Birthday Reviews: Stephen Goldin’s “The Last Ghost”

Birthday Reviews: Stephen Goldin’s “The Last Ghost”

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Cover by Gene Szafran

Stephen Goldin was born on February 28, 1947. Prior to becoming a science fiction author, Goldin earned a degree in astronomy and worked as a civilian space scientist for the US Navy.

Beginning in 1976, Goldin wrote the Family d’Alembert novels, based on a novella by E.E. “Doc” Smith. He followed that series up with the Parsina Saga and wrote the two volume Rehumanization of Jade Darcy series in collaboration with his second wife, Mary Mason.

He co-edited the anthology Protostars with David Gerrold and edited the anthology The Alien Condition solo. Goldin also collaborated with his first wife, Kathleen Sky, on both fiction and non-fiction. He received a Nebula nomination for his short story “The Last Ghost” in 1972.

“The Last Ghost” originally appeared in the 1971 anthology Protostars, edited by David Gerrold and Stephen Goldin. Lloyd Biggle, Jr. reprinted it in Nebula Award Stories Seven. Goldin included it in two of his collections, The Last Ghost and Other Stories and Ghosts, Girls, & Other Phantasms. It has been translated into French twice and German twice.

Goldin looks at a distant future in which immorality of a sort has been achieved by downloading people’s consciousness into machines. His two characters, which he arbitrarily designates as male and female, have both been downloaded into a computer for several thousand years.

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A Demanding Work that Sings all the Stronger in 2018: The Queen of Air and Darkness by T.H. White

A Demanding Work that Sings all the Stronger in 2018: The Queen of Air and Darkness by T.H. White

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In my early teens, I discovered and devoured T.H. White’s omnibus quartet of novels, The Once and Future King. The first and most child-like remains the best known: The Sword in the Stone. After this, and unjustly neglected (by Disney and the world in general), come The Queen of Air and Darkness, The Ill-Made Knight, and The Candle In the Wind.

In my later teen years, I concluded that The Once and Future King, taken as a whole, was the single best novel I had ever read. Having reached the ripe old age of fifty, it’s time to re-evaluate. Is White’s work still worth its weight in gold?

Perhaps you recall Book One, in which the young King Arthur, known affectionately as the Wart, meets Merlyn, gambols through a lifetime’s worth of transformational adventures, and draws a certain sword from a stone. Hysterically funny, dreamy and given to long flights of fancy about hawks and birds, The Once and Future King still works genuine magic, even when its digressions and mood swings threaten to topple the whole everything-plus-the-kitchen-sink mess into a stew of narrative anarchy.

In short, it’s a full meal and then some, and I, along with fantasy lovers the world over, adore it still. (Ursula K. LeGuin, R.I.P., lent her opinion to one edition’s jacket copy, saying, “I have laughed at White’s great Arthurian novel and cried over it and loved it all my life.”) Yet, many seem unaware that the cycle, tracing Thomas Mallory’s Le Morte d’Arthur, continues.

Book Two began life as The Witch in the Wood, and arrived in print in 1939, just as the world fell off a precipice it hadn’t seen coming, and descended into a darkness from which it is still fighting to recover. Revised and expanded, The Witch in the Wood became The Queen of Air and Darkness, and no book better upholds the argument for valuing a work as the sum of its discordant parts.

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New Treasures: The Throne of Amenkor by Joshua Palmatier

New Treasures: The Throne of Amenkor by Joshua Palmatier

The Throne of Amenkor Joshua Palmatier DAW-small The Throne of Amenkor Joshua Palmatier DAW-back-small

Joshua Palmatier is a high-energy guy. I wrote about his science fictional Ley Trilogy last year, and I backed his 2017 Kickstarter for the Guilds & Glaives anthology because it contains stories by no less than four Black Gate authors: David B. Coe, James Enge, Howard Andrew Jones, and Violette Malan.

That ought to be enough from one guy to satisfy even the most demanding readers. So I was surprised to find a fat 840-page volume from Palmatier during my last trip to Barnes & Noble: The Throne of Amenkor. It turns out to be an omnibus reprint collecting three of his early fantasy novels:

The Shewed Throne (384 pages, $8.99 in paperback, January 3, 2006)
The Cracked Throne (400 pages, $7.99 in paperback, November 7, 2006)
The Vacant Throne (480 pages, $8.99 in paperback, January 2, 2008)

All three were published in hardcover by DAW, and are still in print in mass market paperback a decade later — an impressive feat. K. Tang and Charlene Brusso reviewed them enthusiastically for Black Gate, but I never had the chance to enjoy them myself. I already have a handful of Joshua Palmatier novels sitting on my nightstand, and an anthology on the way, but I’m a sucker for these big omnibus editions from DAW and I ended up bringing The Throne of Amenkor home with me anyway.

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A Wrinkle in Time by Madeline L’Engle

A Wrinkle in Time by Madeline L’Engle

A Wrinkle in Time-smallGiven to me by the same friend who told me about A Wizard of Earthsea, Madeline L’Engle’s A Wrinkle in Time (1962) is another of the books that introduced me to fantasy and science fiction. The novel is a mix of science fiction, fantasy, and good dose of Christianity, and is completely unbound by any rules or expectations about genre. A children’s book, it is also an artifact of a time when fantasy wasn’t primarily a commercial designation. There’s a freshness to the book all these years later, and rereading it was an absolute joy.

Meg Murry is the fourteen-year-old daughter of scientists, and sister to twins Sandy and Denys and the strange, brilliant five-year-old Charles Wallace. Her father, employed by the government, has been missing for some time before the book’s opening, and there has been no word about what happened to him.

In her own eyes Meg is gawky and ugly, made so by her “mouse-brown” hair, glasses, and “teeth covered with braces.” Her self-impression and her worry over her father’s disappearance have caused her to become a poor student. Her principal, a man unsympathetic to her worry to the point of telling her she needs to “face the facts” about her father (implying he’s never returning), warns her she’s in danger of having to repeat ninth grade.

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Birthday Reviews: Michael A. Burstein’s “Reality Check”

Birthday Reviews: Michael A. Burstein’s “Reality Check”

Cover by Kim Poor
Cover by Kim Poor

Michael A. Burstein was born on February 27, 1970. Burstein is an Orthodox Jew and many of his stories are informed by this background, from the main character of “Reality Check” to the entire story “Kaddish for the Last Survivor.”

Much of his short fiction is gathered in the collection I Remember the Future: The Award-Nominated Stories of Michael A. Burstein. His debut story “TeleAbsence” won the Analog Readers Poll and the Science Fiction Chronicle Readers Poll. His later novella “Sanctuary,” also won the Anlab poll. Burstein won the John W. Campbell Award for Best New Writer in 1997.

“Reality Check” was first published in Analog’s November 1999 issue, purchased by Stanley Schmidt. It was reprinted in Burstein’s collection I Remember the Future and was nominated for the Nebula Award for Best Novella and shortlisted for the Theodore Sturgeon Award.

Michael Burstein’s four linked stories, “Broken Symmetry,” “Absent Friends,” “Reality Check,” and “Empty Spaces,” deal with parallel universes linked together through a Superconducting Supercollider. Although “Reality Check” is the third in the sequence and refers to the subject of “Absent Friends,” it requires no knowledge of the previous story to enjoy it (although the four appear sequentially in I Remember the Future).

David Strock is a theoretical physicist specializing in low energy research. When one of his papers gains the attention of a government facility in Texas, he is invited to see the classified work they are doing. Despite his better judgment, and the desires of his wife, he visits them and decides to take a temporary appointment to work on the secret project, offering him the chance to collaborate with another universe. Strock tries to balance his research and time in Texas with his home life in Boston, although the strife in Boston seems to be worse than Burstein shows.

When Strock meets a woman who reveals that he has a near doppelganger on the other side, his interest is further piqued in the project, although he tries to point out to her that he is not the person she has heard about from the other universe. In the end, Burstein successfully ties together disparate scenes of Strock’s home-life, his lunches at MIT with a graduate student, his doppelganger, and the research he was conducting.

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Tell Me A Story: UnSpoiled

Tell Me A Story: UnSpoiled

Unspoiled Podcast

Full disclosure: I’m a little biased on this week’s podcast choice. I first discovered UnSpoiled when my friend, Maggie, was covering Stranger Things with network runner Natasha. In my defense, I’ve got a lot of friends whose podcasts will never be discussed here.

UnSpoiled” has become one of my favorite podcasts: the one I’ll drop everything for. A fandom and analysis podcast, UnSpoiled covers a broad variety of material, but always with the same concept and format: there are two people discussing the work in question. One of them is completely familiar with the material, and one of them is coming to it for the first time, completely unspoiled. They go through one episode, chapter, or movie at a time, discussing the themes and artistry involved.

And it is really good.

Listening to other people talk about Fantasy and Sci-Fi is always a dicey proposition. It can be dull. It can be annoying. But it can also be amazing, and some of my favorite podcasts fit under this umbrella. (West Wing Weekly is a solid standout here, as is The Greatest Generation, which is working it’s way through Star Trek: The Next Generation one episode at a time.) What makes the UnSpoiled family of podcasts great is their choice of hosts and material. Natasha Winters, the founder and editor of UnSpoiled, is a smart and insightful reader. She has the kind of keen eye for human nature that makes for sharp assessments of story, and a true compassion for human foibles that make for both a solid sense of humor and a good base for criticism.

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Future Treasures: Dayfall by Michael David Ares

Future Treasures: Dayfall by Michael David Ares

Dayfall Michael David Ares-smallReading between the lines of Michael David Ares’ bio, it sounds like he’s a successful ghostwriter who is finally striking out with a novel of his own. Dayfall has a distinct Blade Runner vibe, and in fact Tor is strongly playing up that angle. The preliminary cover design (right) has a cover blurb from KW Jeter, while the final copy I currently hold in my hot little hands uses the same blurb, but prominently credits Jeter as the author of Blade Runner: Replicant Night. On the back cover is the following quote from Amy Lignor, author of Tallent & Lowery:

A novel that brings Blade Runner to mind. Dayfall is strong, intense and beyond memorable.

The comparison to Blade Runner seems apt enough, I suppose, although Dayfall has its own unique premise. Here’s the description.

FEAR THE DAY

In the near future, patches of the northern hemisphere have been shrouded in years of darkness from a nuclear winter, and the water level has risen in the North Atlantic. The island of Manhattan has lost its outer edges to flooding and is now ringed by a large seawall.

The darkness and isolation have allowed crime and sin to thrive in the never-ending shadows of the once great city, and when the sun finally begins to reappear, everything gets worse. A serial killer cuts a bloody swath across the city during the initial periods of daylight, and a violent panic sweeps through crowds on the streets. The Manhattan police, riddled with corruption and apathy, are at a loss.

That’s when the Mayor recruits Jon Phillips, a small-town Pennsylvania cop who had just single-handedly stopped a high-profile serial killer in his own area, and flies him into the insanity of this new New York City. The young detective is partnered with a shady older cop and begins to investigate the crimes amidst the vagaries of a twenty-four hour nightlife he has never experienced before. Soon realizing that he was chosen for reasons other than what he was told, Jon is left with no one to trust and forced to go on the run in the dark streets, and below them in the maze of the underground. Against all odds he still hopes that he can save his own life, the woman of his dreams, and maybe even the whole city before the arrival of the mysterious and dreaded event that has come to be known as…. DAYFALL.

Dayfall will be published by Tor Books on March 13, 2018. It is 286 pages, priced at $25.99 in hardcover and $13.99 for the digital version. The cover is by Paul Youll. Read the complete first chapter here.

Birthday Reviews: Theodore Sturgeon’s “The Girl Had Guts”

Birthday Reviews: Theodore Sturgeon’s “The Girl Had Guts”

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Cover by Ed Emshwiller

Theodore Sturgeon was born on February 26, 1918 (Happy Centennial Theodore!) and died on May 8, 1985. Sturgeon won the Hugo and Nebula Awards for his story “Slow Sculpture,” possibly the only time a story has won the Novelette Nebula and the Short Story Hugo.

His novel More Than Human received the International Fantasy Award. A translation of “And Now the News…” received a Seiun Award while “The World Well Lost” received a Gaylactic Spectrum Hall of Fame Award. Sturgeon himself received the Forry Award from LASFS in 1971 and a Life Achievement World Fantasy Award shortly after his death. In 2000 he was inducted into the Science Fiction Hall of Fame. He’s remembered today mostly for his short stories, including “Killdozer,” “A Saucer of Loneliness,” and “If All Men Were Brothers, Would You Let One Marry Your Sister,” but he also wrote the novels More Than Human, Venus Plus X, and The Dreaming Jewels. Kurt Vonnegut’s recurring character Kilgore Trout is believed to have been named for him.

Sturgeon wrote the classic Star Trek episode “Amok Time,” which introduced the Vulcan salute and the phrase “Live long and prosper.” His short fiction has been collected into a thirteen volume set by North Atlantic Press. The Theodore Sturgeon Memorial Award, presented annually for short stories by the Gunn Center at the University of Kansas, is named in his honor.

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The February Fantasy Magazine Rack

The February Fantasy Magazine Rack

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Back Issue 103-small The Dark Magazine February 2018-small Nightmare Magazine February 2018-small SFX March 2018-small

My favorite read so far this month has been the annual Year in Review issue of Locus, which contains detailed round-ups of the best fiction of 2017 from Gary K. Wolfe, Paul Kincaid, Geoff Ryman, Gardner Dozois, and many others. For those who (like me) didn’t get nearly as much read last year as you might’ve liked, it’s an irreplaceable guide to the novels, collections and stories worth your time last year. We also added SFX‘s March Books Issue to the mix, as it surveys 65 genre authors (including Michael Moorcock, Robin Hobb, Peter F Hamilton, Patrick Ness and Claire North) on what books they’d take to a desert island. And for short fiction fans, the February fiction mags contained brand new stories by Robert Reed, Carolyn Ives Gilman, Ashok K. Banker, Bogi Takács, Emily Cataneo, Alix Harrow, and lots more.

Here’s the complete list of magazines that won my attention in February (links will bring you to magazine websites).

Apex — Issue #105 has new stories by Alix Harrow, Walker McKnight, and P. Djeli Clark, and an excerpt from Return to the Lost Level by Brian Keene
Clarkesworld — Brand new fiction by Julie Novakova, Robert Reed, Carolyn Ives Gilman, and A Que, plus reprints by Joe R. Lansdale and Pat Cadigan
Lightspeed — new SF and fantasy from Ashok K. Banker, Bogi Takács, Cassandra Khaw & A. Maus and Rahul Kanakia, plus reprints by David Brin, Nalo Hopkinson writing with Nisi Shawl, Jeffrey Ford, and Malinda Lo
Locus — the annual Year in Review issue, with the Locus Recommended Reading List, the Locus Poll and Survey ballot, an interview with Carrie Vaughn, an obituary for Ursula K. Le Guin, and plenty of reviews

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When Immortals Die: The Arc of a Scythe Series by Neal Shusterman

When Immortals Die: The Arc of a Scythe Series by Neal Shusterman

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Neal Shusterman is the author of dozens of books for young readers, including The Dark Side of Nowhere, The Shadow Club, The Star Shards Chronicles, The Skinjacker Trilogy, and the Unwind Dystology. His latest series, set in a far-future world of eternal life, where teenagers train to become sanctioned killers to control the population, began with Scythe in 2016 . Here’s Kirkus Reviews on the opening novel.

On post-mortal Earth, humans live long (if not particularly passionate) lives without fear of disease, aging, or accidents. Operating independently of the governing AI (called the Thunderhead since it evolved from the cloud), scythes rely on 10 commandments, quotas, and their own moral codes to glean the population. After challenging Hon. Scythe Faraday, 16-year-olds Rowan Damisch and Citra Terranova reluctantly become his apprentices. Subjected to killcraft training, exposed to numerous executions, and discouraged from becoming allies or lovers, the two find themselves engaged in a fatal competition but equally determined to fight corruption and cruelty… Elegant and elegiac, brooding but imbued with gallows humor, Shusterman’s dark tale thrusts realistic, likable teens into a surreal situation and raises deep philosophic questions. A thoughtful and thrilling story of life, death, and meaning.

The second volume in the series, Thunderhead, arrived last month. It was published by Simon & Schuster on January 9, 2018. It is 504 pages, priced at $18.99 in hardcover and $10.99 for the digital edition. The cover is by Kevin Tong. Read an excerpt at Entertainment Weekly.