Black Gate – Page 409 – Adventures in Fantasy Literature

The Top 50 Black Gate Posts in March

Sunday, April 22, 2018 John ONeill Comments 6 comments

The most popular topic at Black Gate last month was the Gary Con gaming convention in Lake Geneva, Wisconsin, Gary Gygax’s home town. Part 1 of my convention report, in which I detailed the angry fallout among Pathfinder licensees to Paizo’s announcement of an impending Second Edition — including the “Pathfinder by the POUND!!” liquidation at the Frog God booth — was our most popular post for the month, by a pretty wide margin. Part 2 of my report, a 17-photo pictorial walkaround of the gorgeously well-stocked Goodman Games/Black Blade booth, came in at #3.

Gary Con wasn’t the only topic of interest in March, however. The second most-trafficked article for the month was Rich Horton’s commentary on the Hugo nominations, and our look at Unbound Worlds’ suggestions on where to start with Gothic Space Opera came in at #4. Rounding out the Top Five was Bob Byrne’s recap of his epic adventures with Gabe Dybing, Martin Page and his son Xander, and the new Conan RPG from Modiphius Entertainment.

Thomas Parker got into the spirit of our recent Ace Double reviews with “Doubling Down, or Just How Bad Are Ace Doubles, Anyway?” and that was good enough to win him the #6 slot for March. Joe Bonadonna claimed #7 with his review of Tempus With His Right-Side Companion Niko, by Janet Morris. Sean McLachlan picked up on the vintage paperback theme nicely with “STRANGE! WEIRD! EERIE! The Odd, Unusual, and Uncanny Biography of Lionel Fanthorpe,” placing at #8.

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The April Fantasy Magazine Rack

Sunday, April 22, 2018 John ONeill Comments 0 Comment

Lots of great reading for fiction fans in April, including new stories by Black Gate writers John R. Fultz, Mike Resnick, and Nina Kiriki Hoffman, plus Sarah Pinsker, Cassandra Khaw, Nalo Hopkinson, Rob Vagle, Ray Vukcevich, Kristine Kathryn Rusch, Marissa Lingen, Sarah Monette, Will McIntosh, Timothy Mudie, Adam-Troy Castro, Rich Larson, Jiang Bo, O’Neil De Noux, Jerry Oltion, Steve Perry, and lots more.

The big news this month is the return of Pulphouse in a brand new quarterly, Pulphouse Fiction Magazine, edited by Dean Wesley Smith, and the continuing success of its sister publication Fiction River, an Original Fiction Anthology edited by Kristine Kathryn Rusch, which just released in 27th bimonthly issue, a 296-page Justice-themed volume. I’m also very pleased to see issue #5 of Dark Fantasy magazine The Audient Void, and the special 50th Anniversary issue of Locus.

Here’s the complete list of magazines that won my attention in April (links will bring you to magazine websites).

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Birthday Reviews: Damien Broderick’s “Under the Moons of Venus”

Sunday, April 22, 2018 Steven H Silver Comments 2 comments

Damien Broderick was born on April 22, 1944.

Broderick has won the Aurealis Award four times, for his short story “Infinite Monkey” and his novels The White Abacus, Transcension, and K-Machines. He has also won four Ditmar Awards, for his novels The Dreaming Dragon, White Abacus, Striped Holes, and the collection Earth Is But a Star. The Dreaming Dragon was also a John W. Campbell Memorial nominee and his story “This Wind Blowing, and This Tide” was one of two Theodore Sturgeon Memorial Award nominations. In 2005, he received a Distinguished Scholarship from the IAFA and in 2010, he was awarded the A. Bertram Chandler Memorial Award.

“Under the Moons of Venus” was originally published in Subterranean Online in the Spring 2010 issue, edited by Jonathan Strahan. Strahan included the story in his The Best Science Fiction and Fantasy of the Year Volume 5 and it also appeared in David G. Hartwell and Kathryn Cramer’s Year’s Best SF 16, Rich Horton’s The Year’s Best Science Fiction 7 Fantasy 2011, Gardner Dozois’s The Year’s Best Science Fiction: Twenty-Eighth Annual Collection, and Allan Kaster’s audio anthology The Year’s Top Ten Tales of Science Fiction 3. Broderick included it in his 2012 collection Adrift in the Noösphere: Science Fiction Stories. The story was nominated for a Theodore Sturgeon Memorial Award.

The title of Broderick’s “Under the Moons of Venus” evokes Edgar Rice Burroughs’s “Under the Moons of Mars,” the first Barsoom story, later reprinted as A Princess of Mars. The story itself, while it has elements that are reminiscent of John Carter’s exploits, is actually quite different, focusing its attention on Robert Blackett, who is wealthy in a seemingly depopulated world, working with a therapist, Clare Laing, who he is convinced is trying to seduce him, and consulting with his friend, Kafele Massri.

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Congratulations to Ryan Harvey on his 300th Blog Post!

Saturday, April 21, 2018 John ONeill Comments 1 comment

If you stopped by the blog earlier today, you may have noticed a brief notice from our Saturday morning blogger Ryan on the occasion of his 300th post at Black Gate.

If you’re not a regular, you can be forgiven for not appreciating just what a big deal this is. But here’s a few facts to put it into perspective: over the last decade we’ve welcomed well over 250 different bloggers and guest writers, many of whom have become regular contributors. Only three others have produced the volume of content Ryan has: Matthew David Surridge (332 articles), Sue Granquist (408), and myself.

Here’s another one: Ryan has been writing for us for ten years, and in the past 12 months alone has produced 100,000 words at Black Gate. That’s the rough equivalent of 10 volumes of lively journalism on John Carpenter, monster movies, Edgar Rice Burroughs, Clark Ashton Smith, sword-and-sandal epics, and other topics of vital national interest.

But Ryan’s accomplishment isn’t just a matter of statistics, as impressive as they are. Unlike Matthew, Sue, and me, Ryan was one of our founding contributors on the blog, recruited by Howard Andrew Jones to create the leading online magazine of modern fantasy a decade ago. In a very real way he led the way, defining our identity and showing just what we could accomplish. With his boundless enthusiasm for the best in both modern and classic fantasy, and his relentless pursuit of excellence in the art of fantasy journalism, he blazed a path for the rest of us to follow.

So today I hope you’ll raise a glass in honor of the spiritual leader at Black Gate, the man whom I’m proud to call my friend. Ladies and gentlemen, I give you Mr. Ryan Harvey.

My 300th Black Gate Post: Why I Write About What I Write About

Saturday, April 21, 2018 Ryan Harvey Comments 8 comments

steve-reeves-and-sylva-koscina-in-hercules-pietro-francisci-1958

This is my three hundredth post at Black Gate. This year also marks the tenth anniversary of my first post as a regular blogger. I remember when John O’Neill first invited me to be a part of this project, back when none of us had any idea where it would go — I certainly didn’t think it would last for a decade and that I’d still be around. Or that John would win a World Fantasy Award for it. Yet here the site is, ten years later and a World Fantasy Award richer, and I still can’t believe people show up to read what I have to say about Hercules movies, Godzilla, and Tarzan. It’s humbling to be part of a site with such a wealth of amazing material, great contributors, and so many dedicated and intelligent readers.

I’ve changed enormously as a nonfiction writer over these ten years, and most of the changes happened because of Black Gate. When I started my regular posts, I had only a blurry vision of the sort of blogger I wanted to be. The reality has turned out different because I made interesting discoveries about my own tastes along the way: specifically, what it is that I most enjoy writing about. I once imagined I’d write primarily about fantasy literature, Conan pastiches, and writing techniques. Now I write about monster movies, John Carpenter, and Edgar Rice Burroughs.

To mark my personal anniversary, I’m going to offer an apologia of sorts — an explanation of why I write about the topics I write about most frequently on Black Gate. None of these were in the plan on Day 1, and I’m probably the person who’s most curious about how these subjects turned into my main nonfiction focus.

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Birthday Reviews: Fiona Kelleghan’s “Secret in the Chest”

Saturday, April 21, 2018 Steven H Silver Comments 2 comments

Fiona Kelleghan was born on April 21, 1965. Most of her writing is non-fiction. She produced Mike Resnick: An Annotated Bibliography and Guide to His Work in 2000 and two volumes in the Classics of Science Fiction and Fantasy Literature series. She has also published a variety of essays and reviews over the years.

Kelleghan’s only fiction is the fantasy story “Secret in the Chest,” purchased by Shawna McCarthy for Realms of Fantasy, which published it in the October 1998 issue. The story has never been reprinted.

Although “The Secret Chest” seems to start out as a standard damsel in distress/knight on a quest story, it quickly demonstrates that Kelleghan is doing something very different. Sir Palavere comes across a castle while he is seeking to save his village and finds himself having to respond to three challenges from Darcia, a woman who is tied to the castle. The reasons for her link to the castle and the rules surrounding the three challenges are unimportant and Kelleghan doesn’t delve into them. They are part of the fantasy narrative and by ignoring them, Kelleghan is challenging them.

Throughout the story, Kelleghan also frequently breaks the structure of fiction, addressing the reader directly in phrasing which is designed to make the reader consider the clichés which the story includes and deconstructs. These asides are unnecessary to the story Kelleghan is telling, which works perfectly well without them, but they adds depth and additional humor. And “Secret in the Chest” makes the reader want to see additional fiction from the author.

Reviewed in its only publication in the magazine Realms of Fantasy, edited by Shawna McCarthy, October 1998.

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New Treasures: Blackfish City by Sam J. Miller

Friday, April 20, 2018 John ONeill Comments 0 Comment

Sam J. Miller’s short stories have been nominated for the Nebula, World Fantasy, Sturgeon, and Locus Awards. His debut novel The Art of Starving (2017), a YA tale about a boy who discovers that starving gives him superpowers, was nominated for the Andre Norton Award, and was an honorable mention for the 2017 Tiptree Award. John DeNardo selected it as one of the Best Bets for SF, Fantasy and Horror in July. His new novel Blackfish City is one of the most anticipated SF books of the year. It arrived in hardcover this week.

After the climate wars, a floating city is constructed in the Arctic Circle, a remarkable feat of mechanical and social engineering, complete with geothermal heating and sustainable energy. The city’s denizens have become accustomed to a roughshod new way of living, however, the city is starting to fray along the edges — crime and corruption have set in, the contradictions of incredible wealth alongside direst poverty are spawning unrest, and a new disease called “the breaks” is ravaging the population.

When a strange new visitor arrives—a woman riding an orca, with a polar bear at her side — the city is entranced. The “orcamancer,” as she’s known, very subtly brings together four people — each living on the periphery — to stage unprecedented acts of resistance. By banding together to save their city before it crumbles under the weight of its own decay, they will learn shocking truths about themselves.

Blackfish City is a remarkably urgent — and ultimately very hopeful — novel about political corruption, organized crime, technology run amok, the consequences of climate change, gender identity, and the unifying power of human connection.

Blackfish City was published by Ecco on April 17, 2018. It is 336 pages, priced at $22.99 in hardcover, and $11.99 in digital formats. The cover was designed by Will Staehle. Read a sample chapter at the Orbit Books website.

Backstory Cards: for Roleplayers, Writers, and Game-Runners

Friday, April 20, 2018 C.S.E. Cooney Comments 0 Comment

Tim

So, our friend Tim Rodriguez came by our home a few weeks back when we were hosting a game-night. We’d thrown the doors open to a bunch of game-lovers of our acquaintance for a night of food and play, and they flocked in with their favorite games (Wari, or Oware, being the game that got the most giggles) and some very fine (I was told) single malt whiskey. (Or maybe it was double-barreled? Something. I don’t know; I was too busy making lasagna.)

Anyway, Tim brought some new Backstory Cards to playtest. Most of us (including me) who volunteered to playtest with him hadn’t role-played in, well, ever. Or at least for years, the fog of memory obscuring most of the details.

. . . But since we were just testing the cards for story-potential and not playing an actual game, it seemed to work out well enough, and pretty soon we were all, like, a gaggle of giant fungal glow-in-the-dark monster crabs running around ravaged urban landscapes bringing down mobsters. You know. Like you do.

And sometime in all the chaos, Tim may have mentioned something about a new Kickstarter project.

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In 500 Words or Less: Gods, Monsters and the Lucky Peach by Kelly Robson

Friday, April 20, 2018 Brandon Crilly Comments 0 Comment

Gods, Monsters and the Lucky Peach
By Kelly Robson
Tor (240 pages, $14.99 paperback, $3.99 eBook, March 2018)
Cover by Jon Foster

The other night I was looking out my window at the light snowstorm cascading onto Ottawa, after dealing with freezing rain and power outages, and trying very hard not to wonder what the world is going to look like in fifty years. I mean, we all ponder it sometimes, right? Maybe half the planet is underwater. Maybe we’ve developed solid, widespread renewables. Maybe we’re making plans to go somewhere else. Maybe we’ve moved everyone into skyscrapers like Kim Stanley Robinson suggests, to let nature rebuild?

Writers like to focus on what the near-future might look like a lot, which means it’s tough to come up with a unique take on it – and that makes Kelly Robson’s Gods, Monsters and the Lucky Peach so impressive. (How’s that for a segue?!) In her novella, humanity isn’t just rebuilding from past ecological disasters – we’ve also figured out time travel, which makes long-term restoration projects suddenly less interesting. The corporate stranglehold in both arenas is just one piece of a world that feels like it could be decades ahead of us, instead of centuries. Between vivid, realistic technology like “fakes” for handling instant messaging and designer prosthetics, and slang nicknames like “hells” for underground habitats and “fat babies” for children born in creches, Robson gives us something instantly relatable but also fresh. (All of that sounds very review-y in its lingo, but it’s 100% true!)

On top of that, Robson gives us an octogenarian protagonist, Minh, who struggles with anything that isn’t done “her way” and is balanced with a youthful counterpart who’s just as stubborn and determined to succeed. There’s no preachiness about age in either direction, though; instead, the story hinges on Minh realizing things about herself and working with a team, as they face the very real dangers of 2024 BCE. That overlap between past and future is where the truly excellent tension-building presents itself, as the story jumps between Minh and her team preparing for their journey and the perspective of a Mesopotamian king, Shulgi, whose people are troubled by new stars and bizarre monsters. Knowing that the latter is obviously a bunch of time travelers and that things are going to horribly wrong is only half the fun; the rest is when the two timelines sink up, and you realize exactly where Minh and her team fit into Shulgi’s story.

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Birthday Reviews: Peter S. Beagle’s “King Pelles the Sure”

Friday, April 20, 2018 Steven H Silver Comments 0 Comment

Peter S. Beagle was born on April 20, 1939.

Beagle received the Nebula Award and Hugo Award for his novelette “Two Hearts,” set in the same world as his classic novel The Last Unicorn. He received the Mythopoeic Award in 1987 for his novel The Folk of the Air and in 2000 for the novel Tamsin. His collection The Rhinoceros Who Quoted Nietzsche and Other Odd Acquaintances received the Grand Priz de l’Imaginaire and his story “El Regalo” received the WSFA Small Press Award. He has been nominated for the World Fantasy Award seven times, and in 2011 received their Lifetime Achievement Award. In about a month, Beagle will be inducted as a SFWA Grand Master at the 2018 SFWA Nebula Conference in Pittsburgh, PA.

“King Pellas the Sure” was first published in the chapbook Strange Roads, which contained three original stories by Beagle. David G. Hartwell and Kathryn Cramer included the story in Year’s Best Fantasy 9 and Rich Horton included it in The Year’s Best Science Fiction and Fantasy, 2009 Edition. Beagle has included the story in two of his own collections, We Never Talk About My Brother and Mirror Kingdoms: The Best of Peter S. Beagle.

“King Pelles the Sure,” focuses on the monarch of an infinitesimal kingdom who yearns for the glory that he sees warrior kings attaining. Despite the protestations of his Grand Vizier, who has already seen what war really does, as opposed to the glorification of war that is the stuff of bards and legend, King Pelles insists that they arrange to be invaded by one of their neighbors.

In this strangely manufactured war, Beagle’s story recalls the 1955 Leonard Wibberley novel The Mouse That Roared, although Beagle’s story is much less satirical than Wibberly’s. After the war begins, King Pelles finds that no matter what his intentions, once the dogs of war have been loosed, they can not be effectively reined in. The tale could have been a trite fairy tale, but the manner in which Beagle teaches Pelles a variety of lessons makes it a memorable fable.

Reviewed in its original publication in the collection Strange Roads, by Peter S. Beagle, DreamHaven, 2008.

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