attack on Multiple Fronts!

The Great Serialization Experiment: Attack on Multiple Fronts!

As mentioned last time, serializing has its challenges and potential successes, JUST LIKE ANY WORTHWHILE BATTLE!

Plus: Strike a Pose.
Plus: Strike a Pose.

Different Attack Plans:

  • POWER RANGERS MORPHING TIME: You can serialize a novel in several chunks, which can then be put together into one giant destructo-omnibus, like I did with Nigh.
  • D&D MIGHTY PARTY: You can serialize a universe in several stand-alone projects that are all linked to one another.
  • FRANKENSTEINING: You can also serialize a book one chapter at a time, with or without a subscription service or a social media platform such as Wattpad.

My first serialization was done à la Frankenstein with an existing book, Destiny’s Blood, on Wattpad. There are two other books in the series, so the hope was that readers would either get impatient and buy Destiny’s Blood before I was done posting it, or they’d at least buy the other two novels.  Linda Poitevin, author of the Grigori Legacy series, had lots of success on Wattpad. Check out her details on the subject.

Nigh was serialized differently, à la Power Rangers Morphing Time, with the whole novel published in five parts (you don’t *need* five parts to morph together, but if it worked for the Power Rangers and Voltron, you obviously can’t go wrong).

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