Future Treasures: Some Desperate Glory by Emily Tesh

Future Treasures: Some Desperate Glory by Emily Tesh

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Some Desperate Glory (Tor.com, April 11, 2023). Cover by Cynthia Sheppard.

I’m hearing good things about Emily Tesh’s debut novel Some Desperate Glory, coming next month from Tor.com.

Tesh won a World Fantasy Award for Silver in the Wood, the first novella in her Greenhollow Duology, also published by Tor.com. Some Desperate Glory is the tale of the warrior Kyr, raised among the scraps of humanity to avenge the death of the planet Earth, and what happens when she’s thrust into a universe far more complicated than she was taught. Library Journal proclaims it “A monumental journey,” and Booklist says it’s “One of the best sf novels of 2023… with an action-packed pace full of exciting battles and gut-wrenching twists.”

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Goth Chick News: The Count Returns to His Fangy, Blood-Sucking Origins

Goth Chick News: The Count Returns to His Fangy, Blood-Sucking Origins

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Courtesy Wallpaperflair.com

If you’ve read GCN for any length of time, you’ve probably come to understand that as it pertains to vampires, I am a solid purist. I mean, I’m not at all against imagining them in modern society, as in Blade or Blood Red Sky, and I positively love alternative takes such as Let the Right One In and The Lost Boys. It’s also hard not to be a fan of What We Do in the Shadows because it’s just so darn wrong.

But what is absolutely a no-go for me are vampires who literally ignore all the rules of the genre such as sparkling, or going to high school (if only on cloudy days), etc, etc. If that sounds like the only vampires I don’t like live in Washington state, then you may well be right.

But the vampire stories I adore the most are those which cater to all of Bram Stoker’s original tropes, number one of which is that vampires are scary, blood-sucking monsters. And that’s why what I’m about to share is decidedly good news.

It appears that The Last Voyage of the Demeter, due out later this summer, could be the movie that brings my beloved legendary vampire back to his dark and sinister roots.

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Ellsworth’s Cinema of Swords: The Barbarian Boom, Part 7

Ellsworth’s Cinema of Swords: The Barbarian Boom, Part 7

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Oliver Reed in Gor (USA/South Africa, 1987)

We’ve come to the end of the ‘80s and the last of our Barbarian Boom articles, as fantasy films in the ‘90s diversified to offer a broader portfolio after the waning of Conan fever. And as you’ll see from the movies covered this week, by 1987 the barbarian flick genre had definitely passed into a period of decadence, with filmmakers straining to find ways to keep pumping life into it. Not that there aren’t some weird delights to be had in these desperate final outings, as you’ll see.

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Noir, The Boulevard of Broken Dreams: Bang!, edited by Andrew Hook

Noir, The Boulevard of Broken Dreams: Bang!, edited by Andrew Hook

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Bang!: An Anthology of Modern Noir Fiction (Head Shot Press, March 1, 2023)

For reasons I don’t quite understand I love horror fiction but I hate horror movies.

By contrast, I love noir films but I don’t particularly like noir fiction. 

Yet, this anthology of noir stories has made me change my mind.

I’m not saying that I liked all the stories (that would be statistically impossible, even with horror anthologies) but certainly I was pleasantly surprised by my own response to several of the dark tales featured here.

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Musings from The Busted Flush: John D. MacDonald at Black Gate (so far…)

Musings from The Busted Flush: John D. MacDonald at Black Gate (so far…)

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I’m going to write a post on G.M. Ford’s Leo Waterman series. Waterman is a Seattle-based PI whose dead father was a Tammany-Hall style politician, and he uses some alcoholic bums as his Baker Street Irregulars. Ford wrote six in the series, took a long break, and returned to Waterman and wrote six more books. As with Robert Goldbsorough’s Nero Wolfe continuation novels, the break damaged the series.

While Goldsborough’s second run is, simply, not good, the second batch of Watermans are still worth reading. But the series took a decidedly darker tone. I’ve read five of the second six, and I haven’t enjoyed them nearly as much. I haven’t been in any rush to close it out.

After finishing book eleven (of twelve) last week, I found out that Ford had passed away in December of 2021. I’d met him once at a Bouchercon, and he was a nice guy; Funny. I’m sorry he’s gone. But that confluence of Ford in my life led me to re-read the first book in the series, Who in Hell is Wanda Fuca? And I liked it as much as I did the first time around. What a terrific book! I moved right on to the next, Cast in Stone.

That novel is an homage to one of his favorite writers, John D. MacDonald. And if you read my stuff here, you know that John MacD is my favorite writer, in any genre. I think he’s one of the finest writers of the 20th Century. Meanwhile, book three is a tribute to Nero Wolfe (which is my all-time favorite PI series. So, that’s up next.

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New Treasures: Ion Curtain by Anya Ow

New Treasures: Ion Curtain by Anya Ow

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Ion Curtain (Solaris, July 19, 2022). Cover by John Harris

I love Space Opera but, wow. Why does is exclusively seem to come in 5-book series? Aren’t there any bite-sized nuggets of Space Opera out there that don’t require a three-month commitment? Something that I could enjoy in, say, a weekend in early March?

Solaris Books to the rescue. Anya Ow’s second novel Ion Curtain is a fast-action slice of Space Opera that includes sinister machine intelligences, derelict spacecraft, galactic war, and a plucky crew of space rogues. Publishers Weekly calls it an “addictive space opera… Unexpected humor and thrilling action punctuate this space opera adventure,” and that pretty much tells me everything I need to know.

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Vintage Treasures: Poseidonis by Clark Ashton Smith

Vintage Treasures: Poseidonis by Clark Ashton Smith

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Poseidonis (Ballantine Adult Fantasy #59, July 1973). Cover by Gervasio Gallardo

I’ve been collecting Clark Ashton Smith recently, and I keep coming back to the wonderful Ballantine Adult Fantasy editions edited by Lin Carter in the early 70s.

It’s not nostalgia (well, maybe it’s a little nostalgia). And it’s certainly not that the stories aren’t available in other editions — Smith’s work has been annotated and collected by more than half a dozen publishers this century alone, including Night Shade, Penguin Classics, Hippocampus Press, Prime Books, Bison Books, Centipede Press, and others. It’s not even the great cover art — great as it is (and it’s pretty darn great), Smith has benefitted from some truly excellent cover art for most of his reissues.

What draws me to these editions is Lin Carter’s excellent commentary and editorials. When Carter was assembling these books in the early seventies most of Smith’s work was long out of print, available only in moldering pulp magazines (and a handful of expensive hardcovers from Arkham House), and Carter was introducing one of the greatest pulp writers of the 20th Century to an audience that was woefully unfamiliar with his work. He did a fabulous job of preparing readers for the wonders that awaited them.

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Might For Right: The Once and Future King, Part 1 by T.H. White

Might For Right: The Once and Future King, Part 1 by T.H. White

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“I have been thinking,” said Arthur, “about Might and Right. I don’t think things ought to be done because you are able to do them. I think they should be done because you ought to do them.”

King Arthur, p. 239 The Once and Future King

I first read English author T.H. White’s The Once and Future King when I was seventeen, fresh from seeing the movie Camelot (1967) for the first time (the musical Camelot, by Lerner and Lowe was based on parts of White’s novel). The tale of Arthur Pendragon, by turns both comic and tragic, told in a thoroughly anachronistic and post-modern way, reached me as few other books had. The story of Arthur’s education and effort to create a better world and his ultimate failure and downfall broke my heart. I absolutely loved the book and used it as the basis for my AP English exam essay instead of any of the books I’d read in class (I aced the test). More than any other Arthurian book or movie, White’s book forms my image of Arthur’s doomed noble reign.

I know I reread the book once during college or grad school, but that was over thirty years ago and my memories are dim. To say I approached The Once and Future King last month with some trepidation is an understatement. There’s been more than one greatly admired book I’ve revisited only to find out that whatever affection I held for it had flown. I did not want that to happen here. Nonetheless, spurred again by watching Camelot recently, I was determined to read the book. Having finished the first two parts of the novel, I am happy to find that not only do I still love the book, I’m impressed more than ever by its power and White’s artistry. Note: To convey the latter point, I’ll be quoting the book generously.

The Once and Future King is really four books; The Sword in the Stone (1938), The Witch in the Wood, later retitled The Queen of Air and Darkness (1939), The Ill-Made Knight (1940), and The Candle in the Wind (1958). The first three were all published as standalone novels, the fourth only as part of the unified four-book collection. A fifth part, The Book of Merlyn (1977), was written in 1941 but wasn’t published until long after White’s death in 1964. For today, I’m going to write on the first two parts.
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Step into the Shadowdark … you might like it

Step into the Shadowdark … you might like it

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For those who don’t know about the Open Game License “incident” from earlier this year, it’s too complicated to lay out in an introduction, so go look it up, then come back to this article.

Crazy, right? Despite Wizards of the Coast walking back a lot of what they were going to do, players and game designers alike are giving serious thought into whether or not they want to continue playing with this game system. While many are sticking with 5th Edition (5E) Dungeons & Dragons, others are looking into something completely different, including games that simulate the 1st Edition rules (known as Old School Renaissance or OSR). Which puts Kelsey Dionne at Arcane Library in the perfect time to release her long-awaited Shadowdark game, since it combines the fan-favorite elements of 5E and OSR games.

While it might seem like Shadowdark was rushed into production to capitalize on this sudden interest in alternative game systems, the truth is that it’s been several years in development. After the OGL crisis, Kelsey Dionne had to re-work some of the mechanics so that Shadowdark didn’t resemble Dungeons & Dragons too closely, but this just results in the game now looking more like her own unique thing (a similar situation is occurring with Gavin Norman’s also long-awaited Dolmenwood game). There are still the usual 6 character traits, armor class, and hit points. But complicated encumbrance rules are now replaced by a simple gear slot mechanic (you can carry as many items as your Strength score). The magic system looks like the traditional Vancian system used in every version of Dungeons & Dragons, but now it’s limited by a spell mishap table (similar to what you find in Dungeon Crawl Classics). Darkvision has been completely eliminated as an option for player characters, making those torches far more important and the threat of losing your light source far more intense (since ALL monsters can see in the dark). …

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Goth Chick News: Stokers, Stokers, Everywhere, But Still Not One For Me

Goth Chick News: Stokers, Stokers, Everywhere, But Still Not One For Me

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Another year has passed without a single Bram Stoker Award appearing for sale on eBay. I really thought my time had come when I I told you that the Horror Writers Association (HWA) announced it had expelled a member from its ranks, who had been the recipient of multiple Stokers. As the recipient was entirely unrepentant, I felt sure he would make a statement by publicly unloading his awards, but alas. As my only hope of having one is to buy one on the open market, my mantle remains bereft of the pinnacle of all awards.

The Bram Stoker Awards have been presented annually since 1987, and the winners are selected by ballot from the approximately 1800 active members (in good standing) of the HWA. Several members of the HWA, including Dean Koontz, were originally reluctant to endorse such writing awards, fearing it would incite competitiveness rather than friendly admiration. The HWA therefore went to great lengths to avoid mean-spirited competition by specifically seeking out new or overlooked writers and works, and officially issuing awards not based on “best of the year” criteria but for “superior achievement,” which allows for ties.

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