A (Black) Gat in the Hand: James Reasoner on Trail Towns in the Traditional Westerns of REH

A (Black) Gat in the Hand: James Reasoner on Trail Towns in the Traditional Westerns of REH

REHWesterns_Cover
Intro by James Reasoner…

The first big series I did here at Black Gate was Discovering Robert E. Howard. And I was excited to get one of my favorite Westerns writers, the beyond-prolific, James Reasoner, to talk about REH’s Westerns. Continuing on with our recent Westerns theme, here’s James’ essay on trail towns in REH’s traditional Westerns. Saddle up and hit the trail!

 

When Robert E. Howard was growing up in Cross Plains in the 1920s, it was entirely possible that some of the older men in town might have gone on cattle drives in their youth, as the great trails from Texas to the railheads in Kansas opened up after the Civil War and changed the focus of the Lone Star State’s economy. Whether a young Bob Howard ever listened to these old cowboys spin yarns about those days, we don’t know, but he certainly might have.

J. Marvin Hunter’s classic book Trail Drivers of Texas appeared in 1927, and this volume might well have caught Howard’s interest, too, although we have no record of him ever reading it.

What we do know, however, is that Howard wrote several Western stories in which the trail towns which served as destination points for those great herds of Longhorns play an important part, beginning with “Gunman’s Debt”, which went unpublished during Howard’s lifetime but is one of his best Westerns. It’s set in the small Kansas settlement of San Juan, and although Howard tells us that the rails and the trail herds haven’t reached it yet, it’s clear that they’re on the way. San Juan is new and raw and more than a little squalid:

Three saloons, one of which included a dance hall and another a gambling dive, stables, a jail, a store or so, a double row of unpainted board houses, a livery stable, corrals, that made up the village men now called San Juan.

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Vintage Treasures: Lin Carter’s Weird Tales, Part II

Vintage Treasures: Lin Carter’s Weird Tales, Part II

Table of Contents for Weird Tales 1, edited by Lin Carter (Zebra Books, December 1980)

For yesterday’s Vintage Treasures post, I finally had the chance to discuss Lin Carter’s early-80s attempt to resuscitate the Magazine that Never Dies, the long-running weird fiction pulp Weird Tales.

Since I examined all four paperbacks, there wasn’t room in that article to look back at some of the fascinating discussions they’ve triggered over the last four decades, including lengthy commentary from Carter himself — especially his (largely unfulfilled) plans for the future volumes — or reviews of the stories within from modern readers. So I took the time to do that today.

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Vintage Treasures: Lin Carter’s Weird Tales

Vintage Treasures: Lin Carter’s Weird Tales


Weird Tales , Volumes 1 -4 (Zebra Books, December 1980
– August 1983). Covers by Tom Barber (#1-3) and Doug Beekman (#4)

Lin Carter was one of the finest genre editors of the 20th Century, and Weird Tales magazine was the most important fantasy magazine of the last century, publishing the career-defining work of Robert E. Howard, H.P. Lovecraft, Clark Ashton Smith, and hundreds of other writers. In December 1980 Zebra Books published the equivalent of a genre superhero Team-Up, the first two volumes of a paperback relaunch of Weird Tales helmed by Lin Carter.

The ambitious effort had several things in common with the original pulp incarnation. Namely, it was criminally underfunded, published sporadically, and doomed.

But it also had a hugely talented and hardworking editor, and in three short years it published a total of four volumes containing ‘lost’ stories by Robert E. Howard and H.P. Lovecraft, an original John the Balladeer story by Manly Wade Wellman, reprints of classic tales from the pages of Weird Tales, and original fiction by Ramsey Campbell, Carl Jacobi, Tanith Lee, Mary Elizabeth Counselman, Steve Rasnic Tem, Hannes Bok, Joseph Payne Brennan, Evangeline Walton, Charles Sheffield, Frank Belknap Long, Lin Carter, and a lot more.

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The Mystery of Steven Klaper, Agent of Insight

The Mystery of Steven Klaper, Agent of Insight


Agents of Insight (Tor, October 1986). Cover by Barclay Shaw

Back in 2017 I bought a copy of Agents of Insight, and thought it would be interesting to do a brief write up of the genre-blending science fiction-P.I. novel for Black Gate. But I immediately ran into a problem. The author, Steven Klaper, was a complete mystery. This was the only work of any kind I can find published under that name. No other novels, short stories, comics, nothing. When that happens, I automatically assume the name is a pseudonym — and I’m usually right. But even after 30 years, I couldn’t find any record of the name “Steven Klaper” used by a more well-known writer.

I made a plea on for information on Facebook, and Gordon van Gelder, publisher of The Magazine of Fantasy and Science Fiction, immediately offered a useful suggestion.

Thirty-one years isn’t that long ago and there are plenty of Tor Books employees with long memories like Beth Meacham and Claire Eddy who probably know if Klaper was a pen name for, say, the guy who published as Samuel Holt or if in fact Klaper was just a guy who only ever published one book.

Tor Editor extraordinaire Beth Meacham did indeed remember Steven, and this is where things got interesting.

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Goth Chick News: The Ultimate October Watchlist from Peacock

Goth Chick News: The Ultimate October Watchlist from Peacock

Spooky season is upon us and that means it’s time to binge watch everything scary. From episodic favorites like American Horror Story and True Blood, to perennial films like Halloween (the original) and The Shining, the only thing better than filling up the month of October with all sorts of video goodness, is getting off the couch long enough to attend some haunted attractions. Though most streaming services pay some sort of homage to Halloween, I have to say I’m pretty darn impressed with the lineup being offered by Peacock TV for the month of October.

Now, the good news is that if you don’t have Peacock, you can purchase it for one month only (I checked), without cutting into your PSL budget. The channel is offering a month of unlimited watching that includes ads, for $5.99 and an ad-free version for $11.99, which is cheap when you see the lineup of films the channel has teed up especially for us horror fans.

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One of the Best Swordfights in Fantasy: Dray Prescot 20: A Sword for Kregen by Alan Burt Akers

One of the Best Swordfights in Fantasy: Dray Prescot 20: A Sword for Kregen by Alan Burt Akers


Dray Prescot 20: A Sword for Kregen (DAW Books, August 1979). Cover by Richard Hescox

About 1979, while in college at Arkansas Tech University, I visited a local used bookstore and found a copy of A Sword for Kregen.

The great cover, drawn by Richard Hescox (who I got a chance to meet), had what looked like a human locked in a sword fight with a creature with four arms and a tail with a hand on it. The four arms immediately reminded me of the Tharks of Barsoom. No way I was leaving the store without that book. It only cost me $1.17. (The price is still written on the cover.)

The book proved to be Sword & Planet and had one of the best swordfights I’d ever read. And, the human hero turned out ‘not’ to be the best swordsman in the fight. I’d never imagined such a thing from reading Edgar Rice Burrough’s Barsoom books and the works of Gardner Fox and others. I fell in love. And best of all, the cover said this was #20 of a series! I had a lot more good reading ahead of me, and I didn’t know the half of it.

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New Treasures: The Best Science Fiction of the Year: Volume Seven edited by Neil Clarke

New Treasures: The Best Science Fiction of the Year: Volume Seven edited by Neil Clarke


The Best Science Fiction of the Year: Volume Seven (Night Shade,
September 5, 2023). Cover by Thomas Chamberlain-Keen

It’s been distressing to watch the havoc the pandemic played with many Year’s Best Science Fiction volumes. The 13th volume of Rich Horton’s The Year’s Best Science Fiction & Fantasy, published by Prime Books, was delayed a year and produced in a digital only edition last year, and now that series seems to be dead. Jonathan Strahan’s The Year’s Best Science Fiction (Saga Press) published its final volume in 2021.

And Neil Clarke’s The Best Science Fiction of the Year, Volume 7 (Night Shade Books), covering fiction from 2021, was delayed a year, and finally arrived last month. Volume 8 is still (supposedly) scheduled for release next month, but there’s no word on it from either the publisher or the editor, and I’m very concerned this series may be dead as well.

What does that leave us? The ninth volume of John Joseph Adams’ Best American Science Fiction And Fantasy (Mariner Books, co-edited with R. F Kuang) arrives next month, and seems to be going strong. Allan Kaster produced The Year’s Top Hard Science Fiction Stories Volume 7 (Infinivox) in June. And Paula Guran edited two: The Year’s Best Fantasy: Volume Two (Pyr, August 15), and The Year’s Best Dark Fantasy & Horror: Volume 4 (Pyr, coming October 24). So the situation isn’t totally dire. But to lose so many top-notch anthologies in rapid succession is a blow.

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A (Black) Gat in the Hand Turns 100!: Erle Stanley Gardner’s ‘Getting Away With Murder’

A (Black) Gat in the Hand Turns 100!: Erle Stanley Gardner’s ‘Getting Away With Murder’

“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

And A (Black) Gat in the Hand turns 100 today. With help from some friends, this column has managed to offer a hundred essays on the fascinating world of Pulp. April 8, 1949 was the day the Pulps died (I think that American Pie is one of the greatest songs of all time – couldn’t pass up the reference – with a tip of the fedora to William Lampkin for the phrase). On that day, Street & Smith announced they were quitting the Pulps. My favorite, Dime Detective, straggled on into 1952. But the days of the Pulps were effectively over.

But the love of Pulps lived on. Back in May of 2018, I kicked off my weekly Black Gate column as follows:

“Working from Otto Penzler’s massive The Black Lizard Big Book of Pulps, we’re going to be exploring some pulp era writers and stories from the twenties through the forties. There will also be many references to its companion book, The Black Lizard Big Book of Black Mask Stories. I really received my education in the hardboiled genre from the Black Lizard/Vintage line. I discovered Chester Himes, Steve Fisher, Paul Cain, Thompson and more.

With first, the advent of small press imprints, then the explosion of digital publishing, Pulp-era fiction has undergone a renaissance. Authors from Frederick Nebel to Raoul Whitfield; from Carroll John Daly to Paul Cain (that’s 27 letters – we went all the way back around the alphabet – get it?) are accessible again. Out of print and difficult-to-find stories and novels have made their way back to avid readers.”

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I Loved This Book: Being Michael Swanwick, by Alvaro Zinos-Amaro

I Loved This Book: Being Michael Swanwick, by Alvaro Zinos-Amaro

Being Michael Swanwick (Fairwood Press, November 21, 2023)

Back in 2001 Michael Swanwick published a collection of interviews with his close friend, sometime mentor and collaborator, and fellow Philadelphian Gardner Dozois, called Being Gardner Dozois. That book focused on Dozois’s short fiction. And now Alvaro Zinos-Amaro, an accomplished writer of short SF himself, and a Hugo nominee for his 2016 collection of conversations with Robert Silverberg, Traveler of Worlds, has now published Being Michael Swanwick, a collection of interviews with Swanwick. This book covers essentially all of Swanwick’s short stories — which is pretty remarkable as he is quite prolific.

The book is organized chronologically, in five-year chunks, beginning in 1980, when Swanwick’s first stories, “Ginungagap” and “The Feast of Saint Janis,” appeared. I remember the excitement at the time about the Special Science Fiction Issue of the prestigious literary magazine TriQuarterly, and the surprise that a brand-new writer had a story (“Ginnungagap”) in it, amidst heavyweights like Le Guin, Wolfe, Delany, and Disch. Obviously the judgment of the editors has been vindicated — Swanwick would perhaps blush to read this, but his fiction fully stands with those great writers, and he is also clearly a writer of considerable literary merit, but also a writer who loves SF and Fantasy and inhabits the genre world enthusiastically.

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Vintage Treasures: Neutron Star by Larry Niven

Vintage Treasures: Neutron Star by Larry Niven


Neutron Star (Ballantine Bools, April 1968). Cover artist unknown

As I was preparing last week’s Vintage Treasures article (on Poul Anderson’s Fire Time), I realized that the next book on deck was Neutron Star, by Larry Niven, one of the most important science fiction collections of the 20th Century. And I simultaneously realized we’ve never done a Vintage Treasures feature on Niven before, a pretty serious oversight. (For comparison purposes, as I was assembling reference links at the bottom of my Fire Time piece, there simply wasn’t room to include the dozens of articles we’ve written on Anderson.) In fact, other than a pair of reviews by Fletcher Vredenburgh, two blog posts on Convergent Series by Steven Silver, and a note on the 1973 Skylark Award by Rich Horton, we’ve had virtually no coverage of Niven at all on Black Gate.

I’m to blame for this. Niven is, unquestionably, one of the most important science fiction writers alive today. But I was never a fan of his novels (I made two attempts to read his classic Ringworld, before giving up for good in the early 80s). His short stories, however, are a different matter, and I’m very glad to finally have the chance to discuss his first collection, the groundbreaking Neutron Star, first published as a paperback original by Ballantine Books in April 1968.

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