Vintage Treasures: The Healer’s War by Elizabeth Ann Scarborough

Vintage Treasures: The Healer’s War by Elizabeth Ann Scarborough

The Healer's War-small The Healer's War-back-small

Elizabeth Ann Scarborough has had a long and fruitful career that stretches back to her first novel, Song of Sorcery, in 1982. Over the next 34 years she produced a virtually book every year, writing over 40 novels and 4 collections, including The Songkiller Saga trilogy, the Godmother trilogy, Nothing Sacred and Last Refuge, and over a dozen novels co-authored with Anne McCaffrey, many in the Acorna series.

Scarborough earned a reputation for dependable and often playful light fantasy, with such novels as The Harem of Aman Akbar (1984), The Drastic Dragon of Draco, Texas (1986), and her cats-in-space series Tales of the Barque Cats. But she was capable of more than that. Scarborough spent five years as an nurse with the US Army, including one year in Da Nang, Vietnam during the war, and in 1988 she turned that experience into The Healer’s War, which became her most acclaimed and celebrated novel. It won the Nebula Award the following year. Kirkus Reviews wrote “Scarborough writes powerfully and convincingly of the war,” and Publisher’s Weekly said,

Army nurse Kathleen McCulley’s… tour of duty at China Beach puts the young woman from Kansas through the usual mixture of empathy for the Vietnamese and anger at the indifference or outright racism of army personnel. The unanticipated twist is a hallucinatory journey through the jungle with a one-legged Vietnamese boy, a battle-seasoned but crazy soldier and a magic amulet given her by a dying holy man. Although its moralizing invites comparison with TV’s MASH and Twilight Zone, Scarborough’s light, fluid storytelling and the authentic, pungent background keep this novel interesting.

The Healer’s War was published in hardcover by Doubleday Foundation in November 1988, and reprinted in paperback by Bantam Spectra 12 months later. It is 313 pages, priced at $4.99 in paperback. The cover is by Braldt Bralds. It is currently available in print and digital formats from Open Road Media. See all our recent Vintage Treasures here.

Birthday Reviews: Kit Reed’s “The Shop of Little Horrors”

Birthday Reviews: Kit Reed’s “The Shop of Little Horrors”

Dogs of Truth-small Dogs of Truth-back-small

Cover by Henry Sene Yee

Kit Reed was born Lillian Craig on June 7, 1932 and died on September 24, 2017.

Reed’s collection What Wolves Know and The Story Until Now were both nominated for the Shirley Jackson Award. Her novel Where was a finalist for the John W. Campbell Memorial Award. Her books Little Sisters of the Apocalypse and Weird Women, Wired Women were short listed for the James Tiptree Jr. Award and the story “Bride of Bigfoot,” which appeared in Weird Women, Wired Women also made the short list. Her short story “The Singing Marine” was a nominee for the World Fantasy Award. In 1958, she was nominated for a Hugo Award for Best New Author of 1958, a forerunner of the John W. Campbell Award.

“The Shop of Little Horrors” was original to Kit Reed’s 2005 collection Dogs of Truth. The story has never been reprinted.

In “The Shop of Little Horrors,” Kit Reed explores the life of Lynn and Martin Larkin, a couple of New Yorkers who have made the decision not to have children. Ten years into their marriage, they are free to live the life they want to, travel as they desire, and mock those around them who have decided to have children. “The Shop of Little Horrors” specifically looks at one Saturday when they are relaxing at a coffeeshop watching the harried parents with their children on a beautiful day.

Their calm is destroyed, however, when one particular child invades their space. Stanley bumps their table, causing their cappuccinos to spill all over them and, when they are distracted mopping up the mess, the juvenile delinquent grabs and eats Lynn’s doughnut while Stanley’s mother is oblivious to the destruction he has caused.

The perfect days turns into abject terror as they try to make their way home in a city crawling with children. A lunch in the Tavern on the Green helps reestablish their equilibrium until they find themselves face-to-face on their walk home with a woman pushing an enormous stroller that contains six children.

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Future Treasures: Space Pioneers, edited by Hank Davis and Christopher Ruocchio

Future Treasures: Space Pioneers, edited by Hank Davis and Christopher Ruocchio

Space Pioneers Hank Davis-smallIt’s been too long since we’ve checked in with Hank Davis, the mad genius editor at Baen behind the anthologies Things From Outer Space and In Space No One Can Hear You Scream. I figured he had to have something interesting cooking and, sure enough, when I asked him to comment, here’s what he told me.

Coming in December this year, looking for stockings to stuff, is Space Pioneers, a rough of whose cover is now on Baen.com, though the author lineup thereon may be modified…

After that, still in the works is Overruled!, an anthology of stories about courtrooms, lawyers, and other low-lifes. In the future beyond that will be an anthology of military sf stories involving time travel, whose working title is Time Troopers, but that may change. I was going to handle the Psychotechnic League stories by Poul Anderson, but was felled by health problems at a crucial juncture, so it’s in other hands. (The timing of those problems is also why the first volume of The Best of Gordon R. Dickson came out without my usual tedious introductions and notes, but I’ll try to give better value in the next volume).

I do hope that Space Pioneers does well, since I could do a *series* of anthologies on this theme without breaking sweat. My hat’s off (dangerous move for a bald geezer) to my co-ed, Christopher Ruocchio, who did much of the busy work (contracts, nudging agents, etc.) while I was still recovering, and who also talked me into using two Poul Anderson yarns, a suggestion I had absolutely no problem with (and I have a third in mind if there’s a Volume II). And that’s the current state of the pipeline. I should remind everyone that these will all be mass market paperbacks.

Sounds like a great line-up! Space Pioneers in particular looks like a terrific book, and a splendid addition to Hank’s catalog of top-notch anthologies. I’ll definitely be keeping an eye out for it, and making some more noise about it here as we get closer to the release date.

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Black Gate Book Club, Downbelow Station, First Discussion

Black Gate Book Club, Downbelow Station, First Discussion

Downbelow Station-small Downbelow Station-back-small

Welcome to the very first post of the Black Gate Book Club!  What are we up to?  As Fletcher Vredenburgh said in his introduction to the Book Club:

The plan is to read Downbelow Station over the month of June and post a discussion of it each Monday afternoon. This time around, the Book Club participants will include Adrian Simmons, Charlene Brusso, Chris Hocking, and me. We’d love it if you’d read along with us and join in the conversation.

Of course, it is now Wednesday, not Monday, and Charlene had to bow out of this round because life intrudes. Never the less, Vredenburgh, Hocking and I soldiered on! Below is our exchange:

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Birthday Reviews: Jay Lake’s “The Water Castle”

Birthday Reviews: Jay Lake’s “The Water Castle”

Realms of Fantasy, 8/04
Realms of Fantasy, 8/04

Jay Lake was born on June 6, 1964 and died from cancer on June 1, 2014. He openly blogged about his battle with cancer and about a year before his death hosted a wake for himself. His fight with cancer was also the subject of the documentary Lakeside—A Year with Jay Lake.

From 2002-2006 Lake, along with Deborah Layne, edited the six volume anthology series Polyphony. Lake went on to edit several additional anthologies, including All-Star Zeppelin Adventure Stories, with David Moles, Other Earths, with Nick Gevers, and TEL: Stories.

Lake won the John W. Campbell Award for Best New Writer in 2004 and decided the award needed some paraphernalia. He arranged to have pins made up for future nominees. Later winners added to the collection by creating a tiara and scepter to go along with the prize, both of which are passed along from winner to winner. Although he was nominated for a Nebula Award, two Hugo Awards, and three World Fantasy Awards, he didn’t win any of them. He did receive a posthumous Worldcon Special Convention Award in 2015, presented at Sasquan, a well as the Endeavour Award for his collection Last Plane to Heaven.

“The Water Castle” appeared in the August 2004 issue of Realms of Fantasy, edited by Shawna McCarthy. The issue contained a second Lake story, “The Angel’s Daughter,” as well. While “The Angel’s Daughter” was reprinted the following year in Jonathan Strahan and Karen Haber’s Fantasy: The Best of 2004, “The Water Castle” has never been reprinted.

Lake’s story of Arcadia follows the girl from her father’s death by drowning through a dangerous, tribal world trying to set itself right after an unnamed cataclysm in “The Water Castle.” Told with a series of time jumps, Arcadia finds herself in a market where, shortly after a man accosts Arcadia to try to sell her into slavery downcountry, she becomes involved in an incident in which a woman is accused of belonging to the “Poison People.” Arcadia’s involvement in this case, and her quick-witted thinking to resolve the issue, thrusts her into the spotlight and makes her the leader of a movement.

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New Treasures: The Rise of the Terran Federation, edited by John F. Carr

New Treasures: The Rise of the Terran Federation, edited by John F. Carr

The Rise of the Terran Federation-back-small The Rise of the Terran Federation-small

H. Beam Piper was one of my earliest discoveries, and he quickly became one of my favorite SF writers. I snapped up every book with his name on it in the mid-70s, all Ace paperback editions with gorgeous Michael Whelan covers.

Piper committed suicide a few months after I was born, in November 1964. But his work has endured, and as recently as 2011 John Scalzi published Fuzzy Nation, a retelling of Piper’s most famous novel Little Fuzzy. Last year editor John F. Carr assembled an anthology of a handful of Piper’s Federation and Paratime Police tales, and invited Wolfgang Diehr, David Johnson, and Jonathan Crocker to contribute fiction set in Piper’s universe. He added a pair of essays by John A. Anderson, The Early History of the Terran Federation and Chartered Companies of the Terran Federation, and his own preface, The Terro-human Future History, and the result was The Rise of the Terran Federation, published in hardcover by Pequod Press. Here’s the description.

The Rise of the Terran Federation is new collection of new and old stories chronicling the rise of H. Beam Piper’s Terran Federation. With story introductions and essays on the establishment of the Federation, this book is the ultimate overview of the beginning of Piper’s crowning creation, the Terro-Human Future History. This collection will include some of Piper’s early Federation stories, like “Edge of the Knife” and Omnilingual.”

This collection also contains new stories about the aftermath of the Third and Fourth World Wars, the Thorans and life on Baldur. The Rise of the Terran Federation is an essential work for fans of Piper’s future history and his unique view of what lies ahead for mankind.

There are precious few SF writers whose work has endured five decades. Piper didn’t live long enough to see it, but his stories have entertained three generations of SF fans, and I expect them to still be in print 50 years from today.

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June Short Story Roundup

June Short Story Roundup

oie_534842mahYRSEFIt’s a short roundup this month, with only Swords and Sorcery Magazine from the pack of usual suspects. There is a special treat, though, making up for the lack of magazine stories. Multi-talented Robert Zoltan has created another wonderful audio adventure with his series duo, Dareon Vin and Blue.

Swords and Sorcery Magazine #76 has the publications’s usual two stories. One I don’t like, one I sort of like. I’m sorry, but I just can’t like everything.

The opening story, “Remnants” by Lynn Rushlau, is the one I don’t like. Returning from a night of revelry at the Festival of Liberation, Callery hears a voice in her home and runs screaming. Over the next week, she begins to see ghosts, lots of ghosts.

These aren’t human ghosts, but those of the Fairies who once ruled over all humankind. The best single part of the story is the description of that era.

Her hand lingered over the rebel costume. She could use some of the courage of her ancestors. They’d risen up three centuries ago and destroyed the fairies who’d kept humankind enslaved for untold millennia. Literally untold. Human history survived as rumor and tall tales. Nothing written went back before the Rising.

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Birthday Reviews: Margo Lanagan’s “The Proving of Smollett Standforth”

Birthday Reviews: Margo Lanagan’s “The Proving of Smollett Standforth”

Cover by Alamy.com
Cover by Alamy.com

Margo Lanagan was born on June 5, 1960.

Lanagan has won the World Fantasy Award in four separate categories. She won her first awards for her collection Black Juice, which included “Singing My Sister Down,” which won for Best Short Fiction. Her novel Tender Morsels tied with Jeffrey Ford’s The Shadow Year, and she won her most recent World Fantasy Award for the novella “Sea Hearts.” Black Juice and “Singing My Sister Down” also won the Ditmar Award, and the story earned the Aurealis Award and Golden Aurealis Award. Lanagan’s other Ditmar’s were for the short story “The Goosle” and the novels Tender Morsels and Sea Hearts. Lanagan has also received the Aurealis Award for her short stories “The Queen’s Notice,” “A Fine Magic,” “A Thousand Flowers,” “Bajazzle,” and “Significant Dust.” Her novel Sea Hearts won the Aurealis for Best Young Adult Novel and for Best Fantasy Novel.

Lanagan originally sold “The Proving of Smollett Standforth” to Jack Dann and Nick Gevers for their anthology Ghosts by Gaslight: Stories of Steampunk and Supernatural Suspense, which was published in 2011. It was was a finalist for the Aurealis Award for Best Fantrasy Short story and was reprinted the following year in Ghosts: Recent Hauntings, an anthology edited by Paula Guran.

“The Proving of Smollett Standforth” is the story of a timid young domestic servant, whose job in the house where he lives is to clean and polish shoes and boots. When he is not performing these duties, Smollett sleeps alone in a small attic room. Although the room only has a single door, Smollett is visited nightly by the spirit of a long-dead woman who comes in through a door which has been blocked off. Each night, she presses a beaded necklace on Smollett, which burns his chest when he puts it on, but he in unable, or unwilling, to fend her off.

His shyness means that he doesn’t feel he can confide about his nocturnal visitor to anyone else in the house and he just comes to live with it, although when the cook discovered the marks on his chest, she treats him with a greasy balm and is worried that he suffers from some disease. Smollett’s concerns come to a head when he receives a letter requesting that he get permission for his brother, Dravitt, to spend the night at Smollett’s master’s house while Dravitt is on his way through London for his own posting. Rather than seek help, Smollett decides it is time to take action against the apparition himself, rather than let Dravitt experience it.

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Visit a Post-Apocalyptic South in Christopher Rowe’s Telling the Map

Visit a Post-Apocalyptic South in Christopher Rowe’s Telling the Map

Telling the Map Christopher Rowe-small Telling the Map Christopher Rowe back-small

I use a lot of resources — blogs, reviews, online bookstores, and more — to help me identify the books I should pay attention to every month. Most of them focus on novels though, and more and more often I’m finding that podcasts are the most reliable way to discover everything else. Case in point: last week, while re-listening the Gary Wolfe and Jonathan Strahan’s 2017 end-of-the-year wrap-up for the Coode Street Podcast, I learned I’ve somehow overlooked Christopher Rowe’s Telling the Map, which both Gary and Jonathan selected as the best collection of the year. I ordered a copy immediately, and I hope to dig into it this week. Here’s what they said.

Gary Wolfe: These are terrific stories. It’s a kind of southern, post-apocalyptic south, a part of the country that we don’t see often represented often in fiction at all. They’re very interesting, subtle fictions, and there was a major new long story… I discovered things in it that I didn’t know about.

Jonathan Strahan: I think there were two great collections this year, absolute stone cold classics… My favorite collection of the year as well, because it seems like we are clones, is Telling the Map: Stories by Christoper Rowe from Small Beer. Rowe has a wonderful writing voice, this sort of southern Kentuckian kind of writing voice that he brings to his stories, and he has a very localized, community kind of storytelling. His stories are very intimate, and they deal with average-seeming people dealing with average-seeming experiences in extraordinary circumstances… The major new novella that’s in the book, “The Border State,” which is the sequel to “The Voluntary State,” is without a doubt one of the finest novellas of the year… I loved that book very much.

“The Voluntary State,” which appeared in Sci Fiction in May 2004, was nominated for the Sturgeon, Hugo, Locus, and Nebula awards for Best Novelette. Listen to the complete podcast — which is crammed with tons of great recs for best novel, novella, anthology, and non-fiction book of 2017 — here.

With a (Black) Gat: Frederick Nebel’s Donahue

With a (Black) Gat: Frederick Nebel’s Donahue

BlackMask_August1931(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

Carroll John Daly’s action-packed adventures of Race Williams sold more copies of Black Mask than any other author’s stories. But editor Joe ‘Cap’ Shaw, who was willing to hold his nose and put Williams on the cover, considered the far more literate Dashiell Hammett to be the magazine’s cornerstone.

In January of 1930, the final installment of The Maltese Falcon appeared in Black Mask. A Continental Op story followed in February, then the next three months saw the stories that would become The Glass Key. But at the peak of his pulp abilities, Hammett left the genre. He was interested in the easy money of Hollywood and the better paying ‘slick’ magazines. He bid adieu to Black Mask in November of 1930.

Shaw had lost his best writer. The irreplaceable Hammett had to be replaced. He turned to Frederick Nebel, whose MacBride and Kennedy stories had appeared over a dozen times. That November issue of Black Mask included the thirty-sixth and final Continental Op story, “Death and Company.” It also featured “Rough Justice,” the first tale of Donahue of the Inter-State agency.

After the phenomenal success of The Maltese Falcon, Shaw had urged Hammett to write more stories featuring Sam Spade. Dash wasn’t interested and not only refused, but he shortly thereafter left the magazine forever. Though, he did write three more Spade stories in 1932 for the slicks. Shaw tagged the reliable Nebel to provide Black Mask readers with a tough private eye to replace the immensely popular Continental Op. The writer most certainly did that.

In “Rough Justice,” the Irish New York City PI, a former cop bounced from the force for being too honest, finds himself in sweltering St. Louis. In August of 1931 Donahue would return to the Arch City in “Spare the Rod.” In between, Nebel wrote a three-story serial of connected adventures that appeared in consecutive issues.

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