Asimov’s SF and Analog Magazine Switch to Bi-Monthly Publication

Asimov’s SF and Analog Magazine Switch to Bi-Monthly Publication

asimovs-science-fiction-april-1993-smallWay back in January 2009, F&SF edition Gordon Van Gelder announced that his magazine would be switching to bimonthly publication. Instead of 11 issues a year, including a special double-sized issue every October, F&SF would publish six double issues a year, in an attempt to reduce mailing costs and other overhead. At the time there were ominous rumblings and dire prophecies, but it seems to have worked out nicely for the magazine, which has been been publishing regularly every since.

Since then I’ve been waiting for the other shoe to drop — meaning, when would the two remaining print SF magazines, Analog Science Fiction/Science Fact and Asimov’s Science Fiction, follow suit? And on Wednesday Locus Online broke the news that both magazines would be switching to bimonthly publication starting in January 2017.

Asimov’s editor Sheila Williams explains in a forthcoming editorial that the magazines will now publish “six 208-page double issues” per year, a 16-page increase over current double issues. She expects the change will allow her to publish more novellas and a higher percentage of original cover art. Despite the change in publication schedule, she says readers “will receive the same number of pages of fiction as in the past,” and subscribers will “receive the same number of issue months” they purchased. Publishing bimonthly will allow them “to hold the current subscription prices a bit longer.” Both periodicals are published by Dell Magazines.

Speaking as someone who enjoys the big double issues, I view this as a positive development — and anything that helps the magazines save costs is a good thing. The current double-issue size is 192 pages, so the increase to 208 pages is another welcome change. However, it is a rather historic milestone for the genre. As Jonathan Strahan puts it:

Moving to a point where we have no monthly print fiction magazines left seems like some sort of turning point, though I don’t know towards what.

Visit the Asimov’s website here, and Analog here. See our November Fantasy Magazine Rack here, and all of our recent Magazine coverage here.

Medieval Treasures on Display in Madrid

Medieval Treasures on Display in Madrid

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Mirror case, France, 1370-1400. Ivory. It depicts a love scene in a
garden where the happy couple hold a heart as cupids hover
overhead holding a shield and a hooded figure looks on.

One of Madrid’s leading private galleries is hosting a major exhibition on medieval art. The Pillars of Europe: Middle Ages in the British Museum brings together more than a hundred objects ranging from 400 to 1500 at CaixaForum’s Madrid branch.

The exhibition aims to show through objects and images how Europe transformed from the fragmentation after the fall of the Roman Empire through the Middle Ages and into the emerging nation states at the beginning of the Renaissance. An excellent map shows how borders shifted over the century, and a slideshow gives period depictions of Europe’s cities as they grew and became more prominent. The objects are grouped into four themes: Royal Power, Heavenly Treasures, Courtly Life, and Urban Life.

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Seeking Solace

Seeking Solace

howard-zebras-smallWhen assembling the first round of Black Gate bloggers one of the few rules I laid down was that we keep our personal politics and religion out of our posts. John and I both wanted to create a safe and welcoming space where people of all stripes could come together to discuss the genres we love.

Over the last week I’ve never found that admonition more of a challenge. You see, I’ve been grieving. Not for any one person’s loss, or even because the side I backed lost, but because it feels to me that an ideal has vanished. That ideal may not have been flawless, but I shudder at the manner in which the leading proponent of a replacement movement conducts himself. And for the first time in my life I’m not just disheartened by an election result contrary to my own wishes, I’m a little frightened.

I believe I’m in the letter of my own law still because I’m not here to proselytize. The preceding paragraph is solely for context so you’ll understand what it is that’s upset me. If, like me, the depth of your own grief and your anger and fear surprise you, you’ve probably been wondering how to cope. I wish I could give you a good answer. I can tell you that one of the things I’ve done is distract myself with the genres I love. The other was to create some art. That is one (and not the only) way I mean to act.

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Celebrate a Glorious Half Century with The Best of Star Trek: Volume 2 – Fifty Years of Star Trek

Celebrate a Glorious Half Century with The Best of Star Trek: Volume 2 – Fifty Years of Star Trek

50-years-of-star-trek-volume-2-smallI’ve been celebrating the 50th Anniversary of Star Trek in my own way. Meaning I’ve been giving in to impulse buys, and snatching up those commemorative photo-books and magazines when I see them. Yeah, they’re sometimes a little lacking in depth, but it doesn’t matter. I buy them mostly for the marvelously nostalgic photos, for the way they manage to make Star Trek — one of our most venerable franchises — young again.

Titan Comics has been publishing the official Star Trek magazine since 1995, and they collected collected some of the best articles from that magazine in The Best of Star Trek: Volume 1 – The Movies (June 2016). This is the second volume in that set, covering the various broadcast series. It will be available at the end of the month.

The 50-year history of Star Trek, as told by the people who were there – every cast member interviewed.

From the vaults of Star Trek Magazine, we celebrate a half-century of Star Trek in a volume packed with classic archive interviews with every lead cast member, from William Shatner to Patrick Stewart, to Chris Pine and beyond. Featuring every incarnation of world’s favorite sci-fi saga, including the stars of the original series, The Next Generation, Deep Space Nine, Voyager, Enterprise, and the Trek movies, familiar faces reveal the true story behind the greatest moments in the fifty-year history of Star Trek.

Celebrating the fiftieth anniversary of the world’s favorite sci-fi saga, this special collection of cast interviews tells the true story behind the making of Star Trek. Join us as we revisit classic interviews with the entire casts of every Star Trek series, including William Shatner (Captain Kirk), Leonard Nimoy (Spock), Patrick Stewart (Jean Luc Picard), Brent Spiner (Data), Kate Mulgrew (Captain Janeway), Jolene Blaylock (T’Pol), and many more. We’ll also discover how actors Chris Pine (Kirk), Zachary Quinto (Spock), Zoe Saldana (Uhura), and the stars of the recent movies made the characters their own.

The Best of Star Trek: Volume 2 – Fifty Years of Star Trek will be published by Titan Comics on November 29, 2016. It is 176 pages in full color, priced at $19.99 for both the trade and digital editions.

Fathers, Don’t Let Your Daughters Date Androids: The Mad Scientist’s Daughter by Cassandra Rose Clarke

Fathers, Don’t Let Your Daughters Date Androids: The Mad Scientist’s Daughter by Cassandra Rose Clarke

the-mad-scientists-daughter-smallCassandra Rose Clarke is the author of The Assassin’s Curse series and the very intriguing Our Lady of the Ice, which features a female PI, ruthless gangsters, and robots agitating for independence in an Argentinian colony in Antarctica.

But her biggest claim to fame was her first novel for adults, The Mad Scientist’s Daughter, which was originally published in the UK and the US by Angry Robot in 2013. It was nominated for the Philip K. Dick Award for distinguished science fiction novel published in paperback in the United States (although it lost out to Ben H. Winters’s Countdown City).

Now Saga Press has returned the book to print in an attractive new edition, in both hardcover and trade paperback. An SF fairy tale set in a collapsing future America, about a girl and the android she falls in love with,, The Mad Scientist’s Daughter was called “One of the most realistic science fiction stories ever told” by io9.

When Cat Novak was a young girl, her father brought Finn, an experimental android, to their isolated home. A billion-dollar construct, Finn looks and acts human, but he has no desire to be one. He was programmed to assist his owners, and performs his duties to perfection.

His primary task now is to tutor Cat. Finn stays with her, becoming her constant companion and friend as she grows into adulthood. But when the government grants rights to the ever-increasing robot population, Finn struggles to find his place in the world. As their relationship goes further than anyone intended, they have to face the threat of being separated forever.

The Mad Scientist’s Daughter was published by Saga Press on November 8, 2016. It is 327 pages, priced at $26.99 in hardcover, $14.99 in trade paperback, and $7.99 for the digital edition.

See all of our recent New Treasures here.

November 2016 Locus Now on Sale

November 2016 Locus Now on Sale

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The November issue of Locus, the news magazine of the science fiction & fantasy field, is packed with great stuff, including reports on the British Fantasy Awards and the Gemmell Awards, interviews with Pat Cadigan and Cat Rambo, a column by Cory Doctorow, a report on Japanese Science Fiction, obituaries of Robert E. Weinberg and Ed Gorman, and reviews of short fiction and books by Alastair Reynolds, Juliet Marillier, Laird Barron, Ilona Andrews, Jonathan Strahan, and many others. In addition to all the news, features, and regular columns, there’s also the indispensable listings of Magazines Received, Books Received, British Books Received, and Bestsellers. Plus short fiction reviews by Rich Horton and Rachel Swirsky. See the complete contents here, and click on the images above for a peak at the complete Table of Contents.

We last covered Locus with the September issue. Locus is edited by Liza Groen Trombi, and published monthly by Locus Publications. The issue is 62 pages, priced at $7.50. Subscriptions are $63 for 12 issues in the US. Subscribe online here. The magazine’s website, run as a separate publication by Mark R. Kelly, is a superb online resource. It is here.

See our November Fantasy Magazine Rack here, and all of our recent Magazine coverage here.

October Short Story Roundup

October Short Story Roundup

oie_1554130bqieq2j7October brought another nice batch of heroic fantasy magazines to my electronic doorstep. Among them were regulars Swords and Sorcery Magazine and Heroic Fantasy Quarterly. A newcomer was the old-school paper-and-ink fanzine, Scrolls of Legendry (two issues in fact) from the hands of Swords of Steel maestro, Dave Ritzlin.

I am not sure I have ever heard mention of Swords and Sorcery Magazine outside this column or the blogs of the authors it publishes. While it hasn’t the professional look of Heroic Fantasy Quarterly or Beneath Ceaseless Skies, its commendable dedication to the genre deserves respect and recognition. For nearly five years now, Curtis Ellett has published two new stories each and every month and for that I am very grateful.

Issue #57’s first story is shy on swordplay, but heavy with poetical sorcery. “Ephemera” by David Bowles depicts a magical contest between a Mexican princess and a Japanese monk. In an alternate timeline, Japan has been conquered by the Aztec Empire. The story occurs during the celebration of Tanabata, the Star Festival. The event is a showcase of powerful Aztec magic, held in order to deter encroachment by the Ming Empire and inspire the inhabitants of Nippon.

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Win a Copy of Sarah Avery’s The Imlen Brat

Win a Copy of Sarah Avery’s The Imlen Brat

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In early October I received a bundle from Sarah Avery. Inside were several copies of her beautiful new novella The Imlen Brat — a story I’d dearly wanted to publish in Black Gate, but was unable to before the print version of the magazine died.

It was enormously satisfying to finally see this book out in the world, and to hold a copy in my hands. And what a book! The gorgeous cover by Kate Baylay, and the delightful design and back cover blurb by Rich Horton, almost made it worth the wait (almost). And on top of it all, the dedication page touched my cold publisher’s heart.

To the whole Black Gate crew — writers, readers, artists, editors, all of you. You will always be this story’s first home.

Tucked in with the bundle was a note from Sarah, who generously offered two additional copies as to give away to Black Gate‘s readers. And that’s exactly what we’re here to do today.

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Oz’s Bag of Holding: Stephen King Edition featuring A Brief Guide, Fear Itself (with an essay by Fritz Leiber!), and Danse Macabre

Oz’s Bag of Holding: Stephen King Edition featuring A Brief Guide, Fear Itself (with an essay by Fritz Leiber!), and Danse Macabre

danse-macabre-originalI have here a bag of holding. I am going to pull some things out of it now…

First up is:

A Brief Guide to Stephen King: Contemporary Master of Suspense and Horror by Paul Simpson (2014)

Funny how I came across this one. I was perusing the bookshelves in The Dollar Tree — all those overstocks and remaindered copies now relegated to the fate of being sold for a dollar.

Every once in a while I make a “find,” but on this occasion, it was looking like there was good reason none of these books had sold for their original double-digit cover prices. The thought actually went through my head, “Too bad you never come across a book by Stephen King in here.” A moment later, King’s name caught my eye! Turns out it was a book not by but about King. Still, it was too much of a sign to ignore, so I bought it.

A Brief Guide is as advertised: a brief, workmanlike bibliography of all King’s work through 2014, with synopses of each. Opens with a short bio. Not a must for shelves of diehard King fans, but I actually found I had plowed through the whole book in two sittings — so it succeeded in its professed purpose as a succinct overview of the author’s career. Every King book, film and TV adaptation, and comic book is covered (indeed, even tie-ins like video games are included). While the synopses are quite short, the author livens it up a bit by including tidbits here and there relating a work to events in King’s own life at the time or King’s opinion or the reaction of critics.

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Oz’s Bag of Holding: An Introduction

Oz’s Bag of Holding: An Introduction

bag-of-holdingI have here a bag of holding. I am going to pull some things out of it now…

This is my introduction to an occasional series of blog posts under the heading “Oz’s Bag of Holding,” in which I will briefly comment on random books and films I draw from my bag’s interdimensional space (it is, for detail wonks, a Type I bag; it can hold up to 250 pounds and 30 cubic feet of material but will never weigh more than 15 pounds).

Call it a bit of housecleaning: Books I’ve recently read, films I’ve watched, about which I might have a thought or two but not enough to string them together into a full-fledged review. I’ll share my impressions in the casual way one might in the course of a broad-ranging conversation with friends predicated by the question “So what have you been reading/watching lately?”

With the help of my Bag of Holding, I think this approach will be liberating for me. I absorb so much media, so many stories; and every time I close a book or eject a Blu-ray, I think, “Well, I should write up a review of that for Black Gate.”

But they pile up, falling out of focus as they recede in the rear view mirror, superseded by the latest book or film or comic or game I’m visiting. This way I can blurt out a pithy opinion or two about a work before it fades completely into the background in my cluttered head. No more guilt about having not reviewed something — instead I’ll grind out grist for multiple threads of comment and conversation.

What piques your interest as it emerges from the bag? You can skim, pick and choose — That’s just fine, because we are all afflicted with a touch of ADD out here in this world of cyber.

My first installment of “Oz’s Bag of Holding” will follow this introduction in a second post. Two posts today, to keep the Intro separate. Incidentally, I happened to notice that this marks my 116th post to Black Gate. Man, I wish I hadn’t let post 100 slip by without some sort of hoopla!

Well, here’s to 116 more. And, hopefully, they’ll come more frequently now that I have this trusty Bag of Holding by my side.