A Christmas Carol by Charles Dickens

A Christmas Carol by Charles Dickens

If I could work my will,” said Scrooge indignantly, “every idiot who goes about with ‘Merry Christmas’ on his lips, should be boiled with his own pudding, and buried with a stake of holly through his heart. He should!”

Ebenezer Scrooge

 

A Christmas Carol. In Prose. Being a Ghost Story of Christmas, published first in 1843, is nearly two hundred years old, and nothing remains to be said about it, it would seem. Charles Dickens’s fairy tale has become one of the great secular staples of the Christmas season. It’s been filmed many times; both wonderfully as in the Alastair Sim 1951 and George C. Scott 1984 versions and less wonderfully in the Reginald Owen 1938 film and the 2010 Jim Carrey motion capture monstrosity. Furthermore, there have been animated adaptations, musicals, and comics. It’s an isolated person, I suspect, who doesn’t know at least the basic setup: the uplifting story of a cold-hearted miser who turns to the good after the visitation of a trio of ghosts representing the spirit of the season. All I can do is comment on the bits that stood out for me while liberally quoting from this mordantly funny novel and Gothic fantasy of redemption.

The story is told by an omniscient narrator who intrudes on the story constantly, digresses from the narrative, and questions the reader at every turn. The opening words of A Christmas Carol, or at least a fair gloss on them, are well-known, particularly the seventh sentence: “Old Marley was a dead as a door-nail.” It’s a blunt matter-of-fact statement that lets the reader know where things stand. The narrator, though, immediately continues with something else.

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Goth Chick News: It’s January, So Let’s Start Our 2024 WTF File…

Goth Chick News: It’s January, So Let’s Start Our 2024 WTF File…

Writing a column called “Goth Chick News” is pretty much a dead giveaway that I love almost everything to do with the horror genre. I have, in past posts, made clear exceptions for what I call “sociopath training films” (Saw franchise, I’m looking at you), as well as examples of violence for violence’s sake such as haunted attractions like those explored in the Hulu documentary Monster Inside.

These exceptions have huge fan-bases and I make no judgment. They are just not my thing. It perhaps sounds weird to say, but to me, being scared is only entertaining when it doesn’t depict something that I could find on the True Crime channel. However, that’s not to say I still don’t frequently stare at my computer monitor and say “WTF” to it like I expect it to explain itself.

So, as we embark on this brave new year, I had to tell you about my first slow clap of 2024.

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From Mystery to Horror: Darker than You Think by Jack Williamson

From Mystery to Horror: Darker than You Think by Jack Williamson

Darker Than You Think (Fantasy Press, 1948). Cover by A. J. Donnell

Jack Williamson had an impressively long career in science fiction, from the pre-Campbell era into the twenty-first century. His first sale, in 1928, was to Hugo Gernsback’s Amazing Stories; his last book came out in 2005, the year before his death at 98. Darker than You Think is one of the high points of that career, published in 1948 as a novel expanded from a 1940 novella that appeared in John W. Campbell’s fantasy magazine Unknown.

Despite this venue, though, Darker than You Think is highly rationalized “fantasy,” to the point where it’s more accurately described as science fiction. Near the end of the novel, an important secondary character, Sam Quain, tells the protagonist that “supernatural” really means “superhuman.”

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The StoryGraph: To Help My 2024 Goals. Join Me?

The StoryGraph: To Help My 2024 Goals. Join Me?

Hello, Readers!

It’s 2024 already. How? How did that happen?!

Like many of you (I suspect), I’ve added ‘read more’ to my goals for this year. I try not to make resolutions, but rather goals. It feels a little less pushy and more gentle. You still have something to strive for, but it somehow feels less harsh. Anyway, I have very limited time, so reading so often finds itself on the back burner.

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The Best of Bob – 2023

The Best of Bob – 2023

Happy 2024! Let’s kick butt for another year. Or at least, limp to the finish in 52 weeks. I take what I can get.

One of my greatest talents as a blogger, is finding folks more talented than I, to write my weekly column for me. Hey – the reader gets a better end product, so they win, right? I brought Talking Tolkien to Black Gate in 2023. And I had some great help yet again for A (Black) Gat in the Hand.

So some of you Black Gaters may be surprised that I occasionally actually write my own essays for the Monday morning slot. John O’Neill is too savvy an editor for me to completely fool him for almost ten years.

So here are what I thought were ten of my better efforts in 2023. Hopefully you saw them back when I first posted them. But if not, maybe you’ll check out a few now. Ranking them seemed a bit egotistical, so they’re in chronological order. Let’s go!

Don’t Panic! We’ve Got Douglas Adams Covered Here at Black Gate (January 2, 2023)

If I do say so myself, things absolutely started off strong, the second day of the new year! Black Gate has a bunch of Douglas Adams fans. This was my eighth Adams-related post, and I included links to five prior posts by Black Gaters (Steven H Silver, and M. Harold Page).

Thirteen posts about Douglas Adams. SURELY you can find something interesting. This current post included me fooling around with a new entry for the Hitchhiker’s Guide to the Galaxy. I think it’s pretty funny. And if you’re not familiar with Dirk Gently’s Holistic Detective Agency, that’s actually my favorite Adams book. Click on this one and get a larf.

 

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Heroic Fantasy Quarterly # 58 Now Available

Heroic Fantasy Quarterly # 58 Now Available

Heroic Fantasy Quarterly #58 hit the electronic shelves on November 26th.  We’ve got three stories and three poems — a full complement!

Fiction Contents

Dragon Tears Part II,” by Caleb Williams.  Exiled sorcerer-scribe Larohd du Masiim continues his quest to  gather the rare artifacts needed to gain back his lost love, the princess Yadira.  Catch up with Part I here.

Isle of the Thousand-Eyed Strangler,” by R. A. Quiogue.  Quiogue returns to our pages with a tale of fantasy south-seas derring-do among the Perfumed Isles.   Young prince Pandara, driven to piracy after the Wulongan Empire has laid waste to his home island, becomes embroiled with the last surviving priestess of a cult of the mythical sunken land of Sundramala.

The Third Way,” by Darrell Schweitzer.  A classic reprint!  Grion, the faithful servant of the great warrior Mazantes, flees with his master, along with anyone else who can, from the implacable wrath of Garadis and his army of monsters.  But their flight takes them to strange otherworlds where they hope to make a most desperate gamble.

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Vintage Treasures: Moderan by David R. Bunch

Vintage Treasures: Moderan by David R. Bunch


Moderan, by David R. Bunch (Avon, May 1971). Cover by Norman Adams

The week between Christmas and New Year’s may be my favorite time of the year. Nobody’s working. Life slows down. Everybody’s eating cheese. And I can finally kick back and tackle the reading projects I’ve wanted to get to all year.

At the top of my list is a Moderan, a classic science fiction collection that reviewers at Black Gate have referenced countless times in the past few years — most recently Rich Horton, who wrote here back in February, “Bunch of course is best known for his remarkable Moderan stories, many or most of which were published in Cele Goldsmith Lalli’s Amazing and Fantastic.

Rich knows how to pique my interest. Start with superlatives, then name drop a bunch of old science fiction magazines.

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The Sword & Planet of Gardner F. Fox: The Llarn Novels

The Sword & Planet of Gardner F. Fox: The Llarn Novels

Warrior of Llarn and Thief of Llarn by Gardner F. Fox (Ace Books,
1964 and 1966). Covers by Frank Frazetta and Gray Morrow

I discovered Thief of Llarn in my small hometown library. The swordsman on the cover screamed John Carter to me, and the demon skull with the gem in it didn’t hurt any.

I fell in love with this book and finally found a copy for myself. It’s not in great shape. It took me another fifteen years (pre-internet) or so to find Warrior of Llarn, which was actually the first book of the two book series.

I was somewhat disappointed in Warrior, probably because Thief had become almost mythically good to me in my memories. These are solid entries in Sword & Planet fiction. They were published in 1964 and 1966 respectively.

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Beautiful Dark Worlds: An Interview with John R. Fultz

Beautiful Dark Worlds: An Interview with John R. Fultz

JRF has deep roots in the weird fiction community and especially Black Gate, and you can learn about those in this post.  We recently reviewed his collections Darker than Weird and Worlds Beyond Worlds which were published after I interviewed the author in 2017 for my Weird Beauty interviews series (right before Black Gate began hosting them; see the listing of those interviews below).

This reposts that interview and teases an updated one specific to Fultz’s Zang Cycle (to be posted in the coming weeks as The Rogues in the House Podcast, publishers of the Sword & Sorcery anthologies A Book of Blades Vol I and Vol II relaunches The Revelations of Zang collection). I was honored to write the foreword for the re-release. When preparing that I interviewed John R. Fultz a second time, but focusing on the Zang Cycle. Sharing the announcements for the re-release begs to have the  2017 version detailing his creative process and the history of SKULLS available here. Enjoy this prelude and keep an eye out for the announcement.

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Ellsworth’s Cinema of Swords: Consider the Rapier

Ellsworth’s Cinema of Swords: Consider the Rapier

The Mask of Zorro (USA, 1998)

Swashbucklers come in many forms and from many cultures, settling differences with their wicked nemeses with long blades of many shapes. Some leap aboard slashing with cutlasses; some coolly assume their stances with katanas at the ready, in one hand or two; some gallop to the charge, sabers waving; some wait for their attackers with claymores held high.

But I put it to you that there is no more iconic weapon for a swashbuckler to wield than the rapier. It’s a finesse weapon that relies as much on dexterity as strength, relatively light despite its three-foot blade, encouraging movement and rapid footwork. It hangs easily at the waist, from belt or baldric, an accent that adds martial flair to every bold outfit, and it looks as good on a woman as it does on a man. And crucially, it has a point but no edge, so it’s no battlefield weapon — its only function is to settle personal conflicts between antagonists with precision, by means of a thrust to wound or to kill.

The rapier is the weapon of choice of the heroes in all three of the movies from the late ‘90s we’re considering this time around: in the global hit that should have been a flop, in the critical darling that should have been a hit, and in the triumph that was both. Keep your knees flexed, your wrist loose, and don’t grip the hilt too tightly.

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