It all started with Big Cheese John O’s Facebook post in which he tagged me on a painting of a Yule Cat by Emi Boz [Macabre Cabaret Artist]. True, I love pretty much everything Boz does, but that’s not the reason J.O. tagged me. Instead he was commenting on how I had warned him about the Yule Cat. Actually, this legend is one of the many which are referenced in The Dead of Winter, a new holiday release I wrote about a couple weeks back, so technically I did warn him. But it made me want to know more about the Yule Cat — welcome to the deep dark hole in the frozen ground, into which I have just descended researching this.
This Haunted Heaven (Tartarus Press, October 24, 2024). Cover artist unknown
Reggie Oliver is a British actor, playwright, illustrator and dark fiction author. He has published several short story collections and a few novels. As a matter of fact he’s also my favorite writer.
His latest collection, published once again by the excellent imprint Tartarus Press, includes ten stories, some of which are previously unpublished. As my favorite author it’s a bit difficult for me to produce an unbiased review but I’ll try my best, by choosing the more outstanding among the stories featured in the book.
“South Riding” an atmospheric, subtly disturbing piece depicting the unusual experience of an old actor temporarily moved into a secluded small town, while “ Grey Glass” is a superb supernatural tale revolving around a famous actor’s hand mirror.
Marvel Super Hero Contest of Champions, 3-issue limited series (Marvel Comics, June,
July & August 1982). Written by Mark Gruenwald, art by John Romita Jr. and Bob Layton
Marvel Super Hero Contest of Champions! Long before the more famous Secret Wars, in 1982, Marvel released a mini series that pitted hero against hero!
Similarly, they were whisked away by omnipotent aliens to combat one another. The story was created by Mark Gruenwald, Bill Mantlo, and Steven Grant. It was illustrated by John Romita Jr. and inked by Pablo Marcos.
Forever a fan of the B-list heroes, I loved seeing characters like Sunfire, Dr. Druid, Hellstorm, Machine Man, Doc Samson, Quasar, and Brother Voodoo.
Side note, autocorrect keeps trying to fix my nonsensical greeting and it’s quite annoying. Back to the post!
I’ve been doing a lot of thinking. It’s dangerous. I do not recommend it. But I’ve been doing a lot of thinking on the nature of fictional villains and morally grey heroes, and how to write them convincingly. While it’s sometimes fun to read a simple story where good and evil are very evident, and we’re all firmly on the side of the heroes here. The fight (and eventual victory) against Evil™ can sometimes be exactly the hopeful escape we need. Please note, I’m not looking down my nose at those kinds of stories. I enjoy them myself.
My favorite reads, however, are stories where good and evil is not so simple. It’s not all cut and dried. This isn’t just about creating complex characters to counter your protagonists, but also about creating a safe space to explore all the nuance that we find in real life. It’s a good, safe place to grapple with ideas of heroism, morality and villainy. What makes a hero? Or a villain, for that matter? If the end result is good, are morally questionable actions justifiable? What are we willing to sacrifice for the greater good? Is it acceptable if the answer to the previous question is, “Everything”?
Time for a Ten Things I Think I Think as we close in on Christmas. Those two things are unrelated, though…
So, I think that:
1) The Two Towers is Still My All Time Favorite Fantasy Movie
As you’ll be reading, I’m in a Lord of the Rings deep dive. I re-watched the trilogy (Extended Edition, of course) for the first time in quite a few years. I grew up with fantasy movies like Krull, Sword and the Sorcerer, Sheena, and the Beastmaster. Don’t even get me started on Ator!!!! Some were better than others. I liked Clash of the Titans, but Dragonslayer didn’t really do much for me. I have a friend who sees it the opposite. Ah-nuld’s two Conan films moved the bar on popularity and look for big screen fantasy.
But Peter Jackson did for fantasy what Star Wars did for sci-fi. Critics of the movies can move along. I have a serious Tolkien shelf, and I love what he created with Middle Earth. But I will take watching the movies over reading the trilogy, any day (and that’s from someone who is reading a 800 page book of nothing but LotR annotations right now). The pace alone is a significant improvement.
Anyways – that second film, with Helm’s Deep, and the other action scenes, is simply spellbinding. Seeing a Nazgul flying onscreen always takes my breath away. I like the first and third films, but this second one remains the best fantasy movie I have ever seen.
The Owlstone Crown (Margaret K. McElderry/Atheneum, October 1983). Illustrated by Michele Chessare
The latest in my series of reviews of mostly forgotten SF/F from the 1970s and 1980s is a fairly obscure YA fantasy. X. J. Kennedy was the name used for his writing by Joseph Charles Kennedy. He was known as Joe Kennedy but started using the X. J. pseudonym to avoid confusion with Joseph Kennedy, the father of President John F. Kennedy. Kennedy was born in 1929, and is still alive, aged 95. This makes him a candidate for oldest living SF/F writer.
He was a prominent SF fan from the mid ’40s to early ’50s, publishing the fanzine Vampire, and co-founding an APA, the Spectator Amateur Press Association, that is (according to Wikipedia) still active. He also sold two stories to prozines in 1951 — “No More Pencils, No More Books” (not to be confused with the John Morressy story) to Science Fiction Quarterly and “Music From Down Under” to Other Worlds; both as by “Joquel Kennedy.”
By then he had received his B.A. from Seton Hall, and his M.A. from Columbia, and he went into the Navy as a journalist for four years. After his service, he studied at the Sorbonne and at Michigan, then went into academia as a professor at UNC Greensboro and at Tufts. The bulk of his writing from the early ’50s on was poetry — much of it light verse, and much of it for children — and college textbooks. He was also an editor, and with his wife Dorothy he founded a magazine devoted to New Formalist poetry, Counter/Measures. He wrote the occasional short story, and two YA fantasy novels, of which The Owlstone Crown, from 1983, was the first.
So, here we go. A new watch-a-thon, this one based on a handful of the 500+ shark movies that I haven’t seen (or gave up on). I’m not holding out much hope for these – shark movies are, on the whole, awful, but I know for a fact that some of these are among the worst films ever made. This 20-film marathon is me just trying to understand why they get made, bought and streamed.
House Shark (2017) YouTube
What kind of shark? A huge, rubber puppet. With three eyes.
Published in 2000, Link Yaco’s “Death Goddess of the Lower East Side “ was written for Steven-Elliot Altman’s shared world anthology The Touch: Epidemic of the Millennium, which invited authors to write stories in a world in which Deprivers are stricken with a disease which causes them to lose their slowly senses. Highly contagious and passed on by physical contact, Deprivers are forced to declare their medical status and cover themselves in clothing to avoid accidentally brushing up against someone and causing them to become infected.
Maria Terez Lopez is one of the afflicted, living in New York, seeing posers who have adopted the styles used by the Deprivers as a fashion statement, and working as a waitress in a small restaurant that only employs Deprivers and focuses their service on those who are Deprivers or feel a kinship with the Deprivers. Even though she is surrounded by people, her customers, her co-workers, and especially her boss, Jake Nada, who keeps making passes at her, despite the danger to both of them, should she ever accept, there is no sign that she has any deep connections to anyone, keeping everyone at a distance due to her malady.
For the last few Decembers I have reposted an article I wrote about Ray Bradbury’s short story “The Wish.” It is a Christmas tale of loss and love and magic which Bradbury penned following the death of his father. When it first appeared in Women’s Day magazine in 1973, my Dad was deep in his own grief having lost his own father, my beloved Grandpa, earlier that year. The story I told in Black Gate was how “The Wish” helped ease my Dad’s grief and led to my lifelong love of all things Bradbury.
That article led to my meeting and becoming friends with Bradbury’s editor Peter Schneider from Hill House Books, who published the only standalone hardcover of “The Wish.” He presented me with one of the numbered copies, signed by Bradbury, which is one of my most prized possessions.
In December 2022, as I prepared for the holiday festivities, I was suddenly faced with the loss of my own father. He was 94 and his health hadn’t been the greatest for a few months, so maybe his leaving us peacefully in his sleep should not have come as the shock that it did, but the sense of loss was crushing.
Barbarians, edited by Robert Adams and Martin H. Greenberg and Charles G. Waugh, and Barbarians II, edited by Pamela Crippen Adams, Robert Adams, and Martin H. Greenberg
(Signet New American Library, January 1986 and February 1988). Covers by Ken Kelly
Besides editing the Friends of the Horseclans books (discussed here last week), Robert Adams also edited — along with others — two thick anthologies from Signet entitled Barbarians (1985) and Barbarians II (1988). Covers by Ken Kelly. I bought these when they came out because they each have a Robert E. Howard story, and I was an REH completist at the time. I liked both of these collections, although the concept of “Barbarian” is stretched very broadly.
For example, in the initial volume you have a mostly SF story by Fred Saberhagen and a Witch World fantasy tale by Andre Norton. Both are good stories but have little to do with any concept I might have of barbarians. There’s a Fritz Leiber Fafhrd and Mouser story that fits the concept, and the truly excellent “Swordsman of Lost Terra” by Poul Anderson, which also has a lot of Sword & Planet elements.
