Talking The Rings of Power: Harfoots :-(

Talking The Rings of Power: Harfoots :-(

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I eagerly tuned in a couple weeks ago to watch the Georgia – Tennessee game. Having beaten Alabama in one of the most exciting games of the season, the Vols were ready to establish themselves as the new kid on the block and hit the College Football Playoff like Mt. Vesuvius exploding. Yeah… I’ve always liked the phrase, “The moment was not too big for him.” This was the biggest moment in Tennessee football since Tee Martin took them to the 1998 national championship. I liked Martin and I wish the Steelers had kept him longer as a backup QB after drafting him.

Anywhoo…the moment was WAAAAY took big for Hedron Hooker (and the rest of the Volunteers). That game was over midway through the first quarter. Tennessee simply was not ready to deal with a focused Georgia team, on the road. They got spanked. I’ve got over a thousand words on Numenor for this series. But I still can’t get it shaped and dialed in. So far, Numenor is too big for me. So, I will keep working on it (the reading alone is taking hours) for another week.

Which leaves me on Sunday morning searching for a new topic. I’m gonna get the harfoot thing out of the way. Following the proper format, THE GOOD was going to be that they killed a harfoot in the season finale.

THE BAD was everything else about them being in the series.

My hardback copy of the Silmarillion is 311 pages (including Tables). The book proper ends on page 304. And the ONLY reference to hobbits in the ENTIRE book is on page 303. That’s it, except that it continues to the first paragraph of page 304. Harfoots and hobbits had nothing to do with the First and Second Ages. But here they are, dead in the middle of the Rings of Power. For those of us who don’t like hobbits, their presence is the worst part of the show. And TOTALLY unnecessary.

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The Frighteners: A Re-View in 3 Parts, Part 3: I See What He Did There

The Frighteners: A Re-View in 3 Parts, Part 3: I See What He Did There

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The Frighteners 15th Anniversary Blu-Ray

Read Part I: The Real-Life Inspiration, and Part 2: Humor & Horror Examples + A Recap.

When I sat down to write about The Frighteners, I found myself writing around the “problem/s” with the movie. At first I thought it didn’t have enough plot, but it has plot points galore, and while every character seemed to be a trope or stereo-type, there were lots of hints about the depths of these characters and their relationships. I deleted a fair bit of what I wrote, after I realized that I wasn’t finding the problem. So I watched it a third time. It was like scales fell from my eyes. I think I understand Peter Jackson’s formula for the film, and having clued into that, I liked it ever so much more.

The Frighteners is two films sharing the same celluloid, but paying little or no attention to the other. The scary ghost story is unaware of the broad comedy, and vice versa.

In this world, average humans and average ghosts share the same locations and space, but are generally unaware of each other. The living are busy with their stuff, and the ghosts are tightly focused on their own problems (like avoiding bully ghosts). There are a scarce few ghosts, and even fewer humans, who are aware or care about what’s going on with the denizens on the other side of the veil, even if they’re standing physical elbow to ghostly jowl on the street corner waiting for the light to change.

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Vintage Treasures: The Crystal World by J.G. Ballard

Vintage Treasures: The Crystal World by J.G. Ballard

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The Crystal World (Berkley Medallion, March 1967). Cover artist unknown

I was intrigued by my buddy Jeffrey Ford’s brief but enticing description of J.G. Ballard’s novel The Crystal World on Facebook yesterday:

I read it years ago, but I still remember it very vividly. It had this dual sensibility of being really pulpy and yet wonderfully deep. The slow and then quickening crystalization of the world is freaky. And the description of the narrator finally outmaneuvered by it and overtaken is both frightening and beautiful.

When it comes to the beautiful and the weird, Jeff knows what he’s talking about. His marvelous short story “Exo-Skeleton Town” appeared in the very first issue of Black Gate (way back in 2001), and won the Imaginaire Award in France a few years later. Jeff’s novels include The Well-Built City Trilogy, The Portrait of Mrs. Charbuque (2002), The Shadow Year (2008), and Ahab’s Return: or, The Last Voyage (2018).

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James Nicoll on Five Classic SFF Collections Too Good to Be Forgotten

James Nicoll on Five Classic SFF Collections Too Good to Be Forgotten

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A Pride of Monsters (Collier Books, 1973), Eyes of Amber (Signet, 1983) and Neutron Star
(Ballantine, 1976). Covers by Richard Jones, Tom Kidd, and Rick Sternbach

Over at Tor.com, James Davis Nicoll looks at a fine set of vintage SF collections, including Eyes of Amber and Other Stories by Joan D. Vinge.

Vinge began her publishing career with memorable novellas and novelettes. It’s therefore quite frustrating that, to my knowledge, there are only three collections of her work, all out of print. Of the three, Eyes of Amber and Other Stories is by far the best. In addition to the title story, a tale of aristocratic ambition and rock & roll set on Titan, the collection provides tales that range from straight-up adventure to puzzle stories, from classic hard SF to a deep space murder thriller, all skillfully written.

In addition to Vinge, James looks back at some very fine books by Tanith Lee, Katherine MacLean, Larry Niven, and James H. Schmitz.

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Goth Chick News: Mrs. Torrance Goes Back in Front of the Camera

Goth Chick News: Mrs. Torrance Goes Back in Front of the Camera

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Shelley Duvall, 1970

By now it’s no secret that filming The Shining took a serious toll on Shelley Duvall. Calling this my number one favorite horror movie while acknowledging this fact takes some of the joy out of watching what is an incredible performance on Duvall’s part. Her vulnerability and frailness alongside her emotional bully of a husband, played by Jack Nicolson, is a big part of what Stephen King hated about director Stanley Kubrick’s interpretation of King’s work. If you’ve ever read the novel The Shining, then you know Duvall’s character Wendy as a much different person. But it is the performance Kubrick wrenched out of Duvall that really makes the film. She personifies the horrors happening around her, which are etched on her face in nearly every scene.

And before you say that perhaps Duvall was already mentally fragile when she went to work on the film, and Kubrick’s isolating, task-master tactics was him just being a brilliant director, I invite you to watch the documentary filmed by Kubrick’s daughter. Vivian Kubrick was 17 when she filmed and directed The Making of the Shining for the BBC, alongside the actual filming of the movie. The short film eventually appeared on DVD editions of The Shining. But it wasn’t until 30 years after its making, and a lot more enlightenment about mental health issues, that the documentary generated articles and conversation about the mistreatment of Duvall by Kubrick which was evident throughout.

I found The Making of the Shining in its entirety on YouTube if you want to see for yourself…

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Random Reviews: “In the Bookshadow” by Marianne de Pierres

Random Reviews: “In the Bookshadow” by Marianne de Pierres

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Cover by John Picacio

In 2002, Greg Ketter, the owner of Minneapolis’ DreamHaven Books, published the original anthology Shelf Life: Fantastic Stories Celebrating Bookstores. The anthology includes one of my favorite stories, P.D. Cacek’s “A Book, By Its Cover.” It also included sixteen other stories, and, while I have re-read Cacek’s story over the years, I haven’t necessarily re-read many of the other stories since the book was originally published. While the book includes work by major names such as Neil Gaiman, Gene Wolfe, Charles de Lint, Nina Kiriki Hoffman, and Harlan Ellison, it also contains stories by less well-known names, including Marianne de Pierres, who had only published a handful of stories when Shelf Life came out, although she has proven to be more prolific in the years since.

Her contribution of Shelf Life is the story “In the Bookshadow,” which explores some of the more marginal customers at a bookstore. Anyone who has worked in retail knows that there are a variety of customer types.  Most come and, make their purchases, and leave, the presence only noted by the brief exchange at the cash register. Others are star customers. The staff knows them and looks forward to their visits. They are personable, spend a lot of money, and make the employees feel as if they are doing a real service. De Pierres’ protagonist is the employee who takes care of the marginal customers who give everyone else the willies.

When she begins to start seeing things out of the corner of her eye in the bookstore, she points them out to the customers, who don’t confirm her visions, but also appear to be doing something to protect her from the strange entities that seem to appear when nobody else is around.

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Ellsworth’s Cinema of Swords: Buccaneers Three

Ellsworth’s Cinema of Swords: Buccaneers Three

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The Buccaneer (USA, 1958)

Pirates were a popular subject in midcentury Hollywood — but piracy, not so much, because it was obviously committed by bad people who would take all your stuff, given the chance (and maybe do worse). Thus the common cinematic usage of the term buccaneer, which sounds like it just describes a gentleman adventurer with an attitude rather than someone who would casually cut your throat and throw your corpse over the side. Aye, call your pirate movie a buccaneer’s tale, and even theatrical markets in the iron grip of the Legion of Decency will smile and let your film be shown at Saturday matinees to audiences full of kiddies. All keelhauling is to be conducted offscreen, if you please.

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New Treasures: We Could Be Heroes by Mike Chen

New Treasures: We Could Be Heroes by Mike Chen

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We Could Be Heroes (Mira, November 30, 2021). Cover design: Elita Sidiropoulou

Okay, I’m a little late with this one (it was published nearly a year ago). But I just found it at Barnes & Noble a few weeks back, and it’s quickly floated up to the top of my TBR pile, so I claim special circumstances.

The superhero novel is enjoying its time in the sun right now. Veronica Roth had a bestseller with her superhero dark fantasy Chosen Ones; so did Marissa Meyer with her Renegades trilogy. But Mike Chen’s humorous novel of two former archrivals — one with the power to wipe minds, and one with super speed and strength — who meet in a memory loss support group and gradually realize they each hold the key to the other’s recovery, and the clues to a deadly mystery, is the one I’m clearing the decks for. Buzzfeed calls it “an incredibly fun and thoughtful take on superhero lore,” and Martin Cahill at Tor.com say it’s “Wonderful.”

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Talking The Rings of Power: Miriel

Talking The Rings of Power: Miriel

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Talking The Rings of Power continues; wherein I look at something good, and something bad, about one element of the show. Then I talk a lot more about Tolkien’s actual writings about it. THIS SERIES IS FULL OF SPOILERS – related to the show, and Tolkien’s writings. You have been warned!

I’m still working on the Numenor entry, as that Middle Earth version of the Atlantis story is a favorite. This week, I’ll look at Miriel, a tragic figure in The Silmarillion. Hurin, Thrain, Beren, Fingolfin, Miriel – lot of tragic characters in that book.

THE GOOD

Miriel is the Queen Regent of the mighty human nation of Numenor. Her father, Tar-Palantir, is a bit brain-addled and she is ruling in his stead. He dies in the final episode, which will formally make her queen. Though, she’s on a boat, coming back to Numenor, blinded from evil doings in the Southlands.

Cynthia Adddai-Robinson does a pretty good job as Miriel. Miriel is merely Tar-Palantir’s daughter and does not rule at all in The Silmarillion. So, the RoP folks are once again playing pretty free with the storytelling; but not quite fast as usual.

Miriel is haughty, intelligent, thoughtful, and we see her nobility of character. Kind of snotty, which befits a Numenorian, but also representative of the ‘good ones.’ They became a rather bad lot, and I’m sure we’ll see the opposite side of the coin, in Pharazon.

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The Frighteners: A Re-View in 3 Parts, Part 2: Humor & Horror Examples + A Recap

The Frighteners: A Re-View in 3 Parts, Part 2: Humor & Horror Examples + A Recap

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The Frighteners (Universal Pictures, 1996)

Read Part I: The Real-Life Inspiration here.

I hadn’t seen The Frighteners since it was in the theaters in 1996, until I watched it again last week. Twice. I had drastically different reactions between the second and third viewings.

After my first 2022 re-view, I came away thinking the movie was mainly just paying homage through pastiche to a lot of things. While it had interesting vignettes with diverse tones and styles, it never fully gelled into its own thing. It’s as if it went to a Halloween costume shop, tried on and modeled a dozen different outfits, then later said, “What did you think of my costume?” It was more a fashion show than a full narrative arc.

It was equal parts horror and humor. Often, an equal ratio doesn’t work well. It comes off as a split personality, or two different films sharing a movie reel. This is especially true when the humor isn’t a coping mechanism for the protagonist or an emotional vent for the audience. The humor was there, but it never really served a purpose in the way humor normally does when mixed with horror. The two parts seemed at odds.

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