Tom Sutton’s Creepy Things

Tom Sutton’s Creepy Things

Creepy ThingsNobody does good horror anthology comics any longer. Oh sure, some micro-press might release an issue here and there every couple of years, but it’s not like the days when you could go to any drug store in the country and find a dozen different horror collections on the spinner racks. Horror anthology comics first got big in the 1950s, before the Comics Code brought an end to all of that gory goodness. Flash forward to the Bronze Age of Comics (beginning roughly some time in the early 1970s), when the children who’d read Golden Age comics had grown up and gone into the industry for themselves. Bronze Age horror comics borrowed heavily from Golden Age titles like Tales from the Crypt and Chamber of Chills. But since they could never match those titles for outright gore (the Comics Code still being in place), they instead relied on sheer weirdness. And if you’re researching weird 1970s horror (which I frequently do), you’re going to run across the name Tom Sutton.

Just like in the 1950s, every comic book publisher in the 1970s printed at least a couple of horror anthology titles and each title achieved a different level of success. DC Comics had almost a dozen different titles at the height of the horror boom (House of Mystery, House of Secrets, Witching Hour, Weird War Tales, Secrets of Sinister House, Ghosts, Secrets of Haunted House, Tales of Forbidden Mansion, Weird Mystery Tales, Unexpected). Marvel Comics had fewer anthology titles, specializing instead in recurring monster books (Werewolf by Night, Monster of Frankenstein, Tomb of Dracula). Warren slipped around the Comics Code by publishing black-and-white oversized “magazines” that could have more violence and nudity (Creepy, Eerie, Vampirella). And all but forgotten in the comics shuffle is Charlton Comics, always less popular than Marvel, DC, or Warren. Part of the problem was that Charlton notoriously offered some of the lowest pay rates to artists and writers, making them less popular for the A-list talent.

On the other hand, what Charlton could offer was far less editorial interference. As long as the art and story didn’t violate the Comics Code, they gave their artists and writers a free hand to tell whatever stories they wanted. It’s likely one of the reasons that comic legends like Steve Ditko frequently worked with them. And it’s why Tom Sutton’s most interesting work was done for their titles (The Many Ghosts of Doctor Graves, Ghost Manor, Haunted Love, Ghostly Haunts, Midnight Tales, Haunted, Monster Hunters). The folks at Yoe Books have collected sixteen of those stories in a stunning hardcover collection. It opens with an overview of Sutton’s career written by Michael Ambrose, followed by a selection of old cover illustrations, then the first story.

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Wordsmiths: Black Gate Interviews Steven Erikson at Can*Con 2017

Wordsmiths: Black Gate Interviews Steven Erikson at Can*Con 2017

As I’ve mentioned periodically here, I’m part of the planning committee for Can*Con, Ottawa’s annual conference on science fiction, fantasy and horror writing, and specifically help to develop each year’s program. This year I had the amazing opportunity to sit down for a live interview with Canadian fantasy writer Steven Erikson, author of the Malazan Book of the Fallen and Willful Child series and one of our 2017 Guests of Honor. And we even recorded it!

Above is the entirety of my interview with Steven, discussing his previous work, his writing process, the fantasy genre in general, and what’s coming next from this prolific author. The chance to chat with him was a huge privilege and an absolute blast, and I hope you enjoy it as much as we did.

You can check out Steven’s work at www.steven-erikson.com or his new Facebook author page, and see our previous coverage of his work here at Black Gate.

Also check out Can*Con at can-con.org/cc (@CanConSF on Twitter) and keep an eye out for dates and guests for 2018!

Many thanks to Silver Stag Studios for filming this interview. Scope them out here (@SilverStagStdio on Twitter).

Goth Chick News: King Kong Goes to Broadway

Goth Chick News: King Kong Goes to Broadway

King Kong Alive on Broadway

Hot on the heels of Universal putting an end to the whole concept of reinventing their classic movie monsters via a Dark Universe, one larger-than-life character seems to be enjoying a fairly successful renaissance.

Kong: Skull Island, which was released in March of this year, was considered a moderate box office success and generated enough revenue to keep plans on track for follow-on films. Universal also added a new attraction to the Orlando theme park in the form of Skull Island: Reign of Kong, which as of October when I visited, still required a fast-pass to avoid a nearly 2-hour wait. And it was awesome.

So far, so good.

But the most exciting news is coming out of the city which is most famously associated with the big guy himself, in the form of King Kong: Alive on Broadway.

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Saucer Country

Saucer Country

Saucer-Country-smallRead this book. Go to your nearest comic shop and pick up the trade paperback collection. Don’t know where your nearest comic shop is located? Go to the Comic Shop Locator, type in your zip code and find out. Is it just easier to order a copy online and have it delivered to your home? Then go to IDW Publishing and order a copy. You can even order a digital copy if you don’t want to wait for delivery.

Why do you need to read this book? Because this comic book is about what’s going on right now.

The story begins with Arcadia Alvarado, governor of New Mexico and Presidential candidate. It’s a story about a woman running for President. It’s a story about the daughter of Mexican immigrants. It’s also a story about a woman who was abducted by aliens. So, yeah, this is a comic book (written in 2012, by the way) that deals with the possibility of a woman running for President as the candidate of a major political party. It’s also a comic book about a Presidential campaign where immigration reform is a key issue. It’s also a comic book about a Presidential campaign mired in conspiracy theories that leave people uncertain about what to believe. But that’s not what’s going on right now. That’s what went on in 2016.

Arcadia Alvarado was forcibly removed from her car by strangers. She was stripped naked and had a foreign object inserted in her anus. She was told afterwards that no one would believe her story if she said what happened and even if someone did believe her, there was nothing anyone could do about it. Either way, if she tells anyone about what happened, she believes that her career will be over.

Saucer Country is a story about rape. It’s about a group of powerful individuals who routinely abuse people and suffer no consequences for their actions. It’s about victims too afraid to speak out until one woman finds the courage to name her abusers. And it’s about the friends, family, and co-workers who urge her to stay quiet for her own good. If none of that sounds hauntingly familiar, you haven’t been paying attention to current events.

Saucer Country is more relevant today than when it was originally written. Find a copy and see for yourself.


Michael Penkas is an infrequent contributor to Black Gate. His mystery novel, Mistress Bunny and the Cancelled Client, is available in lots of different places. He maintains a website that you should check out.

New Treasures: Oathbringer by Brandon Sanderson

New Treasures: Oathbringer by Brandon Sanderson

Oathbringer-smallBrandon Sanderson is one of the most prolific writers in the genre. By any measure, he’s certainly one of the hardest working. Back in 2015 I estimated that he was producing, on average, 1,270 pages per year (not counting short stories and the like). His first novel of 2017, Oathbringer, the third novel in The Stormlight Archive, weighs in at a whopping 1,248 pages — and still manages to bring down his average.

Oathbringer is the sequel to the #1 New York Times bestselling The Way of Kings (2011) and Words of Radiance (2014), both of which were over 1,000 pages in hardcover. The series is projected to be 10 volumes, over 10,000 pages, about ten times the length of The Lord of the Rings. Get a cozy reading nook for this one, you’re going to need it.

In Oathbringer, the third volume of the New York Times bestselling Stormlight Archive, humanity faces a new Desolation with the return of the Voidbringers, a foe with numbers as great as their thirst for vengeance.

Dalinar Kholin’s Alethi armies won a fleeting victory at a terrible cost: The enemy Parshendi summoned the violent Everstorm, which now sweeps the world with destruction, and in its passing awakens the once peaceful and subservient parshmen to the horror of their millennia-long enslavement by humans. While on a desperate flight to warn his family of the threat, Kaladin Stormblessed must come to grips with the fact that the newly kindled anger of the parshmen may be wholly justified.

Nestled in the mountains high above the storms, in the tower city of Urithiru, Shallan Davar investigates the wonders of the ancient stronghold of the Knights Radiant and unearths dark secrets lurking in its depths. And Dalinar realizes that his holy mission to unite his homeland of Alethkar was too narrow in scope. Unless all the nations of Roshar can put aside Dalinar’s blood-soaked past and stand together ― and unless Dalinar himself can confront that past―even the restoration of the Knights Radiant will not prevent the end of civilization.

Nice to see Michael Whelan do the cover art. The wraparound cover is quite striking; here’s a look at the entire piece.

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The Finest in Modern Sword & Sorcery: The Best of Heroic Fantasy Quarterly: Volume 2, 2011-2013

The Finest in Modern Sword & Sorcery: The Best of Heroic Fantasy Quarterly: Volume 2, 2011-2013

The Best of Heroic Fantasy Quarterly Volume 2-small The Best of Heroic Fantasy Quarterly Volume 2-back-small

One of the reasons I especially regret not attending the World Fantasy Convention this year is missing the release of The Best of Heroic Fantasy Quarterly: Volume 2, which debuted at the con. I wrote the introduction to the first volume, and I dearly wish I’d been there to celebrate the arrival of this one. In his review of Volume 1, Fletcher Vredenburgh wrote:

Regular readers of my monthly short story roundup know how great I think Heroic Fantasy Quarterly is, ranking it the most consistent forum for the best in contemporary swords & sorcery. Some may think I’m laying it on a little thick, but The Best of Heroic Fantasy Quarterly: Volume 1, 2009-2011, a distillation of the mag’s first three years, should prove that I’m not.

Under the stewardship of editors Adrian Simmons and David Farney HFQ has gotten better and better over the past six years, and I’m pleased that the wait for Volume 2 is finally over. It collects twenty stories and poems published in Heroic Fantasy Quarterly between 2011 and 2013; each one is accompanied by a full-page illustration.

If you’re looking for the best in modern heroic fantasy, look no further. The Best of Heroic Fantasy Quarterly: Volume 2, 2011-2013 was compiled by the editors of Heroic Fantasy Quarterly and published on October 23, 2017. It is 250 pages, priced at $12.99 in paperback. The cover is by Robert Zoltan. Get more info and order copies here, and check out Heroic Fantasy Quarterly magazine — available online and completely free — here.

Mage: The Hero Denied #4

Mage: The Hero Denied #4

Mage-4-smallA short review this month simply because there’s not so much to unpack here. The Umbra Sprite, the Gracklethorns, Kevin’s wife, and Kevin’s children are all absent from this issue. Meaning that it’s just Kevin and some monster lady that we’ve never seen before (and will probably never see again).

Really, this issue is meant to tie us back to themes from Hero Discovered and Hero Defined, so if you haven’t read those titles first, none of it will make any sense to you. The Queen of the Unending Dead tells Kevin that he’s the reincarnation (or avatar) of Gilgamesh, which is something broached in Hero Defined. She also tells him that the Lord of the Hunt has a claim on his soul, which is something already suggested in Hero Discovered. Then he fights an army of zombies. Then he kills the Queen of the Unending Dead with an exploding park bench. Then he falls off a cliff. Then he gets in an argument with an ATM.

Honestly, after five issues in (I’m counting issue #0), I get why some people might start pulling out of this series. Comics are expensive, we’re in almost twenty dollars deep here, and we really haven’t gotten that much of a story yet. Yeah, Matt Wagner’s art is always crisp and vibrant, no matter what he’s drawing. But Kevin pretty much wandered away from everyone else in the plot to have a fight with yet another monster and hasn’t learned anything that he didn’t already know from the first two volumes of this series. I get that, from the title of the series, he’s not going to win this one, but it feels weird that we’ve got an antagonist who’s still making the same mistakes after all these years, partially invalidating the value of his supposed lessons in previous books.

Of course, I’m sticking around to the bitter end on this one. But if the rest of you want to save your money and come back at the end for the collected edition, I totally understand.

Mage #4 is available in print at all decent comic shops, as are back issues to volumes one and two of the series. If you prefer getting your comics digitally, then check out Mage: The Hero Discovered, Mage: The Hero Defined, and all the latest issues of Mage: The Hero Denied at Comixology.


Michael Penkas has been a fan of Matt Wagner for longer than some of you have been alive. He’s written a dominatrix detective mystery novel, Mistress Bunny and the Cancelled Client, as well as dozens of ghost stories. He occasionally maintains a website and regularly participates at various reading events throughout Chicago.

New Treasures: Creatures of Will and Temper by Molly Tanzer

New Treasures: Creatures of Will and Temper by Molly Tanzer

Creatures of Will and Temper-smallWhen you’ve been covering the genre for decades, you start to get a sense for the break-out books. Neil Gaiman’s Neverwhere. John Scalzi’s Old Man’s War. Patrick Rothfuss’ The Name of the Wind.

Molly Tanzer’s Creatures of Will and Temper looks like a breakout book. It’s got all the classic elements — fabulous setting, swordplay, and the supernatural — while also being totally original. And there’s no doubt in my mind that Molly is poised for a break-out. Her first novel Vermilion received rave reviews (“A splendid page-turner of a Weird West adventure… hugely entertaining” — Publishers Weekly), and her most recent book was the anthology Swords vs Cthulhu, co-edited with Jesse Bullington. How cool is that?

Creatures of Will and Temper is already starting to generate buzz at the top levels of the industry (“A delightful, dark, and entertaining romp… Molly Tanzer is at the top of her form” — Jeff VanderMeer). It arrived in trade paperback this week from ace editor John Joseph Adams’s imprint, John Joseph Adams Books. Don’t wait too long to check it out.

Victorian London is a place of fluid social roles, vibrant arts culture, fin-de-siècle wonders… and dangerous underground diabolic cults. Fencer Evadne Gray cares for none of the former and knows nothing of the latter when she’s sent to London to chaperone her younger sister, aspiring art critic Dorina.

At loose ends after Dorina becomes enamored with their uncle’s friend, Lady Henrietta “Henry” Wotton, a local aristocrat and aesthete, Evadne enrolls in a fencing school. There, she meets George Cantrell, an experienced fencing master like she’s always dreamed of studying under. But soon, George shows her something more than fancy footwork — he reveals to Evadne a secret, hidden world of devilish demons and their obedient servants. George has dedicated himself to eradicating demons and diabolists alike, and now he needs Evadne’s help. But as she learns more, Evadne begins to believe that Lady Henry might actually be a diabolist… and even worse, she suspects Dorina might have become one too.

Combining swordplay, the supernatural, and Victorian high society, Creatures of Will and Temper reveals a familiar but strange London in a riff on Oscar Wilde’s The Picture of Dorian Gray that readers won’t soon forget.

Creatures of Will and Temper was published by John Joseph Adams Books on November 14, 2017. It is 368 pages, priced at $16.99 in trade paperback and $9.99 for the digital edition. The cover designer is Eduardo Recife. See our previous coverage of Molly’s work here.

It’s Alive! Classic Horror and Sci-Fi Art from the Kirk Hammett Collection

It’s Alive! Classic Horror and Sci-Fi Art from the Kirk Hammett Collection

It's Alive Metallica-small

Now that Halloween’s over, those of us who enjoy a dark streak in our entertainment will seek out ways to stretch out the spooky season, even as the tidal wave of Christmas ads begins to crest.

Those in New England seeking a last taste of horror would do well to seek out “It’s Alive! Classic Horror and Sci-Fi Art from the Kirk Hammett Collection” at the Peabody-Essex Museum in Salem, MA.

Kirk Hammett is best known as being the lead guitarist for Metallica, but his years touring with a multi-Platinum band has afforded him the opportunity to collect horror and sci-fi memorabilia. The exhibit is a natural progression from Too Much Horror Business, Hammett’s 2012 book showcasing his collection.

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Vintage Treasures: The Cockatrice Boys by Joan Aiken

Vintage Treasures: The Cockatrice Boys by Joan Aiken

The Cockatrice Boys Joan Aiken-back-small The Cockatrice Boys Joan Aiken-small

Twenty years ago this week I received the artifact above in the mail, with a news release from Tor Books tucked inside: a trade paperback re-issue of Joan Aiken’s The Cockatrice Boys, with a 100% gonzo cover and interior art by Jason Van Hollander.

Joan Aiken, the daughter of the Pulitzer prize winning poet Conrad Aiken, was the author of many novels for young adults, including Black Hearts in Battersea, The Cuckoo Tree, and the 4 million-copy bestselling The Wolves of Willoughby Chase. According to the press release that came with my copy, The Cockatrice Boys was her “first adult fantasy novel… a weird, and wonderful adventure that combines the horror of Salem’s Lot with the fantasy and charm of Alice in Wonderland.” That certainly sounds gonzo, anyway.

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