Warning: This Comic Will Make You Smarter – Top Cow’s Think Tank

Warning: This Comic Will Make You Smarter – Top Cow’s Think Tank

Think Tank 01001 PREVIEW-small

Recently I’ve been reading Think Tankby Matt Hawkins and Rahsan Ekedal at Top Cow (under Image Comics). It’s a series that started in 2012, ran for about a dozen issues, has had subsequent small series since, and as of 2016, was under movie development.

It looks like a comic that was written for me.

Warning and apology: There is *no* fantasy in this post or in this comic. The story is based on the technology of right now, and what is easily plausible in the next decade or two. Strictly speaking, I would be hard-pressed to call it science fiction. It’s now, just the parts we don’t see.

But in a very real sense, it fits into the aesthetic of fantasy in that we are looking into an unfamiliar world through a story that tells us a lot about ourselves. So, sorry.

Read More Read More

4,976 Pages of Asimov’s Science Fiction (and a Cat)

4,976 Pages of Asimov’s Science Fiction (and a Cat)

When cats read science fiction

When Cats Read Science Fiction

Okay, my cat doesn’t really read science fiction. But she does wander over to see what’s going on when I’m photographing eBay purchases. She even knocked over part of my collection as I was prepping a piece on Robert E. Howard a while back (yeah, that’s her white paw on the far right). Cats. They don’t care.

But if Jazz did read science fiction, I’d tell her the early 90s was probably my favorite era of Asimov’s Science Fiction magazine. Not because the fiction was necessarily better — although there was some really great stuff! — but because it was before I started producing publications of my own, and thus it was the last time I had enough free time to read the magazine even semi-regularly. I have a (complete?) run of the magazine from 1977, but most of my copies are in storage. So when I saw the set above (minus the cat) for sale on eBay, I put in a low bid, and won the entire lot for around ten bucks. Most of them are in terrific shape, and only a few have mailing labels, so overall I’m thrilled with the purchase. (Although the February 1994 issue now has a pair of cat prints on the cover.)

Read More Read More

The Valley of Gwangi Finally Reaches Blu-ray Because I Mistakenly Said It Never Would

The Valley of Gwangi Finally Reaches Blu-ray Because I Mistakenly Said It Never Would

valley-of-gwangi-frank-mccarthy-posterDuring my years of writing for Black Gate, I’ve repeatedly pointed out certain films aren’t available on Blu-ray or DVD … only to discover after I post the article that said films are already scheduled for a release. This happened again three weeks ago when I mentioned that the only Ray Harryhausen film still unreleased on the Hi-Def format was The Valley of Gwangi. I dug myself in deeper by predicting we wouldn’t see one for years because of how slowly Warner Bros. moves with its catalogue titles.

Yet here I am in possession of a Blu-ray from Warner Archive of The Valley of Gwangi and writing about it. Maybe I should start making gloomy declarations about the Blu-ray chances of other favorite movies, just to invoke the intervention of the muse who controls home video releases. (Melpomene, I believe.)

Everyone who loves movies probably has a specific film that seems as if it were made just for them. A Ray Harryhausen stop-motion giant monster in a Western? That’s what I call Ryan Harvey Niche Marketing. The only way The Valley of Gwangi could be more targeted to me is if 1) the monster was Godzilla, 2) Peter Cushing was one of the stars, and 3) Sergio Leone directed it. However, if such an event actually occurred, the shockwaves would’ve knocked Earth from its axial tilt and annihilated civilization. Perhaps it’s for the best we stopped at “Ray Harryhausen giant monster Western.”

Although The Valley of Gwangi has some of the flaws found in other Ray Harryhausen-Charles H. Schneer films (workmanlike direction, some stilted performances), it’s still one of the greatest dinosaur movies ever made, in the same league as One Million Years B.C. and Jurassic Park. Is Jurassic Park overall a superior movie? Yes, but in terms of creative dinosaur action, The Valley of Gwangi competes. The only dinosaur movie that ranks higher than these is the original King Kong.

Read More Read More

Ave Atque Vale: Celebrating the Life and Work of Michael Shea

Ave Atque Vale: Celebrating the Life and Work of Michael Shea

And Death Shall Have No Dominion A Tribute to Michael Shea-small And Death Shall Have No Dominion A Tribute to Michael Shea-back-small

Michael Shea was one of the most distinguished and loved figures in the field of speculative fiction. He twice won The World Fantasy Award, and his work also received nominations for the Hugo, Nebula, Locus, August Derleth and International Horror Guild awards. Ranging from wildly baroque dark fantasy to cosmic horror and grimly humorous parodies of contemporary “reality” culture, his writing conveys the sense of wonder and awe that imaginative readers crave and appreciate, and one can develop an insatiable appetite for his work.

But since Shea’s unexpected passing in 2014, many of us have been unable to slake that. That is, until the recent release of And Death Shall Have No Dominion: A Tribute to Michael Shea, which among many other things, contains three previously unpublished works of his fiction.

Read More Read More

Magazine of Fantasy & Science Fiction, Volume 132, No. 3 & 4 (March/April 2017)

Magazine of Fantasy & Science Fiction, Volume 132, No. 3 & 4 (March/April 2017)

f&sf 132 3-4Full disclosure before we start this review: one of the contributing authors is a friend of mine, so take that part of the review with a grain of salt.

The issue starts with “Driverless” by Robert Grossbach, one of those “what if machines came to life” stories told in a near-future where driverless cars dominate the roadways. A few decades back, this would have been nothing but fanciful storytelling, but with recent advances in both artificial intelligence and driverless technology, it might actually be a problem that we have to deal with in the years to come.

“The Toymaker’s Daughter” by Arundhati Hazra takes a common story idea of toys magically coming to life and follows it through the real world consequences.

“Ten Half-Pennies” by Matthew Hughes is the first story in what promises to be an ongoing series about a wizard’s apprentice (the next story is actually advertised as set to appear in the May/June issue). Here we see a bullied child grow into a collection agent and then wizard’s apprentice, all the while maintaining his own moral code. Both the characters and the magic system are well-defined in this piece about honor and debt.

“The Man Who Put the Bomp” by Richard Chwedyk is the next novella in his award-winning Saur series. The basic premise is that miniature talking dinosaurs are designed by a genetic research firm and sold as pets. When problems arise with the saurs, production is discontinued and surviving saurs are relocated to shelters. The series concerns one such shelter and the wonderful assortment of odd characters (both saur and human) who live there. I’ve been listening to Richard Chwedyk read these stories for years and it’s impossible for me not to hear his voice in my head when I’m reading them. Not only do we learn about the man who put the “bomp” in these saurs, but we find out why they should never be placed behind the wheel of an automobile (the cover art by Bryn Barnard should give a hint as to how badly it can go). I’m seriously waiting for a collection of all these stories to appear somewhere and will keep you posted when it happens.

Read More Read More

Invasions, Space Combat, and a Human Bomb: Margaret Fortune’s Spectre War

Invasions, Space Combat, and a Human Bomb: Margaret Fortune’s Spectre War

Nova Spectre War Margaret Fortune Archangel Spectre War Margaret Fortune-small

Margaret Fortune’s Spectre War looks like my kind of YA series — the kind with space combat. The first volume, Nova, was published in hardcover in 2015 by DAW, and Booklist called it “A super start to what looks like a fine series.” Here’s the description.

Lia Johansen was created for only one purpose: to slip onto the strategically placed New Sol Space Station and explode.

But her mission goes to hell when her clock malfunctions, freezing her countdown with just two minutes to go. With no Plan B, no memories of her past, and no identity besides a name stolen from a dead POW, Lia has no idea what to do next. Her life gets even more complicated when she meets Michael Sorenson, the real Lia’s childhood best friend.

Drawn to Michael and his family against her better judgment, Lia starts learning what it means to live and love, and to be human. It is only when her countdown clock begins sporadically losing time that she realizes even duds can still blow up.

If she wants any chance at a future, she must find a way to unlock the secrets of her past and stop her clock. But as Lia digs into her origins, she begins to suspect there’s far more to her mission and to this war, than meets the eye. With the fate of not just a space station but an entire empire hanging in the balance, Lia races to find the truth before her time — literally — runs out.

The second installment, Archangel, arrived in hardcover last week. Nova is now available in paperback — and the digital version is just $1.99!

Read More Read More

A Rose By Any Other Name . . .

A Rose By Any Other Name . . .

AlicePeople can have all kinds of reasons to use another name, or to change their names permanently, for that matter. There are personal or family reasons, like marriage or adoption. There are political or social reasons, like marking a religious conversion, or immigration – though that last’s not as common now as it was in the early to mid-20th century. My own father, for example, changed his name to Malan because British authorities – to whom he had to report regularly as a displaced person after WWII – suggested that he try to sound less Polish since he was planning to stay in England. He chose a name much in the news at that time, and that’s why my brother and I are often asked if we’re South African.

Setting these examples aside, however, actors and writers are probably the next large group of people who frequently change their names – or at least use other names as a pseudonym, or nom-de-plume, if you prefer. (A friend of mine once referred to her real name as her nom-de-nom.)

Read More Read More

Goth Chick News: Full On Fan-Girling Over MST3K

Goth Chick News: Full On Fan-Girling Over MST3K

MST3K-small

Though in my early Goth Girl days I was admittedly too enthralled with my beloved (and sometimes cheesy) horror movies to ever consider hacking on them, my teenaged years did find me gaining an appreciation for snarky commentary during movies.

So it will be no surprise to anyone that discovering Mystery Science Theater 3000 meant Joel, Servo, Crow and Gypsy became my early mentors, playing a big part in creating the sarcastic, mocking and malicious critic who sits before you and would ultimately find a safe haven in the page of Black Gate.

In a word – I was hooked.

Years later I now own every episode of every season, in multiple formats. And I waited in a two-and-a-half-hour line to spend a total of 30 seconds saying “hi” to Joel Hodgson at a con – right behind a guy hauling around a life-sized “Crow” which I coveted to the point of violence.

So clearly, I’m not alone.

Read More Read More

Nightmare, Issue 51 (December 2016)

Nightmare, Issue 51 (December 2016)

nightmare-magazine-51-smallOne of the biggest advantages that digital magazines have over print magazines is that it’s very easy to keep digital editions available indefinitely. So if you discover a magazine starting with, say, issue 52, it’s easy to go back and purchase every back issue at “cover price.” Which is why, during my month-long wait between new issues of Nightmare, I can wile away the hours by reading from their extensive backlist.

My favorite story of the issue just happens to be the first, “I was a Teenage Werewolf” by Dale Bailey. This is part of a series of stories Bailey has written that take the titles of cheesy 1950s sci-fi/horror movies and uses them as springboards for brand new pieces (check out “Invasion of the Saucer Men,” “I Married a Monster from Outer Space,” and “Teenagers from Outer Space“). It’s bit of slow going at first, but we eventually get something that’s not only a story about a werewolf, but about how adults will use any excuse to restrict the freedoms of the young “for their own good,” all while doing almost nothing to actually protect them. If nothing else, read it for a prom scene that beats the prom in Carrie, hands-down.

Next up is “Blood Drip” by Brian Evenson (originally published in Granta), a story that plays nicely with the unreliable narrator trope. Coupled with a vague setting, the story feels timeless in both its themes and its surreal imagery.

“The Dark Edge of Life” by Livia Llewellyn, on the other hand, goes out of its way to define time and place as a “found document” style of story. We know that something terrible has happened and the story fills in enough blanks to scare, but not so much to bore us with detail. The added effect of presenting the story in fragments (suggesting that pieces of an original manuscript were either consumed in a disaster or purposefully destroyed) adds to the mystery.

Finally, “The Opera Singer” by Priya Sridhar (originally published in She Walks in Shadows) is a compelling take on the “deal with the devil” and possession tropes, told from the point of view of an aging woman asserting her will against … well, it’s not exactly a demon.

As always, you can go to www.nightmare-magazine.com and read all of these stories (as well as accompanying author spotlights) for free. But Nightmare is only able to continue showcasing this work with financial support, so why not drop $2.99 and buy an issue? If you like it, they’ll have plenty more back issues to sell you.


Michael Penkas has been writing horror, mystery, science fiction, and fantasy stories for years. His first mystery novel, Mistress Bunny and the Cancelled Client, is available in print and electronic editions. Learn more about his work at http://www.michaelpenkas.com/.

Future Treasures: The Horror on the Links: The Complete Tales of Jules De Grandin, Volume One by Seabury Quinn

Future Treasures: The Horror on the Links: The Complete Tales of Jules De Grandin, Volume One by Seabury Quinn

The Horror on the Links The Complete Tales of Jules De Grandin Volume One-smallToday Weird Tales is chiefly remembered as the magazine that launched the careers of the great pulp fantasy writers of the 20th Century. But as most fans of the Grand old Lady of the pulps know, the most popular Weird Tales author wasn’t Robert E. Howard, or H.P. Lovecraft, but Seabury Quinn, someone whom is almost completely forgotten today. Quinn’s supernatural detective Jules De Grandin — a top-seller in the 20s and 30s, appearing in over ninety stories and a single novel between 1925 and 1951 — has been out of print for decades. Night Shade rectifies that injustice with the first volume of The Complete Tales of Jules De Grandin, arriving in hardcover next week.

Today the names of H. P. Lovecraft, Robert E. Howard, August Derleth, and Clark Ashton Smith, all regular contributors to the pulp magazine Weird Tales during the first half of the twentieth century, are recognizable even to casual readers of the bizarre and fantastic. And yet despite being more popular than them all during the golden era of genre pulp fiction, there is another author whose name and work have fallen into obscurity: Seabury Quinn.

Quinn’s short stories were featured in well more than half of Weird Tales’s original publication run. His most famous character, the supernatural French detective Dr. Jules de Grandin, investigated cases involving monsters, devil worshippers, serial killers, and spirits from beyond the grave, often set in the small town of Harrisonville, New Jersey. In de Grandin there are familiar shades of both Arthur Conan Doyle’s Sherlock Holmes and Agatha Christie’s Hercule Poirot, and alongside his assistant, Dr. Samuel Trowbridge, de Grandin’s knack for solving mysteries — and his outbursts of peculiar French-isms (grand Dieu!) — captivated readers for nearly three decades.

Collected for the first time in trade editions, The Complete Tales of Jules de Grandin, edited by George Vanderburgh, presents all ninety-three published works featuring the supernatural detective. Presented in chronological order over five volumes, this is the definitive collection of an iconic pulp hero.

The first volume, The Horror on the Links, includes all of the Jules de Grandin stories from “The Horror on the Links” (1925) to “The Chapel of Mystic Horror” (1928), as well as an introduction by Robert Weinberg.

The Horror on the Links: The Complete Tales of Jules De Grandin, Volume One will be published by Night Shade Books on April 4, 2017. It is 512 pages, priced at $34.99 in hardcover and $9.99 for the digital edition. Not sure who did the cover, but I’m working on it.