Ellery Queen Mystery Magazine, Vol. 149, Nos. 1 & 2 (January/February 2017)

Ellery Queen Mystery Magazine, Vol. 149, Nos. 1 & 2 (January/February 2017)

ellery_queens_mystery_201701-02So how are things going in “The World’s Leading Mystery Magazine?” Quite well, as it turns out, despite some significant format changes that began in the January/February 2017 issue. To save on printing and shipping costs, they’ve made the switch from monthly to bi-monthly issues, but made up for it by providing twice as many pages per issue, meaning that long-time subscribers won’t have to sacrifice a single page of mystery goodness. This issue, for example, has seventeen tales of crime and deduction.

It opens with “A Slaying Song Tonight” by Vicki Weisfeld. Honestly, I had trouble keeping track of all the characters in this one, so that the revelation of “whodunnit” kind of turned into “whowuzzthat.” Basically, one of a group of Christmas carolers commits a murder on their caroling route and it’s up to two of those carolers to suss out the guilty party.

“Flowing Waters” by Brendan Dubois was easily my favorite story of the whole bunch, concerning a military veteran who deals with her PTSD by adopting a dog who’s seen her own share of violence. Don’t feel ashamed if you cry by the end of this one.

“The Twelve Days of Dunwich” by Barbara Nadel provides a rare turn into supernatural territory with a crime story in which the narrator is the victim, who is dead … but not quite gone.

“The Children of Espiritu Santo” by David Dean concerns a gang that’s terrorizing a small town, specifically a church where a possible holy relic has recently been discovered.

“After Closing Time” by Nova Lee Maier is another one of those “plot to murder the spouse goes horribly awry” stories, complete with an appropriate O. Henry-style twist at the end.

“Night Terrors” by Owen Leddy is another standard trope story, this time it’s the one about the man who dreams of committing a murder every night, unsure why he’s plagued by the recurring dreams and terrified that those dreams will soon come true.

Read More Read More

March Issue of The Dark Now on Sale

March Issue of The Dark Now on Sale

The Dark March 2017-smallThere’s a delicious Weird Western cover on The Dark this month, and that’s enough reason to check it out in my book. (Click the image at right for a supersized version.)

The magazine became a monthly last year, and so far in 2017 it’s published original fiction by Sara Saab, Lisa L. Hannett, Emily B. Cataneo, and Suyi Davies Okungbowa, plus reprints from Ray Cluley, E. Catherine Tobler, Michael Wehunt, and Michael Harris Cohen. At $1.99 per issue, it remains one of the best bargains in the field.

The Dark is co-edited by Silvia Moreno-Garcia and Sean Wallace, with assistance by Jack Fisher. It is published online and in digital formats, and includes two original stories and two reprints each issue. Here’s the Table of Contents for issue #22, cover-dated March 2017.

If We Survive the Night,” by Carlie St. George
Caro in Carno,” by Helen Marshall (from The Mammoth Book of Cthulhu, 2016)
The Thinker,” by George Salis
The Mysteries,” by Livia Llewellyn (from Nightmare Carnival, 2014)

You can read issues free online, or help support the magazine by buying the ebook editions, available for the Kindle and Nook in Mobi and ePub format. Issues are around 50 pages, and priced at $2.99 through Amazon, B&N.com, Apple, Kobo, and other fine outlets — or subscribe for just $1.99 per issue. If you enjoy the magazine you can contribute to their new Patreon account here. You can also support The Dark by buying their books, reviewing stories, or even just leaving comments.

Read the March issue here, and see their complete back issue catalog here. The March cover is by breakermaximus. We last covered The Dark with the December issue.

See our March Fantasy Magazine Rack here, and all of our recent Magazine coverage here.

New Treasures: Dr Potter’s Medicine Show by Eric Scott Fischl

New Treasures: Dr Potter’s Medicine Show by Eric Scott Fischl

Dr Potter's Medicine Show-small Dr Potter's Medicine Show-back-small

The mass market original seems almost like a dying art form these days. But not for Angry Robot, for whom it’s their bread and butter. They find talented writers and package their works in attractive, sharply-designed, inexpensive paperbacks. I heartily approve.

Dr Potter’s Medicine Show, by Eric Scott Fischl, is the latest Angry Robot paperback to grab my attention. It’s an historical dark fantasy that John Shirley calls “A powerful alchemical elixir concocted of post Civil War historical fiction, dark fantasy, and Felliniesque flavoring.” On his website, Fischl recently announced that the next book in the series, The Trials of Solomon Parker, will be released in November 2017, also from Angry Robot.

Dr Potter’s Medicine Show was published by Angry Robot on February 2, 2017. It is 346 pages, priced at $7.99 in paperback and $6.99 for the digital edition. The cover is by Steven Meyer-Rassow. Read the first three chapters at the Angry Robot website.

Asimov’s Science Fiction, Vol. 41, Nos. 1 & 2 (January/February 2017)

Asimov’s Science Fiction, Vol. 41, Nos. 1 & 2 (January/February 2017)

asimovs_science_fiction_201701-02This year marks the 40-year anniversary of Asimov’s and this issue not only includes a brief recap of the magazine’s history in an editorial, but also comments from each of the contributing authors about when they first read the magazine and what it means to them.

Check out the cover art by Maurizio Manzieri. That’s a scene from the first story in the magazine, “Crimson Birds of Small Miracles” by Sean Monaghan. On the surface, the story is about a father taking his two daughters to see the beautiful mechanical birds of the title, but there is also a much deeper and more touching story at work here, illustrating the truth that some tragedies will continue to follow us into the future, no matter how many advances we make with technology.

Next is “Tagging Bruno” by Allen M. Steele, a tale set in the future and on another world, yet concerned with current debates on wildlife preservation. Sure, it gets a little preachy, but the characters are all well-defined and the ending has just a tinge of fun irony to it.

“Still Life with Abyss” by Jim Grimsley starts with that old science fiction trope of the parallel universe and reverses the standard story. It’s set in a research station that monitors activities in all of the parallel universes. Of course, there are the usual “What if?” universes (America lost the Revolution, the South won the Civil War, the Nazis won World War II), but also all of the small changes in individual people’s lives. The idea is that we all have alternate paths that our lives might have taken and on some parallel world, we did. But the research team has discovered one man, one solitary man in all the recorded multiverse, whose life NEVER deviates from a single course, no matter what happens around him.

“Fatherbond” by Tim Purdom follows a group of human colonists who arrive on a new world, only to discover that another race of aliens has already arrived and is forbidding anyone to colonize it. The argument against colonizing is an interesting one. While there is no intelligent life native to the planet, intelligent life might naturally evolve there over hundreds of millions of years. So colonization is wrong not because it would displace current inhabitants, but rather because it would interfere with the natural evolution of future inhabitants. Obviously, some of the humans feel differently and the aliens’ motives aren’t as pure as initially stated.

Read More Read More

February Short Story Roundup

February Short Story Roundup

oie_13616139DhBwLErAnother month, another roundup of solid swords & sorcery short fiction for your enjoyment. Follow along for a look at February’s offerings.

Swords and Sorcery Magazine Issue 61 kicks off its sixth year of publication with a bang; actually, a pair of bangs. The first little explosion comes in the form of a group of friends making stupid decisions in Tom Lavin’s “Trouble in the Viscount Tavern.” Deon surprises his friends Tenny and Ruald with a strange book left behind by an inn guest. Though its cover advertises it as Giselder Farnbrak’s Herbs and Homely Cooking, inside are spells. Despite misgivings from Deon, the others start to read some out loud for a lark. Lavin’s description of the resulting horrors is bone-chilling.

Read More Read More

Kong: Forget Jurassic Park; Book Your Next Family Vacation to Skull Island!

Kong: Forget Jurassic Park; Book Your Next Family Vacation to Skull Island!

kong skullOkay, I loaded the family up in the van today and we went to see the big ape, the Eighth Wonder of the World tearing it up at the box office.

It delivered pretty much what we all wanted and expected, from the youngest son on up to the oldest boy in the family (that would be me, the boy pushing 45). That is to say, there isn’t going to be any “Oscar buzz” around it (like there is with Logan), but big-budget popcorn B-movies don’t get much better.

A lot of people were excited to see Tom Hiddleston in this movie, and then disappointed to see his performance wasn’t much like Loki: he’s the fairly bland leading man, but he executes the role fine. Likewise for Brie Larson, the anti-war photojournalist who tags along on a hunch that there’s more going on in this expedition to an uncharted island than some mundane mapping (boy is her hunch right!). Samuel L. Jackson and John Goodman have more memorable parts, but those, too, are pretty one-dimensional types. The real stand-out, as you’ve probably heard, is John C. Reilly as the WWII fighter pilot who has been stranded on the island for 28 years.

Enough said about the human cast, because, really, they’re all just bit parts to the Main Attraction: Let the Kaiju Main Event begin!

Kong: Skull Island is a lean, mean movie that barely hits the two-hour mark. Can you believe this Kong is more than an hour shorter than Peter Jackson’s outing with the Primary Primate back in 2005? It cuts out what some critics considered a meandering, overlong first act in Jackson’s film, getting straight to the action and then not letting up – right up to the closing shot that zooms in on Kong’s pupil as it reflects the towering rock formation in the center of Skull Island. It also does not grind the action to a halt to capture the big ape and haul him off to New York: this is all Skull Island, baby. The Island “where evolution is not finished,” and its many, many weird denizens.

Read More Read More

Things Your Writing Teacher Never Told You: The Multiple Personalities of Omniscient 3rd Person: Spotlight on “Folksy Narrator/ Storyteller”

Things Your Writing Teacher Never Told You: The Multiple Personalities of Omniscient 3rd Person: Spotlight on “Folksy Narrator/ Storyteller”

Discworld-small

This is part 10 in the Choosing Your Narrative Point of View Series.

This style is most often seen, within the fantasy genre, in fairytales, fables, and humorous fantasy by authors such as Terry Pratchett, Neil Gaiman, and others.

It is not unusual to see this technique used in other genres and subgenres, as well. It is characterized by a distinctive, often folksy, voice that clearly establishes an additional “character” in the narrative, who usually does not take part in the action. It is often, quite literally, a disembodied voice. This is true in Pratchett’s Discworld.

A good example of this is the oft-used introduction to Terry Pratchett’s Discworld. The version shown here is from the opening paragraphs of The Fifth Elephant.

Read More Read More

Fantasy & Science Fiction, Volume 132, No. 1 & 2 (January/February 2017)

Fantasy & Science Fiction, Volume 132, No. 1 & 2 (January/February 2017)

The Magazine of Fantasy & Science Fiction January February 2017-smallSo I got a late start on this year’s reading, which means that I’ve just finished the January/February issue of The Magazine of Fantasy & Science Fiction. As with any collection of stories from a variety of writers, I liked some more than others.

Before we even start, check out the cover art by Charles Vess. A little girl is using her blue magic hand to befriend a rat and a cat. You hardly even notice that she’s not so much sitting on a bed as she’s squatting up against it. (Click the image to embiggen.)

And the cover image isn’t just a random design. It’s a scene from the first story of the issue, “Vinegar and Cinnamon” by Nina Kiriki Hoffman. Nothing too deep here. Just a young witch in training who accidentally turns her brother into a rat, then has to track him down and figure out how to change him back. The writer doesn’t take the predictable route of focusing on the young witch, instead keeping the point of view on her brother and how being a rat alters his perceptions and priorities.

“The Regression Test” by Wole Talabi presents a variation on the Turing Test, as a computer program is designed to simulate the thought processes of a scientific genius. While the scientists can verify how well the program recalls information, they have no way of judging how close the personality is to the original, so they invite the scientist’s daughter to ask the program questions. Of course, there’s more going on here than a simple question-and-answer session.

“A Gathering on Gravity’s Shore” by Gregor Hartmann continues the Franden series. Since I’ve never read any other stories with this character, it was a little rough to get the character and setting straight at first. It’s basically a garden party in which Franden flirts with a botanist and tries to draw out opinions on a pending civil war.

Next is the novelette, “Homecoming” by Rachel Pollack. Again, this was part of a series of stories featuring Jack Shade, a paranormal investigator cursed to take on the case of anyone holding one of his business cards. This time, the case involves retrieving a missing piece of a woman’s soul. Of course, things go bad and Jack eventually has to enlist some supernatural help to prevent the end of the world.

Read More Read More

The Public Life of Sherlock Holmes: Talking About Poirot

The Public Life of Sherlock Holmes: Talking About Poirot

Poirot_OneI mentioned last week (which you know, enlightened reader, because you love this column. You probably bookmarked the link as a memoriam to me. Anyhoo…) that I discovered the Nero Wolfe books through the A&E television series starring Maury Chaykin and Timothy Hutton. I’d just never read any of the books, even though the series had been around for decades. And now it’s my favorite mystery series of them all (sorry Holmes and Pons).

Well, some thirty-ish years ago (maybe a little more), I read a couple of Agatha Christie books. I remember that one was definitely a Poirot. I didn’t care for them and that was that. So, while Christie (alongside The Bard) is reckoned to be the best-selling fiction author of all time, she was absent from my not inconsiderable mystery library.

Then, a few years ago, I began watching the Hercule Poirot television series starring David Suchet (here’s a trailer). And I really, really liked it. From 1989 through 2013, Suchet filmed 70 Poirot stories! So, I decided to give Christie’s writings a chance again. Well, Poirot, anyways: I’m not sure you could pay me to read Miss Marple. Thus, I bought Hercule Poirot: The Complete Short Stories and had at it. As I write this, I’m on story 19 of 51.

First thing I noticed is how short these things are. Yes, I know they’re called ‘short stories,’ but while I haven’t tried counting words, most of them are between 8 and 16 pages long. And that’s on big ol’ 6” x 9” paper. Also, she was really cranking these out. A new Poirot was appearing almost weekly in The Sketch magazine.

Read More Read More

Assassins, Mad Robots, and an Alien Hunt: Rich Horton on The Man With Nine Lives and A Touch of Infinity by Harlan Ellison

Assassins, Mad Robots, and an Alien Hunt: Rich Horton on The Man With Nine Lives and A Touch of Infinity by Harlan Ellison

The-Man-With-Nine-Lives-small A Touch of Infinity-small

Back in the early days of the print version of Black Gate, our first Managing Editor, Dave Truesdale, wanted to bring in some big names to the magazine. So I paid a fortune to get a big novella from Michael Moorcock in our first issue, and I got a phone call from Harlan Ellison, whom Dave had contacted to commission a story.

We were paying six cents a word for fiction at the time, but Dave had coached me that Harlan expected to get paid more than that. “His rate is 13 cents a word,” Dave told me.

I was trying to launch a nationally-distributed magazine with my own money (and money I’d begged from friends and family), and paying that kind of money was not in my meager budget. But I grit my teeth and told Dave to go ahead and make the offer. I’d make up the difference with cuts elsewhere, I figured. Harlan agreed, and we were in business.

It’s a long way between an agreement and a completed story, however. Shortly after we made Harlan the offer, he sold a story to Hemispheres, the inflight magazine of United Airlines. They paid Harlan more than 13 cents a word — a lot more. When Harlan called it was to tell me, in considerable detail, just how much he’d been paid for that story.

Read More Read More