In 500 Words or Less: Red Country by Joe Abercrombie

In 500 Words or Less: Red Country by Joe Abercrombie

Red Country by Joe Abercrombie-smallRed Country
By Joe Abercrombie
Orbit (480 pages, $16.00 paperback, $9.99 eBook, October 2013)

One of my earlier reviews here focused on Best Served Cold, the first standalone novel in Joe Abercrombie’s First Law world (but the fourth overall, for anyone playing the home game). You might remember that I was a little disappointed, but I still gave Abercrombie’s second standalone, The Heroes, a chance and was pleasantly surprised. Recently I cracked open the third (and most recent) of these standalone novels, Red Country – and though I was a little nervous at the beginning of the novel, I’ve decided this might be the best First Law of them all.

Since it was stated in a lot of promos for the book, I don’t think it’s a spoiler to say that Red Country presents the return of Logen Ninefingers, the conflicted and half-mad barbarian who was among the First Law trilogy’s stars. Presumed dead, the “Bloody-Nine” is living under an assumed name, though if you’re reading closely enough (and didn’t read the back cover) you’ll figure out in the first chapter who the cowardly “Lamb” really is. This was where I started to get worried, and decided that if Abercrombie was going to play some game at trying to be subtle with Lamb’s true identity, my review here would be very different.

But Abercrombie isn’t that kind of writer. Instead, Logen’s attempts to keep his past and his worse nature at bay becomes a key focus of the book, elegantly constructed in his interactions with the novel’s other characters, as the reader wonders when his loved ones will get the full story. The brief mentions of characters and events in previous books, and the moments when other characters admit that they know exactly who Logen is, are woven in expertly without certain names ever being mentioned.

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A Kick-ass Female Perspective on Comics That’s Disturbingly Close to Real-Life: The Refrigerator Monologues by Catherynne M. Valente

A Kick-ass Female Perspective on Comics That’s Disturbingly Close to Real-Life: The Refrigerator Monologues by Catherynne M. Valente

the-refrigerator-monologues-smallThe Wonder Woman movie has received considerable buzz for depicting an interesting lead female character who actually has a personality, is not dependent on some guy to come to her rescue and truly is the star attraction; it even has a female director. It’s enough to make you forgive the silly and at this point yawn inducing CGI pyrotechnics between good and evil ending that is apparently sacrosanct in these sort of flicks. Look, I enjoyed the movie, but for all its merits it’s still a sad commentary of our times that Wonder Woman is considered somehow ground breaking. Problem is, compared to the latest crop of superhero movies (maybe even movies in general) the bar isn’t set very high.

You want some real kick-ass female perspective on the comic book world that’s disturbingly close to real-life? Check out The Refrigerator Monologues by Catherynne M. Valente. This is a series of short stories set in shared alternate comic book universe (with characters such as Grimdark and Kid Mercury and Doctor Nocturne evoking various Marvel and DC Comics personages) linked by a sort of AA session in which deceased women (with one exception who for her own reasons hangs out among the unliving) take turns explaining how they ended up in Deadtown, i.e., thanks to some male superhero or supervillian exploit.

The title of the collection is a take-off of The Vagina Monologues — the Eve Ensler play about sex and body image told from the perspectives of a variety of women representing different ethnic, sexual and class identities — and comic book writer Gail Simone’s observation that comic book women are typically hypersexualized for a male audience and often end up “refrigerated” — killed, disabled, or otherwise rendered marginalized or powerless in order to advance a male character’s storyline. Indeed, in “Happy Birthday, Samantha Dane” the title character literally ends up in a refrigerator. (And, by the way, is just one of many great comic book kind of names that Valente invents for her cast of characters. Also by the way, it’s worth noting that in Wonder Woman a male character dies to advance our heroine’s story — perhaps an intentional inversion of the refrigerator motif?)

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New Treasures: An Oath of Dogs by Wendy N. Wagner

New Treasures: An Oath of Dogs by Wendy N. Wagner

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Wendy N. Wagner is the Managing Editor for Lightspeed and Nightmare magazines, as well as an editor for the fabulous Destroy series of anthologies, including Women Destroy Science Fiction, Women Destroy Fantasy, and Queers Destroy Science Fiction. She’s had short stories in Nightmare and Fantasy Magazine, as well as the anthologies The Way of the Wizard, Armored, and Shattered Shields. She’s also published two Pathfinder novels, Skinwalkers and Starspawn, the latter of which has been described as “Pathfinder Meets Lovecraft.”

Her latest is something very different, an “exoplanetary colony sci-fi trip riddled with mystery and conspiracy” (Jason LaPier). It’s the tale of Kate Stadish, an investigator on an alien world of strange sentient dogs, mill towns… and murder. Ferrett Steinmetz (author of the ‘Mancer series, which we covered here), says “An Oath of Dogs nails the rough-hewn feel of a frontier town, then mixes it up with intergalactic corporate intrigue and alien biology. It’s like Lake Wobegon mashed up with a Michael Crichton thriller.”

An Oath of Dogs was published by Angry Robot on July 4, 2017. It is 430 pages, priced at $7.99 in paperback and $6.99 for the digital edition. The cover is by Joey HiFi. Read Chapter One at Wagner’s website.

Goth Chick News: Forget Virtual Reality, Let’s Do This

Goth Chick News: Forget Virtual Reality, Let’s Do This

Alien War

Some years ago while wandering around London in the evening, I had the very lucky pleasure of coming upon the grand opening of a new attraction called Alien War. Being an avid fan of the Alien franchise and having no idea what I was walking into, I allowed the realistically dressed interstellar marines manning the sidewalk outside, to convince me to check it out.

What I experienced for the next 20+ minutes would almost certainly require me to sign some sort of liability waver if it existed today; but it was such an unbelievable adrenaline rush that I queued up to do it twice more that night.

As I have nothing to compare it to in recent memory, I was happy to find several YouTube clips. Including the one below, which gives you an idea of what I’m talking about.

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The Tripartite Hero: Matt Wagner’s Mage

The Tripartite Hero: Matt Wagner’s Mage

Mage: The Hero Denied #0At the Emerald City Comicon in early March, Image Comics announced that starting in August they’d be publishing writer/artist Matt Wagner’s Mage: The Hero Denied, a 15-issue series with a half-length 0 issue and a double-sized conclusion. Hero Denied will be the final part of a trilogy Wagner began over thirty years ago, and I want to prepare for that last installment by looking back here at the first parts of the saga. The Mage books are two of the finest works of a great comics talent, urban fantasies mixing excellent action storytelling, a mastery of plot beats, and a sense of the mythic into gripping stories — and stories with a semi-autobiographical slant, no less.

Mage: The Hero Discovered was published by Comico from May 1984 to December 1986 (I read it in the three-volume 1987 Starblaze trade paperback collections). Wagner wrote, drew, and coloured the series, with letters by Bob Pinaha, and Sam Kieth inking from issue 6 through 15. The story follows Kevin Matchstick, inhabitant of the modern-day world, as he encounters a mysterious figure named Mirth who turns out to be a mage; Mirth introduces Matchstick to a grander and more terrifying world, one of wizardry and horrors, and leads him to the hidden truth of his nature and his link to a hero out of legend. Mage: The Hero Defined came out from Image from July 1997 through October 1999, again written and drawn by Wagner, this time with colours by Jeromy Cox and letters by Sean Konot. The series follows an older Matchstick through a stranger world of greater magics and other heroes; Matchstick meets another mage, faces consequences of his earlier actions, and discovers deeper truths about the archetypes behind him.

Always intended as a trilogy from the beginning of the story back in the 80s, the second and third chapters have necessarily been slow to follow because the story is in part an autobiography. Kevin Matchstick is the alter-ego of Matt Wagner: he’s drawn to resemble his creator, aspects of his story are fictionalisations (fantastifications?) of Wagner’s life, and other characters are analogues of people Wagner knows — and since Wagner’s a professional in comics, a number of the characters in the second series are thinly-disguised versions of other comics artists. The Hero Defined is therefore also an odd document of 1990s comics culture. If you don’t know the background, you don’t need to know it. If you do, you see another level to the story: artists become mythic heroes and villains. That works with the central concern of the tale — the transmutation of everyday life into archetypal struggle.

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John DeNardo on Your Best Bets for Science Fiction, Fantasy and Horror in July

John DeNardo on Your Best Bets for Science Fiction, Fantasy and Horror in July

The Art of Starving Sam J Miller-small Age of Swords Michael J. Sullivan-small The Best Horror of the Year Volume Nine-small

As regular readers know, I enjoy John DeNardo’s survey pieces on the best new books every month over at Kirkus Reviews. For July, he’s assembled what could well be the best batch of new releases so far this year. Here’s John.

Summer reading season is in full swing, and if you’d like to join the beach party, there’s plenty of entertainment to be found in the pages of science fiction, fantasy, and horror books. July’s cream of the crop includes stories about a robot hitman, a dark and previously unseen perspective on Peter Pan, a woman with supernatural abilities who goes up against Nazis, aliens in New York, flying shapeshifters, and more short stories than you can shake a stick at.

The list this month includes new books by Nancy Kress, Kay Kenyon, Carrie Vaughn, Martha Wells, Charles Stross, Naomi Kritzer, Christopher Rowe, Margaret St. Clair, William Browning Spencer, Adam Christopher, and many more. Here’s a few of the highlights.

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Why isn’t Conan a Mary Sue?

Why isn’t Conan a Mary Sue?

Conan Rogues in the House-smallHow is Conan not a Mary Sue?

The barbarian is pretty obviously Robert E Howard’s authorial self-projection into the Hyborian Age. Big, bellicose and amoral, but honourable and never mean. He’s mighty-thewed death on two legs, women fall into his arms, kingdoms fall at his feet. He male bonds when he falls into good company, and despite being a barbarian fish out of civilised water, he commands the loyalty of his men and the respect of those nobles worthy of respect.

He’s everything Robert E Howard was and wasn’t and might have been had the big Texan lived long enough to fight in WWII. (Imagine Howard as a veteran of Iwo Jima, and the great literature he would have written…)

Really, how is he not a Mary Sue? (He certainly fails a Mary Sue test)

And yet, Conan survived the oh-so-ironic later 20th century. One whiff of Thrud should consigned him to the company of Captain Future and Doc Savage: The emperor barbarian has no clothes on! He even weathered Terry Pratchett’s slash and burn through the genre.

Was it just that Howard invented Sword and Sorcery?

No. Conan’s literary longevity is more than just about being first with sandals on the ground.

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July/August 2017 Asimov’s Science Fiction Now on Sale

July/August 2017 Asimov’s Science Fiction Now on Sale

Asimov's Science Fiction July August-smallAs I mentioned in my last magazine review, I’m a guy who tends to skim magazines. I’m looking for something new, something different, something… yeah, I have no idea what I’m looking for these days. I’m just impatient and I skim. Don’t hate me.

Tangent Online is my enabler. They publish up-to-date magazine reviews (that I skim), and these reviews tell me everything I need to know to form a plan of attack in, like, 45 seconds. For example, they tell me that the latest issue of Asimov’s Science Fiction has terrifically intriguing tales from Alexander Jablokov, Rich Larson, and James Gunn, among others. Asimov’s, prepare to be boarded.

This issue of a magazine which is celebrating forty years of publication features a balance of fast-paced, high-tech adventure stories and intimate character studies. Fittingly, a pair of linked stories by an author with nearly seven decades of experience combine both action and introspection.

Leading off the issue is “How Sere Picked Up Her Laundry” by Alexander Jablokov. The setting is a planet where a large number of alien species live, often inhabiting structures left behind centuries ago by other beings. The narrator is hired to find out who leased a large portion of one such giant building, and why an exterminator died while working on a tunnel within it. She encounters a number of strange creatures while uncovering the mystery. The author creates a complex background and interesting alien biology…. “An Evening with Severyn Grimes” by Rich Larson is set in a future where a wealthy man can rent the body of a young, healthy man as a place to house his mind. The protagonist is hired by a group of terrorists who violently oppose this practice. Her consciousness is downloaded into the many linked computerized devices which fill this world in a plot to assassinate the man, but she has plans of her own… a fairly effective cyberpunk story.

First published in 1949 and named a Grand Master by the Science Fiction and Fantasy Writers of America in 2007, James Gunn proves that he is not just resting on his laurels with two stories set in his Transcendental universe. Both “Transcendental Mission: Riley’s Story” and “Weighty Matters: Tordor’s Story” depict the lives of characters who will eventually set out on a mission to discover the nature of a device which is rumored to produce perfection in any individual. The reader may be reminded of the pilgrims bound for Canterbury in Chaucer’s famous poem. Inevitably, both tales are expository and open-ended. The second story may be more interesting because the author creates an entire alien culture.

Read Victoria Silverwolf’s complete review of the latest Asimov’s SF here.

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Mysterion 2

Mysterion 2

MysterionLast year, my wife and I published an anthology entitled Mysterion: Rediscovering the Mysteries of the Christian Faith. We have been working on this project for over a year: reading submissions and selecting the stories, editing for content, copy editing, layout, cover design, printing, and selling. It was, as you can imagine, a lot of work. I wrote about some of the process here at Back Gate: calling for submissions, using math on submissions, and presenting the table of contents.

After all that, we were very happy with the result. We felt that we had achieved our goal of publishing stories that dealt with the Christian faith in an authentic way, stories which don’t fit comfortably into either religious or mainstream markets, which ask hard questions and refuse to settle for easy answers. In other words, stories that explored the mysteries of the faith.

We got a few nice reviews as well, at Fantastic Stories of the Imagination, Cemetery Dance, and Tangent Online.

So now that we’ve had a chance to rest up, would we do it again?

Well, if you read the title of this post, you can probably guess the answer.

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Classic SF from One of the Twentieth Century’s Great Masters: The Best of John W. Campbell

Classic SF from One of the Twentieth Century’s Great Masters: The Best of John W. Campbell

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The Best of John W. Campbell (1976) was the seventh installment in Del Rey’s Classic Science Fiction Series. Lester Del Rey (1915–1993) is again the editor; he also provides the introduction. H. R. Van Dongen (1920–2010) did the attractive cover art, and it seems in line with the artistic feel set by Dean Ellis, Darrell Sweet, and The Brothers Hildebrandt on the previous volumes. For those books, unless the author was deceased, the afterword was usually written by the author being celebrated. Since Campbell had passed a few years before this publication, his widow (also now deceased) provided an interesting afterword.

John W. Campbell (1910–1971) was more than just one of the greatest science fiction writers of the twentieth century. Probably more importantly, as editor of Astounding Science Fiction (later renamed Analog) from 1937 until his death, he is generally credited with being the primary shaper of the Golden Age of science fiction. He tutored such giants in the field as A. E. van Vogt, Theodore Sturgeon, and the great Robert A. Heinlein. And everyone from Isaac Asimov to Robert Silverberg credited him with being a major influence on their writing.

As I’ve said before, I’m not generally a big fan of science fiction; I tend to lean more towards horror and fantasy. And thus I know I tend to caricature classic sci-fi as being sometimes tedious and outmoded. But as with some previous writers in Del Rey’s Classic Science Fiction Series, I continue to be pleasantly surprised by some of these Golden Age (and later) science fiction writers. Since we’ve covered this volume once before (back in 2013), this time, rather than simply giving an overview of selected stories, I will primarily focus on some recurring themes and give some overall thoughts.

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