Old Empires and Armored Planets: Rich Horton on The Sun Smasher by Edmond Hamilton and Starhaven by Ivar Jorgenson
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Rich Horton has been reading through the Ace Double library over at his blog Strange at Ecbatan. His last few selections have been duds, but I’m optimistic about Edmond Hamilton’s The Sun Smasher and Ivar Jorgenson’s Starhaven, Double #D351, published in 1959. Edmond Hamilton was my favorite pulp SF writer, and “Ivar Jorgenson” was a pen name for none other than Robert Silverberg. Here’s Rich.
Each of these novels was published earlier in a single issue of a magazine, possibly (especially in the case of the Jorgenson novel) in shorter versions. The Sun Smasher appeared as “Starman Come Home” in the September 1954 Universe Science Fiction, while Starhaven appeared as “Thunder Over Starhaven” in Science Fiction Adventures for October 1957. (I suspect the Hamilton novel, which is the shorter of the two at about 30,000 words, probably is the same version as appeared in the magazine, but the “Jorgenson” story, some 40,000 words long or more, is expanded, as Silverberg discusses below.)
The covers of the magazine editions of these stories are something of a real delight, so I’ve reproduced them here.
I always enjoy Rich’s reviews of classic SF. But when he starts throwing in vintage magazine covers, you know he’s really speaking my language.









Between lotteries and televised poker tournaments, horse racing and casinos, games of chance play a large part on the world’s stage. It should come as no surprise that they play an equality large part in fiction, and perhaps in genre fiction in particular. As writers, aren’t we always looking for something for our characters to do while they’re talking to each other? Preferably something that also reveals character, and is interesting in itself?
There were two screenings I wanted to attend at the Fantasia Festival on Saturday, July 29. First was the Russian science-fiction film Attraction (Prityazhenie). After that was a triple-bill of animated shorts: “Valley of White Birds,” from China; “Scarecrow Island,” from Korea; and “Cocolors,” from Japan. All together, a promising day of fantastic imagery on the big screen in the 400-seat D.B. Clarke Theatre. (In addition, a long short film preceded Attraction, “Past & Future Kings”; as it happens I know some of the local creators, and so feel it would be inappropriate to write about the movie here.)
