Kit Reed, June 7, 1932 — September 24, 2017

Kit Reed, June 7, 1932 — September 24, 2017

Tiger Rag Kit Reed-small The Baby Merchant-small Where Kit Reed-small

Reports are pouring in that author Kit Reed has died.

BG author Jeffrey Ford writes:

Saw today online that my friend, Kit Reed, passed away. A professional author from 1957 to just this year, and her work was exceptional. I especially loved her stories. Kit was one of a kind. Did not stand on ceremony and would not shy away from telling it like it was. Perhaps that’s why she was never lauded for having been a leading female voice in those earlier completely male centric years… She was also wonderfully generous with young writers and helped to start many careers. I’m gonna miss her honesty and her insights… One of the greats.

Reed was the author of 16 novels and 10 collections, including the Campbell nominee Where (2016), Tiptree Award nominee Little Sisters of the Apocalypse (1994), and Shirley Jackson Award nominee The Story Until Now: A Great Big Book of Stories (2013).

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Vintage Treasures: Ghosts and Grisly Things by Ramsey Campbell

Vintage Treasures: Ghosts and Grisly Things by Ramsey Campbell

Weird Tales Summer 1991-small Dark Love-small Dark Terrors 2 The Gollancz Book of Horror-small
Fantasy Tales Summer 1985-small Night Visions 3-small Narrow Houses-small

We’re on the cusp of October, and you know what that means. Goth Chick will decorate the entire office with candles, pumpkins, and shrunken heads, and we’re about to get deluged with a fresh crop of horror books. It’s pretty exciting actually, and many of us look forward to this time of year (in addition to Goth Chick and her band of terrified interns, I mean). So to help kick off the season, I thought I’d showcase a classic horror collection as my latest Vintage Treasure.

Have a look at the assortment of magazines and anthologies above, and see if you notice a recurring theme. It’s not too hard to spot… the name Ramsey Campbell was ubiquitous in the market throughout the 70s, 80s and 90s, and for good reason. He’s one of the most accomplished horror writers in the business, and his name has graced many a magazine cover and Table of Contents. Campbell produced some 18 collections between 1964 and 2015, and the 80s and 90s were his most productive decades. The stories which appeared in the above volumes, and nearly a dozen more, were reprinted in Ghosts and Grisly Things, a collection from Pumpkin Books (UK, 1998) and Tor Books (US, 2000).

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Operation Arcana, edited by John Joseph Adams

Operation Arcana, edited by John Joseph Adams

Operation-Arcana John Joseph Adams-smallOperation Arcana
Edited by John Joseph Adams
Baen(320 pages, $15 trade/$7.99 paperback/$6.99 digital, March 3, 2015)
Cover by Dominic Harman

Operation Arcana is another collection by prolific editor John Joseph Adams, built of stories crafted around a theme that gives it a fairly unique flavor among recent speculative fiction anthologies. That theme is basically something like “soldiers and magic.”

On first blush, especially considering the cover image of modern soldiers using assault rifles against a rearing dragon, that might seem a bit of a cheesy juxtaposition. But it actually works quite well, and Adams has crafted an anthology of consistently compelling stories. There’s a wide spectrum of tales here, from alternate histories in which historical wars are fought with magical aid, to realistic slipstream in which modern soldiers encounter mythical creatures, to high fantasy focused on the gritty lives of campaigners.

More than just compelling stories though, there’s something about the juxtaposition of magic and warfare that seems to just really work. Why? I think the authors have stumbled onto something profound in their disparate tales, and I think it involves this fact: that magic is defined by rules. Even if the rules are strange or mysterious, stories involving magic are almost always faithful to the orderly structure of the magic that undergirds their imaginary universes. By contrast warfare — or at least battle — in the real world is inherently chaotic. At times the violence appears meaningless and the carnage random. So there’s something very appealing and attractive about stories that play with this sense of chaos on a backdrop of rule-structured magical systems.

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The September Fantasy Magazine Rack

The September Fantasy Magazine Rack

Beneath Ceaseless Skies 234-rack Cirsova 6-small Knights of the Diner Table 245-rack Clarkesworld September 2017-rack
Galaxy's Edge September 2017-rack Locus September 2017-rack The Dark September 2017-rack Nightmare Magazine September 2017-rack

Plenty of great fiction to distract us in September! Here are the magazines that grabbed my attention this month (links will bring you to magazine websites).

Beneath Ceaseless Skies — new fiction from Michael J. DeLuca and William Broom
Cirsova #6 — stories by Adrian Cole, Harold R. Thompson, and others
Knights of the Dinner Table 245 — with a great Jack Kirby tribute cover!
Clarkesworld — new fiction from Suzanne Palmer, A. Brym, and others
Galaxy’s Edge — John DeChancie, Barry N. Malzberg, Joan Slonczewski, and others
Locus — report on the Hugo Winners, an obit for Brian Aldiss, and forthcoming books for the US and UK
The Dark — new fiction from Erica L. Satifka and Lora Gray.
Nightmare — new stuff from Silvia Moreno-Garcia and Ashok K. Banker

That’s not all, of course. Earlier this month we reported on the latest issues of Asimov’s SF and Fantasy & Science Fiction; Adrian Simmons reviewed the July/August F&SF and Rich Horton covered the December 1964 Amazing Stories.

Click any of the thumbnail images above for bigger images. Our August Fantasy Magazine Rack is here.

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Peplum Populist: Howard Hawks Goes to the Land of the Pharaohs (1955)

Peplum Populist: Howard Hawks Goes to the Land of the Pharaohs (1955)

land-pharaohs-1955-posterI didn’t think of putting Land of the Pharaohs under my “Peplum Populist” banner at first, even though peplum (sword-and-sandal) can be used as a broad description for any historical epic set in the ancient world. Ben-Hur is peplum. Quo Vadis is peplum. Spartacus is peplum. 300 is peplum. But for the purposes of this occasional feature, I was sticking to the specific historical definition, which is the Italian-made movies produced between 1958 and 1965. However, 1955’s Land of the Pharaohs is a genuine sword-and-sandal film, and there’s no rule except my own against expanding the umbrella of the genre to discuss a movie from one of the greatest of all Hollywood filmmakers — a movie that also happens to be his oddest foray outside of his usual style.

Howard Hawks is a name so colossal in the history of American movies that he feels like a stone monument of pharaonic Egypt, carved against a rock hill in the Valley of Kings. But Hawks only made one trip to ancient history and the historical epic with a film that has never achieved major recognition. Even with Hawks’s name on it and the continuing popularity of classic Hollywood ancient epics — especially with the technology of HD TVs making them look better at home than ever before — Land of the Pharaohs is little discussed. It’s never received anything more than standard-def DVD releases (one of which packaged it as a “Camp Classic,” which it definitely isn’t). The $3 million film was a box-office failure on its premiere, but this has never stopped a film from later gaining appreciation and a dedicated following. If it did, I wouldn’t be running a John Carpenter career retrospective series right now.

There has been some low-level buzz about Land of the Pharaohs. Martin Scorsese has called it his favorite movie as a child and a guilty pleasure as an adult. But this isn’t enough, so I’ll add a bit love (well, “like” would be a better word) for this unusual chapter in the career of a master filmmaker. It’s not essential Howard Hawks, but it’s Howard Hawks taking a whack at crafting a Cecil B. De Mille-style flick, and that’s worth something. Besides, I’m a sucker for this genre, and Land of the Pharaohs is a fascinating oddity among the ‘50s and ‘60s epics. Its strange, dispassionate approach makes it feels unlike anything else made at the time.

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Unsolved Murders and Powerful Ghosts: Lockwood & Co by Jonathan Stroud

Unsolved Murders and Powerful Ghosts: Lockwood & Co by Jonathan Stroud

Lockwood & Co The Screaming Staircase-small Lockwood & Co The Whispering Skull-small Lockwood & Co The Hollow Boy-small Lockwood & Co The Creeping Shadow-small

Two months ago I bought the second novel in Jonathan Stroud’s five-volume Lockwood & Co series. I don’t usually buy middle volumes in a series, at least not when I don’t have any of the other books. But this one had a whispering skull on the cover, so I’m sure you understand.

It did serve to introduce me to the entire series, though (the book, not the whispering skull). Jonathan Stroud is probably best known for his best-selling Bartimaeus Trilogy; here he turns his narrative powers to the tale of a teenage ghost-hunting agency in an alternate-history England infested with Visitors, malevolent spirits that can only be detected by young people with psychic gifts. Three such talented youngsters band together in London to form Lockwood & Co, facing a series of increasingly-horrifying challenges in these middle grade adventures.

The final volume in the series, The Empty Grave, was published this month in hardcover.

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In 500 Words or Less: Ninefox Gambit by Yoon Ha Lee

In 500 Words or Less: Ninefox Gambit by Yoon Ha Lee

oie_21202441DOA3mhHFNinefox Gambit
Yoon Ha Lee
Solaris (384 pages, $9.99 paperback, June 2016)

I will freely admit that I don’t think I understood everything in Yoon Ha Lee’s Ninefox Gambit.

Give me a break – there’s a reason I teach History and Social Studies and not advanced calculus. I spent about the first third of the novel trying to figure out what exactly “calendrical heresy” and “formation instinct” meant, which are cornerstones of a world where technology, military strategy and social order seem to be largely based on mathematical formulae.

I’m reasonably certain that the high calendar that dominates most of Ninefox’s human society is a sort of belief system that allows certain “exotic” technologies to exist; basically, if everyone in civilization is on the same page, then the machinery functions properly, but if people start believing a bunch of different things, machinery breaks down. That in and of itself is a brilliant concept – presuming I got it right.

But then you also add in the undead soul of a possibly-insane general bonded to an infantry captain in order to fight a campaign, robotic sentient servitors that take the forms of snakes and other animals, and apparently using antonyms as weapons (which I think was a way of disrupting the concentration of someone manning a protective shield around a space station) and things get even more… alien.

However, as Ann Leckie has said, Ninefox is somehow “human and alien at the same time.” Even as I slowly figured out the larger world of this novel, I was hooked by its characters and the conflict around them. Kel Cheris is great as a fish-out-of-water protagonist, someone comfortable as an infantry soldier promoted to general, and aware that she’s a pawn in someone else’s plot. Shuos Jedao, her undead bonded ally, is sort of like the hallucination of Kilgrave whispering in Jessica Jones’s ear, if Kilgrave recognized he was a psychopath and didn’t have absolute power to manipulate people.

You know you probably can’t trust a guy who murdered thousands of innocent people, including his own staff, and was locked away for four centuries as a result, but when he’s the guy telling Cheris to get some sleep and actually look after herself, it’s hard not to root for him.

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Goth Chick News: All Hail the Scream Queen, Back for Halloween #11

Goth Chick News: All Hail the Scream Queen, Back for Halloween #11

Jamie Lee Curtis Halloween-small

First, a moment of fan girl squee’ing…

Okay, here we go.

Second generation scream queen Jamie Lee Curtis is returning to play her iconic character Laurie Strode in what Universal Pictures promises will be the eleventh and final installment of the Halloween franchise. Curtis’ character will have one last confrontation with Michael Myers, the masked figure who has haunted her since she narrowly escaped his killing spree on Halloween night four decades ago when the original movie opened in October, 1978.

John Carpenter will executive produce and serve as creative consultant on this film, joining leading horror producer Jason Blum, who’s behind The Purge and Paranormal Activity franchises. In case you forgot (and who really could?) the Halloween films were launched by Carpenter from his own original script; it and the nine films that followed have grossed nearly $400 million worldwide.

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New Treasures: New Fears, edited by Mark Morris

New Treasures: New Fears, edited by Mark Morris

New Fears Mark Morris-small

This delightful treasure showed up unbidden in my mailbox this week. It’s advertised as the first of a new series of original horror anthologies, which would be a major addition to the field. Editor Mark Morris (Toady, Vampire Circus, and The Society of Blood) gave the scoop to Ginger Nuts of Horror earlier this year.

Having grown up reading the Pan and Fontana Books of Horror and Ghost Stories, plus numerous other anthologies edited by the likes of Peter Haining, Michel Parry, Richard Davis and Mary Danby, it has always been one of my keenest ambitions to edit an annual – and hopefully long-running – non-themed horror anthology of new, never-before-published stories for the mass market.

Now, thanks to Titan Books, I’ve finally got that chance. I’ve signed an initial contract for two volumes of New Fears, with hopefully more to come in the future… In the first volume you’ll find stories which explore ancient myths in new and innovative ways, stories of human evil, stories of unnamed and ambiguous terrors, and stories where the numinous and the inexplicable intrude upon what we perceive to be reality in unexpected ways. You’ll find humor, and hope, and grief, and sadness, and regret, and impenetrable darkness. You’ll find stories that surprise you, unsettle you and shock you. But most of all, you’ll find stories that grab you and draw you in and compel you to keep turning the pages.

New Fears contains brand new fiction from Adam Nevill, Ramsey Campbell, Angela Slatter, Nina Allan, Chaz Brenchley, Kathryn Ptacek, Christopher Golden, Alison Littlewood, and many others. See more details here.

Here’s the complete TOC.

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Axiom Verge: Retro Gaming At Its Finest

Axiom Verge: Retro Gaming At Its Finest

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Over the past few years retro-gaming has been on the rise. From the NES Classic, to the upcoming AtariBox, many companies are releasing games and devices that pull at your nostalgia, allowing you to relive some of the gaming moments from your past.

Along with retro gaming, indie game development has rocketed over the past few years. Independent game developers with small budgets and small teams are creating new games and experiences in a variety of genres, leading to the creation of compelling stories and incredible pieces of art.

In 2015, Thomas Happ created a sci-fi game that matched the wonder and exploration of a nearly bygone era. An era of 2 dimensional side scrolling games, featuring exploration, with an emphasis on combat, puzzle solving, and powerups.  This game is called Axiom Verge.

Axiom Verge features many of the game mechanics from classics such as Zelda, Castlevania, and Metroid. This game and many others similar to it are often categorized as a “metroidvania” game. The comparisons between Axiom Verge and Metroid are more than a subtle nod, with the difference being Axiom Verge takes those ideas and expands on them.

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