In Alone Against the Flames You Face the Horror of Cthulhu the Way the Universe Intended: By Yourself
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I’m a huge fan of solitaire role playing adventures. They’re a great way to exercise your imagination and sample an immersive RPG experience when you can’t find any other players — or just can’t convince them to try out a new game with you.
Of course, the biggest drawback of solo RPGs (aside from the fact that they’re relatively thin on the ground these days) is that most expect you to be fully conversant with the system. That’s why I’m so delighted with Alone Against the Flames, the newest solo adventure for Call of Cthulhu. You don’t need to read the (rather daunting) rulebook before you start playing. Just settle in a comfy chair with some lucky dice, open the book, and follow the instructions. It dumps you right into the story and teaches you the game as you go.
Call of Cthulhu is a horror RPG based on the work of HP Lovecraft, and Alone Against the Flames is a complete tale set in the 1920s in which you are the main character, and your choices determine the outcome. Although it’s designed to walk you through the basics of the game as you go, a copy of the Call of Cthulhu Seventh Edition QuickStart Rules (which you can download for free here) is required to play.





After two days off, I returned to Fantasia on June 21 fit, trim, and rested. Randomness defines my festival schedule — it happened that the previous two days had nothing I wanted to see. But that Friday afternoon I was looking forward to one of the most intriguing movies listed in Fantasia’s catalogue: The Laplace’s Demon, directed by Giordano Giulivi.

As the year begins to burn itself out, as the light of summer gives way to long ghoul-ridden nights, as the cold grows a little more each day like spadefulls of earth slowly burying a coffin, what better time to think ahead to the horrors of Christmas? Not the pedestrian horrors of shopping and family, but the deeper terrors of knifemen and ghosts and dark-souled elves: the traditions of the season. Publisher Spectacular Optical’s planning a celebrate of exactly those kinds of Christmas frights, with their upcoming volume Yuletide Terror: Christmas Horror on Film and Television.
Tuesday, July 18, I set off for Fantasia with another full day before me. I planned to watch three films for which I had three different expectations. First was Animals (Tiere), a German film promising surrealism and artfulness. Then the Chinese big-budget special-effects blockbuster Wu Kong. Finally, and perhaps most intriguingly, House of the Disappeared (Si-gan-wi-ui-jip), a Korean horror movie based on a Venezuelan movie called The House at the End of Time (La casa del fin de los tiempos) which I’d seen three years ago during my first year covering Fantasia; I couldn’t help but wonder how that film would translate across cultures.