Ellsworth’s Cinema of Swords: Avenging Women

Ellsworth’s Cinema of Swords: Avenging Women

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Lady in the Iron Mask (USA, 1952)

Much as Your Cheerful Editor loves it when it’s the women in a movie who are plying the swords, he must admit that the swashbuckling films of the 20th Century betrayed women wielding their weapons as often as they glorified them. Filmmakers kept putting swords in ladies’ hands because it’s such an attractive image, but then usually gave those sword-swingin’ women short shrift. Most of the time this was just reflexive sexism of the “Of course women don’t fight as well as men” variety, but toward the end of the century, during the backlash against the rise of feminism, the attitude was often open scorn. There are a lot of things I miss about moviemaking from Hollywood’s golden era, but endemic misogyny isn’t one o them.

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5 More Things I Think I Think: March, 2023

5 More Things I Think I Think: March, 2023

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I enjoyed last week’s 10 Things I Think I Think. And it got some comments, which is kinda the goal of blogging. So, following up with 5 More Things I Think I Think.

1) THREE PINES is a Prime Original, based on a books by Canadian author Louise Penny. The series is at 18 novels and still going! Alfred Molina is Inspector Armand Gamache, head of the Quebec Surete homicide department. It’s a French-Canadian murder mystery with a little bit of supernatural. Kinda like a splash of Weird Tales mixed in. The Three Pines area has the crime rate of a rural Agatha Christie village. Here’s the trailer.

Molina’s career has produced over 200 credits spanning thirty-five years. He’s been in a lot of stuff. He’s probably most recently recognizable as Doc Ock in Toby Maguire’s Spider Man movies. He was Hercule Poirot in a 2001 (modern-day) version of Murder on the Orient Express for TV. It’s still poorly considered by Poirot fans. I will add that in 2021, he was Poirot in LA Theater Works’ radio play of The Murder on the Links, and he was very good. I bought it with an Audible credit and listen to it regularly. Recommended.

He is terrific in Three Pines. I think he makes the show. The supporting cast (including Donald Sutherland’s son, Rossif) is solid but the for me, Molina is the centerpiece. He’s very human. I get a strong Maigret vibe, and I would like to see him play Georges Simenon’s French inspector.

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Infinity, June 1956: A Retro Review

Infinity, June 1956: A Retro Review

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Infinity Science Fiction, June 1956. Cover by Ed Emsh

In my previous Retro Review I covered If, which I called a “classic digest magazine of what might be called the “second tier” of SF magazines.” Infinity was another, though it lasted for a much shorter time — 19 issues from 1955 through 1958. (I note for the record that the magazines of the so-called “first tier” – that is, the Big Three of Astounding/Analog, Galaxy, and F&SF – all went through ups and downs in quality and sometimes other magazines surpassed them – notably Venture in the late ‘50s, If in the mid-60s, Thrilling Wonder and Startling in the early ‘50s, and others, including, as John O’Neill reminds me, Amazing and Fantastic in the early ’60s under Cele Goldsmith Lalli. I’ll also note that there was surely a third tier, magazines of lesser quality than the likes of If and Infinity.)

The editor of Infinity was the greatly respected Larry T. Shaw. The original anthology series Infinity, from the early 1970s, edited by Robert Hoskins, was published by Lancer Books, which was the successor company to Royal Publications, the firm responsible for the magazine. Indeed Robert Hoskins was the immediate successor to Larry Shaw as editor of the Lancer SF line. Hoskins did reprint the most famous story the magazine published, Arthur C. Clarke’s Hugo winner “The Star,” in the first volume of the original anthology, and therein he called the anthology the “lineal descendant” of the magazine.

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Vintage Treasures: Tuf Voyaging by George R.R. Martin

Vintage Treasures: Tuf Voyaging by George R.R. Martin

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Tuf Voyaging (Baen, February 1986). Cover by David Willson

George R.R. Martin is the most successful living American science fiction and fantasy writer. He mostly gets attention for his novels these days, but early in his career he was chiefly known for his wonderfully moody and imaginative short stories, most of which were set in his sprawling Thousand Worlds universe, including the novel Dying of the Light and the famous stories “Sandkings,” “Nightflyers,” “A Song for Lya,” and “The Way of Cross and Dragon.”

Many of Martin’s most ardent fans are unaware of his Thousand Worlds series featuring Haviland Tuf, a small time merchant who inadvertently comes into possession of one of the greatest weapons in the galaxy, a 30-kilometer long seedship known as the Ark. Inspired by the work of the great Jack Vance (and written in a style that sometimes imitates Vance), the tales garnered a number of major award nominations, and were collected in Tuf Voyaging by Baen in 1986.

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Nonstop SF Adventure: The Mickey7 Novels by Edward Ashton

Nonstop SF Adventure: The Mickey7 Novels by Edward Ashton

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Mickey7 and Antimatter Blues (St. Martin’s Press,
February 15, 2022 and March 14, 2023). Cover design by Ervin Serrano

Truth to tell, I missed Edward Ashton’s novel Mickey7 last year, despite all the breathless praise heaped on it (NPR listed it as one of the Best Books of 2022, calling it “A wildly entertaining mix of action and big ideas peppered with humor and a bizarre love story”). It was our very own Brandon Crilly who tuned me in to the coolness of Mickey7 with his mid-2022 Roundup, in which he wrote:

Gods this was a fun read. Ashton begins with protagonist Mickey stuck at the bottom of a pit and certain he’s going to die, since he’s the Expendable and his colony will just regenerate him. Except things take various turns from there, due to the threat of alien attack, the idiosyncrasies of the colonists, or the bizarre experience of being the seventh iteration of yourself. If you’ve ever spent nights thinking Okay, but the transporter really kills folks and then duplicates them, right, this is most definitely a book for you.

And now the sequel Antimatter Blues, which arrived this week from St. Martin’s Press, is being called “A nonstop SF adventure from beginning to end” (Library Journal).

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Goth Chick News: We’re Definitely Tuned to TPub’s Latest Twisted Tale

Goth Chick News: We’re Definitely Tuned to TPub’s Latest Twisted Tale

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It was way back at the 2014 Chicago Comic and Entertainment Expo when we were first introduced to a fine British lad Neil Gibson and his fledgling comic company TPub. Gibson was there to promote volume one of TPubs inaugural graphic novel, Twisted Dark. At the time Gibson described the comic as a psychological thriller which contained horror with dark (at times demented) twists, incorporating every human emotion, illegal activity, and brutal social commentary.

Nine years and twenty-two publications later, including a total of seven volumes of Twisted Dark, Gibson’s original description of TPub’s first offering seems to have transformed into a mission statement. Often exploring the darkest depths of human nature within their storylines, I have devoured each and every TPub comic since the first. But frankly, no matter how intriguing the story, we all know the visuals make or break a comic. TPub also excels on this front by employing incredible artists to augment every frame with rich detail and cinematic viewpoints.

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New Treasures: Dead Silence by S.A. Barnes

New Treasures: Dead Silence by S.A. Barnes

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Dead Silence (Tor Nightfire, January 24, 2023). Cover by Timo Noack

Nightfire is Tor’s new horror imprint. Launched in 2019, it’s published books by Silvia Moreno-Garcia, Thomas Olde Heuvelt, Catriona Ward, Cassandra Khaw, Ellen Datlow, T. Kingfisher, and lots more.

That’s all well and good, but has it given us a haunted house story in space that’s a successful cross between 2001: A Space Odyssey and Alien? No. No it has not.

Well, at least it hadn’t until the arrival of S.A. Barnes’ Dead Silence, which Library Journal calls “a compelling haunted-house-in-space frame [with] excellent worldbuilding and sustained tension,” and Locus says is a “great, immersive, atmospheric space horror that proves that, despite rumors to the contrary, horror belongs in space.” (And yeah, for the record, Mur Lafferty tells us Dead Silence offers “the suffocating claustrophobia of 2001: A Space Odyssey mixed with the horrors of Alien.” That’s just not a blend you see every day.)

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Long, Long Time: The Last of Us, Episode Three

Long, Long Time: The Last of Us, Episode Three

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And we’re back with the next episode of The Last of Us. As I outline this piece, the episode has aired a few days ago (vastly different from when this article will be published, I know), and the internet is absolutely buzzing. Most of the chatter I hear is about how devastatingly wonderful this episode is, which makes for a nice change. I’ve curated my social media well.

Let’s get into it, shall we?

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10 Things I Think I Think: March, 2023

10 Things I Think I Think: March, 2023

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1) THE MANDALORIAN remains the best Star Wars property going. My son loves The Bad Batch, and it seems cool. But as I wrote here, the mix of innovation and fidelity; and simply all-around awesomeness, I’ll take this over just about any Star Wars of the past few decades.

I liked Boba Fett – and it didn’t hurt that it was like a subs-series for The Mandalorian. I quit Battlestar Galactica, as it put me to sleep. But I’m a big Katee Sackhoff fan from her work on Longmire. And she is SPECTACULAR as Bo Katan. Absolutely superb. I look forward to this show every week. I think The Mandalorian is outstanding.

2) I did not look forward to ANDOR. Elementary was a police procedural with a Sherlock Holmes overlay. I liked it. Solo was a caper/heist flick (for the first half) with a Star Wars overlay. I liked it. I’m a WW II-resistance movie fan. Andor was a war resistance series, with a Star Wars overlay. And for the most part, it was DULL!

It got better when Andy Serkis became a major character, but this should have been right up my alley. But it was soooo slow, I watched most episode in two or three sittings. Lots of FB friends lavished ‘FINALLY: Star Wars for grown-ups” praise on it. To me, it was the same tone as The Literature people being snobby about Robert E. Howard and Sherlock Holmes: “Oh, you’re reading THAT ‘stuff?’ Go get some George Bernard Shaw, or Flaubert.” Whatever. I think Andor was pretty boring.

3) LETHAL WEAPON (TV SERIES) replaced the Martin Riggs character after season two. And it was canceled after less than a full season three. Apparently Clayne Crawford and the show/studio people did not get along. Whatever. They both probably had some legitimate beefs. But the way they wrapped up his character’s story line at the very end of his final episode, PISSED ME OFF! I haven’t been this mad at a show since the rape scene in Downtown Abbey. It was totally unnecessary, the way they finished up with the Riggs character. They were jack asses.

I continued on with season three. And the show works okay with Sean William Scott (though it’s not as good). But I’m still mad at what they did with Riggs. I think I’m glad the show died not long after.

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Quatro-Decadal Review: The Magazine of Fantasy and Science Fiction, November 1989, edited by Edward Ferman

Quatro-Decadal Review: The Magazine of Fantasy and Science Fiction, November 1989, edited by Edward Ferman

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The Magazine of Fantasy and Science Fiction,
November 1989. Cover by Bryn Barnard

I thought that Asimov’s was going to rule the 1988 roost, but MoF&SF gives it a run for its money.

The issue jumps straight into the fiction!

Fiction — “Icicle Music” by Michael Bishop

A story told in time jumps, starting on Christmas Eve 1957. Danny Pitts, living with his mother in a small boxy house near the waste dump — is up early, and finds his wished-for shotgun that his single mom must have saved for over the year. His father is a bum, out of the picture for a couple of years. Then Danny hears a strange sound, like icicles breaking and the pawing of something on the roof. Then a man comes down the chimney,

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