Beauty and Nightmare on an Alien World: NIGHTBORN: COLDFIRE RISING BY C. S. FRIEDMAN

Beauty and Nightmare on an Alien World: NIGHTBORN: COLDFIRE RISING BY C. S. FRIEDMAN

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Nightborn: Coldfire Rising by C. S. Friedman. (DAW Books, July, 18th, 2023, 304pages). Cover art by Jeszika Le Vye.

 

What if your feelings had shape and were visible?

What if you could see your nightmares manifest as they turned on you?

C. S. Friedman has published 14 novels, including the highly acclaimed Coldfire Trilogy and the groundbreaking science fiction novel This Alien Shore (New York Times Notable Book of the Year -1998). Her Nightborn: Coldfire Rising novel will be published this July, 2023 by DAW Books; this post reviews an advanced review copy (preorder from the publisher).

The stunning cover art by Jeszika Le Vye evokes and extends the signature covers of the Coldfire Trilogy crafted by Michael Whelan; the trilogy was released during 1991-1995 followed by a 2012 prequel novella, Dominion. Note that a revised version of Dominion, starring the Hunter himself, is in Nightborn.

And stay tuned — Black Gate has an interview in the works with C. S. Friedman (a perfect fit for our series on Beauty in Weird Fiction).

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Vintage Treasures: The 1987 Annual World’s Best SF edited by Donald A. Wollheim and Arthur W. Saha

Vintage Treasures: The 1987 Annual World’s Best SF edited by Donald A. Wollheim and Arthur W. Saha

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The 1987 Annual World’s Best SF (DAW Books, June 1987). Cover art by Tony Roberts

By the time The 1987 Annual World’s Best SF appeared as a paperback original from DAW Books in mid-1987, editor Donald A. Wollheim was of course well established as one of the most important and influential — perhaps the most influential — editor in science fiction. Founding editor at Ace Books, and founder of DAW Books, Wollheim had been editing The Annual World’s Best SF series since 1965, when he launched the series with his assistant Terry Carr. It would run for only three more years, until his death in 1990.

The 1987 volume, the 23rd in the series, is an exemplary installment. It includes Lucius Shepard’s groundbreaking novella “R&R,” a Nebula Award winner; Roger Zelazny’s Hugo award-winning “Permafrost;” Howard Waldrop’s Nebula nominee “The Lions Are Asleep This Night;” and Pat Cadigan’s Nebula nominee “Pretty Boy Crossover;” plus stories by Tanith Lee, Doris Egan, Robert Silverberg, Damon Knight, Suzette Haden Elgin, and more.

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The Thing Meets The Handmaid’s Tale: Camp Zero by Michelle Min Sterling

The Thing Meets The Handmaid’s Tale: Camp Zero by Michelle Min Sterling

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Camp Zero by Michelle Min (Sterling Atria Books, April 4, 2023)

Camp Zero, Michelle Min Sterling’s debut, is a climate change novel that takes place in a near future where only the wealthy can enjoy the best the world has to offer as the temperature and sea levels rise rapidly, forcing them to take refuge in floating cities, virtual worlds, and the great white north.

These wealthy individuals are invading Canada by buying up tracts of land where they can escape the 110-degree (F) average temperatures of places like LA. Meyer, a classic tech-bro architect, has a vision of Camp Zero, a far north city of geodesic domes, and has brought together a team of locals to build it, although that may not be his real agenda. He has also brought in a team of “hostesses,” complete with a madam, to keep the executive staff happy and as occasional treats for the “diggers.” Grant, the camp’s latest hire, is an English teacher fresh out of prestigious Walden University, eager to cut ties with his wealthy family and settle into a quiet academic life surrounded by Nordic furniture and fields of snow.

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Goth Chick News: Nicolas Cage as Dracula? Yes, Please

Goth Chick News: Nicolas Cage as Dracula? Yes, Please

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I recently enjoyed one of my periodic, cathartic rants about the state of vampires on film in the past couple of decades. Having had it with the very liberal license the entertainment industry has taken with my favorite classic monster, I was happy to share that Hollywood was finally going to give us a seriously violent throw-back version in the form of The Last Voyage of the Demeter. However, though I took exception to vampires being depicted as angsty, flannel-wearing mopes who despised their own blood-sucking nature, I never mentioned believing that vampires should not have a sense of humor.

I mean, if you had to hang around watching humans for roughly 590 years, you’d have to be able to laugh at stuff, right?

If you think about it, Dracula must appreciate the irony of his situation. Certainly director Chris McKay (The Tomorrow War, The LEGO Batman Movie) screenwriter Ryan Ridley (Ghosted, Rick & Morty), and comic book writer Robert Kirkman (The Walking Dead, Invincible) gave it a lot of thought, which is why you should mark your calendars for April 14th.

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New Treasures: Rubicon by J.S. Dewes

New Treasures: Rubicon by J.S. Dewes

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Rubicon by J.S. Dewes (Tor Books, March 28, 2023). Cover art by Shutterstock

J.S. Dewes’ two-book debut series The Divide was published in 2021 to plenty of breathless acclaim. In her mid-year wrap-up of The Best Sci-Fi and Fantasy Books of the Year, Sadie Gennis at Vulture called opening book The Last Watch “one of the most stunning sci-fi series debuts of recent years… [a] nail-biting space epic,” and Booklist proclaimed it “a bravura debut that blends great action with compelling characters.”

Her new novel Rubicon arrived this week, and it sounds right up my alley. A military SF novel that blends A.I. with a twisty plot and a far future setting, Rubicon has been called “A fresh and forward-looking story about the costs of “forever” wars… Witty and readable, it features an endearing cast of characters and fast-paced action” by Library Journal, and Publishers Weekly says it’s “A standalone outing that is simultaneously thoughtful and pulse-pounding… Fans of smart military sci-fi will be riveted.“

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Senator, You’re No Jack Kennedy. Continautors – Yes or No?

Senator, You’re No Jack Kennedy. Continautors – Yes or No?

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Official continuators of a literary series can engender mixed emotions. Some folks are happy to see more stories of a character they like – even if the creator has died. Others feel that only the original author should write that character and they should lie in the grave together.

Characters eventually enter the public domain. Though exactly when varies in different countries; and it’s not always clear, regardless. But the rights holders (often the family of the author, or their Estate) contract with someone to continue the series. I have read several official continuations (though I still haven’t gotten around to Ben Black’s Philip Marlowe. And as I recall, Poodle Springs didn’t do anything at all for me). I’m gonna talk about a few, with comments on the concept, mixed in.

Tony Hillerman/Anne Hillerman

Anne Hillerman had previously written some non-fiction when she took over her late father’s Navajo Tribal Police series. The ONLY reason she is writing these books is because she owns the rights. Quite simply, her continuation novels are terrible. And are a bastardization of her father’s books. I wish someone could prevent her from any more of them.

Anne completely transformed her father’s series. She was not interested in writing more books in his style. Expanding from ‘Leaphorn and Chee.’ they are now officially ‘Leaphorn, Chee, and Manuelito Novels.’ She has completely shifted the emphasis to Bernie Manuelito. Chee is an emasculated husband who would be better off completely out of the books. They’re now like Lifetime movies about Bernie and her issues with her mom and sister, and unhappiness with Chee’s attitude at least once a book. It’s exhausting read them.

Louisa Bourbonette is now so annoying, I wish that Leaphorn (who was actually lobotomized by a gunshot wound in the first two books) would dump her.

Stargazer (the sixth book) is the worst continuation novel I’ve ever read. Well, I actually, partly read. The first five books were bad, and that one was so terrible, I abandoned it part-way through.

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The Cambion Journals series ends with Rise of the Despoiler by Andrew Paul Weston

The Cambion Journals series ends with Rise of the Despoiler by Andrew Paul Weston

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Rise of the Despoiler: The Cambion Journals, Book Six, by Andrew P. Weston (Raven Tale Publishing. Kindle edition; released Mar 2023, 186pages).

The Cambion Journals is a series of six novellas that ends with Rise of the Despoiler; it was just released March 15, 2023 (Raven Tale Publishing). Last August we highlighted the release of Book Three: The Siren Song and overviewed Andrew Paul Weston’s history with Black Gate.  Prior to that, veteran author and Black Gate contributor Joe Bonadonna reviewed Book One: A Hybrid’s Tale review and Book Two: Call of the Cambion.  Learn more about The Cambion Journals by reading the below novella summaries and visiting the author’s website and the series’ website.

“The world-building is sublime. Andrew Weston is a mastermind when it comes to world-building. He intricately lays the foundation in each book like a craftsman. It may be all in the author’s imagination, but on paper, it’s sheer brilliance. I got sucked into the world he created, and I loved every moment.” – N. N. Light – Amazon Vine Voice

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Vintage Treasures: What If?, Volumes 1-3, edited by Richard A. Lupoff

Vintage Treasures: What If?, Volumes 1-3, edited by Richard A. Lupoff

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What If, Volumes 1-2 (Pocket Books, 1980 and 1981) and Volume 3
(Surinam Turtle Press, 2013). Covers by Richard Powers and Gavin L. O’Keefe

Richard Lupoff was a True Believer. By which I mean he gave his career to science fiction, and both cared about it deeply and wrote about it fairly extensively — like Isaac Asimov, Brian Aldiss, Harry Harrison, Terry Carr, Sam Moskowitz, Donald A. Wollheim, Barry N. Malzberg, Gardner Dozois, and a handful of other crusty old timers.

The thing about True Believers is they have opinions. Boy, do they. They’re happy to tell you when the Golden Age of Science Fiction actually was, what they think of modern SF, and what should have won the Hugo Award last year. And the year before that. They’re especially vocal about awards, come to think of it.

Lupoff didn’t just spout off about stories that were unjustly robbed of a Hugo Award — he actually did something about it. In 1980 and ’81 he published two highly-regarded anthologies, What If? Volume One and Volume Two, which brazenly set out to “Remedy the Injustices of the Past Three Decades!” (that’s right there on the back cover copy) and collect the fiction that SHOULD have won the Hugo Award every year, starting with 1953 and working all the way up to 1965. In 2013, Surinam Turtle Press released the long-delayed third volume, presenting Lupoff’s selections for the fiction that should have been awarded SF’s highest honor in 1966-1973.

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Goth Chick News: Let Me Tell You a Story About Frankenstein

Goth Chick News: Let Me Tell You a Story About Frankenstein

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Frankenstein by Mary Wollstonecraft Shelley, illustrated by
Bernie Wrightson (Gallery Books, Illustrated edition, April 27, 2021)

Gather round horror fans, I have a dreadfully interesting tale to tell you.

We start in the year 1818, when Mary Shelley brought to life an iconic monster, touching upon many human failings and fears in the process. Frankenstein’s creation (we sometimes forget the monster did not have a name, although he does call himself, when speaking to his creator, Victor Frankenstein, the “Adam of your labors”) reminds us what can happen when we tamper with nature, and the horrors we are capable of creating. These themes have remained endlessly compelling, giving rise to roughly seventy-five Frankenstein-like movies, and more books and short stories than we can count.

Fast forward to 1983 when a 35-year-old artist named Bernie Wrightson, concluded a seven-year passion-project-tribute to his favorite monster. Originally published by Marvel Comics, Wrightson painstakingly created 50 detailed pen-and-ink illustrations to go alongside Shelley’s original Frankenstein novel. Wrightson (creator of Swamp Thing in 1971) often reminded fans that Frankenstein wasn’t a project he was being paid for, and that his illustrated version was a labor of love which he worked on in between paying gigs.

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