New Treasures: They Don’t Come Home Anymore by T.E. Grau

New Treasures: They Don’t Come Home Anymore by T.E. Grau

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T.E. Grau’s short horror fiction has appeared in The Children of Old Leech, The Dark Rites of Cthulhu, Dark Fusions – Where Monsters Lurk!, World War Cthulhu, and other fine anthologies and magazines. His other books include Triptych: Three Cosmic Tales, The Lost Aklo Stories, and The Nameless Dark, which was nominated for a 2015 Shirley Jackson Award for Single-Author Collection. His novella I Am The River will be published later this year by Lethe Press.

I’ve been wanting to sample his fiction for a while, and his brand new novella They Don’t Come Home Anymore seems like the way to do it. On his blog, Grau describes it this way.

They Don’t Come Home Anymore [is] a story that might, at first blush, seem like a slight departure from my previous work, as it centers on a teenage girl, and is very much a tale of obsession, loneliness, and a search for meaning, acceptance, and love in a world (and sub world) that waits, cruel and threatening, just behind the facade. It’s also about vampires, but not the garden variety sort you’d expect in a mass market/network television teenage vamp story, but something that cleaves closer to the natural world, and how our planet once was, and might still be in certain darkened corners. I can’t really say more, other than to invite you to pick up the book when it’s available, and tell me what you think it’s about, underneath, beyond that first impression.

They Don’t Come Home Anymore was published by This Is Horror on November 28, 2016. It is 104 pages, priced at $10.99 in paperback and $6.99 for the digital edition. The cover is by Candice Tripp.

The Public Life of Sherlock Holmes: The Final Post

The Public Life of Sherlock Holmes: The Final Post

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Me and my little superhero

The plan was to put up a linked index of all three years of The Public Life of Sherlock Holmes posts today, but I didn’t get it finished. Hopefully, the powers that be at Black Gate will let me post an irregular PLoSH column now and then and I’ll get that up. As well as the ‘Sherlock Holmes: A to Z’ post that never quite got written.

When I started this column three years ago, the BBC’s immensely popular Sherlock had just finished the divisive season three, from which it never recovered, and CBS’ Elementary was in season two. Sherlock seems to be done after four episodes in the past three years and the fans are still in opposing camps (love/hate). Elementary is finishing up season five with ratings way down and may well not be back for another year, though it will have run for over 100 episodes and made it to syndication.

Robert Downey Jr., who revived the onscreen life of Holmes with his 2009 movie (and a 2011 sequel) is in the early stages of a third Holmes big screen effort. If Sherlock and Elementary truly are done, then the Downey Jr. movie may jumpstart Holmes in the public culture, though many fans don’t like his action hero portrayal.

The Estate of Sir Arthur Conan Doyle sued, and lost, to have Holmes declared under copyright. He and Watson, and the stories before The Casebook of Sherlock Holmes, remain in the public domain.

A Holmes short story, supposedly written by Doyle, was discovered. Its provenance remains doubtful. Quite.

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Celebrate 10 Years of the Black Gate Blog!

Celebrate 10 Years of the Black Gate Blog!

black-gate-11The Black Gate website was launched several months before the release of our first print issue at the World Fantasy Convention in Corpus Christi, Texas in October 2000. It was updated once a week (or so), until the site was completely revamped as a regular blog in 2007, shortly before the release of issue #11 in Summer 2007 (cover at right).

The architect of that redesign, Howard Andrew Jones, assembled a crack team of bloggers over the next few months — including Ryan Harvey, David Soyka, Mac Denier, Sue Granquist, Rich Horton, D. K. Latta, Mark Rigney, and E. E. Knight — but for the first few weeks he wrote everything himself. Including our very first blog post, on March 19, 2007, exactly ten years ago today. The title of that post was “Sword-and-Sorcery Musings,” and here’s how it started.

After mulling it over for some time, and after consultation with Black Gate Exalted Leader John O’Neill, I decided to try this whole blog thing with a first entry.

First things being first, I’m Howard Andrew Jones, Black Gate‘s Managing Editor… I know John will post here from time-to-time as well, so we’ll do our best to let visitors know which one of us is doing the writing. Herein you’ll find matters related to Black Gate, such as where we are with submissions and how soon the mag is coming out, and when new articles go live on the web site. It will also give us a chance to talk about other issues near and dear to our hearts.

I’ll have a go with one of my own favorite topics: specifically, the writing of sword-and-sorcery.

While sword-and-sorcery is a relative to high fantasy, it is a different animal. High fantasy, mostly invented by William Morris as an echo of Sir Thomas Mallory and then popularized by J.R.R. Tolkien, moves for the most part at a slow, stately, pace, meandering gently from plot point to plot point, or, as is often the case, from location to location. Movie critic Roger Ebert has some astute observations on The Lord of the Rings, which I will quote here.

There was precisely one comment on that post, a pingback from something called “The Scrolls of Lankhmar.” 8,355 blog posts and 10 years later, the Black Gate blog is stronger than ever, with a staff of 45 volunteers, and two Hugo nominations and a World Fantasy Award under our belt.

I’d like to take a moment to salute Howard for his vision all those years ago, along with those early bloggers who are still with us, especially Ryan Harvey, Sue Granquist, Rich Horton, and Mark Rigney. We owe them an enormous debt of graditude (also, a whole lot of back pay). Well done, team! Here’s to another 10 great years.

A Tale of Two Covers: Richard Adams’ Watership Down

A Tale of Two Covers: Richard Adams’ Watership Down

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Richard Adams’ Watership Down is perhaps my favorite fantasy novel. It’s been reprinted countless times since it was first published in 1972, on the way to selling over 50 million copies worldwide. I’ve collected multiple editions over the years, since I’m a sucker for a good cover.

But I’ve never seen anything like the poster series for the novel created by Raid71, which I fell in love with immediately. These aren’t covers for the novel, but full size wall posters suitable — very suitable, in my opinion — for framing. Click the images above for bigger versions.

I learned about the posters from John Freeman’s British comics blog Down the Tubes last year. Here’s what he said at the time.

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Interstellar Empires, Alien Warrior-Priests, and a Rebel Runner: R.M. Meluch’s Jerusalem Fire

Interstellar Empires, Alien Warrior-Priests, and a Rebel Runner: R.M. Meluch’s Jerusalem Fire

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I’ve been trying to pay attention to mass market paperbacks lately (since it’s easy for new releases to slip past you if you’re not paying attention.) In my last trip to the bookstore I found R.M. Meluch’s Jerusalem Fire tucked between Jack McDevitt and China Miéville on the shelves, and it had me at “A planet out of myth.” Religion, space empires, and rebel captains — always a good mix in my book.

Meluch is the author of the ongoing Tour of the Merrimack military space opera series, and this seemed like a promising new direction for her. Except it’s not a new direction at all… turns out Jerusalem Fire is her second novel, originally published in paperback by Signet in 1985. It’s been reprinted several times since.

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Warning: This Comic Will Make You Smarter – Top Cow’s Think Tank

Warning: This Comic Will Make You Smarter – Top Cow’s Think Tank

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Recently I’ve been reading Think Tankby Matt Hawkins and Rahsan Ekedal at Top Cow (under Image Comics). It’s a series that started in 2012, ran for about a dozen issues, has had subsequent small series since, and as of 2016, was under movie development.

It looks like a comic that was written for me.

Warning and apology: There is *no* fantasy in this post or in this comic. The story is based on the technology of right now, and what is easily plausible in the next decade or two. Strictly speaking, I would be hard-pressed to call it science fiction. It’s now, just the parts we don’t see.

But in a very real sense, it fits into the aesthetic of fantasy in that we are looking into an unfamiliar world through a story that tells us a lot about ourselves. So, sorry.

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4,976 Pages of Asimov’s Science Fiction (and a Cat)

4,976 Pages of Asimov’s Science Fiction (and a Cat)

When cats read science fiction

When Cats Read Science Fiction

Okay, my cat doesn’t really read science fiction. But she does wander over to see what’s going on when I’m photographing eBay purchases. She even knocked over part of my collection as I was prepping a piece on Robert E. Howard a while back (yeah, that’s her white paw on the far right). Cats. They don’t care.

But if Jazz did read science fiction, I’d tell her the early 90s was probably my favorite era of Asimov’s Science Fiction magazine. Not because the fiction was necessarily better — although there was some really great stuff! — but because it was before I started producing publications of my own, and thus it was the last time I had enough free time to read the magazine even semi-regularly. I have a (complete?) run of the magazine from 1977, but most of my copies are in storage. So when I saw the set above (minus the cat) for sale on eBay, I put in a low bid, and won the entire lot for around ten bucks. Most of them are in terrific shape, and only a few have mailing labels, so overall I’m thrilled with the purchase. (Although the February 1994 issue now has a pair of cat prints on the cover.)

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The Valley of Gwangi Finally Reaches Blu-ray Because I Mistakenly Said It Never Would

The Valley of Gwangi Finally Reaches Blu-ray Because I Mistakenly Said It Never Would

valley-of-gwangi-frank-mccarthy-posterDuring my years of writing for Black Gate, I’ve repeatedly pointed out certain films aren’t available on Blu-ray or DVD … only to discover after I post the article that said films are already scheduled for a release. This happened again three weeks ago when I mentioned that the only Ray Harryhausen film still unreleased on the Hi-Def format was The Valley of Gwangi. I dug myself in deeper by predicting we wouldn’t see one for years because of how slowly Warner Bros. moves with its catalogue titles.

Yet here I am in possession of a Blu-ray from Warner Archive of The Valley of Gwangi and writing about it. Maybe I should start making gloomy declarations about the Blu-ray chances of other favorite movies, just to invoke the intervention of the muse who controls home video releases. (Melpomene, I believe.)

Everyone who loves movies probably has a specific film that seems as if it were made just for them. A Ray Harryhausen stop-motion giant monster in a Western? That’s what I call Ryan Harvey Niche Marketing. The only way The Valley of Gwangi could be more targeted to me is if 1) the monster was Godzilla, 2) Peter Cushing was one of the stars, and 3) Sergio Leone directed it. However, if such an event actually occurred, the shockwaves would’ve knocked Earth from its axial tilt and annihilated civilization. Perhaps it’s for the best we stopped at “Ray Harryhausen giant monster Western.”

Although The Valley of Gwangi has some of the flaws found in other Ray Harryhausen-Charles H. Schneer films (workmanlike direction, some stilted performances), it’s still one of the greatest dinosaur movies ever made, in the same league as One Million Years B.C. and Jurassic Park. Is Jurassic Park overall a superior movie? Yes, but in terms of creative dinosaur action, The Valley of Gwangi competes. The only dinosaur movie that ranks higher than these is the original King Kong.

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Ave Atque Vale: Celebrating the Life and Work of Michael Shea

Ave Atque Vale: Celebrating the Life and Work of Michael Shea

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Michael Shea was one of the most distinguished and loved figures in the field of speculative fiction. He twice won The World Fantasy Award, and his work also received nominations for the Hugo, Nebula, Locus, August Derleth and International Horror Guild awards. Ranging from wildly baroque dark fantasy to cosmic horror and grimly humorous parodies of contemporary “reality” culture, his writing conveys the sense of wonder and awe that imaginative readers crave and appreciate, and one can develop an insatiable appetite for his work.

But since Shea’s unexpected passing in 2014, many of us have been unable to slake that. That is, until the recent release of And Death Shall Have No Dominion: A Tribute to Michael Shea, which among many other things, contains three previously unpublished works of his fiction.

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Magazine of Fantasy & Science Fiction, Volume 132, No. 3 & 4 (March/April 2017)

Magazine of Fantasy & Science Fiction, Volume 132, No. 3 & 4 (March/April 2017)

f&sf 132 3-4Full disclosure before we start this review: one of the contributing authors is a friend of mine, so take that part of the review with a grain of salt.

The issue starts with “Driverless” by Robert Grossbach, one of those “what if machines came to life” stories told in a near-future where driverless cars dominate the roadways. A few decades back, this would have been nothing but fanciful storytelling, but with recent advances in both artificial intelligence and driverless technology, it might actually be a problem that we have to deal with in the years to come.

“The Toymaker’s Daughter” by Arundhati Hazra takes a common story idea of toys magically coming to life and follows it through the real world consequences.

“Ten Half-Pennies” by Matthew Hughes is the first story in what promises to be an ongoing series about a wizard’s apprentice (the next story is actually advertised as set to appear in the May/June issue). Here we see a bullied child grow into a collection agent and then wizard’s apprentice, all the while maintaining his own moral code. Both the characters and the magic system are well-defined in this piece about honor and debt.

“The Man Who Put the Bomp” by Richard Chwedyk is the next novella in his award-winning Saur series. The basic premise is that miniature talking dinosaurs are designed by a genetic research firm and sold as pets. When problems arise with the saurs, production is discontinued and surviving saurs are relocated to shelters. The series concerns one such shelter and the wonderful assortment of odd characters (both saur and human) who live there. I’ve been listening to Richard Chwedyk read these stories for years and it’s impossible for me not to hear his voice in my head when I’m reading them. Not only do we learn about the man who put the “bomp” in these saurs, but we find out why they should never be placed behind the wheel of an automobile (the cover art by Bryn Barnard should give a hint as to how badly it can go). I’m seriously waiting for a collection of all these stories to appear somewhere and will keep you posted when it happens.

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