Future Treasures: The Weight of the World, Book 2 of the Amaranthine Spectrum, by Tom Toner

Future Treasures: The Weight of the World, Book 2 of the Amaranthine Spectrum, by Tom Toner

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In this business you get used to seeing breathless blurbs on everything, from the latest fat fantasy to the newest stack of midlist paperbacks. But if you’re not completely jaded, you can still detect genuine buzz.

That’s what I’m sensing with the debut novel from Tom Toner, The Promise of the Child, a space opera set in the far-distant 147th Century. Tor.com said it’s “Among the most significant works of science fiction released in recent years,” and Adam Roberts called it “Absolutely brilliant… space opera like you’ve never seen it before.” Karl Schroeder proclaimed it “Utterly absorbing; a tremendous adventure… One of the most ambitious and epic-scale pieces of worldbuilding I’ve read,” and Booklist said “This is the kind of novel that could develop a cult following.”

The Promise of the Child was published in hardcover by Night Shade Books in September of 2015, and reprinted in trade paperback last October. On January 24th the second novel in the Amaranthine Spectrum, The Weight of the World, finally arrives in hardcover and digital formats from Night Shade.

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Eaters of the Dead by Michael Crichton

Eaters of the Dead by Michael Crichton

oie_8192953ghlqmqv0-1In 921 AD, Aḥmad ibn Faḍlān ibn al-ʿAbbās ibn Rāšid ibn Ḥammād was sent from Baghdad as ambassador to the Volga Bulgars (who lived in the boundaries of modern Russia) to help establish Islamic law for the newly converted nation. The short journal he kept of his travels is famous for its descriptions of the Volga Vikings, in particular the death rites of one of their chietains.

In Eaters of the Dead (1976), the fourth novel published under his own name (he’d previously released ten under pseudonyms), Michael Crichton asked two important questions: What if ibn Fadlan, during his sojourn among the Vikings, met a certain hero named Buliwyf? And what if there was a historical basis for the legend of Beowulf? His answer is a fun mix of travelogue and bloody adventure tale. Years later, it went on to serve as the basis for the The 13th Warrior, starring Antonio Banderas.

The first three chapters of Eaters of the Dead are mostly lifted straight from ibn Fadlan’s manuscript. Instead of a trusted and willing diplomat, though, Crichton recasts ibn Fadlan as reluctant traveler, forced to join the mission as punishment for his dalliance with the wife of a merchant friendly with the Caliph.

The greatest change to ibn Fadlan’s story is, of course, his fateful meeting with Buliwyf. In Crichton’s story, the Geatish Viking is present at the funeral for the chieftain. Before he can reach the Bulgars, ibn Fadlan is forced to join Buliwyf and his band. King Rothgar’s realm has been attacked by an ancient horror and he has sent one of his sons to ask the great hero for aid. Terror has come out of the mist — something so evil that the name can’t be mentioned lest it be summoned up. Later, ibn Fadlan learns they are called the wendol.

At this the old man said that I was a foreigner, and he would consent to enlighten me, and he told me this: the name of “wendol,” or “windon,” is a very ancient name, as old as any of the peoples of the North country, and it means “the black mist.” To the Northmen, this means a mist that brings, under cover of night, black fiends who murder and kill and eat the flesh of human beings.* The fiends are hairy and loathsome to touch and smell; they are fierce and cunning; they speak no language of any man and yet converse among themselves; they come with the night fog, and disappear by day — to where, no man durst follow.

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Silent Screen Swashbucklers, Part 1 of 2: Zorro Makes his Mark!

Silent Screen Swashbucklers, Part 1 of 2: Zorro Makes his Mark!

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The Mark of Zorro (1920)

The swashbuckler tradition was born out of legends like those of the Knights of the Round Table and of Robin Hood, revived in the early 19th century by Romantic movement authors such as Sir Walter Scott. The genre really caught hold with the publication of Alexandre Dumas’ The Three Musketeers in 1844, and for the next century it was arguably the world’s leading form of adventure fiction, challenged only by the American Western.

The action and visual flair of the swashbucklers were perfect for the movie screen, and Hollywood brought them to life with brio and panache, starting most successfully with lavish productions of The Mark of Zorro (1920) and The Three Musketeers (1921), both starring Douglas Fairbanks, Sr. The 1920s through 1950s were the heyday of the Hollywood swashbuckler, but they continue to find favor with moviegoers right up to the present, notably in the recent Pirates of the Caribbean series. So it’s worth going back to see how those visual tropes around the hero-with-a-sword were first established during the silent film era, because much of what you see on the screen today had its roots almost a hundred years ago with those early cinematic pioneers.

I had a good time surveying these early swashbucklers, and I hope you’ll enjoy this overview. With luck, it’ll even inspire you to dip into this rich source of adventure film tradition yourself.

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A Doctor in a Torture State: Susan R. Matthews’ Under Jurisdiction Novels

A Doctor in a Torture State: Susan R. Matthews’ Under Jurisdiction Novels

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Baen Books continues its fine tradition of attractive, inexpensive omnibus editions of top-notch science fiction. Most recently they’ve turned their attention to the Under Jurisdiction novels of Susan R. Matthews, the tales of a doctor of conscience who is a faithful servant of the Bench, where institutionalized torture is an instrument of State. This is a grim (and often controversial) series, as Lisa DuMond noted in her SF Site review of the first two novels:

Andrej Koscuisko wants nothing more than to be a doctor: a surgeon. His father wants him to carry on the family honour by enlisting with the Fleet in its glorious fight to basically control everything. Andrej manages to resist his father’s will for a time, finally giving in only with grudging obedience and quiet resistance. Because, in his position with Fleet, he will indeed be a ship’s chief medical officer — and, incidentally, Ship’s Inquisitor… How can a person dedicated to preserving life and obliterating suffering combine the two functions of the position?

With relish. Amid the blood and screams and seared flesh of the workroom, Andrej Koscuisko will meet his personal monster. A man of honour, compassion, and empathy will find a sexual passion such as he has never known in the agony of his helpless captives. Even as he uses his wits and the amazing skills he has developed to save the lives of others.

Facing this chilling dichotomy is the first step in a life that will tear away at his sanity and self-worth… Throughout the two books, the greatest miracles are pulled off by Matthews herself… More miraculous is the sleight of hand Matthews manages with the character of Andrej. Time and again he enters the workroom to become something we can’t even let ourselves dream about. He emerges, blood-stained and aroused, only to crash into self-loathing.

The opening novel, An Exchange of Hostages, was published by Avon Books in 1997 and nominated for both the Philip K. Dick Award and the John W. Campbell Award, and came in fourth in the poll for the Locus Award for Best First Novel.

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The Public Life of Sherlock Holmes: Sherlock is Back With “The Six Thatchers”

The Public Life of Sherlock Holmes: Sherlock is Back With “The Six Thatchers”

thatchers_babySeason three of BBC’s Sherlock was an absolute train wreck, destroying what had been a great show. Then The Abominable Bride took the long-awaited Victorian-Era Cumberbatch/Freeman episode and turned it into some stupid psychological modern day shlock involving the dead, giggling Moriarty.

So, season four finally arrived, just shy of three years since season three ended. And you know what? The Six Thatchers wasn’t a disaster. It wasn’t up to the standards of the first two seasons, but it was better than season three.

In a recent interview, Steven Moffat said, “Mark Gatiss and I do not have the delusion that we know better than Sir Arthur Conan Doyle. That’s how the show works and always will. We reset to the most traditional and famous version of the format.”

And it was exactly when those two thought they knew better than Doyle: when they wrote episodes that alternately pandered to new generation fans and saying ‘look at how smart and clever we are’ (I’m talking about you, season three) that a great show turned to crap. Season three was all about the creators patting themselves on the back and showing how much they didn’t need Doyle to make a Sherlock show. And they lost a huge part of the original fan base in doing so.

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Publishers Weekly Selects the Best Science Fiction and Fantasy Novels of 2016

Publishers Weekly Selects the Best Science Fiction and Fantasy Novels of 2016

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Publishers Weekly is pretty darned discerning in their list of the very best SF/Fantasy/Horror of 2016. Where the Amazon list is fairly comprehensive (20 titles) and B&N splits theirs up into three separate lists — SF & Fantasy novels, Horror, and Anthologies & Collections — PW has a single list for all the categories, and only six novels manage to make the cut.

Nonetheless, they do manage to highlight some terrific titles neglected by other lists, such as Fredric Durbin’s latest novel A Green and Ancient Light (Saga Press, June). Here’s what they say.

In a deliberately blurred time and place, a young boy sent to live with his grandmother while his father is at war finds solace in her splendid garden and the magical woods. Things take a turn for the strange and complicated when they provide help and shelter to an injured enemy soldier. Durbin works true magic with understated, gripping narration and a heartstopping emphasis on love and compassion.

Their list also includes Meg Elison’s The Book of the Unnamed Midwife (47North, October), which won the Philip K. Dick Award last year in its original small press edition.

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The January Fantasy Magazine Rack

The January Fantasy Magazine Rack

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In January the latest issues of Analog and Asimov’s SF hit the shelves in their new bimonthly, double-issue format. But the big new this month was the announcement that one of the most promising of the new crop of genre publications, Fantasy Scroll Magazine, has gone on hiatus after only 13 issues. I guess 13 really is unlucky, at least for magazines.

Nonetheless, there’s still plenty of great reading for fantasy fans every month. Have a look at Fletcher Vredenburgh’s December Short Story Roundup and Brandon Crilly’s Short Fiction Spotlight for some of the very best recent short fiction. And even if none of the current releases grab you, Matthew Wuertz has a Retro-Review of the August 1963 Galaxy, with fiction by Robert Sheckley, Raymond Z. Gallun, Theodore R. Cogswell, Mel Hunter, and lots more.

Check out all the details on the magazines above by clicking on the each of the images. Our December Fantasy Magazine Rack is here.

As we’ve mentioned before, all of these magazines are completely dependent on fans and readers to keep them alive. Many are marginal operations for whom a handful of subscriptions may mean the difference between life and death. Why not check one or two out, and try a sample issue? There are magazines here for every budget, from completely free to $35/issue. If you find something intriguing, I hope you’ll consider taking a chance on a subscription. I think you’ll find it’s money very well spent.

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Star Wars Comic Spin-Offs: Poe Dameron and Doctor Aphra

Star Wars Comic Spin-Offs: Poe Dameron and Doctor Aphra

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Even since before Star Wars: Rogue One (which I reviewed here), I’ve had Star Wars on my mind. The Force Awakens was a good addition to the canon and I think I’m just generally optimistic about the franchise because George Lucas finally sold it to Disney. I appreciate George Lucas, but recognize (as we all did) that other creators would be able to do a lot more with it.

Dark Horse had the comic license to Star Wars for a long time, but Marvel (also owned by Disney) has had it for the last few years and they’ve been busy.

By my count, the main Star Wars title is past two years, and they’ve had successful and acclaimed miniseries, like Leia, Han Solo, Vader, Vader Down and so on, all helmed by great writers and art teams.

I’ve been reading two interesting spin-off series: Poe Dameron and Doctor Aphra.

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January/February 2017 Analog Now on Sale

January/February 2017 Analog Now on Sale

analog-science-fiction-january-february-2017-smallAs 2017 dawns, we enter a new era for the oldest continuously published science fiction magazine, Analog Science Fiction and Fact (which has been around since January 1930, when it was called Astounding Stories). With this issue it switches to a bimonthly publication schedule, following The Magazine of Fantasy & Science Fiction and its own sister magazine, Asimov’s Science Fiction.

The cover story is “The Proving Ground,” a novella by Alec Nevala-Lee, whom I first met when he was moderating a panel on John W. Campbell at the 2016 Nebula Awards. The issue also contains “Whending My Way Back Home,” a novelette by Black Gate writer Bill Johnson (“Mama Told Me Not to Come,” BG4), plus short stories and novelettes by Scott Edelman, Edward M. Lerner, Marie DesJardin, Christopher L. Bennett, and many others. Here’s editor Trevor Qachari’s summary from the website.

Birds are mysteriously dying out near a distant wind farm, and something much worse may be in the offing. Can the researchers on this cold, lonely hunk of rock survive “The Proving Ground”? Find out in our cover story, from Alec Nevala-Lee.

Then Richard A. Lovett brings us our fact article, “Rendezvous with a Comet: How ESA’s Rosetta Mission is Decoding Ancient Planetary Mysteries,” and the title says it all.

Then we have people born to die struggling to live in Scott Edelman’s “After the Harvest, Before the Fall”; kidnapping and cultural conflict in Christopher L. Bennett’s “Twilight’s Captives”; a race to find bizarre signals in Canada in Tom Jolly’s “Catching Zeus”; some very alien aliens in both “Dall’s Last Message,” by Antha Ann Adkins, and “Briz,” by Jay Werkheiser; a look at the things we do for companionship, in Marie DesJardin’s “Long Haul”; a slight slice of semi-silliness in Stanley Schmidt’s Probability Zero, “Throw Me a Bone,” and more, from Thoraiya Dyer and Alvaro Zinos-Amaro, Bill Johnson, Andrew Barton, Marissa Lingen, Tom Greene, Joel Richards, Edward M. Lerner, and Guy Stewart, as well as all our regular columns and features, plus our annual index and Analytical Laboratory ballot.

Here’s the complete Table of Contents.

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The Complete Carpenter: Assault on Precinct 13 (1976)

The Complete Carpenter: Assault on Precinct 13 (1976)

Assault on Precinct 13 Mondo PosterWelcome back to this eighteen-part series examining the theatrical movies of one John Carpenter, master genre auteur and gift to movie lovers everywhere. Today we bear witness to the director’s first foray into professional filmmaking, shooting on a schedule and a budget. It’s called Assault on Precinct 13, and I don’t mean to spoil this up front for you, but it is a-ma-zing.

The Story

Precinct 9 (not actually 13) in the fictional South Central L.A. neighborhood of Anderson is due to shut down as its operations relocate. Newly promoted Lt. Ethan Bishop (Austin Stoker) receives the assignment of babysitting the meager staff staying overnight in the building for the final bits of housekeeping.

What should be a quiet evening detail goes bloodily wrong when the precinct turns into an epicenter of urban warfare. Heavily-armed multicultural gang Street Thunder targets civilians for death, but after they splatter-kill a little girl (Kim Richards), her enraged father Lawson (Martin West) shoots one of the gang warlords in retaliation. Fleeing Street Thunder’s fury, Lawson takes shelter in the precinct — unaware there isn’t much help available there. The gang descends on the building with the intent to massacre everyone inside. As Street Thunder’s legions crash in waves against the precinct, Lt. Bishop joins forces with two criminals in the holding cells, Napoleon Wilson (Darwin Joston) and Wells (Tony Burton), and station secretary Leigh (Laurie Zimmer) to attempt to survive the night until relief arrives.

The Positives

John Carpenter has a handful of cinematic masterpieces to his credit, and on only his second outing — his first professional production — he bags one. Although Dark Star has charm and shows an emerging talent, nothing in it prepares for the assurance and mastery on display in Assault on Precinct 13. John Carpenter directed the hell out of this movie, taking a laughable budget of $100,000 and a few weeks of shooting to create something glorious and perennial. It’s one of the finest movies of the director’s long career, and as smashing an action-thriller as anybody could make. Each time watching it is a jolt of how effective the art of cinema can be.

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