Goth Chick News: Fan-Girling Over the FAN EXPO

Goth Chick News: Fan-Girling Over the FAN EXPO

Way back in 2010, Black Gate photog Chris Z suggested we check out the Wizard World Chicago Comic Con. This was by no means a new event in our fair city. In fact, the Chicago Comic Con was first held at the Playboy Towers Hotel (yes, that Playboy) in 1972. Wizard World, original publishers of the famous Wizard Magazine, purchased the event in 1996, giving it nationwide publicity and eventually expanded to host similar events in nearly twenty cities. By 2011 it was the largest convention of its kind in Chicago, and though it wasn’t strictly in the idiom of GCN, the show runners were gracious and granted us press passes that year. It turned out to be one of our favorite events and we have covered it every year since.

Like so many other businesses, the entertainment convention industry took a huge hit during the covid-19 pandemic. Even the biggest comic convention in the world, San Diego Comic-Con, which is run by a non-profit organization that also runs WonderCon, admitted the lack of live events during 2020 put a huge burden on the company’s finances. By 2021 Wizard World had cut back their conventions to six including Philadelphia, New Orleans, Portland, Cleveland, and St. Louis. Luckily Chicago remained as well since by now the people we met at this event were the sources of ongoing GCN content throughout the year. However, in August 2021 Wizard World announced they would be selling the convention events business to FAN EXPO.

Read More Read More

From the Age of Splatbooks: Charlemagne’s Paladins by Ken Rolston and Roger Raupp

From the Age of Splatbooks: Charlemagne’s Paladins by Ken Rolston and Roger Raupp


Charlemagne’s Paladins
(TSR, July 1, 1992)

One of the more interesting developments during the AD&D Second Edition years (1989-2000) was the Historical Reference series of campaign sourcebooks.

These green “splatbooks” were well-researched, taking a broad view of history, myth, and legend, and looking at all of it through a D&D lens. Charlemagne’s Paladins is one such shining example. Written by Ken Rolston, illustrated by Roger Raupp, and with cartography by Gaye O’Keefe, this sourcebook adapts the historical setting of the Carolingian period into a quasi-game world, featuring the historical and legendary personalities and events of Charlemagne’s time.

Read More Read More

New Treasures: Gods of the Wyrdwood by RJ Barker

New Treasures: Gods of the Wyrdwood by RJ Barker


Gods of the Wyrdwood
(Orbit, June 27, 2023). Cover design by Duncan Spilling

RJ Barker is the author of The Wounded Kingdom trilogy (Age of Assassins, Blood of Assassins, and King of Assassins), and The Tide Child trilogy (The Bone Ships, Call of the Bone Ships, and The Bone Ship’s Wake). His newest novel Gods of the Wyrdwood, published by Orbit last month, kicks off — you guessed it — a new series, The Forsaken Trilogy.

I’m intrigued by this one because it seems very different from many of the fantasy novels cluttering the shelves. Paste Magazine calls it “A unique spin on the traditional Chosen One trope… one doesn’t turn out anything like you expect.”

Read More Read More

Talking Tolkien: Does Size Matter? The Rankin-Bass Hobbit by Thomas Parker

Talking Tolkien: Does Size Matter? The Rankin-Bass Hobbit by Thomas Parker

Fellow Black Gater Thomas Parker and I share quite a few interests – but within those interests we tend to vary wildly. I enjoy chatting with him. I conned him into writing a…I mean, he graciously agreed to do a Horace McCoy piece for A (Black) Gat in the Hand, and I’ve been after him to shore up my Black Gate views by doing a guest piece for me. And man, do I LOVE this one on the Rankin-Bass classic, The Hobbit. It was worth the past four years of badgering him.  Read on!

Let me begin with a statement that is impossible to prove but that almost no one would dispute: J.R.R Tolkien’s 1937 children’s fantasy The Hobbit is one of the most beloved books in the world, and because it serves (according to the cover of my old Ballantine paperback) as the “enchanting prelude to the Lord of the Rings” it is also one of the most influential books of the last century, all of which means that those who would presume to adapt the story for other media would be wise to tread warily.

Over the decades, there have been stage adaptations (including an operatic one), graphic novels, and many audio renderings. But when it comes to film adaptations, there are really only two versions to choose from, and they couldn’t be more different in scale, emphasis, and execution.

Most recently we have the triple-decker expansion offered by Peter Jackson — The Hobbit: An Unexpected Journey (2012), The Hobbit: The Desolation of Smaug (2013), and The Hobbit: The Battle of the Five Armies (2014), three movies that together have a running time of almost eight hours and that were made with all the technical sophistication and immense resources that Mordor… er, a major Hollywood studio can offer. The trilogy had combined budgets of six hundred and sixty-five million dollars, and during their initial theatrical releases the films netted approximately three billion dollars (to say nothing of profits from home video and merchandising). As the Dark Lords of the boardroom can tell you, each zero in those immense grosses is a veritable Ring of Power in itself.

Read More Read More

Package Blue, the Second Novel by Todd McAulty, Now Available Free

Package Blue, the Second Novel by Todd McAulty, Now Available Free

Artwork for Package Blue by Pixel Vault

In May of last year I was contacted by director Tim Miller (Deadpool, Terminator: Dark Fate). I’d been doing some work for Tim’s Blur Studios for a few months, writing story ideas for upcoming streaming projects, with a pool of talented authors that included John Scalzi, Tamsin Muir, and others. Tim had just been hired to help develop an ambitious property set in the Inhabitants Universe owned by the NFT company Pixel Vault, and he was looking for a writer to dive into the project.

Tim had first reached out to me after reading my first novel The Robots of Gotham, published under the name Todd McAulty in 2018, and we’d become friends over the years. I ended up doing a bunch of work on the Inhabitants project for Tim, and when he left the project in June, Pixel Vault put me on a weekly retainer, mostly to assist with creating background lore. When I was fired from my day job in November, Pixel Vault offered me an 8-month contract to write a series of linked stories set in their colorful Inhabitants Universe.

The first was Package Blue, written as a web-novel and published online in weekly installments. Illustrated by the talented team at Pixel Vault, Package Blue is the tale of a team transporting a mysterious cargo through a raging Iowa snowstorm that loses contact with the rest of their convoy, and discovers they’re being pursued by something inhuman. Each of its 12 Acts is meant to be read in 10-15 minutes. Total length is 42,000 words.

You can read the whole thing here. I’m already halfway done with the second book, which we hope to launch online in September. I hope you’ll give it a try, and let us know what you think!

Vintage Treasures: Phaid the Gambler by Mick Farren

Vintage Treasures: Phaid the Gambler by Mick Farren


Phaid the Gambler
(Ace Books, August 1986). Cover by Jim Gurney

Mick Farren was a fascinating guy.

He was the singer for the UK band The Deviants in the 60s, and released two solo albums in the late 70s, and a live album in 2005. He began his writing career in the early 1970s as a journalist for the UK Underground press, and eventually the mainstream New Musical Express. By the end of the 70s he was supporting himself as a full time writer, and over a 30-year career he published 23 novels before his death in 2013 at the age of 69. He died after collapsing on stage during a Deviants concert in London in July 2013.

Read More Read More

Fantasy Detectives and an Ancient Mystery Cult: The Five Penalties Trilogy by Marina Lostetter

Fantasy Detectives and an Ancient Mystery Cult: The Five Penalties Trilogy by Marina Lostetter


The Helm of Midnight
and The Cage of Dark Hours
(Tor, April 2021 and February 2023). Covers by Sam Weber and Reiko Murakami

Marina Lostetter has had a heck of a career in just the last ten years. She started publishing in Orson Scott Card’s Intergalactic Medicine Show in 2012, and quickly followed up with sales to Galaxy’s Edge, Lightspeed, Daily Science Fiction, Shimmer, Uncanny Magazine, and many other fine outlets. Her first three novels, all part of the Noumenon space opera trilogy (published 2017-2020) won wide acclaim from major outlets (“Brilliant… the genre at its very best.” — Kirkus Reviews; “Lostetter remains at the forefront of innovation in hard science fiction.” — Publishers Weekly).

Last year Lostetter released her first fantasy novel, The Helm of Midnight, and five months later followed up with the aliens-vs-robots adventure Activation Degradation. She’s only published one book this year, The Cage of Dark Hours (sequel to Helm of Midnight, and the second book of The Five Penalties trilogy), but it’s still early.

Read More Read More

Goth Chick News: Does This Make the Xenomorph Queen a Disney Princess…?

Goth Chick News: Does This Make the Xenomorph Queen a Disney Princess…?

I’m not sure what to think about this, so I’m asking all of you.

To begin, let’s base this discussion on two facts. First, with the 2019 acquisition of Fox, Disney became the owners of the long-running Alien sci-fi franchise. Second, in 2012 Ridley Scott, who created the original masterpiece that was Alien (1979), decided to leap back in after five other directors had a go at some portion of the story. This effectively scuttled the planned Alien movie we all deserved, which would have been a sequel to Aliens directed by Neill Blomkamp and would have ignored the movies which followed Aliens. This story would have reunited Ripley (Sigourney Weaver) and Hicks (Michael Biehn), and probably would have been awesome.

Instead, what we got was Sigourney Weaver permanently bowing out from the franchise, and two prequels from Scott, which were anything but awesome. Though nostalgia and eternal optimism caused die-hard fans to make Prometheus (2012) a technical box office hit ($130M budget against a $403M take), we’d learned our lesson by the time Alien: Covenant came around in 2017. It was considered a disappointment by Hollywood standards, bringing in less than half the ticket sales as its predecessor. Personally, I wished Scott would have kept his hands to himself.

Now, with this in mind, we have the news I’m about to share.

Read More Read More

Ellsworth’s Cinema of Swords: Sequel Debacle

Ellsworth’s Cinema of Swords: Sequel Debacle

Highlander (20th Century Fox, 1986)

Most heroic fantasy films are one-shots, made to tell a single story and hopefully do well enough at the box office to recoup their substantial production expenses. But occasionally, one of these epics strikes a chord and finds enough of an audience to warrant a sequel. It’s often the case that the folks who made the first film didn’t really have a sequel in mind when they did it, and faced with making a follow-up they flounder about somewhat.

And sometimes, dazzled by unexpected success, they simply go mad. Everyone somehow forgets what made the first movie work so well, and the sequel just goes to crazytown. This can be terrible, or this can be wonderful — and sometimes, it can be both at once.

Read More Read More

New Treasures: A Book of Blades Vol. II from the Rogues in the House Podcast

New Treasures: A Book of Blades Vol. II from the Rogues in the House Podcast

 A Book of Blades Volume II (Rogues in the House Podcast, July 2023; ISBN: 9798396947771). Cover by Jesus Garcia.

In January 2022, Black Gate spotlighted Rogues in the House Sword & Sorcery podcast covering the folks/rogues behind the show and highlighted episodes (Go Rogues! link). In that post, we shared their podcast guest list that included S&S authors like Howard Andrew Jones, Scott Oden, John R. Fultz, and Jason Ray Carney, and even Morgan King & Phil Gelatt (creators of the movie The Spine of Night), Peter D. Adkison (founder and first CEO of Wizards of the Coast and owner of GenCon, the world’s largest board game convention), and Sara Frazetta (granddaughter of the fantasy master painter, an artist herself, and CEO of Frazetta Girls).

In July 2022, they released A Book of Blades Volume I, with 15 stories by as many Sword & Sorcery authors as featured on Black Gate.

And now, this July 2023, Rogues in the House Podcast brings us A Book of Blades Volume II!  Order now (link).

Read More Read More